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1000 tulosta hakusanalla Gustav Davidson; Bruno Da Osimo
The result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts, the classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America. Simultaneous.
"Songs of Adoration" is a collection of devotional poetry intended to uplift the spirit and inspire a deeper connection with the divine. Gustav Davidson's verses offer a blend of traditional religious themes and personal reflections, creating a tapestry of faith expressed through lyrical language. The poems explore themes of love, reverence, and the search for spiritual meaning in everyday life. This collection will appeal to readers seeking solace, inspiration, and a renewed sense of wonder. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Gustav Kolb und die Reformpsychiatrie in Erlangen 1911-1934
Robert Davidson
PETER LANG AG
2022
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Diese auf einem werkbiografischen Zugang beruhende Arbeit stellt die erste Monografie zu Gustav Kolb (1870-1938) und der von ihm begr ndeten Erlanger Reformpsychiatrie dar. Auf Basis einer Vielzahl erstmals gesichteter und ausgewerteter Quellen gew hrt sie neue Einblicke in die Entstehungsgeschichte und Praxis der von Kolb entwickelten offenen F rsorge und liefert neue Erkenntnisse zu seinem pers nlichen Werdegang und zu seinen psychiatrischen und politischen berzeugungen. Die Ann herung des Erlanger Reformpsychiaters an die psychiatrische Eugenik und seine wissenschaftliche Zusammenarbeit mit den Erbpsychiatern, Ernst R din (1874-1952) und Hans Luxenburger (1894-1976), werden hier erstmals im Detail analysiert. Dar ber hinaus wird Kolbs Haltung zum Nationalsozialismus, zur NS-Rassenhygiene sowie die Umst nde seiner Ruhestandsversetzung Ende des Jahres 1933 n her untersucht.
An account of the Krakow Jewish resistance, written during World War II, this book is the story of a group of young Jewish idealists who formed a clandestine unit to commit acts of defiance against the Nazi's, and was written on scraps of paper smuggled into the author's prison cell.
Frida er moren til Gustav, en fantasifull og kreativ gutt som sliter med å få seg venner. Hun bærer med seg alle hans forventinger og nederlag, og bruker mye av sin tid på å legge til rette for hans sosiale liv. Da jevngamle Isak flytter inn i naboleiligheten, og ikke bare guttene, men også foreldrene finner tonen, gjør Frida det hun kan for at vennskapet skal bestå. Gustav er en roman som handler om hvor sammenvevd foreldre og barns følelsesliv kan bli, om en kvinne som lever mer i sitt barns kropp enn sin egen.
GUSTAV III''S MUSEUM OF ANTIQUITIES
Anne-Marie Leander Touati; Johan Flemberg
Nationalmuseum
2012
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Gustav Mahler: Volume 2. Vienna: The Years of Challenge (1897-1904)
Henry-Louis de La Grange
Oxford University Press
1995
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Gustav Mahler was one of the supremely gifted musicians of his generation. His contemporaries came to know him as a composer of startling originality whose greatest successes with the public never failed to provoke controversy among the critics. As a conductor, his relentless pursuit of perfection was sometimes viewed as tyrannical by the singers and musicians who came under his baton. Professor Henry-Louis de La Grange has devoted over thirty years of painstaking resarch to this study of Mahler's life and works. His biography, ultimately to be completed in four volumes, is drawn from a vast archive of documents, autographs, and pictures, assembled by La Grange at the Bibliotheque Musicale Gustav Mahler, Paris. This second volume covers the years 1897-1904, when the focus shifts to Vienna. It opens with Mahler's triumphant debut as director of the Vienna Court Opera, and follows with the revolution he wrought there in standards of performance and, with the Secession painter Alfred Roller, in scenic representation. An account is also given of Mahler's story and brief engagement as conductor of the Vienna Philharmonic Concerts, following Richter's resignation in 1989. La Grange depicts the brilliant society of pre-war Vienna, then the centre of the intellectual and artistic world; the extraordinary range of artists among whom Mahler lived and worked included the composers Dvorak, Gustave Charpentier, Richard Strauss, Zemlinsky, and Schoenberg and his two disciples, Berg and Webern; the painters architects and decorators of the Secession with Klmit at their head; the writers Hauptmann, Dehmel, Hofmannsthal, and Schnitzler. There he also met Alma Schindler, 'the most beautiful woman in Vienna', and La Grange tells the story of their engagement and marriage in 1902 and the early years of their tempestuous relationship. As his fame spread throughout Europe, Mahler travelled with his music to Germany, Russia, Holland, Poland, and Belguim, meeting many other leading musicians of his day, including Pfitzner, Mengelberg, Diepenbrock, Oskar Fried, and many others. During this period Mahler wrote some of his best-loved works, including the fourth and Fifth Symphonies, and the three orchestral song-cyles and collections - the Wunderhorn -, Ruckert-, and Kindertotenlieder. For each of these works La Grange provides full notes and analytical descriptions. Scrupulously researched, richly documented, this is a study worthy of the extraordinary artistic achievement of Gustav Mahler's Vienna years.
