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Jeanette Winterson

Jeanette Winterson

Sonya Andermahr

Red Globe Press
2008
sidottu
In this comprehensive introduction to Winterson's work, Sonya Andermahr considers its significance in the context of contemporary British culture and literary history. Including an interview with the author, this guide offers an accessible reading of all Winterson's work and an overview of the varied critical reception this has received.
Jeanette Winterson

Jeanette Winterson

Sonya Andermahr

Red Globe Press
2008
nidottu
In this comprehensive introduction to Winterson's work, Sonya Andermahr considers its significance in the context of contemporary British culture and literary history. Including an interview with the author, this guide offers an accessible reading of all Winterson's work and an overview of the varied critical reception this has received.
Jeanette Winterson

Jeanette Winterson

Susana Onega

Manchester University Press
2006
sidottu
This is the first full-length study of Jeanette Winterson’s complete oeuvre, offering detailed analysis of her nine novels as well as addressing her non-fiction and minor fictional work. Susana Onega combines the study of formal issues such as narrative structure, perspective and point of view with thematic analyses approached from a variety of theoretical perspectives, from narratology and feminist theory to Hermetic and Kabalistic symbolism, to provide a comprehensive ‘vertical’ analysis of Winterson’s novels.Onega reveals the books as complex linguistic artefacts, crammed with intertextual echoes. She demonstrates the inseparability of form and meaning within Winterson’s work, and positions her within the wider context of contemporary British fiction alongside fellow visionaries such as Peter Ackroyd, Maureen Duffy and Marina Warner.
Jeanette Winterson

Jeanette Winterson

Susana Onega

Manchester University Press
2006
nidottu
This is the first full-length study of Jeanette Winterson’s complete oeuvre, offering detailed analysis of her nine novels as well as addressing her non-fiction and minor fictional work. Susana Onega combines the study of formal issues such as narrative structure, perspective and point of view with thematic analyses approached from a variety of theoretical perspectives, from narratology and feminist theory to Hermetic and Kabalistic symbolism, to provide a comprehensive ‘vertical’ analysis of Winterson’s novels.Onega reveals the books as complex linguistic artefacts, crammed with intertextual echoes. She demonstrates the inseparability of form and meaning within Winterson’s work, and positions her within the wider context of contemporary British fiction alongside fellow visionaries such as Peter Ackroyd, Maureen Duffy and Marina Warner.
Jeanette Winterson

Jeanette Winterson

Continuum International Publishing Group Ltd.
2007
sidottu
"Jeanette Winterson: A Contemporary Vritical Guide" is a comprehensive introduction to Winterson's writing. It brings together new essays by leading critics writing on key topics across her work from early successes like "Oranges are Not the Only Fruit" to recent works like "Lighthousekeeping". The guide provides students with an accessible and up-to-date critical guide to Winterson's most commonly studied texts, covering major themes and developments, and issues of style, technique and genre, from a range of contemporary critical and theoretical perspectives. Chapters identify and explore the key topics and debates including: story-telling; feminism and women's writing; historiographic metafiction; literary realism and postmodernism; religion and spirituality; masculinity; lesbian romance; queer theory; and psychoanalytic approaches. Each chapter includes an introductory overview outlining key themes, approaches and the texts covered. This is an ideal introduction to the variety of critical approaches to Winterson and her work.
Jeanette Winterson

Jeanette Winterson

Continuum International Publishing Group Ltd.
2007
nidottu
"Jeanette Winterson: A Contemporary Vritical Guide" is a comprehensive introduction to Winterson's writing. It brings together new essays by leading critics writing on key topics across her work from early successes like "Oranges are Not the Only Fruit" to recent works like "Lighthousekeeping". The guide provides students with an accessible and up-to-date critical guide to Winterson's most commonly studied texts, covering major themes and developments, and issues of style, technique and genre, from a range of contemporary critical and theoretical perspectives. Chapters identify and explore the key topics and debates including: story-telling; feminism and women's writing; historiographic metafiction; literary realism and postmodernism; religion and spirituality; masculinity; lesbian romance; queer theory; and psychoanalytic approaches. Each chapter includes an introductory overview outlining key themes, approaches and the texts covered. This is an ideal introduction to the variety of critical approaches to Winterson and her work.
Jeanette Winterson and Religion

Jeanette Winterson and Religion

Emily McAvan

Bloomsbury Academic
2019
sidottu
Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.
Jeanette Winterson’s Narratives of Desire

