For over three decades, Belgian architect Vincent Van Duysen has created a body of work that is at once sublime and rich, minimal yet tactile. This monograph presents his complete works from 1989 to 2009, including his domestic architecture, office and commercial spaces, as well as furniture and decorative objects for such leading international manufacturers as B&B Italia, Poliform and Swarovski. Over thirty projects are presented in detail, each with a project profile, many accompanied by specially commissioned photographs taken by Alberto Piovano, along with a complete project chronology.
The renowned designer and style guru Ilse Crawford showcases her body of influential, holistic work for the first time, articulating her groundbreaking philosophies for design and living. Studioilse, the award-winning design studio founded by Ilse Crawford, bridges the worlds of interior design, architecture, and product design with the philosophy of putting the human being at the center. Fascinated by what drives us and makes us feel alive, Crawford says: When I look at making spaces, I don't just look at the visual. I'm much more interested in the sensory thing, in thinking about it from the human context, the primal perspective, the thing that touches you. Featuring Studioilse's work to date, from private residences to hotels, restaurants, and retail projects, this book illustrates the effectiveness of design grounded in human needs and desires. Layering materials and textures, combined with her understanding of human behavior, Crawford's designs are sensual and accessible. A forerunner of the holistic design movement a decade ago, her humanistic approach has now become the norm. This volume illustrates why Crawford's design philosophy is so seminal-her work has influenced not only a generation of Dutch and European designers, but also Americans due to her acclaimed Soho House New York. With new photography and essays by Crawford and design critic Edwin Heatcote, this inspirational volume is sure to be one of the most important design books of the year.
Under the pseudonym of "Ossit," Madeleine -Deslandes (1866-1929) wrote Ilse, her second novel, which first appeared in 1894. Like a fable or a long poem in prose, it tells the story of a young and charming woman of Bamberg who seems to at least partially exist in the land of fairies and flowers-but men and fate are less kind.A minor masterpiece, a mystical idyll, Ilse, framed in green hills and light blue skies strewn with swallows, is as much a drowsy dream as it is a book.
An authoritative reassessment of one of the Third Reich’s most notorious war criminals, whose alleged sexual barbarism made her a convenient scapegoat and obscured the true nature of Nazi terror.On September 1, 1967, one of the Third Reich’s most infamous figures hanged herself in her cell after nearly twenty-four years in prison. Known as the “Bitch of Buchenwald,” Ilse Koch was singularly notorious, having been accused of owning lampshades fabricated from skins of murdered camp inmates and engaging in “bestial” sexual behavior. These allegations fueled a public fascination that turned Koch into a household name and the foremost symbol of Nazi savagery. Her subsequent prosecution resulted in a scandal that prompted US Senate hearings and even the intervention of President Truman.Yet the most sensational atrocities attributed to Koch were apocryphal or unproven. In this authoritative reappraisal, Tomaz Jardim shows that, while Koch was guilty of heinous crimes, she also became a scapegoat for postwar Germans eager to distance themselves from the Nazi past. The popular condemnation of Koch—and the particularly perverse crimes attributed to her by prosecutors, the media, and the public at large—diverted attention from the far more consequential but less sensational complicity of millions of ordinary Germans in the Third Reich’s crimes.Ilse Koch on Trial reveals how gendered perceptions of violence and culpability drove Koch’s zealous prosecution at a time when male Nazi perpetrators responsible for greater crimes often escaped punishment or received lighter sentences. Both in the international press and during her three criminal trials, Koch was condemned for her violation of accepted gender norms and “good womanly behavior.” Koch’s “sexual barbarism,” though treated as an emblem of the Third Reich’s depravity, ultimately obscured the bureaucratized terror of the Nazi state and hampered understanding of the Holocaust.
In der Reihe Deutsche Literatur erscheinen Studien und Quellen der germanistischen Literaturwissenschaft vom Mittelalter bis zur Gegenwart. Es handelt sich um philologisch grundlegende Arbeiten, die das Fach in seiner ganzen methodischen und thematischen Breite abdecken und literaturgeschichtliche Analysen mit theoretischer Reflexion auf hohem Niveau verbinden. Die Ausgaben im Rahmen der Reihe stellen ambitionierte, innovative Editionsvorhaben dar. Komparatistische Perspektiven auf die deutschsprachige Literatur sind ausdr cklich erw nscht. Herausgegeben wird die Reihe von zwei ausgewiesenen Vertreterinnen ihres Faches, die den analytischen Anspruch der Reihe ebenso repr sentieren wie ihre literaturgeschichtliche Vielfalt: Prof. Dr. Beate Kellner ist Professorin f r Deutsche Literatur und Kultur des Mittelalters (Medi vistik) und derzeit Vizepr sidentin der Ludwig Maximilians-Universit t M nchen. Prof. Dr. Claudia Stockinger ist Professorin f r Neuere deutsche Literatur an der Georg-August-Universit t G ttingen.
Dieser Band versammelt erstmals sämtliche Hörspiele Ilse Aichingers, vom sozialkritischen Stück Knöpfe (1953) bis zum Sprachgewebe Gare maritime (1976), das die Autorin mit Jutta Lampe und Otto Sander inszenierte.
Minns du Wi-Wi-gänget, Ilse och Freddy som bor i Seattle iUSA? Nu är de tillbaka på nya äventyr tillsammans med sinkatt. Nu återvänder de till den hemliga gången, och entidsmaskin flyttar dem tillbaka till en annan tid och plats.
