Despite the recent renaissance in studies of the reign of Richard III, most historians have remained focussed on conventional themes.
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1000 tulosta hakusanalla Horrox Rosemary Horrox
Despite the recent renaissance in studies of the reign of Richard III, most historians have remained focussed on conventional themes, especially the character and motivation of the king and the fate of his nephews. Less attention, as a result, has been devoted to the reign’s importance in the patterns of late medieval government and in the evolution of royal authority. Basing her research on a wide range of archival material, Dr Horrox attempts to correct this thematic imbalance by highlighting a crucial feature of royal government in the period, the role of the king’s servants. For the years immediately before and during Richard’s reign, the book fully explores the practicalities of having commands obeyed, the reciprocal nature of service relationships and the whole structure of late medieval ‘affinities’, or client systems. Indeed, this first full-length study of royal patronage in a period of social and political upheaval will prove invaluable to anyone concerned with the dynamics of power and executive government on a national and local level. Inevitably, it will also alter our understanding of the reasons for the fall of the last Yorkist king and shed light on broader issues in fifteenth-century politics.
The Corona Book of Horror Stories
S. L. Powell; Lewis Williams; Keith Trezise; Sue Eaton; Wondra Vanian; Suzan St Maur; Martin S. Beckley; T. R. Hitchman; Rosemary Salter; William Quincy Belle
Corona Books UK
2017
nidottu
Memoir of the Life and Labors of the Rev. Jeremiah Horrox
Whatton Arundell Blount; Jeremiah Horrox
Cambridge University Press
2010
pokkari
Jeremiah Horrox (1618–1641) was one of the most interesting astronomers Britain has ever produced, and his tragically early death deprived the field of one of its most brilliant talents. In his short life he achieved much, having mastered the current state of astronomy at Cambridge University and going on to make important new calculations about the diameter and position of known planets, moons and stars. In the 1660s and 70s several prominent scientists, including Huygens, Newton and Flamsteed, took an interest in Horrox's discoveries and published his surviving treatises. This memoir of 1859 was part of a Victorian revival of interest in Horrox. It includes translation of his major work, Venus in Sole Visa, a draft of a treatise on the transit of Venus, in which he describes the conjunction of Venus with the sun, which he correctly calculated and observed in 1639.
Memoir of the Life and Labors of the Reverend Jeremiah Horrox
Arundell Blount Whatton
Kessinger Pub
2008
pokkari
Memoir of the Life and Labors of the Reverend Jeremiah Horrox
Arundell Blount Whatton
Kessinger Pub
2008
sidottu
Elizabeth "Birdie" Graham must defy her family to discover herself.Birdie dreams of becoming a professional artist, but the constraints of society demand she marries well. In order to fulfil her dreams, she makes a deal with her parents: to let her spend a year at the St. Agnes School of Art in Cornwall, after which she will return home and marry the insufferable but influential and wealthy Charles Bonham, as per her parents' wishes.Birdie however, has no intention of ever going back. Free of responsibility for the first time, she finds herself surrounded by a crew of bohemian artists who show her just how dizzying independence can be. And when she meets the magnetic, but troubled, Tremayne family, she will be forced to ask herself exactly what kind of woman and artist she really wants to be.Perfect for fans of Downton Abbey, Bridgerton and The Great Gatsby
Containing 6 wonderful step-by-step projects and ideas for many more, this highly practical guide is aimed at those who are new to doll making, as well as more experienced needlecrafters. It contains the best of Jan Horrox's previous titles: Introduction to Making Cloth Dolls and Making Fantasy Cloth Dolls. Jan’s beautiful dolls are exquisitely made, yet by breaking the process down into easy-to-follow steps, they become surprisingly easy to achieve. Full of character and life, Jan’s dolls are made using a wide range of colourful fabrics, trims, ribbons and buttons and are ideal for using up scraps and oddments of materials. There are clear, step-by-step instructions for making hands and feet, making hair, and needlesculpting and painting the exquisite faces to really bring the dolls to life. There are also instructions for making webbed fingers and delicate fairy wings as well as a mermaid's tail. Full-size templates for all the body pieces are supplied at the back of the book. With 6 projects to choose from, including fairies, wood nymphs, mermaids, witches and a steampunk doll, this book provides all the means and inspiration you need to make your own gorgeous dolls.
