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Final Conquest

Final Conquest

John Louis

Notion Press
2019
pokkari
The big daddies are out to get you. Not your money, not your body, but the real you - your mind and your soul. But you're not dumb like the rest. You fight back, like a David against the Goliaths. Spanning countries, this is a story of two well-intentioned men - Zuben, a quintessential family man, and Santhosh, an idealistic rustic boy who grows into a man with a mission. Deep inside our Earth's Core dwells a colony of Beings who have embarked on a mission of their own. Set in their beliefs and value systems, Santhosh and Zuben work for the betterment of their fellowmen in their own distinct ways, but end up pitted against each other. Caught up in this crossfire are the family and people who love and care for them, people with their own priorities. Are their methods right? Does it really matter in the end?How does their crusade change people over the years?What do the Core Beings have to do in all this?"An epic clash of two ideologies that still manages to tug at your heart strings. A feast for the connoisseurs of literature."- Santhosh Gangadharan, Author of Spinning into Oblivion and What Next.
Final Conquest

Final Conquest

John Louis

Notion Press
2020
nidottu
The big daddies are out to get you. Not your money, not your body, but the real you - your mind and your soul. But you're not dumb like the rest. You fight back, like a David against the Goliaths. Spanning countries, this is a story of two well-intentioned men - Zuben, a quintessential family man, and Santhosh, an idealistic rustic boy who grows into a man with a mission. Deep inside our Earth's Core dwells a colony of Beings who have embarked on a mission of their own. Set in their beliefs and value systems, Santhosh and Zuben work for the betterment of their fellowmen in their own distinct ways, but end up pitted against each other. Caught up in this crossfire are the family and people who love and care for them, people with their own priorities. Are their methods right? Does it really matter in the end?How does their crusade change people over the years?What do the Core Beings have to do in all this?"An epic clash of two ideologies that still manages to tug at your heart strings. A feast for the connoisseurs of literature."- Santhosh Gangadharan, Author of Spinning into Oblivion and What Next.
A Companion to Pirandello Studies

A Companion to Pirandello Studies

John Louis DiGaetani

Greenwood Press
1991
sidottu
The life and career of the Nobel Prize winning dramatist Luigi Pirandello is the subject of this important new reference companion. Designed to improve the general understanding of this major literary figure, the book focuses not only on Six Characters in Search of an Author, Pirandello's most famous work, but also on other plays, novels, short stories, and even translations of his poems. In addition to essays by some of the best-known Pirandello experts and drama scholars, the volume contains background information on Pirandello and a complete bibliography of his works and books and articles about him. Working within a structured set of categories, the contributors adopt a variety of styles in exploring significant aspects of Pirandello and his work. The six essays under Pirandello's world include his philosophy, his journey toward the modern stage, feminine conditions in his work, and his treatment of medical ethics. A section on background information includes surveys of theater in Italy before Pirandello and surrealism in his work, while the seven contributions on his plays focus on Six Characters in Search of an Author, Henry IV, and Tonight We Improvise. Subsequent sections address Pirandello's influence, his work in production, and his non-theatrical works. The book concludes with a set of three appendixes, providing a production history of Six Characters and Henry IV, a Pirandello bibliography, and a list of his publications. This major new work will be especially useful for courses in modern drama, modern literature, and Italian literature, and a significant reference tool for public, college, and university libraries.
A Search for a Postmodern Theater

