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1000 tulosta hakusanalla Jane Candia Coleman

Stories from Mesa Country

Stories from Mesa Country

Jane Candia Coleman

Swallow Press
1991
sidottu
An excerpt from Stories from Mesa Country: "They are coming back from the burial ground. I can see them walking, two abreast, along the narrow track by the wash. Tom has his head down, his hands in the pockets of his black suit. Beside him, Reverend Sherman is talking, waving his arms, trying, I'd guess, to comfort. Behind them come Enid and Faith, square shapes in best blue dresses, and then Seth and Arch, leggy as colts, uncomfortable in Sunday suits, in the shadow of tragedy. Now a space, long seconds passing before I see Luisa. She is alone, walking slowly. She is crying. I know that, even from this distance, from my bed beside the window. She wipes her eyes on her apron. Her shoulders heave. She has been crying for three days. "I wish I could shout so they could hear me. I wish the Reverend would go to her, assure her of her place in heaven and in our house. I wish one of them, Tom or the children, would take her by the arm, lead her home. Instead they act as if she is not there at all, perhaps thinking that if they ignore her she will vanish and with her this house, these three days, the newly turned earth in the far field. "Well, they are wrong. None of it will disappear. We'll live with it, tiptoe around it, make excuses and blame each other. And who is to blame? Tom, for coming here to homestead at the foot of the red rock mountains? For begetting children upon my body? Sons to inherit, daughters to marry? Or I, in my -- not innocence, that's not the word I want -- my cocoon, my shroud of womanhood that brought me here, a continent away from home to wifehood, motherhood, acceptance of death as a part of life? Birth and death are what I see and take for granted. Life comes and goes with the seasons, with the years. There is a violence in this soil, in the people who labor on it. Perhaps it is only the truth of the earth, and one accepts it or goes down in defeat."
Stories from Mesa Country

Stories from Mesa Country

Jane Candia Coleman

Swallow Press
1992
pokkari
An excerpt from Stories from Mesa Country: "They are coming back from the burial ground. I can see them walking, two abreast, along the narrow track by the wash. Tom has his head down, his hands in the pockets of his black suit. Beside him, Reverend Sherman is talking, waving his arms, trying, I'd guess, to comfort. Behind them come Enid and Faith, square shapes in best blue dresses, and then Seth and Arch, leggy as colts, uncomfortable in Sunday suits, in the shadow of tragedy. Now a space, long seconds passing before I see Luisa. She is alone, walking slowly. She is crying. I know that, even from this distance, from my bed beside the window. She wipes her eyes on her apron. Her shoulders heave. She has been crying for three days. "I wish I could shout so they could hear me. I wish the Reverend would go to her, assure her of her place in heaven and in our house. I wish one of them, Tom or the children, would take her by the arm, lead her home. Instead they act as if she is not there at all, perhaps thinking that if they ignore her she will vanish and with her this house, these three days, the newly turned earth in the far field. "Well, they are wrong. None of it will disappear. We'll live with it, tiptoe around it, make excuses and blame each other. And who is to blame? Tom, for coming here to homestead at the foot of the red rock mountains? For begetting children upon my body? Sons to inherit, daughters to marry? Or I, in my -- not innocence, that's not the word I want -- my cocoon, my shroud of womanhood that brought me here, a continent away from home to wifehood, motherhood, acceptance of death as a part of life? Birth and death are what I see and take for granted. Life comes and goes with the seasons, with the years. There is a violence in this soil, in the people who labor on it. Perhaps it is only the truth of the earth, and one accepts it or goes down in defeat."
Discovering Eve

