Title: Scepticism in Geology and the reasons for it. By Verifier i.e. John Murray, the younger].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Anonymous; Murray, John; 1878. 8 . 7109.aaa.18.
Out Without My Rubbers: The Memoirs Of John Murray Anderson is an autobiographical account of the life and career of John Murray Anderson, a renowned theater director and producer. The book is a collection of personal anecdotes and reflections on Anderson's experiences in the entertainment industry, spanning from his early days as a performer in vaudeville to his later successes as a Broadway producer.Throughout the book, Anderson provides a fascinating behind-the-scenes look at the world of theater, sharing stories of the many famous actors, dancers, and musicians he worked with over the years. He also offers insights into the creative process of producing and directing shows, discussing the challenges he faced and the strategies he used to overcome them.In addition to his work in theater, Anderson also writes about his personal life, including his relationships with family and friends, as well as his experiences traveling and living abroad. He shares his thoughts on various cultural and political issues of the time, giving readers a glimpse into the social climate of the early 20th century.Overall, Out Without My Rubbers is a lively and engaging memoir that offers a unique perspective on the world of entertainment and the life of a successful theater producer. It is a must-read for anyone interested in the history of theater and the arts.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This scrupulously edited volume is the first edition of letters specifically related to the important British journal the Quarterly Review. Included are letters by notable literary and political figures such as Sir Walter Scott, George Canning, William Gifford, John Gibson Lockhart, and John Wilson Croker. The product of rigorous scholarship and careful attention to researchers’ requirements, the edition will interest students across all academic levels. The selection is comprehensive enough to provide valuable insights into Romantic and early Victorian literary and political history, but selective enough to be pertinent to a specialised readership interested in periodical journalism and publishing history. Informed by up-to-date scholarship and fresh research, the volume’s substantive introduction discusses the sources and dimensions of the Quarterly Review’s commercial success and cultural authority. It also provides a compelling account of tensions between the publisher’s commercial and his editors’ political and literary motivations. Students of reading and reception history will be interested in the discussion of press responses and the sociological make-up of the journal’s readership. The authoritative notes to the volume provide supporting information on the cultural and historical context.
This scrupulously edited volume is the first edition of letters specifically related to the important British journal the Quarterly Review. Included are letters by notable literary and political figures such as Sir Walter Scott, George Canning, William Gifford, John Gibson Lockhart, and John Wilson Croker. The product of rigorous scholarship and careful attention to researchers’ requirements, the edition will interest students across all academic levels. The selection is comprehensive enough to provide valuable insights into Romantic and early Victorian literary and political history, but selective enough to be pertinent to a specialised readership interested in periodical journalism and publishing history. Informed by up-to-date scholarship and fresh research, the volume’s substantive introduction discusses the sources and dimensions of the Quarterly Review’s commercial success and cultural authority. It also provides a compelling account of tensions between the publisher’s commercial and his editors’ political and literary motivations. Students of reading and reception history will be interested in the discussion of press responses and the sociological make-up of the journal’s readership. The authoritative notes to the volume provide supporting information on the cultural and historical context.
John Murray Spear was one of nineteenth-century America's most interesting characters. A leading social agitator against slavery and capital punishment, Spear also became the nation's most flamboyant spiritualist, inventor of "spirit machines," and advocate of free love. In his captivating biography, John Buescher brings to life Spear's superlatively odd story. While no photograph or engraving of Spear exists, and his letters and personal papers are scarce, Buescher recreates in this book a sympathetic, even heroic, figure who spent the most energetic decades of his career absent, in a sense, from his own life, displaced by other spirits. Born in 1804, John Murray Spear started his career as a Universalist minister. He later was a close colleague of William Lloyd Garrison and Theodore Parker in the abolitionist movement, an operator on the underground railroad in Boston, an influential leader in the effort to end the death penalty and to reform prison conditions, and a public advocate of the causes of pacifism, women's rights, labor reform, and socialism. Buescher chronicles Spear's work as an activist among the New England reformers and Transcendentalists such as Bronson Alcott, Lydia Maria Child, and Dorothea Dix. In mid-life Spear turned to the new revelation of spiritualism and came under the thrall of what he believed were spirit messages. Spear's spirits dictated that he and a small group of associates embark on plans for a perpetual motion machine, an electric ship propelled by psychic batteries, a vehicle that would levitate in the air, and a sewing machine that would work with no hands. As Buescher documents, Spear's spirit-guided efforts to harness technology to human liberation—sexual and otherwise—were far stranger than anyone outside his closest associates imagined, and were aimed at the eventual manufacturing of human beings and the improvement of the race. Buescher also examines the way in which Spear's story was minimized by his embarrassed fellow radicals. In the last years of his life, retired by the spirits and regarded by fellow Gilded Age progressives as a visitor from another age, if not another planet, Spear helped organize support for anarchist, socialist, peace, and labor causes. Buescher portrays Spear's life as an odd mixture of comic absurdity and serious foreshadowing of the future—for both good and ill—that provides us with a unique perspective on nineteenth-century American religious and social life.