Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Gustave Vallat
The Etude Sur La Vie Et Les Oeuvres De Thomas Moore (1886)
Gustave Vallat
KESSINGER PUBLISHING, LLC
2009
pokkari
" Rabelais servit la cause de la raison, de la justice, de l'humanit . Son livre fut, pour l'esprit humain, un clatant signal d'affranchissement. Malgr un tel titre sa reconnaissance, le peuple ignore m me aujourd'hui le nom de ce bienfaiteur. Je vais plus loin; parmi tous ceux qui ont fait leurs humanit s, si j'en excepte un petit nombre d'une intelligence sup rieure, combien ont lu son oeuvre ? Quelques curieux, et ce ne sont pas les moins habiles, ont eu le courage d'en d chiffrer certains passages, sans retirer le plus souvent de cette laborieuse lecture d'autres avantages que des notions vagues, incompl tes, parfois tr s-fausses. Cependant, dira-t-on, n'a-t-il pas paru ces derni res ann es des ouvrages d'un vif int r t sur Rabelais ? Certainement; mais ce sont des volumes consid rables compos s par de savants critiques pour un public savant. Toutefois je ne doute pas que ces curieux, dont je viens de parler, ne se soient empress s d'y chercher la solution d'un probl me rest jusque-l insoluble pour eux, et qu'ils n'aient ainsi, leur grande satisfaction, rectifi leur jugement..."
Deux Écrivains Du Bourbonnais, Diannyère Et Barjaud
Gustave Vallat
Hachette Livre - BNF
2013
pokkari
Deux ecrivains du Bourbonnais, Diannyere et Barjaud / par M. Gustave Vallat, ...Date de l'edition originale: 1870Sujet de l'ouvrage: DiannyereCe livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Thomas Moore: Sa Vie Et Ses Oeuvres, d'Après Des Documents Pris Au British Museum (Éd.1886)
Gustave Vallat
Hachette Livre - BNF
2012
pokkari
a la Conquête Du Continent Noir, Missions Militaires Et Civiles de 1892 À 1900 Inclusivement
Gustave Vallat
Hachette Livre - BNF
2013
pokkari
A la Conquete du continent noir, missions militaires et civiles de 1892 a 1900 inclusivement, d'apres des documents officiels, par Gustave Vallat, ...Date de l'edition originale: 1901Sujet de l'ouvrage: France -- Colonies -- HistoireCe livre est la reproduction fidele d une uvre publiee avant 1920 et fait partie d une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d un partenariat avec la Bibliotheque nationale de France, offrant l opportunite d acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les uvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d un livre ancien a partir de sa version numerisee avec le souci d un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d informations, rendez-vous sur www.hachettebnf.fr
Thomas Moore, Sa Vie Et Ses Oeuvres, d'Après Des Documents Pris Au British Museum
Gustave Vallat
Hachette Livre - BNF
2017
pokkari
Rabelais Sa Vie Son Genie Et Son Oeuvre (1899)
Gustave Vallat; Emile Faguet
KESSINGER PUBLISHING, LLC
2010
pokkari
Factores que obstaculizan la viabilidad de la sustentabilidad
Mauricio Vallado; Gustavo Monforte; Mayanin Sosa
Editorial Academica Espanola
2018
pokkari
En los ltimos a os, la actividad tur stica est tomando una nueva perspectiva, y sta es que los recursos naturales sean aprovechados de manera racional en todo momento para que futuras generaciones sigan disfrutando la totalidad de sus beneficios. De igual manera se sabe por diversas investigaciones que las sociedades cooperativas carecen del desarrollo de la cultura empresarial y como gestionar una cooperativa. Su aplicaci n se ve reducida a t cnicas y herramientas de gesti n y malas pr cticas financieras, conflictos internos recurrentes prioritariamente, lo cual da como resultado nula o poca rentabilidad econ mica. Los ingresos estables y continuos son un factor relevante para que estas empresas sigan perdurando, sin embargo la realidad es que existe un alto n mero de cooperativas que quiebran. La investigaci n m s amplia surge para identificar las variables problem ticas recurrentes en sociedades cooperativas de la Pen nsula de Yucat n, como tambi n las propias de la Sociedad Cooperativa "Ruta Hacia el Progreso".
