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1000 tulosta hakusanalla George Garnett

The Norman Conquest

The Norman Conquest

George Garnett

Oxford University Press
2009
nidottu
The Norman Conquest in 1066 was the last time England was successfully invaded, and was one of the most profound turning points in English history, cataclysmically transforming a disparate collection of small nations into a European state. But what actually happened? How was the invasion viewed by those who witnessed it? And how has its legacy been seen by generations since? This fascinating Very Short Introduction reveals how dramatically English life was changed, from its language to its law, and focuses on the differing ways the conquest has been viewed by historians and in folklore ever since. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Conquered England

Conquered England

George Garnett

Oxford University Press
2007
sidottu
Conquered England argues that Duke William of Normandy's claim to succeed Edward the Confessor on the throne of England profoundly influenced not only the practice of royal succession, but also played a large part in creating a novel structure of land tenure, dependent on the king. In these two fundamental respects, the attempt made in the aftermath of the Conquest to demonstrate seamless continuity with Anglo-Saxon England severed almost all continuity. A paradoxical result was a society in which instability in succession at the top exacerbated instability lower down. The first serious attempt to address these problems began when arrangements were made, in 1153, for the succession to King Stephen. Henry II duly succeeded him, but claimed rather to have succeeded his grandfather, Henry I, Stephen's predecessor. Henry II's attempts to demonstrate continuity with his grandfather were modelled on William the Conqueror's treatment of Edward the Confessor. Just as William's fabricated history had been the foundation for the tenurial settlement recorded in the Domesday Book, so Henry II's, in a different way, underpinned the early common law procedures which began to undermine aspects of that settlement. The official history of the Conquest played a crucial role not only in creating a new society, but in the development of that society.
The Norman Conquest in English History

The Norman Conquest in English History

George Garnett

Oxford University Press
2021
sidottu
The Norman Conquest in English History, Volume 1: A Broken Chain? pursues a central theme in English historical thinking over seven centuries. Covering more than half a millennium, this first volume explains how and why the experience of the Norman Conquest prompted both an unprecedented campaign in the early twelfth century to write (or create) the history of England, and to excavate (and fabricate) pre-Conquest English law. Garnett traces the treatment of the Conquest in English historiography, legal theory and practice, and political argument through the middle ages and early modern period, examining the dispersal of these materials from libraries afer the dissolution of the monasteries, and the attempts made to rescue, edit, and print many of them in the late sixteenth and early seventeenth centuries. These preservation efforts enabled the Conquest to become still more contested in the constitutional cataclysms of the seventeenth century than it had been in the eleventh and twelfth. The seventeenth-century resurrection of the Conquest will be the subject of a second volume.
The Norman Conquest in English History

The Norman Conquest in English History

George Garnett

Oxford University Press
2025
nidottu
The Norman Conquest in English History, Volume 1: A Broken Chain? pursues a central theme in English historical thinking over seven centuries. Covering more than half a millennium, this volume explains how and why the experience of the Norman Conquest prompted both an unprecedented campaign in the early twelfth century to write (or create) the history of England, and to excavate (and fabricate) pre-Conquest English law. Garnett traces the treatment of the Conquest in English historiography, legal theory and practice, and political argument through the middle ages and early modern period, examining the dispersal of these materials from libraries afer the dissolution of the monasteries, and the attempts made to rescue, edit, and print many of them in the late sixteenth and early seventeenth centuries.
Marsilius of Padua and 'the Truth of History'

Marsilius of Padua and 'the Truth of History'

George Garnett

Oxford University Press
2006
sidottu
Marsilius of Padua is conventionally seen as a thinker ahead of his time: the first secular political theorist, and the first post-classical thinker to espouse republicanism. He is presented as a scholastic precursor of the republican humanists of the Renaissance. Starting with an examination of the neglected evidence for Marsilius's life, and the contemporary response to his best-known work, the Defensor Pacis, this new study argues that such an interpretation is quite wrong. It shows that Marsilius was not a republican, but an imperialist; and that far from being a secular political theorist, his great work Defensor Pacis is underpinned by a profound Christian understanding of history as a providentially ordained process.
Law and Jurisdiction in the Middle Ages

