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1000 tulosta hakusanalla Jean-Michel Rabaté

Jacques Lacan

Jacques Lacan

Jean-Michel Rabaté

Red Globe Press
2001
nidottu
The French theorist Lacan has always been called a 'literary' theoretician. Here is, for the first time, a complete study of his literary analyses and examples, with an account of the importance of literature in the building of his highly original system of thought. Rabate offers a systematic genealogy of Lacan's theory of literature, reconstructing a doctrine based upon Freudian insights, and revitalised through close readings of authors as diverse as Poe, Gide, Shakespeare, Plato, Claudel, Genet, Duras and Joyce. Not simply an essay about Lacan's influences or style, this book shows how the emergence of key terms like the 'letter' and the 'symptom' would not have been possible without innovative readings of literary texts.
A Handbook of Modernism Studies

A Handbook of Modernism Studies

Jean-Michel Rabaté

John Wiley Sons Inc
2013
sidottu
Featuring the latest research findings and exploring the fascinating interplay of modernist authors and intellectual luminaries, from Beckett and Kafka to Derrida and Adorno, this bold new collection of essays gives students a deeper grasp of key texts in modernist literature. Provides a wealth of fresh perspectives on canonical modernist texts, featuring the latest research dataAdopts an original and creative thematic approach to the subject, with concepts such as race, law, gender, class, time, and ideology forming the structure of the collectionExplores current and ongoing debates on the links between the aesthetics and praxis of authors and modernist theoreticiansReveals the profound ways in which modernist authors have influenced key thinkers, and vice versa
James Joyce and the Politics of Egoism

James Joyce and the Politics of Egoism

Jean-Michel Rabaté

Cambridge University Press
2001
pokkari
In James Joyce and the Politics of Egoism a leading scholar approaches the entire Joycean canon through the concept of ‘egoism’. This concept, Jean-Michel Rabaté argues, runs throughout Joyce’s work, and involves and incorporates its opposite, ‘hospitality’, a term Rabaté understands as meaning an ethical and linguistic opening to ‘the other’. For Rabaté both concepts emerge from the fact that Joyce published crucial texts in the London based review The Egoist and later moved on to forge strong ties with the international Paris avant-garde. Rabaté examines the theoretical debates surrounding these connections, linking Joyce’s engagement with Irish politics with the aesthetic aspects of his texts. Through egoism, he shows, Joyce defined a literary sensibility founded on negation; through hospitality, Joyce postulated the creation of a new, utopian readership. Rabaté explores Joyce’s complex negotiation between these two poles in a study of interest to all Joyceans and scholars of modernism.
The Future of Theory

The Future of Theory

Jean-Michel Rabaté

Blackwell Publishers
2002
nidottu
In this controversial manifesto, Jean-Michel Rabaté addresses current anxieties about the future of literary and cultural theory and proposes that it still has a crucial role to play.
Think, Pig!

Think, Pig!

Jean-Michel Rabaté

Fordham University Press
2016
sidottu
This book examines Samuel Beckett's unique lesson in courage in the wake of humanism's postwar crisis—the courage to go on living even after experiencing life as a series of catastrophes. Rabaté, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett's plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett's inimitable sense of metaphysical comedy. Foregrounding Beckett's decision to write in French, Rabaté inscribes him in a continental context marked by a "writing degree zero" while showing the prescience and ethical import of Beckett's tendency to subvert the "human" through the theme of the animal. Beckett's "declaration of inhuman rights," he argues, offers the funniest mode of expression available to us today.
Think, Pig!

Think, Pig!

Jean-Michel Rabaté

Fordham University Press
2016
pokkari
This book examines Samuel Beckett's unique lesson in courage in the wake of humanism's postwar crisis—the courage to go on living even after experiencing life as a series of catastrophes. Rabaté, a former president of the Samuel Beckett Society and a leading scholar of modernism, explores the whole range of Beckett's plays, novels, and essays. He places Beckett in a vital philosophical conversation that runs from Bataille to Adorno, from Kant and Sade to Badiou. At the same time, he stresses Beckett's inimitable sense of metaphysical comedy. Foregrounding Beckett's decision to write in French, Rabaté inscribes him in a continental context marked by a "writing degree zero" while showing the prescience and ethical import of Beckett's tendency to subvert the "human" through the theme of the animal. Beckett's "declaration of inhuman rights," he argues, offers the funniest mode of expression available to us today.
Lacan and Psychoanalytic Obsolescence

Lacan and Psychoanalytic Obsolescence

Jean-Michel Rabaté

TAYLOR FRANCIS LTD
2024
nidottu
This book explores the importance of Lacan’s role as an irritant within psychoanalysis, and how Freud and Lacan saw that as key to ensuring that psychoanalysis remained fresh and vital rather than becoming obsolescent.Drawing on Freud’s thinking as well as Lacan’s, Rabate examines how Lacan’s unwillingness to allow psychoanalytic thinking to become stale or pigeonholed into one part of life was key in his thinking. By constantly returning to psychoanalytic ideas in new and evolving ways, Lacan kept psychoanalysis moving and changing, much as Socrates did for philosophical thinking in classical Athens. This ‘gadfly’ or irritant role gave him free reign to explore all aspects of psychoanalytic thinking and treatment, and how it can permeate all aspects of life, both in the consulting room and beyond.Drawing on a deep understanding of Lacan’s work as well as Freud’s, this book is key reading for all those seeking to understand why Lacan’s work remains so important and so challenging for contemporary psychoanalysis.
Lacan and Psychoanalytic Obsolescence

