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Joaquín Rodrigo

Joaquín Rodrigo

Walter Aaron Clark

Routledge
2021
sidottu
Winner of the 2023 Vincent H. Duckles Award, Music Library AssociationJoaquín Rodrigo: A Research and Information Guide catalogues and summarizes the musical works and related literature of Joaquín Rodrigo (1901–99), perhaps the most important Spanish composer of concert music in the second half of the twentieth century. The guide provides annotated bibliographic entries for both primary and secondary sources, detailing several guitar concertos, concertos for flute, violin, harp, cello, and piano, as well as symphonic pieces, piano solos, chamber music, and choral and stage works. Rodrigo’s reputation rests on the Concierto de Aranjuez for guitar and orchestra and its expressive middle movement, which inspired jazz arrangements by Miles Davis and Chick Corea in the 1960s and continues to appear in film scores even eighty years after its composition.A major reference tool for all those interested in the prolific Rodrigo and his music—featuring a chronology of the composer’s life and robust indices that enable researchers to easily locate sources by author, composition, or subject—Joaquín Rodrigo: A Research and Information Guide is a valuable resource for students and researchers alike.
Joaquin Y Marta (Jonathan and Martha) (Spanish Edition)
Los protagonistas de esta historia son dos gusanos solitarios. Joaquín vive a la izquierda de un gran árbol y Marta vive a la derecha del mismo árbol, pero no se conocen. Hasta que un día los dos deciden comerse la misma pera jugosa. Y así, sin quererlo, quedarán unidos para siempre. La obra, bien escrita, cuenta con un texto mínimo para ser leído en voz alta, y unas bonitas ilustraciones de gran calidad, combinadas con collage. Presenta una historia con un bonito fondo de amor y de aprender a compartir. La presentación editorial es muy atractiva para el público al que va dirigido el cuento, fomentando la observación y atención así como el desarrollo de la psicomotricidad fina.
Joaquín Balaguer, Memory, and Diaspora

Joaquín Balaguer, Memory, and Diaspora

Ana S. Q. Liberato

Lexington Books
2013
sidottu
Joaquín Balaguer, Memory, and Diaspora draws on the growing interest in the legacies of authoritarianism and state violence and its interplay with migration and memory. Ana S. Q. Liberato discusses the relationship between memory and government pedagogy—or the meanings constructed and disseminated by Joaquín Balaguer in political ads and public speeches and through public policy and autobiographical work. Liberato argues that there is a revival of memory in the Dominican Republic today, including pro-Balaguer memorialization efforts, and that Balaguer’s political pedagogy had an effect on public memory. The influence of his political pedagogy on memory transpires in memorializations which reproduce notions of Balaguer's political and moral exceptionalism. This book shows that Balaguer’s authoritarian pedagogy has been consumed, anchored, and shared among different Dominican publics, in the island and overseas, through the prism he created. Liberato also reveals Balaguer as a contested political character who provokes particular emotions and well-defined experiences and notions of the past. She demonstrates how his legacy was legitimized and contested by comparing him to caudillos José Francisco Peña Gómez and Juan Bosch, as well as through instances when he is praised or questioned for being an American protégée. This book exhibits how diasporic Dominicans maintain and transplant their political knowledge after migration. In particular, notions of democracy, political trust, political accountability, human rights, and sovereignty associated with authoritarian pedagogy accumulate in their narratives of the past and in their accounts of politics and history. Key roles are played by shared historical, cultural, and linguistic symbols associated with the legacy of authoritarianism. Liberato demonstrates how Balaguer influenced the Dominican nation through implementing effective political pedagogies, which in turn helped reinforce and reinscribe some aspects of the pedagogies implemented by Dictator Trujillo and previous authoritarian leaders. Joaquín Balaguer, Memory, and Diaspora will be of particular interest to Caribbean and Latin American Studies students and scholars, as well as anyone working in the areas of migration studies, sociology, Latin American politics, U.S. foreign policy, Latina/o studies, Caribbean studies, and the sociology of knowledge.
Joaquín Ortega

Joaquín Ortega

Russ Davidson

University of New Mexico Press
2020
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In this important work Russ Davidson presents the first biography of Joaquín Ortega, introducing readers to Ortega's life and work at the University of New Mexico as well as his close relationship with then UNM president James Zimmerman and other major figures. More than biography, Davidson's study closely examines the complex relationship UNM has had with Latin America as well as with the Hispanic community in New Mexico and that community's struggles to have equal representation of culture and education within an Anglo-dominated university and state in the first half of the twentieth century. Ortega's efforts played a significant role in UNM's evolution into a culturally diverse place of learning, and his story overlays the history of how ethnic groups began to work together to incorporate Latin American, Pan-American, New Mexican, and borderland studies into the educational fabric of the university at a pivotal time. This long-overdue volume is an illuminating look at the rich and complex history of the university and the communities it serves.
Joaquín Torres-García

