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1000 tulosta hakusanalla Georg Herzfeld
Herzfeld, G: Rathsel Des Exeterbuches Und Ihr Verfasser (189
Georg Herzfeld
KESSINGER PUBLISHING, LLC
2010
nidottu
Georg Hermann: Doktor Herzfeld. Die Nacht / Schnee Beide Teile in einem Buch Erstdruck des ersten Teils Die Nacht des Dr. Herzfeld: Stuttgart, Deutsche Verlagsanstalt, 1912. Der zweite Teil, Schnee: Berlin, Fleischel und Co., 1921. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2019. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Gerhard Munthe, Schnee am Abend, um 1920. Gesetzt aus der Minion Pro, 11 pt.
Georg Hermann: Doktor Herzfeld. Die Nacht / Schnee Beide Teile in einem Buch Erstdruck des ersten Teils Die Nacht des Dr. Herzfeld: Stuttgart, Deutsche Verlagsanstalt, 1912. Der zweite Teil, Schnee: Berlin, Fleischel und Co., 1921. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2019. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Gerhard Munthe, Schnee am Abend, um 1920. Gesetzt aus der Minion Pro, 11 pt.
First published in 1900, this Reader uses four manuscripts from the British Museum and Corpus Christi College Cambridge to present a thorough introduction along with a dual-language edition of the text. The original manuscripts, as Herzfeld demonstrates, are of varying qualities and comprise of the Anglian, West Saxon, Kentish and Mercian dialects. The re-edited text is presented alongside historical remarks, criticism of the manuscript, the text’s ultimate date and place of origin and an exploration of its potential sources.
First published in 1900, this Reader uses four manuscripts from the British Museum and Corpus Christi College Cambridge to present a thorough introduction along with a dual-language edition of the text. The original manuscripts, as Herzfeld demonstrates, are of varying qualities and comprise of the Anglian, West Saxon, Kentish and Mercian dialects. The re-edited text is presented alongside historical remarks, criticism of the manuscript, the text’s ultimate date and place of origin and an exploration of its potential sources.
“Marvelous. . . . Wonderfully imaginative. . . . Sparkling.”—Wall Street Journal “Stunning. . . . Read this book: in equal measure it will give you hope and trouble your dreams.”—Laura Dassow Walls, author of Henry David Thoreau: A Life and Passage to Cosmos: Alexander von Humboldt’s Shaping of America Georg Forster (1754–94) was in many ways self-taught and rarely had two cents to rub together, but he became one of the most dynamic figures of the Enlightenment: a brilliant writer, naturalist, explorer, illustrator, translator—and a revolutionary. Granted the extraordinary opportunity to sail around the world as part of Captain James Cook’s fabled crew, Forster touched icebergs, walked the beaches of Tahiti, visited far-flung foreign nations, lived with purported cannibals, and crossed oceans and the equator. Forster recounted the journey in his 1777 book A Voyage Round the World, a work of travel and science that not only established Forster as one of the most accomplished stylists of the time—and led some to credit him as the inventor of the literary travel narrative—but also influenced other German trailblazers of scientific and literary writing, most notably Alexander von Humboldt. A superb essayist, Forster made lasting contributions to our scientific—and especially botanical and ornithological—knowledge of the South Seas. Having witnessed more egalitarian societies in the southern hemisphere, Forster returned after more than three years at sea to a monarchist Europe entering the era of revolution. When, following the French Revolution of 1789, French forces occupied the German city of Mainz, Forster became a leading political actor in the founding of the Republic of Mainz—the first democratic state on German soil. In an age of Kantian reason, Forster privileged experience. He claimed a deep connection between nature and reason, nature and politics, nature and revolution. His politics was radical in its understanding of revolution as a natural phenomenon, and in this often overlooked way his many facets—as voyager, naturalist, and revolutionary—were intertwined. Yet, in the constellation of the Enlightenment’s trailblazing naturalists, scientists, political thinkers, and writers, Forster’s star remains relatively dim today: the Republic of Mainz was crushed, and Forster died in exile in Paris. This book is the source of illumination that Forster’s journey so greatly deserves. Tracing the arc of this unheralded polymath’s short life, Georg Forster explores both his contributions to literature and science and the enduring relationship between nature and politics that threaded through his extraordinary four decades.
Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations, many of them prepared by the editor, preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.