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1000 tulosta hakusanalla Iain Stirling

Not F*cking Ready to Adult

Not F*cking Ready to Adult

Iain Stirling

HarperCollins Publishers Ltd
2019
nidottu
Comedian Iain Stirling knows a lot about f*cking up. And he’s ready to share. From the brilliantly funny voice behind the BAFTA-winning smash hit Love Island comes a scrutinising dissection of millennial life, giving the finger to ‘adulthood’ (whatever that means) along the way. Throughout life millennials have been taught that they are perfect and should live a perfect life. They’ve been told, whatever happens, don’t screw up. So is it any wonder they have acquired an image of being self-obsessed, work-shy, mollycoddled egomaniacs? Iain argues that beneath this facade is a misunderstood generation with a crippling fear of failure. And it’s time for this to change. Provocative and full of his razor-sharp wit, Not F*cking Ready to Adult is Iain’s guide to what life is really like for millennials and how they can navigate it better.
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Iain

Iain

Dale Mayer

Valley Publishing Ltd.
2020
pokkari
Hathaway House: Iain (Book 9) Welcome to Hathaway House, a heartwarming military romance series from USA TODAY best-selling author Dale Mayer. Here you'll meet a whole new group of friends, along with a few favorite characters from Heroes for Hire. Instead of action, you'll find emotion. Instead of suspense, you'll find healing. Instead of romance, ... oh, wait. ... There is romance-of course Welcome to Hathaway House. Rehab Center. Safe Haven. Second chance at life and love. Getting accepted to Hathaway House is the new start Iain MacLeod has been waiting for. His old VA center has put him on the road to recovery, but he's nowhere near where he wants to be. Much work remains to be done, and Iain is determined to do what's necessary to get back to full power. But he has hit the limit of his current professionals' abilities. He needs a new team. New eyes. New methods. He can only hope that Hathaway House has what he needs to keep moving forward. Robin Carruthers works in the veterinary clinic at Hathaway House. When she connects with Iain, she's his biggest cheerleader and enjoys watching him take steps toward greater recovery. Until she realizes that, while Iain is growing in major ways, ... she isn't. When traumas from her past intrude on the present, and Robin is forced to confront issues of her own, she's afraid she and Iain won't find their way back to each other again ...
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Iain M. Banks

Iain M. Banks

Paul Kincaid

University of Illinois Press
2017
sidottu
The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction.
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Iain M. Banks

Iain M. Banks

Paul Kincaid

University of Illinois Press
2017
nidottu
The 1987 publication of Iain M. Banks's Consider Phlebas helped trigger the British renaissance of radical hard science fiction and influenced a generation of New Space Opera masters. The thirteen SF novels that followed inspired an avid fandom and intense intellectual engagement while Banks's mainstream books vaulted him to the top of the Scottish literary scene. Paul Kincaid has written the first study of Iain M. Banks to explore the confluence of his SF and literary techniques and sensibilities. As Kincaid shows, the two powerful aspects of Banks's work flowed into each other, blurring a line that critics too often treat as clear-cut. Banks's gift for black humor and a honed skepticism regarding politics and religion found expression even as he orchestrated the vast, galaxy-spanning vistas in his novels of the Culture. In examining Banks's entire SF oeuvre, Kincaid unlocks the set of ideas Banks drew upon, ideas that spoke to an unusually varied readership that praised him as a visionary and reveled in the distinctive character of his works. Entertaining and broad in scope, Iain M. Banks offers new insights on one of the most admired figures in contemporary science fiction.
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Iain Sinclair

Iain Sinclair

Brian Baker

Manchester University Press
2007
sidottu
A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.
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Iain Sinclair

Iain Sinclair

Brian Baker

Manchester University Press
2007
nidottu
A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.
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Iain Sinclair

Iain Sinclair

Robert Sheppard

Northcote House Publishers Ltd
2007
nidottu
Iain Sinclair has a growing reputation as a novelist and writer of documentary non­-fiction. This study covers his major works, but also seeks to trace the connections between the writings and his earlier books of poetry. Indeed, it traces the intertextual curve of Sinclair’s entire oeuvre, and demonstrates that its unity lies in the very desire to make connections between disparate cultural experience, for example between the context of avant garde poetry that Sinclair emerged from, and the world of pulp fiction that he has negotiated as a book dealer and an editor.
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Iain Banks's Complicity