Lacan and Psychoanalytic Obsolescence

Jean-Michel Rabaté

TAYLOR FRANCIS LTD
2024
sidottu
This book explores the importance of Lacan’s role as an irritant within psychoanalysis, and how Freud and Lacan saw that as key to ensuring that psychoanalysis remained fresh and vital rather than becoming obsolescent.Drawing on Freud’s thinking as well as Lacan’s, Rabate examines how Lacan’s unwillingness to allow psychoanalytic thinking to become stale or pigeonholed into one part of life was key in his thinking. By constantly returning to psychoanalytic ideas in new and evolving ways, Lacan kept psychoanalysis moving and changing, much as Socrates did for philosophical thinking in classical Athens. This ‘gadfly’ or irritant role gave him free reign to explore all aspects of psychoanalytic thinking and treatment, and how it can permeate all aspects of life, both in the consulting room and beyond.Drawing on a deep understanding of Lacan’s work as well as Freud’s, this book is key reading for all those seeking to understand why Lacan’s work remains so important and so challenging for contemporary psychoanalysis.
The Cambridge Introduction to Literature and Psychoanalysis

The Cambridge Introduction to Literature and Psychoanalysis

Jean-Michel Rabaté

Cambridge University Press
2014
sidottu
This volume is an introduction to the relationship between psychoanalysis and literature. Jean-Michel Rabaté takes Sigmund Freud as his point of departure, studying in detail Freud's integration of literature in the training of psychoanalysts and how literature provided crucial terms for his myriad theories, such as the Oedipus complex. Rabaté subsequently surveys other theoreticians such as Wilfred Bion, Marie Bonaparte, Carl Jung, Jacques Lacan, and Slavoj Žižek. This Introduction is organized thematically, examining in detail important terms like deferred action, fantasy, hysteria, paranoia, sublimation, the uncanny, trauma, and perversion. Using examples from Miguel de Cervantes and William Shakespeare to Sophie Calle and Yann Martel, Rabaté demonstrates that the psychoanalytic approach to literature, despite its erstwhile controversy, has recently reemerged as a dynamic method of interpretation.
The Cambridge Introduction to Literature and Psychoanalysis

The Cambridge Introduction to Literature and Psychoanalysis

Jean-Michel Rabaté

Cambridge University Press
2014
pokkari
This volume is an introduction to the relationship between psychoanalysis and literature. Jean-Michel Rabaté takes Sigmund Freud as his point of departure, studying in detail Freud's integration of literature in the training of psychoanalysts and how literature provided crucial terms for his myriad theories, such as the Oedipus complex. Rabaté subsequently surveys other theoreticians such as Wilfred Bion, Marie Bonaparte, Carl Jung, Jacques Lacan, and Slavoj Žižek. This Introduction is organized thematically, examining in detail important terms like deferred action, fantasy, hysteria, paranoia, sublimation, the uncanny, trauma, and perversion. Using examples from Miguel de Cervantes and William Shakespeare to Sophie Calle and Yann Martel, Rabaté demonstrates that the psychoanalytic approach to literature, despite its erstwhile controversy, has recently reemerged as a dynamic method of interpretation.
Beckett and Sade

Beckett and Sade

Jean-Michel Rabaté

Cambridge University Press
2020
pokkari
Much has been written on Beckett and Sade, yet nothing systematic has been produced. This Element is systematic by adopting a chronological order, which is necessary given the complexity of Beckett's varying assessments of Sade. Beckett mentioned Sade early in his career, with Proust as a first guide. His other sources were Guillaume Apollinaire and Mario Praz's book, La Carne, La morte e il Diavolo Nella Letteratura Romantica (1930), from which he took notes about sadism for his Dream Notebook. Dante's meditation on the absurdity of justice provides closure facing Beckett's wonder at the pervasive presence of sadism in humans.
A Handbook of Modernism Studies

A Handbook of Modernism Studies

Jean-Michel Rabaté

Wiley-Blackwell
2015
nidottu
Featuring the latest research findings and exploring the fascinating interplay of modernist authors and intellectual luminaries, from Beckett and Kafka to Derrida and Adorno, this bold new collection of essays gives students a deeper grasp of key texts in modernist literature. Provides a wealth of fresh perspectives on canonical modernist texts, featuring the latest research dataAdopts an original and creative thematic approach to the subject, with concepts such as race, law, gender, class, time, and ideology forming the structure of the collectionExplores current and ongoing debates on the links between the aesthetics and praxis of authors and modernist theoreticiansReveals the profound ways in which modernist authors have influenced key thinkers, and vice versa
1913