Law and Jurisdiction in the Middle Ages

Walter Ullmann; George Garnett

Variorum
1988
sidottu
Walter Ullmann's contribution to the study of medieval political and legal thought needs no emphasis. In the present volume are collected a number of the early articles which it was not possible to include in his previous collections, together with others published since those volumes appeared. The articles display a striking consistency of approach, though in the more than forty years separating the earliest from the latest there is an obvious development in his thought. Ullman held the view that the law must be studied in its own historical context, as a function of society and a product of the factors which shaped social life; equally, he stressed the central position of the law in the study of medieval history, for its precise character meant that it could provide a more reliable probe into medieval beliefs and doctrine than any other form of evidence.
Une histoire d'Amour : George Sand et A. de Musset Documents inédits, Lettres de Musset (Edition1)
Turgenev: A Study, is a classical book and has been considered important throughout the human history. So that this book is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this again in a modern format book for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Aleksandr Nicolaevich Ostrovsky, play's collection

Aleksandr Nicolaevich Ostrovsky, play's collection

George Rapall Noyes; Constance Garnett; Aleksandr Nicolaevich Ostrovsky

Createspace Independent Publishing Platform
2014
nidottu
Alexander Nikolayevich Ostrovsky (12 April 1823, Moscow, 14 June Russian Empire) was a Russian playwright, generally considered the greatest representative of the Russian realistic period. The author of 47 original plays, Ostrovsky "almost single-handedly created a Russian national repertoire."] His dramas are among the most widely read and frequently performed stage pieces in Russia. In this ebook: The Storm A prot g e of the Mistress Poverty is no crime Sin and sorrow are common to all It's a family affair-We'll settle it ourselves
George Garrett

George Garrett

George Garrett

Harbour Publishing
2019
pokkari
"George Garrett is one of the most remarkable reporters of news that I have ever known. He has always had the ability to smell a good story and to report on it honestly and accurately." --Jim Pattison, Canadian business magnate Starting from humble beginnings as a farm boy in Saskatchewan, George Garrett rose through the ranks of journalism and came to be known as the reporter who, as radio personality Rafe Mair recalled, "seemed to know details almost as soon as the police did" on such infamous stories as the Clifford Olson murders. He was willing to take risks to get to the real story, which resulted in his being assaulted in the Rodney King riots in Los Angeles among many other scrapes. In this memoir, Garrett shares the behind-the-scenes tales of his harrowing, humorous and occasionally humiliating investigative tactics, from posing as an accident victim to uncover the questionable practices of an insurance claim lawyer, to acting as a tow truck driver to expose a forgery scheme, and baring it all for the sake of an interview with a local nudist colony. Garrett also delves into the personal details of his life, sharing the hardships and resilience that marks him as an empathetic storyteller. He reveals the heartbreaking loss of his son in a canoeing accident, and his wife Joan's devastating diagnosis of Alzheimer's disease which inspired him to dedicate his time to supporting the Alzheimer Society. Through it all, George Garrett never lost the insatiable curiosity that, according to Rafe Mair, made him the "standard by which good reporting is judged."
George Garrett

George Garrett

Casey Clabough

Texas Review Press
2013
nidottu
Considering George Garrett’s life and work in the continuum of American literary history, it is perhaps most profitable to place him in the tradition of the now exceedingly rare Southern “man of letters”—he (or she) who embraces and produces literature in all its complexity and in multiple forms (novels, short stories, poems, plays, criticism, translation, editing, and so on).This kind of Southern writer, stretching back to Edgar Allan Poe, perhaps finds its best modern examples in the Nashville-based writers of the 1920s and 1930s. Chronologically, Garrett, born in 1929, probably was the most variously gifted Southern writer to arrive on the scene following Robert Penn Warren. Indeed, it is in such company that his life and work belong.
Days of Our Lives Lie in Fragments

