Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Hildegard Bachmann
Hva om Gud bestemte seg for å bruke deg? Hva ville du gjøre hvis du helt fra du var liten ble fylt av et stort lys, av syner som du ikke forsto? Det er utgangspunktet for Anne Lise Marstrand-Jørgensens unike roman om en av historiens mest fascinerende kvinneskikkelser: den tyske nonnen og mystikeren Hildegard av Bingen (1098-1179). Tre år gammel får hun sine første visjoner. Åtte år gammel sendes Hildegard i kloster. Derfra må jenta sakte sprenge sin egen vei ut av ensomheten, forvalte de underlige ordene som er gitt henne. Hildegard er et litterært portrett av et annerledes menneske, og en intenst vakker og sanselig skildring av en fremmed tid. Men også en moderne roman om tro og tvil, angst og livsglede, kjærlighet og offer. "En virkelig nyskapende historisk roman. Den gjør noe helt nytt med sitt stoff." Fra Juryens pristale, Weekendavisens litteraturpris 2009
A rare female voice in the 12th century Christian Church, Hildegard of Bingen was a German nun, an oracle, a mystic, a prolific writer on religious subjects who practiced medicine, wrote plays, and composed music. The Ways of the Lord contains selections from Scivias, her major religious work, in which Hildegard describes amazing visions and explores the profound spiritual truths hidden within them. A HarperCollins Spiritual Classic, The Ways of the Lord includes a foreword by Homer Hickam, author of Rocket Boys, and is a glorious introduction to the genius and devotion of this extraordinary holy woman of the Middle Ages.
A Renaissance woman long before the Renaissance, the visionary Hildegard of Bingen (1098–1179) corresponded with Europe's elite, founded and led a noted women's religious community, and wrote on topics ranging from theology to natural history. Yet we know her best as Western music's most accomplished early composer, responsible for a wealth of musical creations for her fellow monastics. Honey Meconi draws on her own experience as a scholar and performer of Hildegard's music to explore the life and work of this foundational figure. Combining historical detail with musical analysis, Meconi delves into Hildegard's mastery of plainchant, her innovative musical drama, and her voluminous writings. Hildegard's distinctive musical style still excites modern listeners through wide-ranging, sinuous melodies set to her own evocative poetry. Together with her passionate religious texts, her music reveals a holistic understanding of the medieval world still relevant to today's readers.
A Renaissance woman long before the Renaissance, the visionary Hildegard of Bingen (1098–1179) corresponded with Europe's elite, founded and led a noted women's religious community, and wrote on topics ranging from theology to natural history. Yet we know her best as Western music's most accomplished early composer, responsible for a wealth of musical creations for her fellow monastics. Honey Meconi draws on her own experience as a scholar and performer of Hildegard's music to explore the life and work of this foundational figure. Combining historical detail with musical analysis, Meconi delves into Hildegard's mastery of plainchant, her innovative musical drama, and her voluminous writings. Hildegard's distinctive musical style still excites modern listeners through wide-ranging, sinuous melodies set to her own evocative poetry. Together with her passionate religious texts, her music reveals a holistic understanding of the medieval world still relevant to today's readers.
A selection of work by Hildegard of Bingen, the 12th-century mystic. Though best known for the accounts of her visionary experiences, she also wrote theological works, poetry, music, a play and a book of natural history. The introduction places her work in its social and historical context.
Hildegard E. Peplau Selected Works
Palgrave Macmillan
1994
nidottu
This important collection provides selected works of one of the seminal figures in psychiatric nursing. Hildegard E. Peplau is best known for her development of an interpersonal relations theory. This theory holds that nurse and patient participate in and contribute to the relationship and that it can be, in itself, therapeutic. This work contains many papers previously unpublished, covering not only her theory of interpersonal relations, but also basic concepts in psychology, nursing education, the therapeutic milieu, and the role of theory in nursing.
The Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known examples of a large-scale composition by a named composer in the Western canon. Not only does the Ordo’s expansive duration set it apart from its precursors, but also its complex imagery and non-biblical narrative have raised various questions concerning its context and genre. As a poetic meditation on the fall of a soul, the Ordo deploys an array of personified virtues and musical forces over the course of its eighty-seven chants. In this ambitious analysis of the work, Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the music-drama and considers how they are mediated and subverted through a series of concentric absorptions (absorptions related to medieval Platonism and its various theological developments) which lie at the core of the work’s musical design and text. This is achieved primarily through Gardiner’s musical network model, which implicates mode into a networked system of nodes, and draws upon parallels with the medieval interpretation of Platonic ontology and Hildegard’s correlative realization through sound, song, and voice.
Drawing on contemporary sources, the text unfolds Hildegard's life from the time of her entrance into an anchoress's cell--where a woman would remain in pious isolation--to her death as a famed visionary and writer, abbess and confidante of popes and kings, more than seventy years later. Against this background the author explores Hildegard's vast creative work, encompassing theology, medicine, natural history, poetry, and music.
Best known today as a fine composer, the twelfth-century German abbess Hildegard of Bingen was also a religious leader and visionary, a poet, naturalist and writer of medical treatises. Despite her cloistered life she had strong, often controversial views on sex, love and marriage too - a woman astonishing in her own age, whose book of apocalyptic visions, Scivias, would alone have been enough to ensure her lasting fame.In this classic and highly praised biography - first published by Headline in 2001 - distinguished writer and journalist, Fiona Maddocks, draws on Hildegard's prolific writings to paint a portrait of her extraordinary life against the turbulent medieval background of crusade and schism, scientific discovery and cultural revolution. The great intellectual gifts and forceful character that emerge make her as fascinating as any figure in the Middle Ages.More than 800 years after her death, Pope Benedict XVI has made Hildegard a Saint and a Doctor of the Church (one of only four women). Fiona Maddocks has provided a short new preface to cover these tributes to an extraordinary and exceptional woman.
Hildegard's Healing Plants: From Her Medieval Classic Physica
Hildegard Von Bingen
BEACON PRESS
2002
nidottu
Medieval saint, mystic, healer, and visionary-Hildegard von Bingen has made a comeback. She is now popular in natural healing circles, in medieval and women's studies, and among those interested in investing the everyday with the spiritual.Hildegard's Healing Plants is a gift version and new translation of the 'Plant' section of Physica, Hildegard's classic work on health and healing. Hildegard comments on 230 plants and grains-most of which are still grown in home gardens and sold at local health food stores. In one of many entries on women's health, Hildegard writes, 'Also if a pregnant woman labors much in childbirth, let someone cook pleasant herbs, such as fennel and assurum, in water with fear and great moderation, squeeze out the water, and place them while they are warm around her thighs and back, tied gently with a piece of cloth, so that her pain and her closed womb is opened more pleasantly and easily.'Whether read for the sheer enjoyment of Hildegard's earthy, intelligent voice ("Let a man who has an overabundance of lust in his loins cook wild lettuce in water and pour it over himself in a sauna") or for her encyclopedic and often still relevant understanding of natural health, Hildegard's Healing Plants is a treasure for gardeners, natural healing enthusiasts, and Hildegard fans everywhere.Hildegard's Healing Plants includes 230 plants and grains-most of which are still grown in home gardens and sold at local health food stores.
Hildegard of Bingen
Paulist Press International,U.S.
