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1000 tulosta hakusanalla James H Cox
The Cat Screams (a Hugh Rennert Mystery)
Todd Downing; James H Cox
Coachwhip Publications
2012
pokkari
Members of Congress often delegate power to bureaucratic experts, but they fear losing permanent control of the policy. One way Congress has dealt with this problem is to require reauthorization of the program or policy. Cox argues that Congress uses this power selectively, and is more likely to require reauthorization when policy is complex or they do not trust the executive branch. By contrast, reauthorization is less likely to be required when there are large disagreements about policy within Congress. In the process, Cox shows that committees are important independent actors in the legislative process, and that committees with homogenous policy preferences may have an advantage in getting their bills through Congress.
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving.In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism.By examining novels by Native authors - especially Thomas King, Gerald Vizenor, and Alexie - Cox shows how these writers challenge and revise colonizers' tales about Indians. He then offers ""red readings"" of some revered Euro-American novels, including Herman Melville's Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story's end.Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
The forty years of American Indian literature taken up by James H. Cox-the decades between 1920 and 1960-have been called politically and intellectually moribund. On the contrary, Cox identifies a group of American Indian writers who share an interest in the revolutionary potential of the indigenous peoples of Mexico-and whose work demonstrates a surprisingly assertive literary politics in the era.By contextualizing this group of American Indian authors in the work of their contemporaries, Cox reveals how the literary history of this period is far more rich and nuanced than is generally acknowledged. The writers he focuses on-Todd Downing (Choctaw), Lynn Riggs (Cherokee), and D’Arcy McNickle (Confederated Salish and Kootenai)-are shown to be on par with writers of the preceding Progressive and the succeeding Red Power and Native American literary renaissance eras.Arguing that American Indian literary history of this period actually coheres in exciting ways with the literature of the Native American literary renaissance, Cox repudiates the intellectual and political border that has emerged between the two eras.
The Political Arrays of American Indian Literary History
James H. Cox
University of Minnesota Press
2019
sidottu
Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction-by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday-he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.
The Political Arrays of American Indian Literary History
James H. Cox
University of Minnesota Press
2019
pokkari
Bringing fresh insight to a century of writing by Native AmericansThe Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context. Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction-by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday-he demonstrates that Native texts resist efforts to be read as advocating a particular set of politicsMeticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.
Official Report of the Proceedings, Testimony, and Arguments in the Trial of James H. Hardy
James H Hardy; Charles Allen Sumner; William McLellan Cutter
Hutson Street Press
2025
sidottu
Moral Philosophy; or, the Science of Obligation. C by James H. Fairchild.
James H Fairchild
University of Michigan Library
2006
pokkari
It is said that California has the most complete recorded history of any state in the Union. Contemporaries called James H. (Henry) Carson's "sketches" as the most correct eye-witness reports of early California. The U. S. Congress declared war on Mexico in May 1846, and sent four units to occupy and hold Alta California, with a view to its acquisition. Sgt. Carson's Co. F, 3d Reg., Artillery, the "pioneer company," arrived in California in January 1847, after a five-months' voyage around the Horn; the Panama Canal was not yet built. In 1847 Carson served as commissary sergeant at 10th Military District Headquarters. In this capacity he obtained food supplies from the Califor-nios and shared in their social life, making him an important person at Monterey, capital of Alta California. He was one of the few who did not desert his post when gold was discovered in January 1848. In June-July he accompanied R. B. Mason, Col. 1st Dragoons, and Lt. W. T. Sherman (later Gen. Sherman of Civil War fame) on the first official tour of the Northern Gold Mines. In August 1848, on furlough, he discovered Carson Hill, classic gold mining ground of California. In July 1849 he traveled with Gen. B. Riley, Acting Governor of California and Lt. G. H. Derby on a tour of the Southern Mines. Upon discharge from the Army in November 1849, he elected to remain in California, and became a miner. In May 1850 he served as guide to Lt. Derby, Topographical Engineers, on the first official survey of San Joaquin Valley. It was here he contracted a fatal disease. He wrote his "sketches" during this period of inactivity until his death at Stockton on Dec. 12, 1853, aged thirty-two years. Carson was a keen observer, and wrote about California's mineral and agricultural resources; land titles and public domain; establishing a state capital; the first State Legislature. He "saw the elephant." He learned to laugh at himself, and his writings reflected a broad humor as he wrote about his fellowmen
The Winds of Time by James H. Schmitz, Science Fiction, Adventure
James H Schmitz
Aegypan
2011
sidottu
John W. Campbell wrote this for a blurb for this tale when it appeared in Analog: He contracted for a charter trip -- but the man who hired his spacer wasn't quite a man, it turned out -- and he wanted more than service James H. Schmitz was a heck of a writer, and this story -- "The Winds of Time" -- is fascinating stuff. Star ships, aliens from the future, time travel, romance, cannibalism, pet humans, and mute-but-brilliant aliens. . . . and, of course, it's got a hero who solves every problem by being smarter and trickier and better-prepared than we'd ever imagine being. But what would you expect? This story first appeared in John W. Campbell's Analog. Analog heroes did it with their brains. Us? We have to work.
