This study re-examines the twentieth-century novel as a form shaped by its problematic, often scandalous relation to the public sphere. Discussing ten texts against the challenges of their milieus, it considers twentieth-century fiction as a tradition of transgression, perennially caught between license and licentiousness, erudition and sedition.
Chinua Achebe has long been regarded as Africa’s foremost writer. In this major new study, Jago Morrison offers a comprehensive reassessment of his work as an author, broadcaster, editor and political thinker. With new, historically contextualised readings of all of his major works, this is the first study to view Achebe’s oeuvre in its entirety, from Things Fall Apart and the early novels, through the revolutionary Ahiara Declaration – previously attributed to Emeka Ojukwu – to the revealing final works The Education of a British Educated Child and There Was a Country. Contesting previous interpretations which align Achebe too easily with this or that nationalist programme, the book reveals Achebe as a much more troubled figure than critics have habitually assumed. Authoritative and wide-ranging, this book will be essential reading for scholars and students of Achebe’s work in the twenty-first century.
Since the emergence of Things Fall Apart in 1958, Chinua Achebe has come to be regarded by many as the 'Godfather' of modern African writing. Over 150 full length studies of his work have been published, together with many hundreds of scholarly articles.This Reader's Guide enables students to navigate the rich and bewildering field of Achebe criticism, setting out the key areas of critical debate, the most influential alternative approaches to his work and the controversies that have so often surrounded it. The Guide examines Achebe's key novels - with the main focus on Things Fall Apart - and also discusses his less well-known short fiction. Including discussion of important Nigerian scholarship that is often inaccessible, this is an invaluable introduction to the work of one of Africa's most important and popular writers.
Since the emergence of Things Fall Apart in 1958, Chinua Achebe has come to be regarded by many as the 'Godfather' of modern African writing. Over 150 full length studies of his work have been published, together with many hundreds of scholarly articles.This Reader's Guide enables students to navigate the rich and bewildering field of Achebe criticism, setting out the key areas of critical debate, the most influential alternative approaches to his work and the controversies that have so often surrounded it. The Guide examines Achebe's key novels - with the main focus on Things Fall Apart - and also discusses his less well-known short fiction. Including discussion of important Nigerian scholarship that is often inaccessible, this is an invaluable introduction to the work of one of Africa's most important and popular writers.
Chinua Achebe has long been regarded as Africa’s foremost writer. In this major new study, Jago Morrison offers a comprehensive reassessment of his work as an author, broadcaster, editor and political thinker. With new, historically contextualised readings of all of his major works, this is the first study to view Achebe’s oeuvre in its entirety, from Things Fall Apart and the early novels, through the revolutionary Ahiara Declaration – previously attributed to Emeka Ojukwu – to the revealing final works The Education of a British Educated Child and There Was a Country. Contesting previous interpretations which align Achebe too easily with this or that nationalist programme, the book reveals Achebe as a much more troubled figure than critics have habitually assumed. Authoritative and wide-ranging, this book will be essential reading for scholars and students of Achebe’s work in the twenty-first century.
The novel opens after midnight on a hot summer night, when many of the residents of the Jago, likened to "great rats", prefer to sleep in the street to avoid the oppressive heat and stench of the closely packed houses. A man lured into a dwelling by a woman is brutally coshed, robbed and dragged unconscious into the street where others remove his boots. Dicky Perrott, 8 or 9 years old (the uncertainty is telling) makes his way home to the single room in which his family dwells, where he finds his mother, Hannah Perrott and flea-bitten baby sister, Looey, but only a crust of bread to eat. As dawn breaks his father, Josh Perrott, returns home with a club sticky with blood and hair, suggesting another robbery.
