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1000 tulosta hakusanalla Jörg Preiss

Die Anwendung Des Markenrechtlichen Erschoepfungsgrundsatzes Auf Dienstleistungsmarken
Der Autor untersucht die rechtliche Moeglichkeit und die tatsachliche Erforderlichkeit der Anwendung des markenrechtlichen Erschoepfungsgrundsatzes auf Dienstleistungsmarken. Die Arbeit nimmt ihren Ausgangspunkt in der Darstellung des rechts- und wirtschaftswissenschaftlichen Forschungsstandes zum Begriff der Dienstleistung und seiner Abgrenzung zur Ware. Auf der Basis der Bedeutung und Wirkung des 24 MarkenG als Begrenzung des Markenmonopols werden die Themen Hilfswaren, materialisierte Dienstleistungen und reine Dienstleistungen herausgearbeitet. Anhand dieser Problemfelder wird aufgezeigt, dass die Begrenzung des Anwendungsbereichs des 24 MarkenG auf Warenmarken zu Wertungswiderspruchen innerhalb des MarkenG fuhrt. Der Autor kommt daher zu dem Ergebnis, dass die Anwendung des 24 MarkenG auf Dienstleistungsmarken geboten und erforderlich ist.
Spekulation, spekulative Gewinne und Preisstabilität
Schrift zur wirtschaftswissenschaftlichen Forschung Waren und Dienstleistungen werden zunehmend in b rsen hnlich organisierten M rkten gehandelt, die auch von Spekulanten genutzt werden. Die Auswirkungen der spekulativen Transaktionen waren und sind Top-Thema der konomie. Erfolgreicher Spekulation wurde schon seit dem 18. Jahrhundert ein stabilisierender Einfluss auf die Preisschwankungen zugeschrieben, weil die K ufe preissteigernd und die Verk ufe preissenkend wirkten. Der Einfluss von Transaktionskosten als wirtschaftspolitisches Instrument ist Gegenstand aktueller Debatten. Der Autor hat diese Fragestellungen in mathematischen Marktmodellen untersucht. Die unver nderte Neuauflage der Inaugural-Dissertation zur Erlangung der Doktorw rde der Agrarwissenschaftlichen Fakult t der Christian-Albrechts-Universit t Kiel vorgelegt von Dipl.-Math. J rg Schimmler. Die mathematischen Ergebnisse der Dissertation sind auch Argument f r die Erh hung von Transaktionskosten, z.B. in Form von Transaktionssteuern. Damit hat die Dissertation auch jetzt noch hohe Aktualit t und liefert wertvolle Erkenntnisse.
Jörg Breu the Elder

Jörg Breu the Elder

Andrew Morrall

Routledge
2019
nidottu
This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.
Jörg Breu the Elder

Jörg Breu the Elder

Andrew Morrall

Routledge
2017
sidottu
This title was first published in 2002: Jörg Breu belonged to the generation of German Renaissance artists that included Dürer, Cranach, Grünewald, Altdorfer, and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras, which witnessed the transfer of creative energies from religious painting to secular and applied forms of art. In this wide ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jörg Breu's art and its reception, not just in his own period, but right up to the present day.
Jorg Hamburger - Georg Staehelin

Jorg Hamburger - Georg Staehelin

Lars Muller Publishers
2017
nidottu
Their posters manifest a reduced expression, convincing in a poetic-sensuous manner while challenging intellectually. In particular the posters advertising exhibitions convey complex contents in a puristic and timeless form. The creations by Hamburger are characterised by a more pro- nounced adherence to tradition-while Staehelin's experimental openness often leads to surprising results.The joint works of the two reveal the mutual appreciation and fruitfulness of the professional exchange; sensitively developed posters for the Museum of Design re ect an inspiring combination of graphic design principles and a pure delight in creative design.With an essay by Claude Lichtenstein
Jorg Hartig. REALPOP

Jorg Hartig. REALPOP

De Gruyter
2017
isokokoinen pokkari
Throughout his life, Jorg Hartig has taken his inspiration from his immediate environment – from phenomena of modern civilization and culture. He particularly engaged with their issues and problems, which has added a strong component of contemporary criticism to his work. Hartig’s work is always tied to reality in key subject groups, which characterize both the artist himself and, metaphorically, the respective time period. He himself describes his oeuvre as REAL POP. Hartig’s treatment of color in his mostly large-format pictures is masterly. An interview with the artist highlights his pioneering role in the use of acrylic paint in Austria. The richly illustrated book provides a comprehensive insight into the oeuvre and life of the artist.
Jörg Colberg

Jörg Colberg

Kerber Verlag
2021
nidottu
75 years after the end of World War 2, members of an extremist nationalist party have been elected into German parliaments, once more. How was this possible? And what does this tell about a country which has until today not adequately dealt with parts of its own past, particularly with the atrocities committed in the neighbouring Poland? Having lived in the US for almost two decades, professor of photography Jörg Colberg (*1968) attempts to understand what is going on within his native country and, given his own biography, to what extent he still is part of the whole complex. Text in English, German, and Polish.