Days of Our Lives Lie in Fragments

George Garrett

Louisiana State University Press
1998
nidottu
Although George Garrett is best known for his outstanding fiction, he has also written a large body of superb poetry. This generous compilation, which brings together the work of almost a half-century and adds to it some forty-three new poems, splendidly affirms Henry Taylor's assertion that ""[George Garrett's] poetry is among the treasures of contemporary literature.""Garrett's older poems are arranged in roughly chronological order, enabling the reader to see how his work has changed even as it addresses his unaltering central concerns. Through various styles and forms, ranging from bawdy satires to quiet lyrics, Garrett remains an unwavering moralist, one who confronts larger issues without affectation or evasion. The new poems here cover fresh ground and offer surprising discoveries, but their voice is unmistakably Garrett's. Garrett's poems can be intensely personal, extremely witty, evocative of real places, or beautiful love ballads. Yet, for all of its diversity, Garrett's poetry has an extraordinary unity of vision that is magnified in this remarkable collection of his life's work.
The Cry of An Occasion

The Cry of An Occasion

George Garrett

Louisiana State University Press
2001
sidottu
To drink deep of the direction and sensibility of contemporary southern fiction, savor each dram in this delectable volume. Nineteen of the South's most venerable writers- Madison Smartt Bell, Doris Betts, Fred Chappell, Ellen Douglas, Shelby Foote, George Garrett, Allan Gurganus, Barry Hannah, William Hoffman, Madison Jones, Michael Knight, William Henry Lewis, Jill McCorkle, Lewis Nordan, Louis D. Rubin, Jr., Lee Smith, Elizabeth Spencer, Walter Sullivan, and Allen Wier- have selected a short work for inclusion here. All of the contributors are affiliated with the Fellowship of Southern Writers, organized in 1989 under the inspiration of the late Cleanth Brooks for the purpose of encouraging and honoring excellence in southern letters.Each piece in The Cry of an Occasion celebrates the distinctness of southern experience, giving expression in story form to a singular episode of mind, heart, or will. Varying from whimsical to ominous to sidesplitting to melancholy, the stories share a regard for the people who brush against us and in so doing shape us- generations of family especially, neighbors, as well as those occasional individuals who can mysteriously yet profoundly affect our lives.On a freezing December night, a woman returning home from a first date with a man finds herself locked out of her apartment; the pains he takes to help her surprise them both. A teenage girl suffers the day of her grandmother's funeral attempting to be adult, furious with the pessimism of her mother and wounded by the absence of her father since she was three. A slave fleeing Mississippi in 1862 draws on the wisdom of breaking horses passed down from his grandfather to win assistance in his flight for freedom. Fourteen years after his teenage son's death, a man realizes his mourning is incomplete despite therapy, relocation, and the outward signs of contentment. A pregnant woman has vivid dreams- of giving birth to a kitten, of -forgetting her baby on the hood of her car, and of concealing a joint in her bra- as she watches Boston's changing seasons and struggles with her torturous enjoyment of smoking.""Now where will it all end?"" asks one character. ""All this pain and loving, mystery and loss. And it just goes on and on."" The occasion and expression of southern fiction are in hale and hardy form, and reading this exemplary collection is pure pleasure.
The Cry of An Occasion

The Cry of An Occasion

George Garrett

Louisiana State University Press
2002
nidottu
This ""smorgasbord of literary offerings"" (Publishers Weekly) self-selected by its contributors- ""a long list of luminaries"" (Library Journal)- includes works by Madison Smartt Bell, Doris Betts, Fred Chappell, Ellen Douglas, Shelby Foote, George Garrett, Allan Gurganus, Barry Hannah, William Hoffman, Madison Jones, Michael Knight, William Henry Lewis, Jill McCorkle, Lewis Nordan, Louis D. Rubin, Jr., Lee Smith, Elizabeth Spencer, Walter Sullivan, and Allen Wier. All are affiliated with the Fellowship of Southern Writers, organized in 1989 under the inspiration of the late Cleanth Brooks for the purpose of encouraging and honoring excellence in southern letters.Each piece in The Cry of an Occasion celebrates the distinctness of southern experience, giving expression in story form to a singular episode of mind, heart, or will. Reading this exemplary collection is pure pleasure.
Locales