Gustave Doré and the Modern Biblical Imagination
Sarah C. Schaefer
Oxford University Press Inc
2021
sidottu
Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.
The French Realist painter Gustave Courbet (1819-77), a pivotal figure in the emergence of modern painting, remains an artist whose interests, attitudes, and friendships are little understood. A voluminous correspondent, Courbet himself, through his letters, offers a tantalizing avenue toward a keener assessment of his character and accomplishments. In her critical edition of over six hundred of the artist's letters, Petra ten-Doesschate Chu presents just such a look at the inner life of the artist; her unparalleled feat of gathering together all of Courbet's known letters, many heretofore unpublished and untranslated, is sure to change our evaluation of Courbet's creativity and of his place in nineteenth-century French life. Beginning when Courbet left his provincial home at eighteen and ending eight days before his death in exile in Switzerland, this correspondence enables readers to follow the artist's development from youth to mature artist of international repute. Addressed to correspondents such as the poet Charles Baudelaire, the painter Claude Monet, the writers Champfleury, Victor Hugo, and Théeophile Gautier, the political theorist Pierre-Joseph Proudhon, and the politician Jules Simon, the letters offer numerous insights into Courbet's life and art as well as the cultural and political activity of his day. In fascinating detail, they present the artist's relation to the contemporary media, his deliberate choice of subject matter for Salon paintings, his preoccupation with photography, and his participation in the Commune. Besides collecting, translating, and annotating the letters, Chu provides an introduction, a chronology, biographies of persons appearing frequently in the letters, and a list of paintings and sculptures mentioned in the letters. Her work is an essential resource of immediate use to historians of art and culture, political and social historians, and readers of biography. Petra ten-Doesschate Chu is professor and head of the Department of Art and Music at Seton Hall University.
Though largely out of the public eye for more than a century, Gustave Caillebotte (1848 - 94) has come to be recognized as one of the most dynamic and original artists of the impressionist movement in Paris. His paintings are favorites of museum-goers, and recent restoration of his work has revealed more color, texture, and detail than was visible before while heightening interest in all of Caillebotte's artwork. This lush companion volume to the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, explores the power and technical brilliance of his oeuvre. The book features fifty of Caillebotte's strongest paintings, including post-conservation images of Paris Street, Rainy Day, along with The Floorscrapers and Pont de l'Europe, all of which date from a particularly fertile period between 1875 and 1882. The artist was criticized at the time for being too realistic and not impressionistic enough, but he was a pioneer in adopting the angled perspective of a modern camera to compose his scenes. Caillebotte's skill and originality are evident even in the book's reproductions, and essays offer critical insights into his inspiration and subjects. This sumptuously illustrated publication makes clear why Caillebotte is among the most intriguing artists of nineteenth-century France, and it deepens our understanding of the history of impressionism.
No biographer could ask for a more colourful or difficult subject than the painter and revolutionary Gustave Courbet. One of the fathers of Realism, a style he created with his huge canvases of his birthplace in Ornans ( After Dinner at Ornans, 1949 Funeral at Ornans, 1850, and The Stonebreakers, 1850), Courbet chose his subjects from ordinary life and portrayed them with the same monumental dignity as the great men of history. A man with big appetites for life, women, and politics, he frequently found himself at odds with French authorities, especially during the period of the Commune when he and his friends pulled down the Vendome Column. Impressionism and Modernism would be unthinkable without his fierce opposition to the academies of art. This biography by one of the most reliable students of French art paints a large and fascinating canvas, which Courbet dominates but never overwhelms.
Examines Flaubert's Madame Bovary by providing an understanding of the author's life and experiences and offering a plot summary, major themes, characters, and details of other reviews.