A Search for a Postmodern Theater

John Louis DiGaetani

Praeger Publishers Inc
1991
sidottu
Thirty-three leading American and British playwrights, from Robert Anderson to Paul Zindel, discuss their views on their own work and contemporary drama, and offer projections about theater for the 21st century. Proceeding from the premise that recent drama in various ways is a reaction to the modernism of Theater of the Absurd, the interviewer, John DiGaetani, terms the diverse responses postmodernism. This concept, while not universally accepted by the playwrights interviewed, becomes a point of departure for lively dialogue, providing insights into the particular playwrights and on contemporary theater in general.Included among the interviewees are farcists, such as Alan Ayckbourn, Tina Howe, and Michael Frayn; playwrights of ethnic and black theater, such as Amlin Gray, Ed Bullins, and August Wilson; embodiments of Chekhovian theater, such as Simon Gray and A. R. Gurney; Maximalists like David Henry Hwang; feminists like Marsha Norman and Timberlake Wertenbaker; exponents of gay theater like Mart Crowley and William Hoffman; social critics like David Storey and Israel Horovitz; and traditionalists like Horton Foote, Romulus Linney, and Robert Anderson. Despite these broadly applied labels, clearly the output of these playwrights cannot be neatly pigeonholed even individually--let alone collectively--to describe any prevailing mode. Therefore, interviewer DiGaetani has chosen to stay with the appellation postmodernism, a widely accepted critical term in the arts used to signify a reaction to what is now an old-fashioned modernism.
Wagner and Suicide

Wagner and Suicide

John Louis DiGaetani

McFarland Co Inc
2003
pokkari
Composer Richard Wagner (1813-1883) likely suffered from a manic-depressive disorder but in his time very little was known about mental illness, and suicide was not a topic for general discussion. Wagner was often plagued by extreme mood swings; he used his operas, especially the librettos, to express himself and his personal difficulties. This investigation of the suicidal themes in Wagner's life and operas--Die Fliegender Hollander, Tannhauser, Lohengrin, Tristan und Isolde, Die Meistersinger, the Ring cycle, and Parsifal--shows how manic-depressive illness, particularly the depressive part of it, affected Wagner's life and art. It also analyzes the influence of Giambattista Vico's theories of cycles (and how these theories appeared in Wagner's work), suicide as a theatrical and operatic phenomenon, and the way in which the theme of suicide has appeared in other works of the literary and performing arts.
Stages of Struggle

Stages of Struggle

John Louis DiGaetani

McFarland Co Inc
2008
pokkari
One way or another, all playwrights use their work to explore the issues that interest them. The characters in a play may trumpet their creator's political views from the stage, or an unusual structure or set design may result from the playwright's interest in theatrical form. It is also common, particularly in the plays of the 20th and 21st century, to see a playwright delving into psychological issues raised by his own mental struggles or those of people he loves. Luigi Pirandello, tormented by the schizophrenia of his wife and other family members, repeatedly explored the problems caused by different visions of reality. Noel Coward's self-obsessed characters reflect his own narcissism. Alcoholism is a recurrent theme in the works of many playwrights, including Eugene O'Neill, Edward Albee, and Brian Friel. Through their exploration of these issues and more, the great writers of the theater have turned suffering into art. This book looks at the work of 20 playwrights to see how their examination of the disturbed mind has influenced the modern theater.
Richard Wagner

Richard Wagner

John Louis DiGaetani

McFarland Co Inc
2014
pokkari
This is a new biography of the German composer Richard Wagner, 200 years after his birth, re-examining his life in light of new documents and new sensibilities. Since World War II Wagner has often been wrongly associated with Adolf Hitler because Hitler liked Wagner's music and used it in Nazi propaganda. But Wagner died in 1883--fifty years before Hitler's regime. It is time to have a fresh look at Wagner's life without the Nazi associations. His life was a series of abandonments and traumas for the self-destructive but creative genius, as he tried to survive as a freelance composer in the hostile environments of 19th century Germany.
Carlo Gozzi

Carlo Gozzi

John Louis DiGaetani

McFarland Co Inc
2014
pokkari
Italian playwright Carlo Gozzi (1720-1806) is best known for his plays that have famously been adapted into opera librettos. Puccini's final opera, Turandot, was based on a play by Gozzi. Prokofiev's The Love of Three Oranges is also based on a Gozzi play. Richard Wagner's first opera, Die Feen, is based on Gozzi's La Donna Serpente. Mozart's The Magic Flute contains many elements that are similar to Gozzi's plays. Gozzi is well known for reviving commedia dell'arte, an ancient form of Italian improvisational theater that had fallen out of favor before his time. This is the first full biography in English of the most successful playwright in 18th century Venice.