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1000 tulosta hakusanalla George Frederick Kneller

George Frederick Bristow

George Frederick Bristow

Katherine K. Preston

University of Illinois Press
2020
sidottu
As American classical music struggled for recognition in the mid-nineteenth century, George Frederick Bristow emerged as one of its most energetic champions and practitioners. Katherine K. Preston explores the life and works of a figure admired in his own time and credited today with producing the first American grand opera and composing important works that ranged from oratorios to symphonies to chamber music. Preston reveals Bristow's passion for creating and promoting music, his skills as a businessman and educator, the respect paid him by contemporaries and students, and his tireless work as both a composer and in-demand performer. As she examines Bristow against the backdrop of the music scene in New York City, Preston illuminates the little-known creative and performance culture that he helped define and create. Vivid and richly detailed, George Frederick Bristow enriches our perceptions of musical life in nineteenth-century America.
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George Frederick Bristow

George Frederick Bristow

Katherine K. Preston

University of Illinois Press
2020
nidottu
As American classical music struggled for recognition in the mid-nineteenth century, George Frederick Bristow emerged as one of its most energetic champions and practitioners. Katherine K. Preston explores the life and works of a figure admired in his own time and credited today with producing the first American grand opera and composing important works that ranged from oratorios to symphonies to chamber music. Preston reveals Bristow's passion for creating and promoting music, his skills as a businessman and educator, the respect paid him by contemporaries and students, and his tireless work as both a composer and in-demand performer. As she examines Bristow against the backdrop of the music scene in New York City, Preston illuminates the little-known creative and performance culture that he helped define and create. Vivid and richly detailed, George Frederick Bristow enriches our perceptions of musical life in nineteenth-century America.
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George Frederick Cooke

George Frederick Cooke

Don B. Wilmeth

Praeger Publishers Inc
1980
sidottu
George Frederick Cooke was a member of that select company of legendary actors -- Garrick, Kemble, Henderson, Kean -- who dominated the English stage during the late 18th and early 19th centuries. He was the first important actor to cross the Atlantic and to play the theatres of the new United States. Don B. Wilmeth's extensive research in Cooke's journal and in many other contemporary sources provides us with a new appreciation of the actor's importance.
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The Life of George Frederick Handel

The Life of George Frederick Handel

William Smith Rockstro

Cambridge University Press
2013
pokkari
Beloved not only in Britain, George Frideric Handel (1685–1759) is admired as a composer the world over. His inventive and sensitive melodic genius and his exuberant brilliance in depicting the spectacular are best displayed in his Messiah and Zadok the Priest. Larger than life, Handel impressed all who met him and was adept at promoting his works, arranging for their publication and even selling them from his home in London's Brook Street. His dogged determination to triumph over the many reverses of his career and the fickle enthusiasms of the Georgian public is the stuff of three-volume novels. This sympathetic and highly readable biography by the composer and author William Smith Rockstro (1823–95) was first published in 1883. Wherever possible, autograph manuscripts have been consulted and the book contains the first detailed catalogue of Handel's output. Among other works, Rockstro's biography of Mendelssohn is also reissued in this series.
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Anecdotes of George Frederick Handel, and John Christopher Smith

Anecdotes of George Frederick Handel, and John Christopher Smith

Coxe William

Cambridge University Press
2014
pokkari
The author and clergyman William Coxe (1748–1828), noted for his travel works, was the stepson of Handel's amanuensis, German-born John Christopher Smith (1712–95). First published in 1799, the present work is a valuable source of first-hand information about two men at the heart of eighteenth-century English music: George Frideric Handel (1685–1759), whose inventive and sensitive melodic genius and exuberant brilliance in depicting the spectacular are best displayed in his Messiah and Zadok the Priest, and Smith, a composer of attractive and fashionable music, who settled in London in 1720, took lessons with Handel and later supported the great composer as his eyesight failed. Smith was also organist at the Foundling Hospital until 1770. This publication, profits from which were intended to support Smith's family, draws on the works of John Hawkins and Charles Burney, and on anecdotes claimed to be 'derived from unquestionable authority'.
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Anecdotes of George Frederick Handel, and John Christopher Smith. With Select Pieces of Music, Composed by J. C. Smith, Never Before Published

Anecdotes of George Frederick Handel, and John Christopher Smith. With Select Pieces of Music, Composed by J. C. Smith, Never Before Published

William Coxe

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT139674Anonymous. By William Coxe. Large paper issue. "Only sixty copies of this impression on imperial paper were printed, for the sole use of the subscribers" (note at the foot of the Advertisement). With a half-title and a list of subscribers and 34 numberLondon: printed by W. Bulmer and Co. Sold by Cadell and Davies; E. Harding; Birchall, music-seller; and J. Eaton, Salisbury, 1799. 8], iv,64p., plates: ports., engr.music; 4
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Anecdotes of George Frederick Handel, and John Christopher Smith. with Select Pieces of Music, Composed by J. C. Smith, Never Before Published

Anecdotes of George Frederick Handel, and John Christopher Smith. with Select Pieces of Music, Composed by J. C. Smith, Never Before Published

William Coxe

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT139675Anonymous. By William Coxe. With a half-title, and a list of subscribers and 34 numbered pages of engraved music following the text.London: printed by W. Bulmer and Co. Sold by Cadell and Davies; E. Harding; Birchall, music-seller; and J. Eaton, Salisbury, 1799. 8], iv,64p., plates: ports., engr.music; 4
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