James H. McConkey: A Man of God
Louise Harrison McCraw; Henry W. Frost
Literary Licensing, LLC
2013
nidottu
James H. Hyslop X, His Book: A Cross Reference Record
Gertrude O. Tubby; Weston D. Bayley
Literary Licensing, LLC
2013
nidottu
The Ethics Of Cooperation: (James H. Tufts Classics Collection)
James H. Tufts
Createspace Independent Publishing Platform
2015
nidottu
ACCORDING to Plato's famous myth, two gifts of the gods equipped man for living: the one, arts and inventions to supply him with the means of livelihood; the other, reverence and justice to be the ordering principles of societies and the bonds of friendship and conciliation. Agencies for mastery over nature and agencies for co peration among men remain the two great sources of human power. But after two thousand years, it is possible to note an interesting fact as to their relative order of development in civilization. Nearly all the great skills and inventions that had been acquired up to the eighteenth century were brought into man's service at a very early date. The use of fire, the arts of weaver, potter, and metal worker, of sailor, hunter, fisher, and sower, early fed man and clothed him. These were carried to higher perfection by Egyptian and Greek, by Tyrian and Florentine, but it would be difficult to point to any great new unlocking of material resources until the days of the chemist and electrician. Domestic animals and crude water mills were for centuries in man's service, and until steam was harnessed, no additions were made of new powers.
James H. McConkey A Man of God
Louise Harrison McCraw
Createspace Independent Publishing Platform
2016
nidottu
Legacy by James H. Shmitz, Science Fiction, Adventure, Space Opera
James H Schmitz
Aegypan
2007
sidottu
MEET TRIGGER ARGEE. . . . SHE'S ABOUT TO ENTER THE MYSTERY OF HER LIFE -- IN LEGACYAncient living machines that after millennia of stillness suddenly begin to move under their own power, for reasons that remain a mystery to men. Holati Tate discovered them -- then disappeared. Trigger Argee was his closest associate -- she means to find him. She's brilliant, beautiful, and skilled in every known martial art. She's worth plenty -- dead or alive -- to more than one faction in this obscure battle. And she's beginning to have a chilling notion that the long-vanished Masters of the Old Galaxy were wise when they exiled the plasmoids to the most distant and isolated world they knew. . . . SHE'S ABOUT TO ENTER THE MYSTERY OF HER LIFE -- IN LEGACYHalf a block from the shopping center, a row of spacers on planet-leave came rollicking cheerily toward her. . . . Trigger shifted toward the edge of the sidewalk to let them pass. As the line swayed up on her left, there was a shadowy settling of an aircar at the curb to her right.With loud outcries of glad recognition and whoops of laughter, the line swung in about her, close. Bodies crowded against her, a hand was clapped over her mouth. Other hands held her arms. Her feet came off the ground and she had a momentary awareness of being rushed expertly forward.There was a lurching twist as the aircar shot upward.
The Star Hyacinths by James H. Schmitz, Science Fiction, Adventure, Space Opera
James H Schmitz
Aegypan
2009
pokkari
The Winds of Time by James H. Schmitz, Science Fiction, Adventure
James H Schmitz
Aegypan
2009
pokkari
John W. Campbell wrote this for a blurb for this tale when it appeared in Analog: He contracted for a charter trip -- but the man who hired his spacer wasn't quite a man, it turned out -- and he wanted more than service James H. Schmitz was a heck of a writer, and this story -- "The Winds of Time" -- is fascinating stuff. Star ships, aliens from the future, time travel, romance, cannibalism, pet humans and mute-but-brilliant aliens. . . . and, of course, it's got a hero who solves every problem by being smarter and trickier and better-prepared than we'd ever imagine being. But what would you expect? This story first appeared in John W. Campbell's Analog. Analog heroes did it with their brains. Us? We have to work.