"The Resurrection of Johnny Cash" tells the story of perhaps the most remarkable turnaround in musical history. As well as acknowledging Cash's drug, drink and religious travails in the fifties and sixties, the book digs much deeper, focusing on a lesser known but no less remarkable period of his life: the inglorious fall post-1970 and the almost biblical rebirth in his later years. Homing in on the ten-year period between 1986 and 1995, "The Resurrection of Jonny Cash" tells in detail the story of Cash's humiliating fall from grace and his unprecedented revival; his struggle with a cruel variety of illnesses; his ongoing battles with addiction; his search to find direction in his career; his eventual rebirth as both an artist and a man; and his hugely influential legacy.
A smart, off-kilter artist's book documenting and expounding upon the artist duo's latest film project, The Birds This book takes Common Birds (2019), an experimental adaptation of Aristophanes' play The Birds, as its jumping-off point. The Paris-based artist duo behind the film, Graeme Thomson and Silvia Maglioni, probe unusual topics related to endangerment and metamorphosis, such as zombie languages and hauntologies of extinction.
In this intimate and engaging biography, Graeme Thomson interviews Nelson himself, his band and those who knew him best en route to discovering the real Willie Nelson. The Outlaw brilliantly describes a complex and compelling man whose life and music reflect something fundamental at the heart of twentieth-century America. Thomson's revealing portrait is a timely reminder of the stature and achievements of a true living legend. Covering everything from dirt poor beginnings in Texas, global fame in the 70s, four marriages, the death of a son and affairs with Amy Irving and Candice Bergen up to his current position as a 73-year-old pot smoking man of the road, Thomson's account emerges as the first detailed, clear-eyed account of Nelson's fascinating life.
"I Shot A Man In Reno" highlights the diversity of the audience that is touched by and attracted to music that embraces and acknowledges death, at the same time subverting the cliches.Ask the gangsta rap devotee. Ask the grizzled blues fanatic and the bearded folk fan. Ask the goth and the indie kid. Ask and they will all tell you the same thing: death and popular music have forever danced hand-in-hand in funereal waltz time. The pop charts and the majority of radio stations' playlists may conspire to convince anyone listening that the world spins on its axis to the tune of "I love you, you love me" and traditional matters of the heart. The rest of us know that we live in a world where red roses will one day become lilies and that death is the motor that drives the greatest and most exhilarating music of all.Drawing upon original and unique interviews with artists, such as Mick Jagger, Richard Thompson, Ice-T, Will Oldham and Neil Finn among many others, "I Shot a Man In Reno" explores how popular music deals with death, and how it documents the changing reality of what death means as one grows older. It's as transfixing as a train wreck, and you won't be able to put it down. As an epilogue, "I Shot A Man In Reno" presents the reader with the 50 greatest death songs of all time, complete with a brief rationale for each, acting as a primer for the morbidly curious listener.
Cowboy Song is the definitive authorised biography of Thin Lizzy guiding spirit, Philip Lynott, the instantly identifiable singer, charismatic stage performer and supremely gifted songwriter.
'Nobody owes us anything, but the Simple Minds story has been too condensed. After Live Aid and 'Don't You (Forget About Me)' there hasn't been quite the credit for those first few records. I think they contain some really special music. I can hear the flaws but there's something about the spirit and imagination in them that feels good. They draw from such a wide range of influences . . . but the spirit of it was always Simple Minds.' Jim Kerr, to the author An illuminating new biography of one of Britain's biggest and most influential bands, written with the full input and cooperation of Simple Minds, shedding new light on their dazzling art-rock legacy. Themes for Great Cities features in-depth new interviews with original band members Jim Kerr, Charlie Burchill, Mick MacNeil and Derek Forbes, alongside key figures from within their creative community and high-profile fans such as Bobby Gillespie, James Dean Bradfield and Mogwai's Stuart Braithwaite. The book reclaims and revivifies the magnificence of Simple Minds' pioneering early albums, from the glitchy Euro-ambience of Real to Real Cacophony and Empires and Dance to the pulsing, agitated romance of Sons and Fascination, New Gold Dream and beyond. Emerging in 1978 from Glasgow's post-punk scene, Simple Minds transitioned from restless art-rock to electro futurism, mutated into passionate pop contenders and, finally, a global rock behemoth. They have sold in the region of 60 million records and remain a worldwide phenomenon. The drama of their tale lies in these transformations and triumphs, conflicts and contradictions. Themes for Great Cities tells the inside story of a band becoming a band. Inspiring, insightful and enlightening, it celebrates the trailblazing music of one of Britain's greatest groups.
