Why do we know so much more about the cosmos than our own consciousness? Are there limits to the scientific method? Why do we assume that only science, mathematics and technology reveal truth?The Flip shows us what happens when we realise that consciousness is fundamental to the cosmos and not some random evolutionary accident or surface cognitive illusion; that everything is alive, connected, and 'one'. We meet the people who have made this visionary, intuitive leap towards new forms of knowledge: Mark Twain's prophetic dreams, Marie Curie's séances, Einstein's cosmically attuned mind. But these forms of knowledge are not archaic; indeed, they are essential in a universe that has evolved specifically to be understandable by the consciousnesses we inhabit.The Flip peels back the layers of our beliefs about the world to reveal a visionary, new way of understanding ourselves and everything around us, with huge repercussions for how we live our lives. After all, once we have flipped, we understand that the cosmos is not just human. The human is also cosmic.
Over the course of his twenty-five-year career, Jeffrey J. Kripal's study of religion has had two major areas of focus: the erotic expression of mystical experience and the rise of the paranormal in American culture. This book brings these two halves together in surprising ways through a blend of memoir, manifesto, and anthology, drawing new connections between these two realms of human experience and revealing Kripal's body of work to be a dynamic whole that has the potential to renew and reshape the study of religion. Kripal tells his story, biographically, historically and politically contextualizing each of the six books of his Chicago corpus, from Kali's Child to Mutants and Mystics, all the while answering his censors and critics and exploring new implications of his thought. In the process, he begins to sketch out a speculative "new comparativism" in twenty theses. The result is a new vision for the study of religion, one that takes in the best of the past, engages with outside critiques from the sciences and the humanities, and begins to blaze a new positive path forward. A major work decades in the making, Secret Body will become a landmark in the study of religion.
In many ways, twentieth-century America was the land of superheroes and science fiction. From Superman and Batman to the Fantastic Four and the X-Men, these pop-culture juggernauts, with their "powers and abilities far beyond those of mortal men," thrilled readers and audiences - and simultaneously embodied a host of our dreams and fears about modern life and the onrushing future. But that's just scratching the surface, says Jeffrey J. Kripal. In Mutants and Mystics, Kripal offers a brilliantly insightful account of how comic book heroes have helped their creators and fans alike explore and express a wealth of paranormal experiences ignored by mainstream science. Delving deeply into the work of major figures in the field - from Jack Kirby's cosmic superhero sagas and Philip K. Dick's futuristic head - trips to Alan Moore's sex magic and Whitley Strieber's communion with visitors - Kripal shows how creators turned to science fiction to convey the reality of the inexplicable and the paranormal they experienced in their lives. Expanded consciousness found its language in the metaphors of sci-fi-incredible powers, unprecedented mutations, time-loops, and vast intergalactic intelligences - and the deeper influences of mythology and religion that these in turn drew from; the wildly creative work that followed caught the imaginations of millions. A bravura performance, beautifully illustrated in full color throughout and brimming over with incredible personal stories, Mutants and Mystics is that rarest of things: a book that is guaranteed to broaden-and maybe even blow-your mind.
Jeffrey J. Kripal here recounts the spectacular history of Esalen, the institute that has long been a world leader in alternative and experiential education and stands today at the center of the human potential movement. Forged in the literary and mythical leanings of the Beat Generation, inspired in the lecture halls of Stanford by radical scholars of comparative religion, the institute was the remarkable brainchild of Michael Murphy and Richard Price.Set against the heady backdrop of California during the revolutionary 1960s, "Esalen" recounts in fascinating detail how these two maverick thinkers sought to fuse the spiritual revelations of the East with the scientific revolutions of the West, or to combine the very best elements of Zen Buddhism, Western psychology, and Indian yoga into a decidedly utopian vision that rejected the dogmas of conventional religion. In their religion of no religion, the natural world was just as crucial as the spiritual one, science and faith not only commingled but became staunch allies, and the enlightenment of the body could lead to the full realization of our development as human beings.
