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1000 tulosta hakusanalla Jameson Currier
As told through archived documents, The Man That Got Away by Jameson Currier is a mesmerizing tale of a young man's education by drag queens, a fatal accident and its cover-up, and the resulting aftermath on lives and friendships.
From the author of Dancing on the Moon and Where the Rainbow Ends: After a decade of mistakes, a struggling writer leaves Manhattan to start over in a small college town. Populated with egotists and narcissists, Jameson Currier's resilient and unflinching We Are Made of Stars, a "memoir in the form of a novel pretending to be a memoir," reveals a gay man's journey through grief during the early years of the AIDS epidemic.
Why Didn't Someone Warn You About Prince Charming?
Jameson Currier
Chelsea Station Editions
2019
pokkari
Blending heroic male icons, literary archetypes, gay relationships, and an observant, sharp humor, Jameson Currier's Why Didn't Someone Warn You About Prince Charming? collects twelve new tales of bad romances, backstage affairs, bittersweet recipes, and broken hearts.
Trying to fulfill a promise, a young man finds himself on an unexpected journey when Paul's cat escapes and a surreal adventure through memories begins. From the author of The Haunted Heart and The Wolf at the Door, this special edition of Paul's Cat by Jameson Currier features illustrations drawn by the author.Jameson Currier is the author of seven novels, five collections of short fiction, and a memoir.
In 2012, in the months following the death of playwright and filmmaker Arch Brown at the age of 76, an unpublished manuscript was discovered while archiving his possessions, a memoir titled A Pornographer. In it, Brown, whose career as a director of sex films stretched from 1967 to 1985, recounts his interviews in the late 1960s and early 1970s with many of the men and women who wanted to star in his sex films--some who did, others who did not. Here, he is all at once receptionist, gopher, casting agent, writer, director, stagehand, cameraman, talent scout, friend, and on-the-spot psychiatrist. You don't need to have viewed any of Arch Brown's sex films from this era to appreciate this memoir. In fact, Brown goes out of his way to not mention the titles of any of his films and he only identifies his cast of characters by fictional first names. The result is that A Pornographer is an historical gem, an unexpectedly insightful psychological view of the performers who were drawn to having sex in front of a camera and how and why audiences responded to them.
In 2012, in the months following the death of playwright and filmmaker Arch Brown at the age of 76, an unpublished manuscript was discovered while archiving his possessions, a memoir titled A Pornographer. In it, Brown, whose career as a director of sex films stretched from 1967 to 1985, recounts his interviews in the late 1960s and early 1970s with many of the men and women who wanted to star in his sex films--some who did, others who did not. Here, he is all at once receptionist, gopher, casting agent, writer, director, stagehand, cameraman, talent scout, friend, and on-the-spot psychiatrist. You don't need to have viewed any of Arch Brown's sex films from this era to appreciate this memoir. In fact, Brown goes out of his way to not mention the titles of any of his films and he only identifies his cast of characters by fictional first names. The result is that A Pornographer is an historical gem, an unexpectedly insightful psychological view of the performers who were drawn to having sex in front of a camera and how and why audiences responded to them.