Philip Lynott packed a vast amount into his 36 years. An instantly identifiable singer, charismatic stage performer and supremely gifted songwriter, the guiding spirit of Thin Lizzy combined the instincts of a wild man with the soul of a poet. The first biography written with the cooperation of the Lynott Estate, Cowboy Song explores the fascinating contradictions between Lynott's unbridled rock star excesses and the shy, sensitive "orphan" raised in working-class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments. Cowboy Song analyzes his unsettled childhood; musical apprenticeship; key alliances with the poets, painters and folkies of 1960s Dublin; stardom with Thin Lizzy and drug-induced decline. It examines the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth and poetry to hard rock, progressive folk, punk, soul and new wave. The results--including the hits "Whiskey in the Jar," "The Boys Are Back in Town," and "Dancing in the Moonlight," and classic albums Jailbreak and Live and Dangerous--are now part of the rock canon. Including an afterword by Lynott's former wife Caroline Taraskevics, Cowboy Song is the definitive authorized account of an extraordinary life and career. Drawing on scores of exclusive interviews with family, friends, bandmates and collaborators, it is both the ultimate depiction of a multifaceted rock icon and an intimate portrait of a much-loved father, son and husband.
This latest edition of Under The Ivy is fully updated to include analysis of Bush's stunning return to live performance in August 2014. Her run of London concerts was the most unexpected and eagerly awaited pop event of the 21st Century. An acclaimed study of one of the world's most enigmatic artists, Under The Ivy combines a wealth of new research with rigorous critical scrutiny. Featuring over 70 new interviews with those who have viewed from close quarters both the public artist and the private woman, this compelling biography offers numerous fresh perspectives on a unique and elusive talent. Under The Ivy examines Bush's unconventional upbringing in south London, the youthful blossoming of her talent and her evolution into one of the most visually and sonically creative artists of the past 35 years. It focuses on her unique working methods and pioneering use of the studio on landmark albums such as The Dreaming and Hounds Of Love, her core influences and key relationships, her profound influence on successive generations of musicians, and her most recent releases: Director's Cut, on which Bush reworked 11 songs from her back catalogue, and 50 Words For Snow, her first album of new material for six years.
Behind The Locked Door is Graeme Thomson s rich, insightful account of George Harrison s extraordinary life and career. As a Beatle, Harrison underwent a bewilderingly compressed early adulthood, buffeted by unprecedented levels of fame and success. "Beatlemania" offered remarkable experiences and opportunities but ultimately left him unsettled and unfulfilled. His life became a quest for deeper meaning which travelled far beyond the parameters of his former band and, indeed, music itself. This elegant, in-depth biography tracks him assiduously through his many changes and conflicts, from schoolboy guitarist to global superstar, God seeker to independent filmmaker, Formula One enthusiast to UNICEF fundraiser, and marks the perennial struggle of a man attempting to walk a spiritual path lined with temptation. Drawing on scores of new interviews with close friends and collaborators, rigorous research and critical insight, Behind The Locked Door is a fascinating account of the motives and varied achievements of an often misunderstood man. It offers full analysis of Harrison s music, including his earliest songs for The Beatles, his landmark solo album All Things Must Pass, his work with The Traveling Wilburys, and the posthumous Brainwashed, as well as his pioneering forays into Indian and electronic music. It is also an intimate character study, beautifully illustrating the eternal yin and yang of Harrison s nature. Behind The Locked Door is the definitive account of a compelling, contradictory life.
