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1000 tulosta hakusanalla Jeff Nisker
Love and Injustice in Medicine explores the injustices Jeff Nisker has witnessed in his many years in medicine, including the injustice of illness itself. As in Nisker's previous books, he uses narrative to investigate health-ethics problems, while at the same time promoting compassion in healthcare. Love and Injustice in Medicine will be of interest to health professionals of all disciplines, their students, and anyone interested in compassion and social justice in healthcare.Nisker begins Love and Injustice in Medicine with his intimate experience of being immobile inside an MRI machine's rotating magnet during a cerebellar stroke. His immobility reminded him that he had promised to write a story for the woman he calls Ruth, who had driven her chin-operated powerchair into his knees and demanded, "Hey, Doc who writes stories, write one about me and the fucking way your system treats me." Ruth died from inadequate healthcare and social support while she was describing the injustices inflicted upon her by Canada's supposedly wonderful health and social systems. Although Nisker was touched deeply by Ruth's story, he did not begin to write the story he had promised her until his immunity had been shut down by chemotherapy. Nisker flashes back to his uncle's kitchen-table declaration, "You must go to medical school or Hitler will have won"; a declaration that derailed his desire to become Atticus Finch. Yet the social-justice imperative instilled in Nisker by his mother and grandmother, both of whom died young from breast cancer, fills the pages of Love and Injustice in Medicine. Nisker writes about his years as a medical student, resident, clinician, health-ethics researcher, and advocate for social justice in Canadian healthcare. He contends that social justice, rather than being a dominant force in Canadian healthcare in the 2020s, is instead evaporating in privatization, with an inadequate number of physicians to provide excellent care for their patients while at the same time caring for their families and themselves. Nisker uses narrative to present his contention in an accessible manner, not only to health professionals and students of all disciplines, but to the general public, who through their votes are able to promote social justice in Canadian healthcare.
Love and Injustice in Medicine explores the injustices Jeff Nisker has witnessed in his many years in medicine, including the injustice of illness itself. As in Nisker's previous books, he uses narrative to investigate health-ethics problems, while at the same time promoting compassion in healthcare. Love and Injustice in Medicine will be of interest to health professionals of all disciplines, their students, and anyone interested in compassion and social justice in healthcare.Nisker begins Love and Injustice in Medicine with his intimate experience of being immobile inside an MRI machine's rotating magnet during a cerebellar stroke. His immobility reminded him that he had promised to write a story for the woman he calls Ruth, who had driven her chin-operated powerchair into his knees and demanded, "Hey, Doc who writes stories, write one about me and the fucking way your system treats me." Ruth died from inadequate healthcare and social support while she was describing the injustices inflicted upon her by Canada's supposedly wonderful health and social systems. Although Nisker was touched deeply by Ruth's story, he did not begin to write the story he had promised her until his immunity had been shut down by chemotherapy. Nisker flashes back to his uncle's kitchen-table declaration, "You must go to medical school or Hitler will have won"; a declaration that derailed his desire to become Atticus Finch. Yet the social-justice imperative instilled in Nisker by his mother and grandmother, both of whom died young from breast cancer, fills the pages of Love and Injustice in Medicine. Nisker writes about his years as a medical student, resident, clinician, health-ethics researcher, and advocate for social justice in Canadian healthcare. He contends that social justice, rather than being a dominant force in Canadian healthcare in the 2020s, is instead evaporating in privatization, with an inadequate number of physicians to provide excellent care for their patients while at the same time caring for their families and themselves. Nisker uses narrative to present his contention in an accessible manner, not only to health professionals and students of all disciplines, but to the general public, who through their votes are able to promote social justice in Canadian healthcare.
Confined to the Sidelines is a juxtaposition of the poems Jeff Nisker wrote in the time of COVID with four of his related social-justice poems. With this volume, Nisker hopes to imbue new compassion in health professionals, other health-policy makers and the general public, who all are or will be immersed in COVID's resulting diminishment of our health and social systems. COVID altered Nisker's life before he ever heard the word COVID, when he developed pneumonia from COVID in February 2020, two weeks before the world learned that a "virus of concern" had been rampant in Wuhan Province in China since Autumn 2019.Confined to the Sidelines is the only book in which Nisker's poems have remained as poems. His other creative writings have begun as poems, but have morphed into plays for wider engagement. Indeed several of his plays are but compilations of long prose poems, interwoven into a theatre format. Nisker decided the collection of poems in Confined to the Sidelines should remain poems because the concision of poetry is important in healthcare education due to the limited curricular minutes. Within these limits, poetry's precision can simultaneously unpack a topic and imbue compassion through a tightly-focused social-justice lens.
