Kirjahaku

The present edited collection of essays on the Sicilian author Goliarda Sapienza includes contributions from established and emerging scholars working in the field of contemporary women’s writing. Essays in this volume examine Sapienza through multiple perspectives, taking into account the articulation of subjectivity through autobiographical writing and the complex representation of gender and sexual identities. Also considered here is Sapienza’s oblique position within the Italian literary canon, with contributions moving beyond isolated textual analyses whilst attempting to situate the author’s works within a framework of intertextual and contextual cultural references. Exploring the fertile network of explicit and implicit intersections with Italian and European literature (English and French in particular), as well as with Western philosophical thought in which Sapienza’s texts are embedded, this volume will provide an overdue contribution to the belated appraisal of an author whose due recognition is, in Cesare Garboli’s words, only a matter of time: “Time will work in favour of Goliarda Sapienza’s works. And this is not a wish; it is a certainty.”

Italian writers Goliarda Sapienza (1924-1996) and Elena Ferrante are increasingly celebrated for their vivid depictions of women's lives and identities in twentieth and twenty-first century society. In a detailed comparison of Sapienza's multi-volume Autobiography of Contradictions (1967-1987) and Ferrante's world-famous Neapolitan Novels (2011-2014), this study contributes new insights to the rich fields of scholarship on both writers. It shows how reading these writers in conversation reveals a sense of fracture in modern Italian women's writing which uses literary representations of fractured female bodies and identities to open up wider debates about selfhood, corporeality, and the ethics of human relationships. Defying stereotypical depictions of female fragility and irrationality, Ferrante and Sapienza's fragmented female voices make of the novel of fragmentation in the modern Italian context a robust ethical tool for uncovering oppression and violence and their effects, demonstrating how Italian women writers since the 1960s have offered challenging and nuanced depictions of human subjectivity and moral development.Rebecca Walker is Government of Ireland Postdoctoral Fellow at Trinity College Dublin.

Goliarda Sapienza's The Art of Joy was written over a nine year span, from 1967 to 1976. At the time of her death in 1996, Sapienza had published nothing in a decade, having been unable to find a publisher for what was to become her most celebrated work, due to its perceived immorality. One publisher's rejection letter exclaimed: 'It's a pile of iniquity.' The manuscript lay for decades in a chest finally being proclaimed a "forgotten masterpiece" when it was eventually published in 2005. This epic Sicilian novel, which begins in the year 1900 and follows its main character, Modesta, through nearly the entire span of the 20th century, is at once a coming-of-age novel, a tale of sexual adventure and discovery, a fictional autobiography, and a sketch of Italy's moral, political and social past. Born in a small Sicilian village and orphaned at age nine, Modesta spends her childhood in a convent raised by nuns.Through sheer cunning, she manages to escape, and eventually becomes a princess. Sensual, proud, and determined, Modesta wants to discover the infinite richness of life and sets about destroying all social barriers that impede her quest for the fulfilment of her desires. She seduces both men and women, and even murder becomes acceptable as a means of removing an obstacle to happiness and self-discovery.Goliarda Sapienza (1924-1996) was born in Catania, Sicily in 1924, in an anarchist socialist family. At sixteen, she entered the Academy of Dramatic Arts in Rome and worked under the direction of Luchino Visconti, Alessandro Blasetti and Francesco Maselli. She is the author of several novels published during her lifetime: Lettera Aperta (1967), Il Filo Di Mezzogiorno (1969), Università di Rebibbia (1983), Le Certezze Del Dubbio (1987). L'Arte Della Gioia is considered her masterpiece.Anne Milano Appel, Ph.D., a former library director and language teacher, has been translating professionally for nearly twenty years, and is a member of ALTA, ATA, NCTA and PEN. Her translation of Giovanni Arpino's Scent of a Woman (Penguin, 2011) was named the winner of The John Florio Prize for Italian Translation (2013).

BUSTLE BEST BOOK OF THE WEEK PICK NAMED A BOOKSHOP.ORG RECOMMENDED READING OF THE SEASON In this charming, deeply atmospheric novel set against the Amalfi Coast of the 1950s, two women form an intense and lasting friendship that embodies the paradoxes of Italian society. Inspired by her own adventurous, unconventional life, actress and writer Goliarda Sapienza's recently rediscovered novel takes the reader to the sun-drenched town of Positano in southern Italy. There, while working on a film, Goliarda encounters the captivating Erica, a beautiful widow called "Princess" by the locals, who has been the object of much speculation. As the two women grow closer in spite of their different personalities, they gradually reveal more about their thoughts, feelings, and experiences, and the ghosts from their pasts that continue to hang over them. Writing the story of their transformative friendship thirty years later, Goliarda offers a profound reflection on love in its many forms, and opens a window onto an enchanting time and place that lingers in the mind. And this unlikely bond, forged between a leftist idealist and a traditional aristocrat, acts as a microcosm of Italy, illuminating its complex, competing impulses.