The novel opens after midnight on a hot summer night, when many of the residents of the Jago, likened to "great rats", prefer to sleep in the street to avoid the oppressive heat and stench of the closely packed houses. A man lured into a dwelling by a woman is brutally coshed, robbed and dragged unconscious into the street where others remove his boots. Dicky Perrott, 8 or 9 years old (the uncertainty is telling) makes his way home to the single room in which his family dwells, where he finds his mother, Hannah Perrott and flea-bitten baby sister, Looey, but only a crust of bread to eat. As dawn breaks his father, Josh Perrott, returns home with a club sticky with blood and hair, suggesting another robbery. Looking for cake and tea Dicky visits the East End Elevation Mission where well-intentioned middle-class 'missionaries' seek to educate and civilise. He dodges the young man on the door and takes the opportunity to steal a gold watch from a bishop. Returning home he proudly hands it to his father, who beats him for stealing but keeps the watch to sell for himself. Two families, the Ranns and the Learys, dominate the Jago, and one of their periodic violent confrontations breaks out. Sally Green, of the Leary clan, whose method of fighting is to hold down her opponent and chew viciously on the back of the neck, triumphs over the Rann's female champion, Nora Walsh, and proudly displays a bunch of her clotted hair as a trophy. Hannah Perrott, taking Looey out with her to buy food, is attacked by Sally Green and only rescued when Nora Walsh breaks a bottle and repeatedly stabs Sally in the face. Elsewhere there is a murder in the street when Fag Dawson is stabbed and the police descend in force on the Jago. Josh Perrott vows to fight Sally Green's brother, Billy Leary. Dicky encounters Aaron Weech, proprietor of a local coffee shop and a 'fence', a handler of stolen goods. Weech has heard about Dicky stealing the watch, and the punishment he received, and offers him coffee and cake. Weech suggests that in future Dicky should bring what he steals straight to him, and points out that Dicky is now in debt to him for the refreshments. Returning home, Dicky passes a clergyman, who, he imagines, has only ventured into the Jago because the police are present. Looey is ill but disregarded by her mother. Dicky sees that the door to the Roper family's room opposite is open, and ventures inside. He steals their clock, but as he descends the stairs he is confronted by the Roper's son, Bobby, and the two struggle before Dicky breaks free and takes the clock to Mr Weech. Other residents of the house also enter the Ropers' room and steal their belongings. The Ropers, already despised and resented due to their perceived relative gentility, return and are attacked by the Jagos, until they are saved by the intervention of the clergyman, Father Sturt, who cows the crowd and retrieves the stolen property. Dicky feels sorry for the Ropers and resolves to replace their clock with something. He steals a music box and is chased back to the Jago, narrowly avoiding capture. Father Sturt arranges for the Ropers to take up lodging in nearby Dove Lane and Dicky secretes the music box in the cart carrying away their belongings. Josh Perrott defeats Billy Leary in their fight, winning 5 in prize money and bets, and celebrates with Hannah in a pub. Looey dies whilst left behind in their room, and as Dicky sobs over his sister's corpse, Josh and Hannah return to the pub. Four years pass. Father Sturt plans to build a church on Jago Court. Although by now a hardened thief who has received a birching, Dicky occasionally attends school. He returns home one day to see the Ropers' clock on the family mantlepiece. Weech has given this to Josh in return for stolen tobacco. Another child has been born, and Looey is "forgotten"........
'The Jago had got him, and it held him fast.' In the worst of London's East End slums, in an area called the Jago, young Dicky Perrott is used to a life of poverty, crime, and violence. Gang warfare is the order of the day, deaths are commonplace, and thieving the only way to survive. At first Dicky dreams of becoming a High Mobsman - one of the aristocrats of Jago crime - but the efforts of Father Sturt to improve conditions offer him a different path. Dicky's journey takes him through a savage but colourful community of pickpockets and cosh-carriers, where the police only enter in threes, and where murder erupts with an unusual horror and intimacy. Morrison's portrayal of the Victorian underclass and its underworld drew attention to the bleak prospects for children living in such surroundings, and it is a classic of slum-fiction. In this edition Peter Miles provides a rich contextual background to the creation of the novel, and the social debates to which it contributed. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
A tale of grinding poverty and struggle, A Child of the Jago follows Dicky Perrott - a boy who wishes to escape London's impoverished and corruption-riddled East End for a better life. First published at the end of the 19th century when industrialised London was in a state of dire impoverishment, the story is not a typical rags to riches tale - the Perrott family, and their friends and enemies, must struggle for their very survival in the harsh environment they live within. Tension and desperation amid the crime and roughness is constant in the overcrowded slums of the East End, with fortune hard to come by and danger ever present. The novel opens with a vivid and stark image of a hot midsummer's day - the residents of the Jago sleeping outside in the roads to avoid the heat and stench of their own homes. Illustrating the desperate situation, a robbery promptly occurs in which the victim is relieved of the very clothes on his back.