Confined to the Sidelines is a juxtaposition of the poems Jeff Nisker wrote in the time of COVID with four of his related social-justice poems. With this volume, Nisker hopes to imbue new compassion in health professionals, other health-policy makers and the general public, who all are or will be immersed in COVID's resulting diminishment of our health and social systems. COVID altered Nisker's life before he ever heard the word COVID, when he developed pneumonia from COVID in February 2020, two weeks before the world learned that a "virus of concern" had been rampant in Wuhan Province in China since Autumn 2019.Confined to the Sidelines is the only book in which Nisker's poems have remained as poems. His other creative writings have begun as poems, but have morphed into plays for wider engagement. Indeed several of his plays are but compilations of long prose poems, interwoven into a theatre format. Nisker decided the collection of poems in Confined to the Sidelines should remain poems because the concision of poetry is important in healthcare education due to the limited curricular minutes. Within these limits, poetry's precision can simultaneously unpack a topic and imbue compassion through a tightly-focused social-justice lens.
For rainy day reads or as motivation for the littlest readers, this adorable and affirming picture book adventure from author/illustrator Angie Rozelaar is perfect for fans of Lions Lessons and Max the Brave! Bursting with vibrant colors and adorable illustrations, this story follows one little cat named Jeff as he imagines himself as a ferocious tiger in the jungle where he can be free from the rules of indoors! Escaping in his imagination to exercise his wild side, Jeff meets other animals in the jungle. With their help, Jeff learns to appreciate himself for who he is: not a tiger, but a little kitty who can be just as wild. With an uplifting message for young readers and text with call-and-response, jaunty refrains, and rhyme throughout, Jeff Goes Wild is perfect for read-alouds and will have everyone roaring along with Jeff as he goes wild!
Jeff Immelt and the New GE Way: Innovation, Transformation and Winning in the 21st Century
David Magee
McGraw-Hill Professional
2009
sidottu
When it was announced in late 2000 that Jeff Immelt would be taking the helm of GE, some skeptics were quick to voice their reservations about the future of the company after Jack Welch. Not only were Welch's shoes particularly large ones to fill, but the economy was dallying with recession, China and India were taking their first giant steps into the global economy, and just four days into Immelt's tenure came the biggest game changer of all: 9/11.The hand-wringing, it turned out, was all for nought. During Immelt's first seven years on the job, GE's revenues increased by more than 60%, its profits doubled, and the company solidified its status as the world leader in technological innovation.Written with the full cooperation of Immelt and GE senior executives, Jeff Immelt and the New GE Way tells the amazing story of how Immelt defied the skeptics and successfully reengineered one of the world's oldest and largest global conglomerates to meet the challenges of the 21st century. It offers an unparalleled opportunity to learn how it's done from a master, detailing the trendsetting innovations Immelt pioneered that have made his vision a reality, including:Mandating non-stop, company-wide innovationMaking customers partners in growth through Customer Dreaming Sessions Developing region-specific products and servicesPartnering with the most promising new-technology upstartsGoing green with a hugely successful Ecomagination initiativeFostering a non-stop learning environmentThe critics were right: Jeff Immelt is no Jack Welch. Just as Welch embodied corporate leadership for the closing decades of the 20th century, Immelt has come to personify the 21st century CEO. As Esquire magazine said when it named him one of The 75 Most Important People of the 21st Century: “The day will come, when GE chairman and CEO, Jeff Immelt, will be viewed as the prototypical leader for the new century.”