Goliarda Sapienzas Gledens kunst ble skrevet over en periode på ni år, fra 1967 til 1976. Da forfatteren døde i 1996, hadde hun ikke publisert noe på ti år. Ingen italienske forlag ville ta i det som skulle bli hennes mest kjente verk, på grunn av dets «usømmelighet». Manuskriptet ble liggende i skuffen i flere tiår før det ble hentet frem og gitt ut som en «glemt klassiker» i Italia og Frankrike i 2005–2006.I boka følger vi den sicilianske kvinnen Modesta fra hun blir født i året 1900. Med sin sterke personlighet utfordrer hun samtidens moralitet. Modesta vokser opp i fattige kår, men skjønner tidlig at hun er eslet for noe stort. Ved hjelp av ynde og intelligens greier hun å gifte seg med en aristokrat uten å gå på akkord med sine innerste verdier. Gledens kunst er det 20. århundrets mektige historie fortalt gjennom blikket til en helt usedvanlig kvinne.

Det er en roman om at leve i stedet for ikke at gøre det, og dem kunne vi godt bruge flere af.– The New YorkerGoliarda Sapienza sicilianske, forrældreløse Modesta bliver det 20. århundredes sidste heltinde.– Chris KraussModesta var for fri for Italien i 70'erne. Men i begyndelsen af det 21. århundrede er det en anden sag: Hun er fascinerende.– Le MondeSocialisten og feministen Goliarda Sapienza skrev sin roman Kunsten at glædes i 1960’erne og 70’erne, men en række italienske forlæggere vendte tommelfingeren ned. Den var for stor, for voldsom, for provokerende. Kunsten at glædes fik først sit gennembrud i 1990’erne, efter Goliardas død, da forlag i Frankrig og Tyskland fik blik for bogens litterære, historiske, vilde kvaliteter. I dag er den et klassisk hovedværk internationalt.Romanens hovedperson, den unge Modesta, er klog, opsætsig, vild, grænseløs, enerverende. Hun fødes i landproletariatet på det østlige Sicilien. Hendes mor og debile søster omkommer i en mordbrand, måske anstiftet af Modesta selv. Derfra begynder den meget målrettede Modestas sociale opstigen, som går via et skrækkeligt nonnekloster til en dekadent adelsfamilie, hvis overhoved Modesta ender med at blive.Modesta er stærkt videbegærlig og fast besluttet på at bruge sine privilegier til at dygtiggøre sig, stifte bekendtskab med verdenslitteraturen og leve livet. Hun er til både mænd og kvinder og samler en større klan omkring sig med nuværende og tidligere partnere og egne og sammenbragte børn, som hun opdrager i en progressiv og fordomsfri ånd. På Sicilien under fascismen.

”Hendes mesterværk gjorde mig lykkelig. Det gør denne roman også.” ?????????? Politiken”Fyldt med vidunderlige billeder.” ?????????? Kristeligt Dagblad”Måske hovedværket om forbudt kærlighed mellem to kvinder.” Weekendavisen ’Møde i Positano’ fortæller om et betydningsladet møde i den lille havneby på Amalfikysten i 1950’erne, før masseturismens indtog. Fra første øjeblik fascineres Goliarda af Erica – og vinder hendes opmærksomhed. Det får et særligt venskab til at vokse frem på trods af de to kvinders forskelligheder. Det usædvanlige bånd mellem den velhavende, aristokratiske enke, Erica, og den idealistiske bonvivant, Goliarda, blotlægger 1900-tallets kompleksitet og paradokser i Italien, hvor katolicisme, fascisme og socialisme strides. Men venskabet vækker også genfærd fra fortidens, som kaster skygger over det solgyldne paradis. ’Møde i Positano’ er Goliarda Sapienzas sidste roman, skrevet i 1984, og foreligger nu for første gang på dansk. Hendes internationalt anerkendte hovedværk ’Kunsten at glædes’ blev først udgivet posthumt i Italien og udkom på dansk i 2021. ’Om Kunsten at glædes’ skrev Politiken: ”Man skal lede længe for at finde en bog, der er bare halvt så frisættende.” og gav den seks hjerter ???????????? Goliarda Sapienza blev født i Catania på Sicilien i 1924. Som 16-årig flyttede hun til Rom for at studere på Skuespilakademiet. Siden blev hun en central figur i efterkrigstidens italienske kulturelite. Sapienza skrev flere romaer, men hendes vilde, ukonventionelle skrivestil mødte modstand i samtiden. I dag regnes hun for en af vigtigste italienske forfattere fra det 20. århundrede.

En flicka springer runt på Catanias gator och försöker tjäna ihop de få slantar hon behöver för att än en gång kunna gå på bio och se Dimmornas kaj, den senaste filmen med hennes älskade Jean Gabin. Världen är den vi ser genom ögonen på den unga Goliarda: en evig följd av prov att klara, möten med vänliga eller hotfulla personer och olika utmaningar. Sapienza berättar som sin barndom med en riddarromans allvar och skapar ett dramatiskt äventyr där huvudpersonen tvingas möta den yttre världens kaos. Självbiografi och autofiktion har varit en dominerande riktning i de senaste decenniernas litteratur. Det är alltså inte konstigt att man nyligen har återupptäckt och omvärderat Sapienzas narrativa produktion, där berättelsen om henne själv utgör navet runt vilket hennes verk snurrar, inte minst i hennes största roman, L’arte della gioia.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.