The 19th-century Bengali mystic Ramakrishna played a major role in the development of Hinduism and is regarded as a modern saint. Yet he remains an enigma to followers unable to reconcile his saintly status with his eroticized language and actions. In this work, Jeffrey J. Kripal attempts to untangle the paradox. He demonstrates that Ramakrishna's famous mystical experiences were driven by erotic energies that he neither fully accepted nor understood; the key to understanding him, Kripal argues, lies in Tantra and its ritual, symbolic and doctrinal equation of the mystical and the erotic. Moving through Ramakrishna's world both chronologically and conceptually, this book employs two complementary interpretive strategies: a nuanced phenomenological reinterpretation of original Bengali texts and a non-reductive psychoanalytic reading of Ramakrishna's mystical eroticism. Kripal shows how the heterosexual structure of Tantric symbolism, the abusive way its rituals were often forced upon the saint, and Ramakrishna's own homosexual desires all came together to produce in him profound feelings of shame, disgust and fear. Kripal establishes that the homosexuality of this great, if unwilling, Tantric mystic is linked inextricably to virtually every aspect of his life and teachings.
William Blake once wrote that "The road of excess leads to the palace of wisdom". Inspired by these poetic terms, Jeffrey J. Kripal reveals how the works of scholars of mysticism are often rooted in their own mystical experiences, "roads of excess", which can both lead to important insights into these scholars' works and point us to our own "palaces of wisdom". In his new book, Kripal addresses the 20th-century study of mysticism as a kind of mystical tradition in its own right, with its own unique histories, discourses, sociological dynamics and rhetorics of secrecy. Fluidly combining autobiography and biography with scholarly exploration, Kripal takes us on a tour of comparative mystical thought by examining the lives and works of five major historians of mysticism - Evelyn Underhill, Louis Massignon, R.C. Zaehner, Agehananda Bharati and Elliot Wolfson -as well as relating his own mystical experiences. The result, Kripal finds, is seven "palaces of wisdom": the religious power of excess, the necessity of distance in the study of mysticism, the relationship between the mystical and art, the dilemmas of male subjectivity and modern heterosexuality, a call for ethical criticism, the paradox of the insider-outsider problem in the study of religion, and the magical power of texts and their interpretation. An original and penetrating analysis of modern scholarship and scholars of mysticism, "Roads of Excess, Palaces of Wisdom" is also a persuasive demonstration of the way this scholarly activity is itself a mystical phenomenon.
William Blake once wrote that "The road of excess leads to the palace of wisdom." Inspired by these poetic terms, Jeffrey J. Kripal reveals how the works of scholars of mysticism are often rooted in their own mystical experiences, "roads of excess," which can both lead to important insights into these scholars' works and point us to our own "palaces of wisdom."In his new book, Kripal addresses the twentieth-century study of mysticism as a kind of mystical tradition in its own right, with its own unique histories, discourses, sociological dynamics, and rhetorics of secrecy. Fluidly combining autobiography and biography with scholarly exploration, Kripal takes us on a tour of comparative mystical thought by examining the lives and works of five major historians of mysticism—Evelyn Underhill, Louis Massignon, R. C. Zaehner, Agehananda Bharati, and Elliot Wolfson—as well as relating his own mystical experiences. The result, Kripal finds, is seven "palaces of wisdom": the religious power of excess, the necessity of distance in the study of mysticism, the relationship between the mystical and art, the dilemmas of male subjectivity and modern heterosexuality, a call for ethical criticism, the paradox of the insider-outsider problem in the study of religion, and the magical power of texts and their interpretation. An original and penetrating analysis of modern scholarship and scholars of mysticism, Roads of Excess, Palaces of Wisdom is also a persuasive demonstration of the way this scholarly activity is itself a mystical phenomenon.
“Because thou hast done this, thou art cursed above all cattle, and above every beast of the field.” With those words in Genesis, God condemns the serpent for tempting Adam and Eve, and the serpent has shouldered the blame ever since. But how would the study of religion change if we looked at the Fall from the snake’s point of view? Would he appear as a bringer of wisdom, more generous than the God who wishes to keep his creation ignorant? Inspired by the early Gnostics who took that startling view, Jeffrey J. Kripal uses the serpent as a starting point for a groundbreaking reconsideration of religious studies and its methods. In a series of related essays, he moves beyond both rational and faith-based approaches to religion, exploring the erotics of the gospels and the sexualities of Jesus, John, and Mary Magdalene. He considers Feuerbach’s Gnosticism, the untapped mystical potential of comparative religion, and even the modern mythology of the X-Men. Ultimately, The Serpent’s Gift is a provocative call for a complete reorientation of religious studies, aimed at a larger understanding of the world, the self, and the divine.