1913

Jean-Michel Rabaté

Wiley-Blackwell (an imprint of John Wiley Sons Ltd)
2007
sidottu
This innovative book puts modernist literature in its cultural, intellectual, and global context, within the framework of the year 1913. Broadens the analysis of canonical texts and artistic events by showing their cultural and global parallelsExamines a number of simultaneous artistic, literary, and political endeavours including those of Yeats, Pound, Joyce, Du Bois and StravinskyExplores Pound's Personae next to Apollinaire's Alcools and Rilke's Spanish Trilogy, Edith Wharton's The Custom of the Country next to Proust's Swann's Way
1913

1913

Jean-Michel Rabaté

Wiley-Blackwell (an imprint of John Wiley Sons Ltd)
2007
nidottu
This innovative book puts modernist literature in its cultural, intellectual, and global context, within the framework of the year 1913. Broadens the analysis of canonical texts and artistic events by showing their cultural and global parallelsExamines a number of simultaneous artistic, literary, and political endeavours including those of Yeats, Pound, Joyce, Du Bois and StravinskyExplores Pound's Personae next to Apollinaire's Alcools and Rilke's Spanish Trilogy, Edith Wharton's The Custom of the Country next to Proust's Swann's Way
Crimes of the Future

Crimes of the Future

Jean-Michel Rabaté

Bloomsbury Academic USA
2014
sidottu
The decade since the publication of Jean-Michel Rabaté's controversial manifesto The Future of Theory saw important changes in the field. The demise of most of the visible French or German philosophers, who had produced texts that would trigger new debates, then to be processed by Theory, has led to drastic revisions and starker assessments. Globalization has been the most obvious factor to modify the selection of texts studied. During the twentieth century, Theory incorporated poetics, rhetorics, aesthetics and linguistics, while also opening itself to continental philosophy. What has changed today? The knowledge that we live in a de-centered world has destabilized the primacy granted to a purely Western canon. Moreover, much of contemporary theory remains highly allusive and this is often baffling for students. Theory keeps recycling itself, producing authentic returns of basic theses, terms and concepts. Canonical modern theorists often return to classical texts, as those of Plato, Kant, Hegel, Nietzsche. And now we want to know: what is new?Crimes of the Future explores the past, present and potential future of Theory.
Crimes of the Future

Crimes of the Future

Jean-Michel Rabaté

Bloomsbury Academic USA
2014
nidottu
The decade since the publication of Jean-Michel Rabaté's controversial manifesto The Future of Theory saw important changes in the field. The demise of most of the visible French or German philosophers, who had produced texts that would trigger new debates, then to be processed by Theory, has led to drastic revisions and starker assessments. Globalization has been the most obvious factor to modify the selection of texts studied. During the twentieth century, Theory incorporated poetics, rhetorics, aesthetics and linguistics, while also opening itself to continental philosophy. What has changed today? The knowledge that we live in a de-centered world has destabilized the primacy granted to a purely Western canon. Moreover, much of contemporary theory remains highly allusive and this is often baffling for students. Theory keeps recycling itself, producing authentic returns of basic theses, terms and concepts. Canonical modern theorists often return to classical texts, as those of Plato, Kant, Hegel, Nietzsche. And now we want to know: what is new?Crimes of the Future explores the past, present and potential future of Theory.
The Pathos of Distance

The Pathos of Distance

Jean-Michel Rabaté

Bloomsbury Academic USA
2016
nidottu
Jean-Michel Rabaté uses Nietzsche’s image of a “pathos of distance,” the notion that values are created by a few gifted and lofty individuals, as the basis for a wide-ranging investigation into the ethics of the moderns. Revealing overlooked connections between Nietzsche’s and Benjamin’s ideas of history and ethics, Rabaté provides an original genealogy for modernist thought, moving through figures and moments as varied as Yeats and the birth of Irish Modernism, the ethics of courage in Virginia Woolf, Rilke, Apollinaire, and others in 1910, T. S. Eliot’s post-war despair, Jean Cocteau’s formidable selfmythology in his first film The Blood of a Poet, Siri Hustvedt’s novel of American trauma, and J. M. Coetzee’s dystopia portraying an affectless future haunted by a messianic promise.
The Pathos of Distance

The Pathos of Distance

Jean-Michel Rabaté

Bloomsbury Academic USA
2016
sidottu
Jean-Michel Rabaté uses Nietzsche’s image of a “pathos of distance,” the notion that values are created by a few gifted and lofty individuals, as the basis for a wide-ranging investigation into the ethics of the moderns. Revealing overlooked connections between Nietzsche’s and Benjamin’s ideas of history and ethics, Rabaté provides an original genealogy for modernist thought, moving through figures and moments as varied as Yeats and the birth of Irish Modernism, the ethics of courage in Virginia Woolf, Rilke, Apollinaire, and others in 1910, T. S. Eliot’s post-war despair, Jean Cocteau’s formidable selfmythology in his first film The Blood of a Poet, Siri Hustvedt’s novel of American trauma, and J. M. Coetzee’s dystopia portraying an affectless future haunted by a messianic promise.