Discovering Eve

Jane Candia Coleman

Swallow Press
1993
sidottu
This collection of stories by award-winning write Jane Candia Coleman is about women coming of age. In each one, the protagonist discovers facets, truths about herself and the world that she has not known—finds places in herself where she has never been. "It's long past time for women to explain themselves in fiction," Coleman writes, "particularly literary fiction, to write about the world and their own emotions with that sensuality that characterizes women writers—to write from the inside out, and not vice versa. "Living is a voyage of discovery, and I hope that the readers of these stories will identify with them and, perhaps, take courage from the actions of the characters I have had the pleasure of bringing to life. "In no way did I mean to slight men in this collection. Rather, I hoped to elucidate the relationships between men and women (good and bad relationships) and the possible ways of continuing or ending such relationships. "I have long admired D. H. Lawrence for the fact that he brought literature out of the Victorian Age, but I have also been frustrated by his inability to understand women. Several of these stories, particularly 'Wives and Lovers' and 'La Signora Julia,' were written as rebuttals to what I perceived as Lawrence's innocence. "The symbolism in 'Wives and Lovers' was unintentional, but it is there—the heart of the flower/the heart, mind, body of the female protagonist. So perhaps the most important point is that in Discovering Eve I have tried to elucidate what it is that a woman feels, and how, and why, from my own depths and from the depths of my characters who are struggling for wisdom, strength, the courage to survive."
Candida Royalle and the Sexual Revolution
Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)—underground actress, porn star, producer of adult movies, and staunch feminist—she made a business of pleasure. She helped crystalize the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big Drugs, and Big Porn all came into looming focus; when the sex industry of the 1970s and ’80s radically upended conventional understandings of law, technology, culture, love, and human desire. The sexual revolution was Royalle’s war—even when other avowed feminists exited the field or became her opponents—and pornography emerged as the arena in which she would wage it. With the founding of her adult film company, Femme Productions, in 1984, Royalle became an owner of the means of pornographic production, infusing her sets with the ideals of labor feminism. On-screen and off-, she was, by turns, exuberant and thoughtful, self-possessed and gleefully shameless. A trailblazer who lived along the cultural fault lines of her generation, she danced at Woodstock, marched for women’s liberation, survived the AIDS crisis, and became a talk show regular, interviewed by Phil Donahue, Dr. Ruth Westheimer, Morton Downey Jr., Jane Pauley, and many others. As a performer, director, producer, and writer, she moved the needle of her industry. But she never transcended the politics of pleasure. With full access to Royalle’s remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle’s life with the clashes that have defined her era—and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle’s times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mold and was herself broken in turn.
Candida Royalle and the Sexual Revolution
Whether in front of the camera or behind it, Candice Vadala understood herself as both an artist and an entrepreneur. As Candida Royalle (1950–2015)—underground actress, porn star, producer of adult movies and staunch feminist—she made a business of pleasure. She helped crystallise the broader hedonistic turn in American life in the second half of the twentieth century: a period when the rules of sex were rewritten; when the white-hot “sex wars” cleaved feminism and realigned American politics; when Big Freud, Big Drugs and Big Porn all came into looming focus; when the sex industry of the 1970s and ’80s radically upended conventional understandings of law, technology, culture, love and human desire. With full access to Royalle’s remarkable archive, historian Jane Kamensky has spent years examining the intersection of Royalle’s life with the clashes that have defined her era—and ours. Deeply informed by these never-before-studied materials, Kamensky explodes the conventions of biography, with its assumptions about who makes history and how. Written with cinematic verve, Candida Royalle and the Sexual Revolution evokes Royalle’s times in their broadest contours as Kamensky traces the rise of an improbable heroine who broke the mould and was herself broken in turn.
Jane

Jane

Theo Wenner

Rizzoli International Publications
2020
sidottu
Photographed throughout 2018, Theo Wenner documents his seventy-year-old mother in her house in Amagansett, New York, where she has finally found solace following the most difficult years of her life. In this intimate study, Wenner paints an emotional portrait of his mother, her surroundings, her dogs, and the friends and family that come and go, as the seasons change and the house shifts from summer to winter.
Jane