Jeanette Winterson’s Narratives of Desire

Shareena Z. Hamzah-Osbourne

Bloomsbury Academic
2021
sidottu
Putting forward a new theory of fetishism - alternative fetishism - this book provides an up-to-date examination of the work of Jeanette Winterson, offering fresh perspectives and new insights on the topics of gender, sexuality, and identity in her writing. Combining contemporary theories in psychoanalytical and cultural studies, it proposes that a rethinking of fetishism allows Winterson’s works to be brought into sharper critical focus by repositioning fetishism as a daily practice in society. In so doing, it argues that Winterson's work challenges orthodox, normative, and contemporary views of fetishism to reveal her own alternative version. Containing the transcript of an email Q&A with Winterson herself and covering the majority of Winterson’s oeuvre, from her first novel, Oranges Are Not the Only Fruit (1985), up to the most recent, Frankissstein (2019), the book is divided into three main chapters that each discuss a particular theme in Winterson’s fiction: bodily fetishism, food fetishism, and sexual fetishism. While the book's focus is on Winterson, the theoretical framework it proposes can be applied to other authors and disciplines in the Arts and Humanities, such as theatre and film, offering new ways of thinking about topics such as fetishism, feminism, psychoanalytical theory, postmodernism, gender, and sexuality.
Jeanette Winterson’s Narratives of Desire

Jeanette Winterson’s Narratives of Desire

Shareena Z. Hamzah-Osbourne

BLOOMSBURY PUBLISHING PLC
2023
nidottu
Putting forward a new theory of fetishism - alternative fetishism - this book provides an up-to-date examination of the work of Jeanette Winterson, offering fresh perspectives and new insights on the topics of gender, sexuality, and identity in her writing. Combining contemporary theories in psychoanalytical and cultural studies, it proposes that a rethinking of fetishism allows Winterson’s works to be brought into sharper critical focus by repositioning fetishism as a daily practice in society. In so doing, it argues that Winterson's work challenges orthodox, normative, and contemporary views of fetishism to reveal her own alternative version. Containing the transcript of an email Q&A with Winterson herself and covering the majority of Winterson’s oeuvre, from her first novel, Oranges Are Not the Only Fruit (1985), up to the most recent, Frankissstein (2019), the book is divided into three main chapters that each discuss a particular theme in Winterson’s fiction: bodily fetishism, food fetishism, and sexual fetishism. While the book's focus is on Winterson, the theoretical framework it proposes can be applied to other authors and disciplines in the Arts and Humanities, such as theatre and film, offering new ways of thinking about topics such as fetishism, feminism, psychoanalytical theory, postmodernism, gender, and sexuality.
Jeanette Winterson and Religion

Jeanette Winterson and Religion

Emily McAvan

Bloomsbury Academic
2021
nidottu
Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.
Jeanette's Sword: A Story of Napoleonic Wars

Jeanette's Sword: A Story of Napoleonic Wars

Alaric Longward

Createspace Independent Publishing Platform
2015
nidottu
She tried to murder her cousin Gilbert. She shot her uncle. She did it for her family. Unfortunately for her, she failed in killing Gilbert. Young Jeanette Baxa and her mother seek refuge with desperate men during the age of French Revolution in Paris. Yet no refuge is safe when these dangerous men attempt to foment great, king-killing changes. After discovering a secret of the revolutionary leaders and being hunted by Jeanette's mad cousin Gilbert, the two become desperate exiles. They survive the Temple, an infamous prison, and make their way through the festering age of Terror in Paris, while being hunted by their enemies. They find hope in the army, where a handsome captain gives them shelter from Gilbert and the Jacobins. Here, Jeanette learns of love and family in the ranks of the revolutionary army as a cantini re. But even with the help of her new allies, can she take the fight to Gilbert and his masters, and win a place in the armies of future Emperor Napoleon Bonaparte?
Jeanette's Love: Story of Napoleonic Wars

Jeanette's Love: Story of Napoleonic Wars

Alaric Longward

Createspace Independent Publishing Platform
2015
nidottu
It is 1798, and Europe is taking a breath after the War of the First Coalition. For Jeanette, this is the time for happiness. She is a cantini re of the French 5th Company of the 4th Light Demi-Brigade, and a soldier, finally free of the filth of the revolutionary Paris and her past. By extorting the scheming Director Paul Barras of the French Republic, she is also free of her treacherous cousin Gilbert Baxa, the servant of the Directory. She has a home in the army and she is in love with colonel Henri d'Montepello. Yet, such happiness is as volatile as the Revolutionary France itself and times are changing. France is facing new challenges and Director Barras is making bold moves to remove troublesome, loose ends of his past as well as generals who have grown too powerful and independent. The Republic does not tolerate soldiers who think too deeply and so Jeanette is once more facing Gilbert Baxa and the schemes of the Directory. She finds herself far from home in the sandy, ruthless war of Egypt, as the Army of Orient fights first to conquer the Mamelukes, then to survive. Will Jeanette overcome Gilbert's ruses as she struggles to save herself and young Napoleon Bonaparte, a general forever changed by his trials in Egypt?