“Because thou hast done this, thou art cursed above all cattle, and above every beast of the field.” With those words in Genesis, God condemns the serpent for tempting Adam and Eve, and the serpent has shouldered the blame ever since. But how would the study of religion change if we looked at the Fall from the snake’s point of view? Would he appear as a bringer of wisdom, more generous than the God who wishes to keep his creation ignorant? Inspired by the early Gnostics who took that startling view, Jeffrey J. Kripal uses the serpent as a starting point for a groundbreaking reconsideration of religious studies and its methods. In a series of related essays, he moves beyond both rational and faith-based approaches to religion, exploring the erotics of the gospels and the sexualities of Jesus, John, and Mary Magdalene. He considers Feuerbach’s Gnosticism, the untapped mystical potential of comparative religion, and even the modern mythology of the X-Men. Ultimately, The Serpent’s Gift is a provocative call for a complete reorientation of religious studies, aimed at a larger understanding of the world, the self, and the divine.
Most scholars dismiss research into the paranormal as pseudoscience, a frivolous pursuit for the paranoid or gullible. Even historians of religion, whose work naturally attends to events beyond the realm of empirical science, have shown scant interest in the subject. But the history of psychical phenomena, Jeffrey J. Kripal contends, is an untapped source of insight into the sacred, and by tracing that history through the last two centuries of Western thought we can see its potential centrality to the critical study of religion. The cultural history of telepathy, teleportation, and UFOs; a ghostly love story; the occult dimensions of science fiction; Cold War psychic espionage; galactic colonialism; and, the intimate relationship between consciousness and culture all come together in "Authors of the Impossible", a dazzling and profound look at how the paranormal bridges the sacred and the scientific.
Most scholars dismiss research into the paranormal as pseudoscience, a frivolous pursuit for the paranoid or gullible. Even historians of religion, whose work naturally attends to events beyond the realm of empirical science, have shown scant interest in the subject. But the history of psychical phenomena, Jeffrey J. Kripal contends, is an untapped source of insight into the sacred, and by tracing that history through the last two centuries of Western thought we can see its potential centrality to the critical study of religion. The cultural history of telepathy, teleportation, and UFOs; a ghostly love story; the occult dimensions of science fiction; Cold War psychic espionage; galactic colonialism; and, the intimate relationship between consciousness and culture all come together in "Authors of the Impossible", a dazzling and profound look at how the paranormal bridges the sacred and the scientific.
A bold challenge to rethink the humanities as intimately connected to the superhuman and to “decolonize reality itself.” What would happen if we reimagined the humanities as the superhumanities? If we acknowledged and celebrated the undercurrent of the fantastic within our humanistic disciplines, entirely new cultural worlds and meanings would become possible. That is Jeffrey J. Kripal’s vision for the future—to revive the suppressed dimension of the superhumanities, which consists of rare but real altered states of knowledge that have driven the creative processes of many of our most revered authors, artists, and activists. In Kripal’s telling, the history of the humanities is filled with precognitive dreams, evolving superhumans, and doubled selves. The basic idea of the superhuman, for Kripal, is at the core of who and what the human species has tried to become over millennia and around the planet. After diagnosing the basic malaise of the humanities—that the truth must be depressing—Kripal shows how it can all be done differently. He argues that we have to decolonize reality itself if we are going to take human diversity seriously. Toward this pluralist end, he engages psychoanalytic, Black critical, feminist, postcolonial, queer, and ecocritical theory. He works through objections to the superhumanities while also recognizing the new realities represented by the contemporary sciences. In doing so, he tries to move beyond naysaying practices of critique toward a future that can embrace those critiques within a more holistic view—a view that recognizes the human being as both a social-political animal as well as an evolved cosmic species that understands and experiences itself as something super.
