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1000 tulosta hakusanalla Helene Cixous

Helene Cixous

Helene Cixous

Abigail Bray; Julian Wolfreys

Red Globe Press
2003
sidottu
Abigail Bray offers a lucid and accessible introduction to Hélène Cixous and her theorisation of writing and sexual difference. This book explores the context of feminist debates surrounding Cixous's work and provides a concise explanation of her major philosophical and literary concepts, including the 'other bisexuality', the 'third body', and l'écriture feminine. Bray demonstrates, through original and provocative readings of texts by James Joyce, Virginia Woolf, Clarice Lispector and Angela Carter, the creative potential of Cixous's thought on literature and philosophy. Reading Cixous alongside Nietzsche, Heidegger, Deleuze and Derrida, Bray argues for a recognition of Cixous as one of the important thinkers of our times.
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The Selected Plays of Hélène Cixous

The Selected Plays of Hélène Cixous

Hélène Cixous

Routledge
2003
sidottu
Cixous' work as a playwright - working mainly with Theatre du Soleil and their director Ariane Mnouchkine - establishes her as a participant in some of the most adventurous European theatre making of the last 40 years. This collection brings together for the first time, four translations into English of Helene Cixous' plays. It is a unique and extraordinary resource for scholars, students and theatre-makers. The collection includes: *The Perjured City, translated by Bernadette Fort *Black Sail, White Sail, translated by Donald Watson *Portrait of Dora, translated by Ann Liddle *Drums on the Dam, translated by Judith G. Miller and Brian J. Mallet This exciting new anthology will disseminate her work to a wide and receptive English-speaking audience.
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The Selected Plays of Hélène Cixous

The Selected Plays of Hélène Cixous

Hélène Cixous

Routledge
2003
nidottu
Cixous' work as a playwright - working mainly with Theatre du Soleil and their director Ariane Mnouchkine - establishes her as a participant in some of the most adventurous European theatre making of the last 40 years. This collection brings together for the first time, four translations into English of Helene Cixous' plays. It is a unique and extraordinary resource for scholars, students and theatre-makers. The collection includes: *The Perjured City, translated by Bernadette Fort *Black Sail, White Sail, translated by Donald Watson *Portrait of Dora, translated by Ann Liddle *Drums on the Dam, translated by Judith G. Miller and Brian J. Mallet This exciting new anthology will disseminate her work to a wide and receptive English-speaking audience.
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Helene Cixous

Helene Cixous

Susan Sellers

Polity Press
1996
nidottu
This book is a clear and accessible introduction to the writings of Helene Cixous, novelist, dramatist and critic, whose work has had a major impact on feminist theory and practice. Susan Sellers, a major scholar on Cixous, provides a lucid account of Cixous's theoretical position, and in particular her distinctive theory of an 'écriture féminine'. She discusses the development of Cixous's literary oeuvre in the context of this theory, and analyses a selection of the works in detail to illustrate the different stages in Cixous's writing career. Focusing on the key novels and plays, Sellers explores a range of issues and themes central to her work; the correlation between the death of Cixous's own father and her 'coming-into-being' as a writer; the psychological process of separation and individuation and the creation of a female authorial self; the discovery of the other and the dramatization of love; the delineation/depiction of an alternative form of relationship between self and other which would have a significance in a wider sphere than that of the merely personal. This much-needed book will be welcomed by students in literature and literary theory, feminism and women's studies, English and French studies and philosophy.
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Hélène Cixous

Hélène Cixous

Verena Andermatt Conley

University of Nebraska Press
1991
pokkari
Born in Algeria in 1937, Hélène Cixous achieved world fame for her short stories, criticism, and fictionalized autobiography (Dedans, 1969). Her work quickly became controversial because it frankly tested a distinction between male and female writing. Her literary experiments and her conclusions make her one of the most stimulating and most elusive feminist theorists of our time. Verena Andermatt Conley, a professor of French and women's studies at Miami University, has written the first full-length study of Cixous in English. Looking at Cixous as writer, teacher, and theoretician, Conley takes up Cixous's ongoing exploration of the "feminine" as related to the "masculine"—words not to be equated with "woman" and "man"—and her search for a terminology less freighted with emotion and prejudgment. Conley has updated this paperback edition with a new preface, bibliography, and interview with Cixous conducted by the editors of Hors Cadre.
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HéLèNe Cixous

HéLèNe Cixous

Nicholas Royle

Manchester University Press
2020
sidottu
This book provides a wide-ranging and up-to-date critical introduction to the writings of Hélène Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the ‘Mother unconscious’, drawing, painting, life writing, telephones, non-human animals, telepathy and the ‘art of cutting’. There are close readings of Shakespeare, Brontë, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and ‘The Laugh of the Medusa’ (1975) up to the present. Royle’s book will be useful to students and academics coming to Cixous’s work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting.
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HéLèNe Cixous