Gustav Mahler: Volume 3. Vienna: Triumph and Disillusion (1904-1907)
Henry-Louis de La Grange
Oxford University Press
2000
sidottu
Gustav Mahler was one of the supremely gifted musicians of his generation. His contemporaries came to know him as a composer of startling originality whose greatest successes with the public never failed to provoke controversy among the critics. As a conductor, his relentless pursuit of perfection was sometimes viewed as tyrannical by the singers and musicians who came under his baton. Professor Henry-Louis de La Grange has devoted over thirty years of painstaking research to this study of Mahlers life and works. His biography, ultimately to be completed in four volumes, is drawn from a vast archive of documents, autographs, and pictures, assembled by La Grange at the Bibliothèque Musicale Gustav Mahler, Paris. This third volume covers the years 1904-1907 and shows Mahler in his final years at the Hofoper coping with the rival demands on his energy and creative powers of the Opera on the one hand and his continuing struggle for recognition as a composer in his own right on the other. The first signs of marital difficulties with Alma emerge. Mahlers trials culminate in 1907 with the death of Putzi, his eldest daughter, a terminal crisis at the Opera which makes him decide to leave Vienna, and the alarming diagnosis by the doctors of a cardiac deficiency. True to life portraits are drawn of Mahler the human being, the family man, and the composer, as well as the administrator, producer, and conductor at the Vienna Opera. Innumerable testimonies and anecdotes throw new light on the many aspects of Mahler's complex personality.
Gustav Stresemann was the exceptional political figure of his time. His early death in 1929 has long been viewed as the beginning of the end for the Weimar Republic and the opening through which Hitler was able to come to power. His career was marked by many contradictions but also a pervading loyalty to the values of liberalism and nationalism. This enabled him in time both to adjust to defeat and revolution and to recognize in the Republic the only basis on which Germans could unite, and in European cooperation the only way to avoid a new war. His attempt to build a stable Germany as an equal power in a stable Europe throws an important light on German history in a critical time. Hitler was the beneficiary of his failure but, so long as he was alive, Stresemann offered Germans a clear alternative to the Nazis. Jonathan Wright's fascinating new study is the first modern biography of Stresemann to appear in English or German.
Gustav Stresemann was the exceptional political figure of his time. His early death in 1929 has long been viewed as the beginning of the end for the Weimar Republic and the opening through which Hitler was able to come to power. His career was marked by many contradictions but also a pervading loyalty to the values of liberalism and nationalism. This enabled him in time both to adjust to defeat and revolution and to recognize in the Republic the only basis on which Germans could unite, and in European cooperation the only way to avoid a new war. His attempt to build a stable Germany as an equal power in a stable Europe throws an important light on German history in a critical time. Hitler was the beneficiary of his failure but, so long as he was alive, Stresemann offered Germans a clear alternative to the Nazis. Jonathan Wright's fascinating new study is the first modern biography of Stresemann to appear in English or German.