A fresh and engaging look at the controversial work of Jeff Koons, with insightful analyses and illustrations of all of his iconic pieces alongside preparatory works and historical photographs Examining the breadth and depth of thirty-five years of work by Jeff Koons (b. 1955), one of the most influential and controversial artists of the 20th century, this highly anticipated volume features all of his most famous pieces. In an engaging overview essay, Scott Rothkopf carefully examines the evolution of Koons’ work and his development over the past thirty-five years, offering a fresh scholarly perspective on the artist’s multi-faceted career. In addition, short essays by a wide range of interdisciplinary contributors—from academics to novelists—probe provocative topics such as celebrity and media, markets and money, and technology and fabrication. Also included are preparatory sketches and plans for sculptures and paintings as well as installation photographs that shed light on Koons’ artistic process and trace the development of his work throughout his landmark career. Koons has risen to international fame making art that reimagines and recontextualizes images and objects from popular culture such as vacuum cleaners, basketballs, and balloon animals. Created with painstaking attention to detail by a team of fabricators, these objects raise questions about taste and popular culture, and position Koons as one of the most lauded and criticized artists working today. Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art (06/27/14–10/19/14)Centre Pompidou (11/26/14–04/27/15)Guggenheim Museum, Bilbao (06/05/15–09/27/15)
Jeff Wall
YALE UNIVERSITY PRESS
2022
sidottu
A handsome volume of the renowned photographer’s work from 2005 to 2021 Best known for his large-scale photographs, carefully constructed “near documentaries” created in collaboration with the subjects, Jeff Wall (b. 1946) is one of the most influential photographers of the late twentieth and early twenty-first centuries. Often displayed as backlit color transparencies, Wall’s works have helped define the use of color and painterly sensibilities in contemporary art photography. This volume collects over fifteen years’ worth of new work from Jeff Wall in a lavish presentation that includes multiple gatefolds to better convey the scale of Wall’s work. As a collection of Wall’s most recent work, this volume will include numerous pieces that are as-yet unfamiliar to many of his fans. Chevrier’s essay deftly summarizes the varied directions of Wall’s recent work and contextualizes them within the body of work that precedes this volume; de Duve’s and Campany’s wide-ranging conversations with the artist cover the role of performance and the effects of spontaneity and scale, respectively.Distributed for Gagosian
Jeff Buckley: His Own Voice
DA CAPO
2019
sidottu
The journals, notebooks, musings, and early song drafts of Jeff Buckley, the late singer best-known for the definitive version of "Hallelujah" and his classic album Grace, including dozens of evocative photos of his personal effects and ephemera.After the release of his acclaimed debut album, Grace, in 1994, Jeff Buckley quickly established himself as one of the decade's most defining talents in pop music: a singer, guitarist, and songwriter with a multi-octave range whose tastes took in rock, blues, jazz, hardcore, Qawwali music, and even show tunes. Hailed by the likes of Bono, Jimmy Page, and Robert Plant, Grace showcased Buckley's voice, passion, and influences and pointed to an inordinately promising future. Three short years later, at the age of thirty, he tragically drowned in Memphis. But his legend and stature have only grown since; in recent years, everyone from Adele to Coldplay to Radiohead has spoken of the impact Buckley's music had on them.For much of his life, Buckley diligently kept journals recording his goals, inspirations, aspirations, and creative struggles. These diaries amount to one of the most insightful life chronicles any musical artist has left behind. Jeff Buckley: His Own Voice marks the first-ever publication of Buckley's handwritten account of his journey from his days in Los Angeles in the late '80s through shortly before his passing. Combined with reproductions of other memorabilia--including letters, notes, and unpublished lyrics--this book takes readers and fans deep into Buckley's mind and life.
A New York Times Notable Book A Best Book of the Year: The Economist, The New Yorker, San Francisco Chronicle, Slate.com, and TimeIn Venice, at the Biennale, a jaded, bellini-swigging journalist named Jeff Atman meets a beautiful woman and they embark on a passionate affair. In Varanasi, an unnamed journalist (who may or may not be Jeff) joins thousands of pilgrims on the banks of the holy Ganges. He intends to stay for a few days but ends up remaining for months. Their journey--as only the irrepressibly entertaining Geoff Dyer could conjure--makes for an uproarious, fiendishly inventive novel of Italy and India, longing and lust, and the prospect of neurotic enlightenment.
Complemented by maps and photographs, a comprehensive overview of America's hallowed Civil War battlefields offers detailed descriptions of the landmarks, attractions, history, and more of such locales as Gettysburg, Antietam, Shiloh, Vicksburg, Cold Harbor, and Chickamauga, among others. Original. 75,000 first printing.