Joaquín Torres-García

Luis Pérez-Oramas

Museum of Modern Art
2015
sidottu
Joaqu n Torres-Garc a is one of the most complex and emblematic modern masters from the first half of the 20th century, whose work determined transformational paths for modern art on both sides of the Atlantic. Drawn toward both the avant-garde and the primitive, the schematic and the utopian, he participated in some of the most crucial intellectual and artistic discussions of the past century. His close involvement with several early modern and avant-garde movements, from Catalan Noucentisme to Cubism, Ultraism, Vibrationism and Neo-Plasticism, make him an unparalleled figure in the history of modernism in the Americas.Published in conjunction with the first major, all-inclusive retrospective of the artist's work in the US since the 1970s, this richly illustrated publication presents Torres-Garc a's long and wide-ranging career, from the late 19th century to the 1940s, and includes drawings, paintings, objects, sculptures and rare manuscripts. Combining a chronological presentation with a thematic approach, the book is structured as a series of chapters interspersed with plates that encompass the artist's entire oeuvre, followed by an illustrated chronology and an extensive bibliography.Joaqu n Torres-Garcia was born in Montevideo, Uruguay, in 1874. By the turn of the century he had relocated to Spain, where he attended the Escola Municipal d'Arts I Oficis, the Escola Oficial de Belles Artes La Llotja and the Academia Baixas, becoming a central figure in the Catalonian artistic scene of the early 20th century. He lived in Madrid, Paris, New York, Livorno and Villefranche-sur-mer, before returning to Montevideo in 1934, where he established the Asociaci n de Arte Constructivo, followed by the Taller Torres-Garc a, key platforms in his pedagogical enterprise alongside his numerous published writings and conferences. He died in Montevideo in 1949.
Joaquín Rodrigo

Joaquín Rodrigo

Walter Aaron Clark

TAYLOR FRANCIS LTD
2023
nidottu
Winner of the 2023 Vincent H. Duckles Award, Music Library AssociationJoaquín Rodrigo: A Research and Information Guide catalogues and summarizes the musical works and related literature of Joaquín Rodrigo (1901–99), perhaps the most important Spanish composer of concert music in the second half of the twentieth century. The guide provides annotated bibliographic entries for both primary and secondary sources, detailing several guitar concertos, concertos for flute, violin, harp, cello, and piano, as well as symphonic pieces, piano solos, chamber music, and choral and stage works. Rodrigo’s reputation rests on the Concierto de Aranjuez for guitar and orchestra and its expressive middle movement, which inspired jazz arrangements by Miles Davis and Chick Corea in the 1960s and continues to appear in film scores even eighty years after its composition.A major reference tool for all those interested in the prolific Rodrigo and his music—featuring a chronology of the composer’s life and robust indices that enable researchers to easily locate sources by author, composition, or subject—Joaquín Rodrigo: A Research and Information Guide is a valuable resource for students and researchers alike.
Joaquín Rodrigo

Joaquín Rodrigo

Raymond Calcraft; Elizabeth Matthews

Taylor Francis Ltd
2021
sidottu
Joaquín Rodrigo, Spain's leading composer of the second half of the twentieth century, was also a writer of considerable distinction. In addition to his 170 compositions in almost every musical form, including the world-famous Concierto de Aranjuez for guitar and orchestra, he published articles and critical reviews throughout his working life. This volume makes available Rodrigo's writings to English-speaking readers throughout the world. The generous selection reveals an outstanding critical mind, equally illuminating on the main developments in the history of classical music and its most important composers, from Bach and Mozart to Verdi and Puccini, as well as Rodrigo's contemporaries. Rodrigo’s writings also cover many aspects of the culture and music of Spain and the country's major composers, as well as being an invaluable guide to an understanding and appreciation of Rodrigo's own works. The composer's style of writing is extremely varied, by turns incisive, eloquent, poetic, or delightfully humorous. Given the worldwide fame and popularity of his music, the availability in English of a large number of the composer's many articles and critical reviews will be of the greatest interest to musicians, scholars, music critics, and music-lovers alike.
Joaquín Rodrigo

Joaquín Rodrigo

Raymond Calcraft; Elizabeth Matthews

TAYLOR FRANCIS LTD
2023
nidottu
Joaquín Rodrigo, Spain's leading composer of the second half of the twentieth century, was also a writer of considerable distinction. In addition to his 170 compositions in almost every musical form, including the world-famous Concierto de Aranjuez for guitar and orchestra, he published articles and critical reviews throughout his working life. This volume makes available Rodrigo's writings to English-speaking readers throughout the world. The generous selection reveals an outstanding critical mind, equally illuminating on the main developments in the history of classical music and its most important composers, from Bach and Mozart to Verdi and Puccini, as well as Rodrigo's contemporaries. Rodrigo’s writings also cover many aspects of the culture and music of Spain and the country's major composers, as well as being an invaluable guide to an understanding and appreciation of Rodrigo's own works. The composer's style of writing is extremely varied, by turns incisive, eloquent, poetic, or delightfully humorous. Given the worldwide fame and popularity of his music, the availability in English of a large number of the composer's many articles and critical reviews will be of the greatest interest to musicians, scholars, music critics, and music-lovers alike.