Locales

George Garrett

Louisiana State University Press
2003
nidottu
The Fellowship of Southern Writers was founded in 1987 under the inspiration of Cleanth Brooks for the purpose of encouraging excellence and recognizing distinction in southern letters. Membership is by invitation only, and the group meets biennially and bestows prizes in fiction, poetry, drama, and nonfiction. Locales thus represents poetry of truly superlative quality, gathering works by Fellowship members and by esteemed writers who have won Fellowship awards for verse: A. R. Ammons, James Applewhite, Wendell Berry, Fred Chappell, Kelly Cherry, James Dickey, George Garrett, Rodney Jones, Andrew Hudgins, T. R. Hummer, Yusef Komunyakaa, Robert Morgan, George Scarbrough, Dave Smith, Henry Taylor, Ellen Bryant Voigt, Robert Penn Warren, and Charles Wright. Chosen by Fred Chappell, these poems reflect the truth that the general is most securely held to when in the grip of the particular. They are not just specific, not only regional, but tightly joined to highly detailed places within the southern sphere, wielding a far greater force and universal application than a placeless poetry might have. This ""southern gazette of heart and mind with mountains and valleys, forests and farms, rivers and marshes, graveyards and barrooms,"" as Fred Chappell describes the volume, offers a lyrical topography of the southern- and of the American- spirit that is inviting, entertaining, always surprising, and sometimes ominous. Far from being of merely regional interest, Locales demonstrates that there is no place, however small or remote or obscure, that cannot call forth a resonant outcry of the heart.
Double Vision

Double Vision

George Garrett

The University of Alabama Press
2007
nidottu
A writer named George Garrett, suffering from double vision as the result of an illness, is asked to review a biography of the late Peter Taylor, a renowned writer and his longtime friend. Reflecting on their relationship, Garrett conceives of a character - not unlike himself - a writer in his early 70s, ill and suffering from double vision, named Frank Toomer. He gives Toomer a neighbor, a distinguished writer named Aubrey Carver. As the real George Garrett and Peter Taylor are replaced by two very different and imaginary writers, the story becomes a wise and insightful exploration of American literary life, the art of biography, notions of literary success, and the knotty relationship of art to life, fact to fiction, and life to death. ""Double Vision"" is a witty tour de force and an elegy for a gifted generation of American writers.
Empty Bed Blues

Empty Bed Blues

George Garrett

University of Missouri Press
2006
nidottu
The fifteen stories of George Garrett's ""Empty Bed Blues"" (his eighth book-length collection) are vintage Garrett - no two alike - with each moving, one way and another, in new and daring directions. His stories are deeply concerned with the old verities of love and death and filled with the joys and woes of characters who come to life and command our attention. Diversity is the key word for Garrett's short fiction. He works in every known form and invents a few himself. In ""A Story Goes with It,"" Garrett fondly remembers an old friend while retelling a story the man once told him. Most of it is probably not accurate, as Garrett is quick to admit, but the mixture of fact with fiction makes for an entertaining read. His stories turn like the sharp curves of a mountain road, abruptly changing from a fond trip down memory lane to a sleazy reporter's quest along the backroads for the ultimate crime story in ""Pornographers."" He tops off his collection with ""A Short History of the Civil War,"" a series of poems written by two participants: one a Confederate, the other a Yankee. In the marriage of fact and fiction, of comedy and pathos, and the music of many voices, the stories of ""Empty Bed Blues"" reconfirm the judgment of novelist and story writer Richard Bausch, who said in 1998: ""There is no writer on the American scene with a more versatile, more eclectic, or more restless talent than George Garrett.