HéLèNe Cixous

Nicholas Royle

Manchester University Press
2021
nidottu
This book provides a wide-ranging and up-to-date critical introduction to the writings of Hélène Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the ‘Mother unconscious’, drawing, painting, life writing, telephones, non-human animals, telepathy and the ‘art of cutting’. There are close readings of Shakespeare, Brontë, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and ‘The Laugh of the Medusa’ (1975) up to the present. Royle’s book will be useful to students and academics coming to Cixous’s work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting.
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Hélène Cixous

Hélène Cixous

Lee A. Jacobus; Regina Barreca

Routledge
1999
nidottu
First published in 1999. Each volume in the Lit Book Series will contain a wide range of essays on a particular author, theme or genre. By offering a forum for oftentimes competing, but equally compelling, theoretical points of view within each volume, the editors hope to generate interest, debate, dissent, appreciation and attention for each volume’s topic. The Lit Book Series will provide a valuable venue for scholars, writers and general readers to encounter, examine, produce and discuss insightful, sound scholarship about important fields of study. This international collection of essays regards the work of Hélène Cixous with all the complexity that she herself brings to her engagement with literature and psychology. Cixous is well known as an interpreter of Freudian and Lacanian theories, especially those connecting gender and the production of language. She is also a noted writer of fiction and drama as well as a distinguished theorist of literary feminism.
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Hélène Cixous, Rootprints

Hélène Cixous, Rootprints

Mireille Calle-Gruber; Hélène Cixous

Routledge
1997
sidottu
Helene Cixous is undoubtedly one of the most brilliant and innovative contemporary thinkers. Published here in English for the first time Helene Cixous, Rootprints is an ideal introduction to Cixous's theory and her fiction, tracing her development as a writer and intellectual whose remarkable prespicacity and electrifying poetic force are known world-wide.Unprecedented in its form and content this collection breaks new ground in the theory and practice of auto/biography. Cixous's creative reflections on the past provide occasion for scintillating forays into the future.The text includes:* an extended interview between Cixous and Calle-Gruber, exploring Cixous's creative and intellectual processes* a revealing collection of photographs taken from Cixous's family album, set against a poetic reflection by the author * selections from Cixous's private notebooks* a contribution by Jacques Derrida* original 'thing-pieces' by Calle-Gruber.
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Hélène Cixous, Rootprints

Hélène Cixous, Rootprints

Mireille Calle-Gruber; Hélène Cixous

Routledge
1997
nidottu
Helene Cixous is undoubtedly one of the most brilliant and innovative contemporary thinkers. Published here in English for the first time Helene Cixous, Rootprints is an ideal introduction to Cixous's theory and her fiction, tracing her development as a writer and intellectual whose remarkable prespicacity and electrifying poetic force are known world-wide.Unprecedented in its form and content this collection breaks new ground in the theory and practice of auto/biography. Cixous's creative reflections on the past provide occasion for scintillating forays into the future.The text includes:* an extended interview between Cixous and Calle-Gruber, exploring Cixous's creative and intellectual processes* a revealing collection of photographs taken from Cixous's family album, set against a poetic reflection by the author * selections from Cixous's private notebooks* a contribution by Jacques Derrida* original 'thing-pieces' by Calle-Gruber.
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Hélène Cixous: Live Theory

Hélène Cixous: Live Theory

Ian Blyth; Susan Sellers

Continuum International Publishing Group Ltd.
2004
sidottu
Helene Cixous: Live Theory provides a clear and informative introduction to one of the most important and influential European writers working today. The book opens with an overview of the key features of Cixous's theory of ecriture feminine (feminine writing). The various manifestations of ecriture feminine are then explored in chapters on Cixous's fictional and theatrical writing, her philosophical essays, and her intensely personal approach to literary criticism. The book concludes with a new, lively and wide-ranging interview with Helene Cixous in which she discusses her influences and inspirations, and her thoughts on the nature of writing and the need for an ethical relationship with the world. Also offering a survey of the many English translations of Cixous's work, this book is an indispensable introduction to her work for students of Literature, Philosophy, Cultural and Gender Studies.
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Hélène Cixous: Live Theory

Hélène Cixous: Live Theory

Ian Blyth; Susan Sellers

Continuum International Publishing Group Ltd.
2004
nidottu
Helene Cixous: Live Theory provides a clear and informative introduction to one of the most important and influential European writers working today. The book opens with an overview of the key features of Cixous's theory of ecriture feminine (feminine writing). The various manifestations of ecriture feminine are then explored in chapters on Cixous's fictional and theatrical writing, her philosophical essays, and her intensely personal approach to literary criticism. The book concludes with a new, lively and wide-ranging interview with Helene Cixous in which she discusses her influences and inspirations, and her thoughts on the nature of writing and the need for an ethical relationship with the world. Also offering a survey of the many English translations of Cixous's work, this book is an indispensable introduction to her work for students of Literature, Philosophy, Cultural and Gender Studies.
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Hélène Cixous’s Poetics of Voice

