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Gerard Manley Hopkins

Gerard Manley Hopkins

Gerard Manley Hopkins

Oxford University Press
2009
nidottu
This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together all Hopkins's poetry and a generous selection of his prose writings to give the essence of his work and thinking. Gerard Manley Hopkins (1844-89) was one of the most innovative of nineteenth-century poets. During his tragically short life he strove to reconcile his religious and artistic vocations, and this edition demonstrates the range of his interests. It includes all his poetry, from best-known works such as 'The Wreck of the Deutschland' and ''The Windhover' to translations, foreign language poems, plays, and verse fragments, and the recently discovered poem 'Consule Jones'. In addition there are excerpts from Hopkins's journals, letters, and spiritual writings. The poems are printed in chronological order to show Hopkins's changing preoccupations, and all the texts have been established from original manuscripts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Gerard Manley Hopkins

Gerard Manley Hopkins

Gerald Roberts

Palgrave Macmillan
1994
nidottu
A concise study of the life and poetry of the Victorian priest-poet. Gerald Roberts gives a chronological description and analysis of Hopkins's career and writing, and pays due attention to the Victorian and Jesuit background. The resulting picture is of a man divided between the religious and the aesthetic life, a story of apparent failure and real achievement.
Gerard Manley Hopkins
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Gerard Manley Hopkins

Gerard Manley Hopkins

Angus Easson

Routledge
2010
sidottu
Gerard Manley Hopkins was among the most innovative writers of the Victorian period. Experimental and idiosyncratic, his work remains important for any student of nineteenth-century literature and culture.This guide to Hopkins’ life and work offers: a detailed account of Hopkins life and creative developmentan extensive introduction to Hopkins’ poems, their critical history and the many interpretations of his workcross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading.Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins’ work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them.
Gerard Manley Hopkins

Gerard Manley Hopkins

Angus Easson

Routledge
2010
nidottu
Gerard Manley Hopkins was among the most innovative writers of the Victorian period. Experimental and idiosyncratic, his work remains important for any student of nineteenth-century literature and culture.This guide to Hopkins’ life and work offers: a detailed account of Hopkins life and creative developmentan extensive introduction to Hopkins’ poems, their critical history and the many interpretations of his workcross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading.Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins’ work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them.
Gerard Manley Hopkins
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.
Gerard Manley Hopkins

Gerard Manley Hopkins

Gerard Manley Hopkins

Faber Faber
2012
nidottu
In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.Gerard Manley Hopkins (1844-1889) was born in Stratford. He attended Balliol College, Oxford where he befriended the future Poet Laureate Robert Bridges. While at Balliol he converted to Catholicism and after graduating he entered the Society of Jesus and was ordained in 1877. Having burned his early poems on entering the Church, Hopkins eventually took up writing again but apart from a few poems that appeared in periodicals he was not published during his own lifetime. Since the publication of his poems in 1918 he has become one of the best known poets of the Victorian age and his are among the greatest poems written on the subject of faith and doubt.
Gerard Manley Hopkins

Gerard Manley Hopkins

Robert Bernard Martin

Faber Faber
2011
nidottu
'Will surely rank as one of the foremost literary biographies of our time.'John Carey, Sunday Times In his lifetime Gerard Manley Hopkins (1844-1889) published just a single poem - only a few close friends were aware he wrote. Much of his work was burnt by fellow Jesuits on his death. And yet Hopkins is today a huge figure in English literature. Homosexual but terribly repressed, he channeled his emotions toward nature and God, with profound results. Princeton emeritus professor Martin, the only biographer to have unrestricted use of Hopkins' private papers, tells this extraordinary story from Hopkins' early life and studies at Oxford, through his tortuous conversion from Anglicanism to Catholicism, to his struggle in later years to retain his very sanity. 'In Martin, the unhappy and tormented genius has found the most sympathetic and intelligent interpreter... [The book] goes to the heart of Hopkins, and plants him firmly before us as a Victorian, and a great one.' Allan Massie, Sunday Telegraph 'Martin follows Hopkins through his toils with sympathy and a great unshowy command of the facts. In this magnificently solicitous biography he has re-established the contours of the story definitively and made the homosexual drama integral to the better-known drama of conversion and poetics.' Seamus Heaney, Independent on Sunday 'The triumph of this learned, scrupulously detailed and persuasive biography is that it brings the reader as near as it is perhaps possible to come to living Hopkins' life, to sensing the mysterious crushing pressures that were for him intimately bound up with the richness and complexity of his writing.'Hilary Spurling, Daily Telegraph
Gerard Manley Hopkins