Did any musician in the Seventies fly so free as John Martyn did on 'Bless The Weather', 'Solid Air, Inside Out' and 'One World'? Did any fall so far? Small Hours is an intimate, unflinching biography of one of the great maverick artists. Though Martyn never had a hit single, his extraordinary voice, innovative guitar playing and profoundly soulful songs secured his status as a much admired pioneer. Covered by Eric Clapton, revered by Lee ‘Scratch’ Perry, produced by Phil Collins, Martyn influenced several generations of musicians, but beneath the songs lay a complicated and volatile personality. He lived his life the same way he made music: improvising as he went; scattering brilliance, beauty, rage and destruction in his wake. Drawing on almost 100 new interviews, Small Hours is a raw and utterly gripping account of sixty years of daredevil creativity, soaring highs and sometimes unconscionable lows.
Did any musician in the Seventies fly so free as John Martyn did on Bless The Weather, Solid Air, Inside Out and One World? Did any fall so far? Small Hours is an intimate, unflinching biography of one of the great maverick artists. Though Martyn never had a hit single, his extraordinary voice, innovative guitar playing and profoundly soulful songs secured his status as a much admired pioneer. Covered by Eric Clapton, revered by Lee Scratch Perry, produced by Phil Collins, Martyn influenced several generations of musicians, but beneath the songs lay a complicated and volatile personality. He lived his life the same way he made music: improvising as he went; scattering brilliance, beauty, rage and destruction in his wake. Drawing on almost 100 new interviews, Small Hours is a raw and utterly gripping account of sixty years of daredevil creativity, soaring highs and sometimes unconscionable lows.
The critically acclaimed definitive biography of Kate Bush, revised and updated for 2024, with a new foreword by Sinead Gleeson.Detailing everything from Bush's upbringing to her early exposition of talent, to her subsequent evolution into a stunningly creative and endlessly fascinating visual and musical artist, Under The Ivy is the story of one woman's life in music. Written with great detail, accuracy and admiration for her work, this is in equal parts an in-depth biography and an immersive analysis of Kate Bush's art. Focusing on her unique working methods, her studio techniques, her timeless albums and inescapable influence, Under The Ivy is an eminently readable and insightful exploration of one of the world's most unique and gifted artists.The text has been updated to include coverage of Bush's return to the top of the charts in 2022 following the extraordinary resurgence of 'Running Up That Hill.' An eye-opening journey of discovery for anyone unfamiliar with the breadth of Bush's work, Under The Ivy also rewards the long-term fan with new insights and fresh analysis.
'Nobody owes us anything, but the Simple Minds story has been too condensed. After Live Aid and 'Don't You (Forget About Me)' there hasn't been quite the credit for those first few records. I think they contain some really special music. I can hear the flaws but there's something about the spirit and imagination in them that feels good. They draw from such a wide range of influences ... but the spirit of it was always Simple Minds.' Jim Kerr, to the author An illuminating new biography of one of Britain's biggest and most influential bands, written with the full input and cooperation of Simple Minds, shedding new light on their dazzling art-rock legacy. Themes for Great Cities features in-depth new interviews with original band members Jim Kerr, Charlie Burchill, Mick MacNeil and Derek Forbes, alongside key figures from within their creative community and high-profile fans such as Bobby Gillespie, James Dean Bradfield and Mogwai's Stuart Braithwaite. The book reclaims and revivifies the magnificence of Simple Minds' pioneering early albums, from the glitchy Euro-ambience of Real to Real Cacophony and Empires and Dance to the pulsing, agitated romance of Sons and Fascination, New Gold Dream and beyond. Emerging in 1978 from Glasgow's post-punk scene, Simple Minds transitioned from restless art-rock to electro futurism, mutated into passionate pop contenders and, finally, a global rock behemoth. They have sold in the region of 60 million records and remain a worldwide phenomenon. The drama of their tale lies in these transformations and triumphs, conflicts and contradictions. Themes for Great Cities tells the inside story of a band becoming a band. Inspiring, insightful and enlightening, it celebrates the trailblazing music of one of Britain's greatest groups.