Jane

Alexandre Dumas

Createspace Independent Publishing Platform
2014
nidottu
L'histoire se passe en 1812. Un jeune lieutenant, Elim Melosor, second bord du bateau russe Le Vladimir l' poque des guerres napol oniennes, assiste au naufrage d'un navire au large de la Hollande, pays ennemi. Accompagn de cinq marins, il tente de sauver les sinistr s. Ils ne peuvent y arriver; leur chaloupe est d truite et les marins sont rejet s sur les c tes de Hollande. Ils se r fugient dans un moulin, juste au bon moment pour sauver les occupants, attaqu s par des bandits. Les Van Naarvaersen, cette famille de riches commer ants hollandais qui, reconnaissante, recueille les naufrag s, sont heureusement amis de la Russie. On d cide de cacher les marins et de pr senter le lieutenant comme un neveu venu d'Allemagne, jusqu' ce que l'on trouve un moyen de leur permettre de retourner bord de leur bateau. Les sympathiques parents ont une jeune fille de 16 ans, Jane. Le beau lieutenant en devient amoureux et les jours s' coulent rapidement, emplis de promesses ternelles...
Jane

Jane

Michele Linn G. Boatright

Createspace Independent Publishing Platform
2015
nidottu
Jane who's five years old is in a bad predicament, her parents are unfit. They leave Jane to take care of herself and baby brother more often then not. But when they move to Mason Mississippi to the rundown Mason Apartment Complex the kids soon encounter a very caring next door neighbor who secretly helps them. Until one afternoon the parents find out and then everything turns bad quickly.
Jane.

Jane.

Riya Anne Polcastro

Createspace Independent Publishing Platform
2015
nidottu
"Fantastically dark, twisted, and experimental . . ."Rupert Dreyfus, author of The Rebel's Sketchbook."Messy, sticky, and wickedly fun . . ."Rebecca Gransden, author of anemogram.Sex, drugs, and gangster rap come together in this deliciously transgressive novel to show you a side of crazy you never knew you wanted to see.When twenty-five-year-old Jane moves back to her hometown in order to care for her schizophrenic aunt, miscarriage and an unfaithful fianc fresh in her mind, the seeds are ripe for her mother's cruel words to come true: "You're going to end up just like your aunt. You're going to end up in a mental hospital someday."
Jane

Jane

Alexandre Dumas

Createspace Independent Publishing Platform
2016
nidottu
1812. Le lieutenant russe Elim Melosor, second a bord du Vladimir, assiste au naufrage d un navire au large de la Hollande, pays ennemi. Accompagne de cinq marins, il tente de sauver les sinistres. Mais leur chaloupe est detruite et les naufrages sont rejetes sur les cotes. Ils se refugient dans un moulin, a temps pour sauver les occupants attaques par des bandits.Des commercants cachent les naufrages et font passer le lieutenant pour un neveu venu d Allemagne, en attendant qu ils puissent reembarquer. Entretemps, le beau lieutenant est tombe amoureux de Jane, la fille de ses protecteurs Le jour prevu pour le depart secret des Russes, Melosor demande la main de Jane. Mais le pere de trouve l union trop dangereuse. L odieux capitaine Montane, douanier en chef, en profite pour tenter sa chance. Devant le nouveau refus du pere, il decide de se venger et de denoncer les marins caches Dans leur fuite precipitee, ceux-ci emmenent Jane, qui les a alertes Or seule les femmes mariees sont tolerees a bord du Vladimir Ecrit en marge des Trois Mousquetaires et paru en 1844 sous le titre LaRobe de noces, Cecile conte le destin d une famille d emigres francais, de 1792 a 1805."
Jane