A mind-bending invitation to experience the impossible as fundamentally human. From precognitive dreams and telepathic visions to near-death experiences, UFO encounters, and beyond, so-called impossible phenomena are not supposed to happen. But they do happen—all the time. Jeffrey J. Kripal asserts that the impossible is a function not of reality but of our everchanging assumptions about what is real. How to Think Impossibly invites us to think about these fantastic (yet commonplace) experiences as an essential part of being human, expressive of a deeply shared reality that is neither mental nor material but gives rise to both. Thinking with specific individuals and their extraordinary experiences in vulnerable, open, and often humorous ways, Kripal interweaves humanistic and scientific inquiry to foster an awareness that the fantastic is real, the supernatural is super natural, and the impossible is possible.
A bold challenge to rethink the humanities as intimately connected to the superhuman and to “decolonize reality itself.” What would happen if we reimagined the humanities as the superhumanities? If we acknowledged and celebrated the undercurrent of the fantastic within our humanistic disciplines, entirely new cultural worlds and meanings would become possible. That is Jeffrey J. Kripal’s vision for the future—to revive the suppressed dimension of the superhumanities, which consists of rare but real altered states of knowledge that have driven the creative processes of many of our most revered authors, artists, and activists. In Kripal’s telling, the history of the humanities is filled with precognitive dreams, evolving superhumans, and doubled selves. The basic idea of the superhuman, for Kripal, is at the core of who and what the human species has tried to become over millennia and around the planet. After diagnosing the basic malaise of the humanities—that the truth must be depressing—Kripal shows how it can all be done differently. He argues that we have to decolonize reality itself if we are going to take human diversity seriously. Toward this pluralist end, he engages psychoanalytic, Black critical, feminist, postcolonial, queer, and ecocritical theory. He works through objections to the superhumanities while also recognizing the new realities represented by the contemporary sciences. In doing so, he tries to move beyond naysaying practices of critique toward a future that can embrace those critiques within a more holistic view—a view that recognizes the human being as both a social-political animal as well as an evolved cosmic species that understands and experiences itself as something super.
“One of the most provocative new books of the year, and, for me, mindblowing.” —Michael Pollan, author of The Omnivore's Dilemma and How to Change Your Mind“Kripal makes many sympathetic points about the present spiritual state of America. . . . [He] continues to believe that spirituality and science should not contradict each other.” —New York Times Book Review“Kripal prompts us to reflect on our personal assumptions, as well as the shared assumptions that create and maintain our institutions. . . . [His] work will likely become more and more relevant to more and more areas of inquiry as the century unfolds. It may even open up a new space for Americans to reevaluate the personal and cultural narratives they have inherited, and to imagine alternative futures.” —Los Angeles Review of BooksA “flip,” writes Jeffrey J. Kripal, is “a reversal of perspective,” “a new real,” often born of an extreme, life-changing experience. The Flip is Kripal’s ambitious, visionary program for unifying the sciences and the humanities to expand our minds, open our hearts, and negotiate a peaceful resolution to the culture wars. Combining accounts of rationalists’ spiritual awakenings and consciousness explorations by philosophers, neuroscientists, and mystics within a framework of the history of science and religion, Kripal compellingly signals a path to mending our fractured world.Jeffrey J. Kripal holds the J. Newton Rayzor Chair in Philosophy and Religious Thought at Rice University and is the associate director of the Center for Theory and Research at the Esalen Institute in Big Sur, California. He has previously taught at Harvard Divinity School and Westminster College and is the author of eight books, including The Flip. He lives in Houston, Texas.
Teaches students the art and practice of comparison in the globalizing world, fully updated to reflect recent scholarship and major developments in the field Comparing Religions: The Study of Us that Changes Us is a wholly original, absorbing, and provocative reimagining of the comparative study of religion in the 21st century. The first textbook of its kind to foreground the extraordinary or “paranormal” aspects of religious experience, this innovative volume reviews the fundamental tenets of the world’s religions, discusses the benefits and problems of comparative inquiry, explores how the practice can impact a person's worldview and values, and much more. Asserting that religions have always engaged in comparing one another, the authors provide insights into the history, trends, debates, and questions of explicit comparativism in the modern world. Easily accessible chapters examine the challenges of studying religion using a comparative approach rather than focusing on religious identity, inspiring students to think seriously about religious pluralism as they engage in comparative practice. Throughout the text, a wealth of diverse case studies and vivid illustrations are complemented by chapter outlines, summaries, toolkits, discussion questions, and other learning features. Substantially updated with new and revised material, the second edition of Comparing Religions: Draws from both comparative work and critical theory to present a well-balanced introduction to contemporary practiceExplains classic comparative themes, provides a historical outline of comparative practices, and offers key strategies for understanding, analyzing, and re-reading religionDraws on a wide range of religious traditions to illustrate the complexity and efficacy of comparative practiceEmbraces the transcendent nature of the religious experience in all its forms, including in popular culture, film, and televisionContains a classroom-proven, three-part structure with easy-to-digest, thematically organized chaptersFeatures a companion website with information on individual religious traditions, additional images, a glossary, discussion questions, and links to supplementary materialComparing Religions: The Study of Us that Changes Us, Second Edition, is the perfect textbook for undergraduate students and faculty in comparative religion, the study of religion, and world religions, as well as a valuable resource for general readers interested in understanding this rewarding area.