A tale of grinding poverty and struggle, A Child of the Jago follows Dicky Perrott - a boy who wishes to escape London's impoverished and corruption-riddled East End for a better life. First published at the end of the 19th century when industrialized London was in a state of dire impoverishment, the story is not a typical rags to riches tale - the Perrott family, and their friends and enemies, must struggle for their very survival in the harsh environment they live within. Tension and desperation amid the crime and roughness is constant in the overcrowded slums of the East End, with fortune hard to come by and danger ever present. The novel opens with a vivid and stark image of a hot midsummer's day - the residents of the Jago sleeping outside in the roads to avoid the heat and stench of their own homes. Illustrating the desperate situation, a robbery promptly occurs in which the victim is relieved of the very clothes on his back.
Old Jago is tucked away in the East End of London, conveniently placed so the wealthy and the fortunate can forget all about it and its unlucky residents. Dicky Perott does not have the luxury of forgetting about the ugly truth of Old Jago, because he and his family barely can afford the single-room home they live in, fighting off robbers, fleas, and the cold. Though he is just a young boy, Dicky already dreams of the day he can leave the slum forever, but first, he has to find out how. Roaming the streets daily, Dicky begs and steals to survive, and is always looking for an opportunity to improve himself. As a riveting narration paints a portrait of life in Old Jago, Dicky comes of age while believing that if he works hard and hopes even harder, he will make it out of Old Jago alive. First published in 1896, A Child of the Jago earned Arthur Morrison considerable fame and commercial success. Quickly becoming a bestseller, this 19th century drama is now considered to be Arthur Morrison’s best work. Often praised for the authenticity in his portrayal of London’s working class, Arthur Morrison provides a devastating portrayal of life in a London slum in A Child of the Jago. Through an incredibly visceral depiction of the setting and characters, A Child of the Jago is unapologetically honest and gripping. With themes of class, coming-of-age, and societal injustice, Morrison offers modern readers a rare portrayal of the poorest class in 19th century London, without omitting a single detail. With relatable characters that demand empathy and a setting that steals attention, A Child of the Jago remains on the mind long after the novel’s conclusion. This edition of A Child of the Jago by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of A Child of the Jago creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison’s work.
Old Jago is tucked away in the East End of London, conveniently placed so the wealthy and the fortunate can forget all about it and its unlucky residents. Dicky Perott does not have the luxury of forgetting about the ugly truth of Old Jago, because he and his family barely can afford the single-room home they live in, fighting off robbers, fleas, and the cold. Though he is just a young boy, Dicky already dreams of the day he can leave the slum forever, but first, he has to find out how. Roaming the streets daily, Dicky begs and steals to survive, and is always looking for an opportunity to improve himself. As a riveting narration paints a portrait of life in Old Jago, Dicky comes of age while believing that if he works hard and hopes even harder, he will make it out of Old Jago alive. First published in 1896, A Child of the Jago earned Arthur Morrison considerable fame and commercial success. Quickly becoming a bestseller, this 19th century drama is now considered to be Arthur Morrison’s best work. Often praised for the authenticity in his portrayal of London’s working class, Arthur Morrison provides a devastating portrayal of life in a London slum in A Child of the Jago. Through an incredibly visceral depiction of the setting and characters, A Child of the Jago is unapologetically honest and gripping. With themes of class, coming-of-age, and societal injustice, Morrison offers modern readers a rare portrayal of the poorest class in 19th century London, without omitting a single detail. With relatable characters that demand empathy and a setting that steals attention, A Child of the Jago remains on the mind long after the novel’s conclusion. This edition of A Child of the Jago by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of A Child of the Jago creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison’s work.
The novel recounts the brief life of Dicky Perrott, a child growing up in the "Old Jago", a fictionalisation of the Old Nichol, a slum in the East End of London.
The novel opens after midnight on a hot summer night, when many of the residents of the Jago, likened to "great rats", prefer to sleep in the street to avoid the oppressive heat and stench of the closely packed houses. A man lured into a dwelling by a woman is brutally coshed, robbed and dragged unconscious into the street where others remove his boots. Dicky Perrott, 8 or 9 years old (the uncertainty is telling) makes his way home to the single room in which his family dwells, where he finds his mother, Hannah Perrott and flea-bitten baby sister, Looey, but only a crust of bread to eat. As dawn breaks his father, Josh Perrott, returns home with a club sticky with blood and hair, suggesting another robbery.