Iain Banks's Complicity

Cairns Craig

Continuum International Publishing Group Ltd.
2002
nidottu
This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. This is an excellent guide to Iain Banks's bestselling novel. It features a biography of the author, a full-length analysis of the novel, a comparison of the book to the movie, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative
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IAIN BAXTER&

IAIN BAXTER&

Alexander Alberro

Goose Lane Editions
2012
pokkari
Winner, Canadian Museums Association Outstanding Achievement in Publication Winner, Melva J. Dwyer AwardIain Baxter legally changed his name to IAIN BAXTER& in 2005. He appended an ampersand to his name to underscore that art is about connectivity — about contingency and collaboration with a viewer. He also effected the name change to perpetuate a strategy of self re-definition that is central to his creative project. BAXTER& began making art in the late-1950s under his birth name but quickly realized that the name itself was creative material, to be deployed, manipulated, and shared. In 1965, he formed a collaborative art-making entity which evolved into N.E. Thing Company, a corporate-styled entity whose co-presidents were BAXTER& and his wife Ingrid. Producing a diverse array of projects that encompassed conceptually based photography, pioneering works of appropriation art, and gallery transforming installations, the N.E. Thing Company offered a new model of art making, allowing the artists to remain anonymous and masquerade in the guise of business people. Following the dissolution of N.E. Thing Company in 1978, BAXTER& produced extensive bodies of work with Polaroid film, created numerous installations that blended painting and sculpture, and made pedagogy a focus of his creative enterprise. Consistent themes permeate his work and vector through his thinking. And by assessing these themes — a relentless emphasis on reaching out to the viewer, a core concern with ecology and the environment, and a belief that art must assume plural means and media — one discerns BAXTER&'s creative credo, understanding that "art is all over." This comprehensive book reviews BAXTER&'s remarkable career across all media. It accompanies a major international touring exhibition, which opened at the Museum of Contemporary Art, Chicago in November 2011 and at the Art Gallery of Ontario in April 2012. Featuring more than 160 reproductions of BAXTER&'s work, it also includes essays by the exhibition's curator, David Moos, along with contributions by Michael Darling (James W. Alsdorf Chief Curator, Museum of Contemporary Art, Chicago), Alex Alberro (Associate Professor, University of Florida), and others. The book will also feature a comprehensive bibliography compiled by Adam Lauder (W.P. Scott Chair for Research in E-Librarianship, York University).
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Fifteen Poems of Iain Crichton Smith

Fifteen Poems of Iain Crichton Smith

Iain Crichton Smith

Association for Scottish Literary Studies
2008
cd
Iain Crichton Smith was a prolific and accomplished writer in English and Gaelic, as well as a capable dramatist, again in both languages, but it is as a poet above all that his reputation will endure. His principal collections are in English: Thistles and Roses (1961), Deer on the High Hills (1962), The Law and the Grace (1965), Hamlet in Autumn (1972), The Village and Other Poems (1989) and The Leaf and the Marble (1989); and in Gaelic Bìobuill is Sanasan-Reice (Bibles and Adverts) (1965), Eadar Fealla-Dha is Glaschu (Between Fun and Glasgow) (1974) and Na h-Eilthirich (The Exiles) (1983). In them his subject matter deals with the Highlands, Scotland and the wider world and demonstrates familiarity with the literature of Europe and America and the literary movements of his time. This double CD contains recordings of Iain Crichton Smith reading his poems. Introductions and commentary by John Blackburn cover the major themes of his career: the struggle between light and dark and his ambivalent attitude towards religion, sometimes oppressive, sometimes full of grace. It is an excellent resource for home or classroom study, as well as providing an opportunity to hear one of the great poets of the twentieth century reading his own work.
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Iain Sinclair: Noise, Neoliberalism and the Matter of London

Iain Sinclair: Noise, Neoliberalism and the Matter of London

Niall Martin

Bloomsbury Academic
2017
nidottu
For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural ‘noise’ of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and ‘psychogeographer’ Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair’s investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.
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Iain Sinclair: Noise, Neoliberalism and the Matter of London

Iain Sinclair: Noise, Neoliberalism and the Matter of London

Niall Martin

Bloomsbury Academic
2015
sidottu
For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural ‘noise’ of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and ‘psychogeographer’ Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair’s investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.
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