Gerard Manley Hopkins

Daniel Brown

Liverpool University Press
2004
pokkari
This book introduces Hopkins' poetry and prose through its wide-ranging engagements with nature, language, science, philosophy, theology, prosody and social issues. Gerard Manley Hopkins did not write his poetry for his fellow Victorians nor indeed for the huge readership it has acquired since it was first published in 1918, almost forty years after his death. The present study argues that Hopkins' fascinatingly original poetry is the most complete expression of his life's work and that it becomes accessible when it is read with his prose writings as a passionate exploration of nature, language, philosophy, contemporary science, theology, and prosody, all of which are also drawn together in his central ideas of inscape and Sprung Rhythm. These contexts yield compelling new readings of the full range of his work, including his early poetry and his neglected poetic fragments, as well as those poems, such as The Windhover, by which he is best known. A final chapter steps back from the intensely private contexts in which the poetry was produced to examine its interactions with social issues of class and gender.
Gerard Manley Hopkins

Gerard Manley Hopkins

Daniel Brown

Liverpool University Press
2004
sidottu
This book introduces Hopkins' poetry and prose through its wide-ranging engagements with nature, language, science, philosophy, theology, prosody and social issues. Gerard Manley Hopkins did not write his poetry for his fellow Victorians nor indeed for the huge readership it has acquired since it was first published in 1918, almost forty years after his death. The present study argues that Hopkins' fascinatingly original poetry is the most complete expression of his life's work and that it becomes accessible when it is read with his prose writings as a passionate exploration of nature, language, philosophy, contemporary science, theology, and prosody, all of which are also drawn together in his central ideas of inscape and Sprung Rhythm. These contexts yield compelling new readings of the full range of his work, including his early poetry and his neglected poetic fragments, as well as those poems, such as The Windhover, by which he is best known. A final chapter steps back from the intensely private contexts in which the poetry was produced to examine its interactions with social issues of class and gender.
Poems of Gerard Manley Hopkins - Now First Published (Classic Works of Poetry in Hardcover)
This compendium of poems by Gerard Manley Hopkins includes his most famous works, together with a careful selection of his most critically acclaimed verses. Hopkins is one of the Victorian era's best appreciated poets, gaining much of his fame for his unique and religiously inspired subjects. A committed Jesuit, his poems were notable for including a technique of Hopkins' own invention named sprung rhythm. This connotes verse which is designed to imitate the patterns and pace of typical human speech. By 1918, when this collection of Hopkins' poetry first appeared, he had gained much renown. To emphasise that several of the entries had never been published previously, the subtitle of 'Now First Published' was appended. This and other anthologies helped introduce the talents of Hopkins to a wider audience, cementing his status in England's literary pantheon.
Poems of Gerard Manley Hopkins - Now First Published (Classic Works of Poetry)
This compendium of poems by Gerard Manley Hopkins includes his most famous works, together with a careful selection of his most critically acclaimed verses.Hopkins is one of the Victorian era's best appreciated poets, gaining much of his fame for his unique and religiously inspired subjects. A committed Jesuit, his poems were notable for including a technique of Hopkins' own invention named sprung rhythm. This connotes verse which is designed to imitate the patterns and pace of typical human speech. By 1918, when this collection of Hopkins' poetry first appeared, he had gained much renown. To emphasise that several of the entries had never been published previously, the subtitle of 'Now First Published' was appended. This and other anthologies helped introduce the talents of Hopkins to a wider audience, cementing his status in England's literary pantheon.
The Poems of Gerard Manley Hopkins

The Poems of Gerard Manley Hopkins

Gerard Manley Hopkins

Digireads.com
2018
pokkari
Relatively unknown in his own lifetime, Gerard Manley Hopkins is the now accredited as the author of some of the finest and most complex poems in the English language. As a Victorian poet, Roman Catholic convert, and Jesuit priest, Hopkins pioneered a revolutionary form of meter he termed "sprung rhythm" in his first major work, "The Wreck of the Deutschland." This poem, like most of Hopkins' work, reflects both his belief in the doctrine that human beings were created to praise God as well as his commitment to the Jesuit practices of meditation and spiritual self-examination. Hopkins' poetry is unconventional in its sensitivity to alliteration, assonance and consonance, as well as its characteristic diction and phrasing. This volume includes some of his most famous works: "Spring," "Pied Beauty," "God's Grandeur," "The Starlight Night," "Spelt from Sibyl's Leaves," and his most famous sonnet, "The Windhover." This edition is printed on premium acid-free paper.
Gerard Manley Hopkins

Gerard Manley Hopkins

Todd K. Bender

Johns Hopkins University Press
2020
pokkari
Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
The Poems of Gerard Manley Hopkins

The Poems of Gerard Manley Hopkins

Gerard Manley Hopkins

Benediction Classics
2017
pokkari
Gerard Manley Hopkins, a leading Victoria poet, known for his innovative style, is considered as influential as T.S. Eliot in initiating the modern movement in poetry. This edition is edited by Robert Bridges, poet laureate, and lifelong friend of Hopkins.
The Poems of Gerard Manley Hopkins

The Poems of Gerard Manley Hopkins

Gerard Manley Hopkins

Benediction Classics
2017
sidottu
Gerard Manley Hopkins, a leading Victoria poet, known for his innovative style, is considered as influential as T.S. Eliot in initiating the modern movement in poetry. This edition is edited by Robert Bridges, poet laureate, and lifelong friend of Hopkins.