Jeff Foxworthy's Redneck Dictionary II: More Words You Thought the Meaning of
Jeff Foxworthy
Ballantine Books
2007
pokkari
Clearly one redneck dictionary was not enough. And it's no wonder. The South is positively bursting at the seams with colorful words and turns of phrases in this distinct dialect. Now men and women from all across this great land can further fine-tune their fluency and showcase their confidence when speaking to folks who hail from below the Mason-Dixon line. Need a crash course in this truly inspired lingo? Well, Jeff Foxworthy's Redneck Dictionary II puts the "vern" in "vernacular," offering up a veritable gumbo of must-be-known selections: infamy (in'fe-m ) adv. and n. another person's intent to exact physical punishment. "Ever since I stole his girlfriend, Bobby's had it infamy." assassin (e-sas'-en) v. to disrespect verbally. "Don't just stand there assassin me, boy-go clean your room " honor student ( n'-er stu'-dent) prep. and n. to be positioned over, and supported by, a pupil. "Yeah, I knew piano lessons after midnight was weird, but I still didn't suspect nothin' till I caught her honor student." So open your ears and activate your funny bone with this hilarious, practical, and playfully illustrated reference. It's like having your very own personal dialect coach-one who doesn't mind getting picked up and read and laughed at and passed along to friends.
Jeff Foxworthy's Redneck Dictionary III: Learning to Talk More Gooder Fastly
Jeff Foxworthy
Ballantine Books
2008
pokkari
Jeff Foxworthy clearly knows how to talk gooder redneck, especially after two runaway bestsellers on the subject. But for those folks who still need to get in touch with their inner redneck, here's the third handy reference with even more indigenous idiomatic ingenuity. With Jeff as your guide, you'll get all the finer points of speaking proper redneck. Here's your chance to pep up your parlance by learning how to use words and phrases like an- ar- chist (an-ar-kist ), conj., n., and v. additionally, having pressed one's lips to another's as an expression of affection or sensual desire. "Anarchist her ma, anarchist her sister, anarchist her gramma, anarchist her other sister, anarchist her other other sister, and then her dad walked in and . . ." i- Pod ( -p d), n. and v. a personal reference to having groped or roughly handled another person or an object. "IPod her for about twenty minutes before I realized she was my mother-in-law."uri- nal (yer-en-el), n. and v. a declaration concerning the current status or location of the person being spoken to. "If you think urinal lot of trouble now, just wait till Daddy gets home." No matter where you hail from, Jeff Foxworthy's Redneck Dictionary III will make you sound like you were born far below the Mason-Dixon line. So shove aside that extra roll of single-ply to make space for this book in your family's reading room, because three is definitely the charm.
This book grapples with fundamental questions about the evolving nature of pictorial representation, and the role photography has played in this ongoing process. These issues are explored through a close analysis of key themes that underpin the photography practice of Canadian artist Jeff Wall and through examining important works that have defined his oeuvre. Wall’s strategic revival of ‘the picture’ has had a resounding influence on the development of contemporary art photography, by expanding the conceptual and technical frameworks of the medium and introducing a self-reflexive criticality. Naomi Merritt brings a new and original contribution to the scholarship on one of the most significant figures to have shaped the course of contemporary art photography since the 1970s and shines a light on the multilayered connections between photography and art. This book will be of interest to scholars in the history of photography, art and visual culture, and contemporary art history.
Jeff’s Views provide witty, insightful, and thought-provoking looks into the life of a modern scientist. From starting off to letting go, Gottfried (“Jeff?) Schatz leads us through the trials and triumphs of scientific life. With his tongue firmly in his cheek, and his humour always intact, the Austrian essayist leads us through the confusing and seemingly insurmountable hill that is the career path of European scientists. In addition to giving useful insights into how to get funding, give seminars, and still find time to make that leading edge scientific discovery, Jeff explores the philosophical dimensions of recent biological breakthroughs such as the sequencing of the human genome, the evolution of sensory receptors, and cellular suicide. Gottfried Schatz is one of the world’s leading scientists in the field of bioenergetics and mitochondria biology. Born in a small Austrian village, he started his scientific career at the University of Graz, and ended it as President of the Swiss Science and Technology Council. With stints as a violinist in Austrian opera houses, professorships in the USA and Switzerland, and numerous prestigious awards along the way, Jeff is a true European, whose unique, and often controversial, viewpoints are appreciated by scientists and politicians alike. These essays look at science from a very personal angle – often critical, sometimes sad, but always with excitement, wonder, and admiration. It is hoped that they will make you look at science with a slightly different view.