Jane

Penelope C. Bell

Createspace Independent Publishing Platform
2016
nidottu
Jane Eyre Meets the 21st Century When Jane St. John gets a plum summer job as the nanny for a family in St. Barths, she hopes her troubled past is far behind. But from the first ill-fated flight, to the prickly housekeeper, abrasive employer and a stalker who may or may not be trying to kill her, Jane's hopes for happy summer days are fading fast. When noises and ghostly visitations trouble her nights, she suspects more than just the past is haunting her. Could other more terrifying family secrets be hiding in the old house? This retelling of the classic Charlotte Bront Gothic novel, Jane Eyre, includes everything you loved about the original, respun for the 21st Century. Closely following the original's plot lines and character development, Jane starts with ten year old Jane St. John, this one living in a brownstone in Brooklyn, falling afoul of her stepmother and abusive cousins, and getting shipped off to Lowood, a school for troubled girls. More like a prison than a boarding school, Lowood is where the abandoned, abused, and poor girls of New York State are left in the care of an ambitious psychiatrist who pronounces them all mentally ill and pursues a course of institutional abuse as a self-styled cure. Despite humiliations and deprivations, Jane makes friends with another resident and the two of them provide emotional support through harrowing run-ins with the headmaster, lack of food and warm clothes, and a deadly outbreak of Legionnaire's disease. Though many girls do not survive Lowood, our Jane does and eight years on is a teacher at the same school, yearning to escape dreary upstate New York and start her "real life." She applies for-and gets-a summer job as nanny for a rich family in St. Barthes. Thinking she's finally earned some good luck, Jane arrives at the island paradise ready to take up her new duties in a Gothic mansion built by Corsaires for a notorious island family. Just like in Jane Eyre, there's a prickly housekeeper, an abrasive employer, and strange noises and visitations during the night that keep the story moving along at a clip. Madwoman in the attic? This one's on the roof. There's also a romance in there someplace, but not the Cinderella variety. Jane doubts her own emotional capacity to love or trust anyone and suspects her romantic partner of lies and betrayal. Suspicions that turn out to be true. Jane explores the inner turmoil of an independent woman who is often insecure and angry with the world and her place in it. Somehow, through it all, she learns to confront her demons, both those in the old house and those she's carried along from her past, and finds a way to live with herself and forgive others. More than a modern Gothic romance, Jane is the coming-of-age story of a 21st century feminist and an engrossing read for anyone that likes Gothic romances and feminist ideas.
Jane

Jane

Alexandre Dumas

Createspace Independent Publishing Platform
2016
nidottu
Un jeune lieutenant, Elim Melosor, second bord du bateau russe Le Vladimir l' poque des guerres napol oniennes, assiste au naufrage d'un navire au large de la Hollande, pays ennemi. Accompagn de cinq marins, il tente de sauver les sinistr s. Ils ne peuvent y arriver; leur chaloupe est d truite et les marins sont rejet s sur les c tes de Hollande. Ils se r fugient dans un moulin, juste au bon moment pour sauver les occupants, attaqu s par des bandits. Les Van Naarvaersen, cette famille de riches commer ants hollandais qui, reconnaissante, recueille les naufrag s, sont heureusement amis de la Russie. On d cide de cacher les marins et de pr senter le lieutenant comme un neveu venu d'Allemagne, jusqu' ce que l'on trouve un moyen de leur permettre de retourner bord de leur bateau. Les sympathiques parents ont une jeune fille de 16 ans, Jane. Le beau lieutenant en devient amoureux et les jours s' coulent rapidement, emplis de promesses ternelles. Vient le jour pr vu pour le d part secret des Russes. Devant la s paration qui s'approche, le lieutenant demande au p re de l'accepter comme fianc de sa fille. Celui-ci ne rejette pas l'amoureux mais n'acc de pas la demande, craignant la mort du fianc , et ne souhaitant pas se s parer de sa fille. Le m me jour, le vilain douanier en chef, le capitaine Montane, vient lui aussi demander Jane en mariage; le p re refuse... et le capitaine d cide de se venger. Il apprend que des ennemis se cachent l et les d noncent. Les Russes doivent se d p cher de fuir, mais la barque qui devait les emmener n'est pas au rendez-vous. Ils d couvrent alors une embarcation pleine de douaniers endormis: ils les attaquent et peuvent ainsi fuir dans leur chaloupe. Entre-temps, Jane a su que les douaniers poursuivaient son bien-aim . Elle court pour tenter de les avertir; l'entendant crier, les marins reviennent la chercher et l'emm nent. Dans la temp te, ils parviennent jusqu' la flotte russe et sont recueillis bord de leur navire. Le capitaine annonce Elim que la pr sence des femmes est interdite bord sauf... si elles sont mari es. Elim et Jane, forc s mais bien consentants, sont unis par le capitaine. Lorsque le navire fait escale Tchata, le jeune couple retrouve le p re de Jane, qui a galement fui la Hollande. Tout heureux de les retrouver, il pardonne leur mariage.