Over the course of his twenty-five-year career, Jeffrey J. Kripal's study of religion has had two major areas of focus: the erotic expression of mystical experience and the rise of the paranormal in American culture. This book brings these two halves together in surprising ways through a blend of memoir, manifesto, and anthology, drawing new connections between these two realms of human experience and revealing Kripal's body of work to be a dynamic whole that has the potential to renew and reshape the study of religion. Kripal tells his story, biographically, historically and politically contextualizing each of the six books of his Chicago corpus, from Kali's Child to Mutants and Mystics, all the while answering his censors and critics and exploring new implications of his thought. In the process, he begins to sketch out a speculative "new comparativism" in twenty theses. The result is a new vision for the study of religion, one that takes in the best of the past, engages with outside critiques from the sciences and the humanities, and begins to blaze a new positive path forward. A major work decades in the making, Secret Body will become a landmark in the study of religion.
With his 2003 debut, I Know Why The Aliens Don't Land , Amazon best-selling author Jeremy Vaeni redefined what an alien abductee sounded like. Not one to sit meekly in the shadows while some researcher told an audience what his bizarre experiences were, Jeremy offered the depth, humor, and raw honesty sorely lacking in ufology. Now, as he attempts to write its sequel, he can't shake the feeling that he's just going through the motions. Thankfully, there are deeper forces at work who don't want him to write that book, anyway. They want him to write a better one. What emerges is a book unlike any you have ever read before. I Am To Tell You This And I Am To Tell You It Is Fiction sets a new standard for what it means to think deeply about alien abductions, the multiverse, the afterlife, and the life we're living now. And it does so wrapped in the author's trademark, wildly inappropriate sense of humor.
This book is about the stranger reaches of extraordinary experience research. In these pages an intrepid cast of writers, investigators and academics explore the complexities of extraordinary experience, and consider why it is that some of the most unusual experiential reports - what we might call 'high strangeness' experiences - come to be neglected, even in what is already a relatively fringe field of inquiry.The aversion to the most unusual forms of extraordinary experience has resulted in a gulf between the kinds of experiences discussed in the academic parapsychological literature and those experiences discussed by Fortean and popular paranormal researchers, who have more frequently been able to discuss a broader range of extraordinary experiential accounts - from UFO encounters to Bigfoot and fairy sightings, and everything in between.Notwithstanding this divide, there are significant themes that run throughout the established academic literature on religious and extraordinary experience, the parapsychological literature, and the canon of popular paranormal research. These similarities suggest that even the most unusual experiences, which are often ignored in academic research, contain elements that connect them to other forms of extraordinary experience that are more broadly accepted, such as certain kinds of spiritual, mystical, religious and other paranormal experiences. This book is an exploration of the possibility that the 'highly strange' might well be a core underlying feature of extraordinary experiences more generally, and that instead of being neglected, 'high strangeness' should be granted greater and renewed scholarly and parapsychological attention.Includes contributions from Jeffrey J. Kripal, Jack Hunter, Sharon Hewitt Rawlette, Gregory Shushan, Samantha Lee Treasure, Michael Grosso, Zofia Weaver, Alan Murdie, David Luke, Simon Young, Zelia Edgar, Leonardo Breno Martins, Peter M. Rojcewicz, Barbara A. Fisher, Christopher Diltz, Joshua Cutchin, Anthony Peake, Peter Sj stedt-Hughes, Susan Demeter and Ren e E. Mazinegiizhigo-kwe B dard.