1990
nidottu
"...these translations thus supersede former ones...if the introductions, translations, and other apparatus of the rest of the series are of the same high quality, the series will be indispensable for most libraries." Library Journal Hildegard of Bingen: Scivias translated by Mother Columbia Hart and Jane Bishop introduced by Barbara J. Newman prefaced by Caroline Walker Bynum I saw a great mountain the color of iron, and enthroned on it. One of such great glory that it blinded my sight. On each side of him there extended a soft shadow, like a wing of wondrous breadth and length. Before him, at the foot of the mountain, stood an image full of eyes on all sides, in which, because of those eyes, I could discern no human form. Hildegard of Bingen(1098-1179) Hildegard of Bingen, twelfth-century German nun, mystic, prophet and political moralist, was widely consulted as an oracle and wrote prolifically on doctrinal matters, as well as on secular matters like medicine, She publicly preached monastic reform, founded two nunneries, and was embroiled in the politics surrounding popes and anti-popes. Scivias, her major religious work, consists of twenty-six visions, which are first se down literally as she saw them, and are the explained exegetically. A few of the topic covered in the visions are the charity of Christ, the nature of the universe, the kingdom of God, the fall of man, sanctification, and the end of the world. Special emphasis is given to the sacraments of marriage and the Eucharist, in response to the Cathar heresy. As a group the visions form a theological summa of Christian doctrine. At the end of the Scivias are hymns of praise and a short play, probably an early draft of Ordo virtutum, the first known morality play. Hildegard is remarkable for being able to unite " vision with doctrine, religion with science, charismatic jubilation with prophetic indignation, and longing for social order with quest for social justice." This volume elucidates the life of medieval women, and is a striking example of a special form of Christian spirituality. †
Hildegard of Bingen: An Integrated Vision shows that Hildegard's opus was filled with balance, unity, and a stress on the Gospel—a life and work that served as an inspiration and a challenge for the twelfth century and now for us at the beginning of the twenty-first century.Hildegard of Bingen: An Integrated Vision considers Hildegard as a whole person and places her within her own century and context. It accents what makes her such a compelling figure for the modern reader while retaining the integrity of her peerless voice. It also serves as an introduction to Hildegard and a resource for simplistic interpretations of a complex and gifted woman whose legacy is a multitude of works. The first chapter explains Hildegard's mystical polyphony by exploring the forces which shaped Hildegard's development throughout her life, stressing her historical context, personal history, and the setting in which she lived and wrote. Chapter two explores her mystical polyphony in the explicitly visionary theological works: the Scivias, the Liber vitae meritorum, and the De operatione Dei. The third chapter considers Hildegard's musical vision in depth. Chapter four explores her non-visionary works, including the "unknown language," the lingua ignota; her lives of the saints and founders; and her commentaries and theories about the natural world, linked to her cosmology. Chapter five looks at Hildegard's prophetic gifts and voice. It examines her relationships with others: in the communities in which she lived and governed, "in the world" by correspondence or encounter, in her encounters with authority, and in her claim to be an authority in her own right. King-Lenzmeier concludes with such questions as What makes Hildegard unique as a mystic, and what does she share with others? and How is Hildegard's mystical journey a paradigm for other mystical journeys? She draws forth the major elements that integrate Hildegard's life and work and indicates in what way she is an example for other mystics who share her polyphonic character and spiritual path. The final chapter demonstrates Hildegard's uniqueness among the mystics while presenting the universal appeal of her mysticism. By considering all of Hildegard's talents, works, and trials Hildegard of Bingen: An Integrated Vision shows the depth of the challenge she presents to us. She calls us to look beyond the everyday, but to value it at the same time; to challenge our preconceived notions of gender in the divine and human spheres; to see that in times of hardship we cannot give up; and to love life, even when it is hard to bear. She gives us her example and her tools: now it is our turn to figure out, singly and together, how to bring viriditas more fully into the world of today and tomorrow. Chapters are "Shaping Forces," "Mystical Polyphony in the Visionary Works," "Bringing the Strands Together—The Gift of Music," "Earth and Heaven in Dialogue," "From Mystical Vision to Prophetic Witness," and "Concluding Remarks." Includes illustrations.
Hildegard of Bingen
CRC Press Inc
1998
sidottu
This volume explores the extraordinary life and work of Hildegard of Bingen, the 12th century abbess and prophet whose interests ranged from music to theology to zoology to medicine. These essays-written specifically for this volume-approach Hildegard from a variety of perspectives including gender theory, musicology, art history, the history of science, and comparative studies.
Historically accurate, spiritually profound, and evocatively written, this fictional biography of Hildegard of Bingen offers an unforgettable encounter with the astonishing medieval nun, visionary and prophet, artist and healer, counselor of kings and popes, and composer of divine and long-lasting music. The story paints a vivid picture of the medieval world, and masterfully weaves in Hildegard's own accounts of "the Living Light, lending an air of authenticity to the narrative. This is an absorbing portrait of a spiritual leader who would become one of only 34 individuals -- and one of only four women -- to be named a Doctor of the Church and of a figure who shattered stereotypes of what it meant to be a woman and a scholar in the Middle Ages.