Hélène Cixous’s Poetics of Voice

Birgit M. Kaiser

BLOOMSBURY PUBLISHING PLC
2024
sidottu
Exploring the poetic fictions of prominent French, feminist writer Hélène Cixous, this open access book highlights rich and timely ideas of selfhood in her work. With careful elaboration of the writer’s relationship with Algeria, Birgit M. Kaiser shows how Cixous reflects on experiences of colonial and patriarchal othering. More than that, she crafts a voice – an autofictive "I" – that takes the figure of Echo as a guiding mythology to portray selfhood as diffractive, always already exceeding binary models of self/other that remain central to conceptions of subjectivity. Putting forward the notion of ‘echology’, Kaiser examines how Cixous performs selfhood within ecologies of cohabitation, thereby critiquing and revising key tenets of psychoanalysis and its narrative of the subject.Drawing from famous texts such as The Laugh of the Medusa, The Newly Born Woman, and The Portrait of Dora, but also more recent titles like Osnabrück, So Close, Death Shall be Dethroned or Cixous's collaborations with Adel Abdessemed, Hélène Cixous's Poetics of Voice: Echo - Subjectivity - Diffraction offers fresh variations on familiar psychoanalytic and semiotic axes, and new ventures into dialogue with feminist new materialisms.Elegant, politically dynamic and providing exciting news ways into Cixous’s work and poetics, the concept of ‘echology’ lends new perspectives for feminist and postcolonial formations of selfhood and new imaginations of what it means to be human within planetary life.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Utrecht University.
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Hélène Cixous’s Poetics of Voice

Hélène Cixous’s Poetics of Voice

Birgit M. Kaiser

BLOOMSBURY PUBLISHING PLC
2026
nidottu
Exploring the poetic fictions of prominent French, feminist writer Hélène Cixous, this open access book highlights rich and timely ideas of selfhood in her work. With careful elaboration of the writer’s relationship with Algeria, Birgit M. Kaiser shows how Cixous reflects on experiences of colonial and patriarchal othering. More than that, she crafts a voice – an autofictive "I" – that takes the figure of Echo as a guiding mythology to portray selfhood as diffractive, always already exceeding binary models of self/other that remain central to conceptions of subjectivity. Putting forward the notion of ‘echology’, Kaiser examines how Cixous performs selfhood within ecologies of cohabitation, thereby critiquing and revising key tenets of psychoanalysis and its narrative of the subject.Drawing from famous texts such as The Laugh of the Medusa, The Newly Born Woman, and The Portrait of Dora, but also more recent titles like Osnabrück, So Close, Death Shall be Dethroned or Cixous's collaborations with Adel Abdessemed, Hélène Cixous's Poetics of Voice: Echo - Subjectivity - Diffraction offers fresh variations on familiar psychoanalytic and semiotic axes, and new ventures into dialogue with feminist new materialisms.Elegant, politically dynamic and providing exciting news ways into Cixous’s work and poetics, the concept of ‘echology’ lends new perspectives for feminist and postcolonial formations of selfhood and new imaginations of what it means to be human within planetary life.The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Utrecht University.
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Hélène Cixous, écriture féminine and Musical Analysis

Hélène Cixous, écriture féminine and Musical Analysis

Joyce Shintani

Books on Demand
2016
pokkari
Out of roiling French feminist theory in the 1970s, philosopher and writer H l ne Cixous developed the practice of lecture feminine - based on the notion of criture f minine - as an analytic approach in her own seminars. In musicology, it wasn't until the 1990s that gender studies introduced new attitudes as methods. Might Cixous' lecture f minine serve as a historically rooted analytic approach for musicology and multimedia today? A theory of otherness that brings the body into play with the intellect, that questions the validity of the text, that poetically encourages a collective and respectful approach to reading with an abundance of interpretations: All of these notions and more are included in lecture f minine. The first extensive attempt to adapt lecture f minine to music analysis, the current volume offers experts and students in the areas of music, musicology, gender studies, and philosophy a concise introduction to this 'method'. Terms such as feminine, the other, and phallogocentrism are discussed in relationship to poststructuralism, Lacan, Freud, and other thought.
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The Hélène Cixous Reader

The Hélène Cixous Reader

Routledge
1994
sidottu
This is the first truly representative collection of texts by Helene Cixous. The substantial pieces range broadly across her entire oeuvre, and include essays, works of fiction, lectures and drama. Arranged helpfully in chronological order, the extracts span twenty years of intellectual thought and demonstrate clearly the development of one of the most creative and brilliant minds of the twentieth century.With a foreword by Jacques Derrida, a preface by Cixous herself, and first-class editorial material by Susan Sellers, The Helene Cixous Reader is destined to become a key text of feminist writing.
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