The long-awaited memoir from Simple Minds' founder members and lifelong collaborators, Jim Kerr and Charlie BurchillA candid, moving and kinetic story of self-realisation through the power of music, Our Secrets Are The Same is the remarkable joint memoir by Simple Minds' founder members, Jim Kerr and Charlie Burchill. It not only reveals the inner workings of one of the most innovative and successful British bands of the past half-century, but the deeply personal tale of an extraordinary friendship which powered teenage dreams into visionary action.Exploring key songs, places, years and events in the Simple Minds story, and told in the distinct voices of both men, Our Secrets Are The Same explores a bond which has encompassed stratospheric highs and humbling lows, marriages and divorces, fatherhood, fickle fame, tricky inter-band dynamics, the occasional explosive bust up, and a ruthless streak to rival the Sicilian Mafia.Their connection is grounded in shared experiences and a set of values and codes so deeply ingrained they don't need to be spoken. For Our Secrets Are The Same is not just the story of two rock stars, but of two sons, brothers, partners and parents who have never forgotten where they come from. Two men who have remained deeply bonded to their roots and each other, while fulfilling a teenage dream to form a world-class live band and take their music around the globe.Fascinating and funny, evocative and inspiring, this unforgettable memoir captures a unique journey through life and music, and a friendship like no other.
A Tale of Birds and Bees is an enchanting story about an unlikely group of eco-warriors who team up and set off on a journey to save the bees. They must cross rivers, a forest and an ocean in order to complete their mission. Along the way they visit faraway lands, make new friends and learn about the cycle of life through the lives of magical flowers and plants. It is a story of light that shows how the group achieves their goal by working together.
This volume explores a range of topics during a turbulent period in British history, with particular emphasis on political change and popular piety. On the eve of the Reformation, religious beliefs were shaped by a church which was falling under the growing control of the state, and by responses to England's one and only heretical movement, Lollardy. In political life, gradual disengagement from a cross-Channel political world was followed by civil war and the eventual rise of a strong Tudor monarchy. As this volume demonstrates in a number of ways, the impact of many of these macro changes was felt across the British Isles, not just in England. But the studies presented here frequently explore major change through the experience of the middling sort: the gentry active in local government, the English merchants and Scottish immigrants making important life choices in major cities, or the industrious clerics charged with the routine administration of the church. By looking at the case studies of these men in more detail, we begin to appreciate that even in this age of great change, there were profound continuities which carried through into the sixteenth century. Along the way, too, new light is thrown on the authorship, date and redaction of texts which continue to shape our understanding of late medieval British history.
This volume explores a range of topics during a turbulent period in British history, with particular emphasis on political change and popular piety. On the eve of the Reformation, religious beliefs were shaped by a church which was falling under the growing control of the state, and by responses to England's one and only heretical movement, Lollardy. In political life, gradual disengagement from a cross-Channel political world was followed by civil war and the eventual rise of a strong Tudor monarchy. As this volume demonstrates in a number of ways, the impact of many of these macro changes was felt across the British Isles, not just in England. But the studies presented here frequently explore major change through the experience of the middling sort: the gentry active in local government, the English merchants and Scottish immigrants making important life choices in major cities, or the industrious clerics charged with the routine administration of the church. By looking at the case studies of these men in more detail, we begin to appreciate that even in this age of great change, there were profound continuities which carried through into the sixteenth century. Along the way, too, new light is thrown on the authorship, date and redaction of texts which continue to shape our understanding of late medieval British history.