Manual of Neonatal and Paediatric Congenital Heart Disease
Fiona Horrox
Whurr Publishers Ltd
2002
nidottu
A number of books have been written relating to congenital heart disease, but generally, they reflect individualised medical management of local practice and philosophies. Although this book assumes a prior working knowledge of congenital heart disease, it aims to provide the reader with a reference guide to be utilised at the bedside.The main aspiration of this book is to provide a comprehensive, affordable guide for paediatric, neonatal and adult nurses of young people with congenital heart disease, in this highly challenging speciality. This book is primarily written for nursing staff focusing on a multidisciplinary team approach to managing children. It is also a valuable tool for community staff, dieticians, doctors, neonatal staff, perfusionists, pharmacists, physiological measurment technicians, physiotherapists, psychologists, social workers, theatre staff, and other personnel who come into contact with this group of children.
Introducing the spine-chilling "Horror Activity Book for Adults" If you're a fan of all things macabre and love to indulge in the thrill of the unknown, this activity book is the perfect companion for your dark and twisted imagination.Prepare to be immersed in a world of horror, where every turn of the page brings a new dose of eerie excitement. This activity book is not for the faint of heart, as it delves into the realms of ghosts, monsters, haunted places, and other terrifying tales that will send shivers down your spine.Inside the "Horror Activity Book for Adults," you'll find a hauntingly delightful collection of activities designed to challenge and entertain even the most daring souls. Engage in cryptic crossword puzzles that test your knowledge of horror lore, or attempt to navigate through chilling mazes where every wrong turn leads you deeper into the abyss.If you're feeling artistic, unleash your creativity as you color intricate illustrations of vampires, witches, and other iconic horror figures. Uncover hidden secrets in intricate spot-the-difference puzzles that reveal disturbing scenes from classic horror stories. And for those who dare, try your hand at writing your own bone-chilling short stories inspired by the dark atmosphere of the book.This activity book is not just about scares-it also provides an opportunity to learn about the history and folklore behind some of the most notorious horror legends. Through trivia challenges and quizzes, you can expand your knowledge of the genre while testing your memory and attention to detail.The "Horror Activity Book for Adults" is a perfect companion for Halloween gatherings, horror-themed parties, or simply for those evenings when you crave a thrilling solo adventure. It offers a unique and immersive experience that caters to your love of the macabre, providing hours of chilling entertainment that will keep you on the edge of your seat.Note: This activity book is intended for adult audiences due to its content, which may include graphic imagery and themes that may be unsuitable for younger readers. Reader discretion is advised.
HORROR MOVIE
HARPERCOLLINS PUBLISHERS INC
2024
nidottu
Instant New York Times Bestseller PLEASE NOTE: the limited edition with red stained edges is sold out, but we invite you to purchase an unstained one -- same haunting story, same chilling twists A chilling twist on the "cursed film" genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.The man who played "The Thin Kid" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions--demons of the past be damned.But at what cost? Horror Movie is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion.
Scaring and Daring: Terrifying Takes on 15 Classic Tales: A Horror Writers Association Anthology
Horror Writers Association
Harpercollins
2025
sidottu
Very Short Introductions: Brilliant, Sharp, Inspiring Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies? Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. First published in hardback as Sleeping with the Lights on.
Horror Stories
Oxford University Press
2018
nidottu
The modern horror story grew and developed across the nineteenth century, embracing categories as diverse as ghost stories, the supernatural and psychological horror, medical and scientific horror, colonial horror, and tales of the uncanny and precognition. This anthology brings together twenty-nine of the greatest horror stories of the period, from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century -- Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, and Zola -- as well as established genre classics from M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman, and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible, stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified!
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.