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1000 tulosta hakusanalla John Tulloch

A Memoir of the Life of John Tulloch, D.D., LL.D

A Memoir of the Life of John Tulloch, D.D., LL.D

(margaret) Oliphant

Hansebooks
2017
pokkari
A Memoir of the Life of John Tulloch, D.D., LL.D is an unchanged, high-quality reprint of the original edition of 1888. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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A Memoir of the Life of John Tulloch

A Memoir of the Life of John Tulloch

Margaret Oliphant

Hansebooks
2017
pokkari
A Memoir of the Life of John Tulloch is an unchanged, high-quality reprint of the original edition of 1888. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Vertaile hintoja
A Memoir of the Life of John Tulloch

A Memoir of the Life of John Tulloch

Margaret Oliphant

Hansebooks
2018
pokkari
A Memoir of the Life of John Tulloch is an unchanged, high-quality reprint of the original edition of 1889. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Vertaile hintoja
Watching Television Audiences

Watching Television Audiences

John Tulloch

Hodder Arnold
2000
nidottu
Watching Television Audiences offers a comprehensive introduction to the current state of research into TV audiences. Written by a leading scholar in the field, it surveys work done on a variety of genres and programmes, including science fiction from Dr. Who through Star Trek to the X-files, sitcoms, cop shows, cartoons, news, documentary and many others. It explores concepts of audience research from the theory of an implied audience to active audience readings, and examines how scholars are now seeking to synthesis the two areas in a way which will constitute a 'third generation' of audience studies. Above all, it provides students and academics not only with an understanding of the theory but also of the different methodologies used to research different types of audience.
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One Day in July

One Day in July

John Tulloch

Abacus
2019
nidottu
'I don't remember seeing a flash. I didn't hear the blast -- I was too close. Like a distorted film, my vision stretched and turned yellow. I was just three feet from the bomb' On 7 July 2005 John Tulloch, a risk analyst and sociologist with an expertise in how the media report major international events found himself in the wrong place at the wrong time; on 8 July he was on the front page of virtually every major newspaper. He had became a victim of the risk he knew so well in theory; he had become one of those media stories he was so used to analysing. But he had also, like many others, become a victim of British and American foreign policy and been caught up, literally in a moment, in a terrible symbol of our particular time in history. From the three most recent wars (Kosovo, Afghanistan and Iraq) to media representations of disaster, from his own incredibly moving story to the relationships he built up with those who helped him, this compelling and profoundly important book is set to be a classic -- a work that captures both a moment and an era with sensitivity and precision.
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Television Drama

Television Drama

John Tulloch

Routledge
1990
nidottu
First published in 1990. This book is the first specifically about television drama from within a cultural studies perspective and as such examines the active agency of both viewers and media practitioners. The author examines dominant and counter-myths as they circulate in popular culture, discussing soap opera, science fiction, sitcom, cop series and 'authored' drama among its examples. It works within an ethnographic framework, he looks in detail at both the production and reception of TV drama. The overall aim of the book is to examine television representation as part of an historically positioned and differentiated social formation in which knowledgeable actors work in every institutional arena (whether media industry, academia or domestic household) to make their meanings.
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Trevor Griffiths

Trevor Griffiths

John Tulloch

Manchester University Press
2007
sidottu
Trevor Griffiths has been a critical force in British television writing for over three decades. His successes have included the series Bill Brand (1976), his adaptations of Sons and Lovers and The Cherry Orchard (1981) and his television plays, The Comedians (1979), Hope in the Year Two (1994) and Food for Ravens (1997). During his creative life he has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. And he has parallelled this career with one as equally as eminent in the theatre, as well as the slightly more problematic forays into film-writing for Warren Beatty's Reds and Ken Loach's Fatherland.John Tulloch's incisive and wide-ranging volume is a perfect entry point not only for students of Griffiths' oeuvre, but also for anyone entering the discourses of television, media and cultural studies.
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Trevor Griffiths

Trevor Griffiths

John Tulloch

Manchester University Press
2011
nidottu
Trevor Griffiths has been a critical force in British television writing for over three decades. His successes have included the series Bill Brand (1976), his adaptations of Sons and Lovers and The Cherry Orchard (1981) and his television plays, The Comedians (1979), Hope in the Year Two (1994) and Food for Ravens (1997). During his creative life he has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. And he has parallelled this career with one as equally as eminent in the theatre, as well as the slightly more problematic forays into film-writing for Warren Beatty's Reds and Ken Loach's Fatherland.John Tulloch's incisive and wide-ranging volume is a perfect entry point not only for students of Griffiths' oeuvre, but also for anyone entering the discourses of television, media and cultural studies.
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Performing Culture

Performing Culture

John Tulloch

SAGE Publications Inc
1999
sidottu
Performing Culture presents a detailed and probing account of cultural studies' changing fixations with theory, method, policy, text, production, audience and the micro-politics of the everyday. John Tulloch encourages academics and students to take seriously the need to break down the separation between high and low cultural studies. Tulloch's case studies show that the performance of cultural meanings occurs in forms as diverse as The Royal Shakespeare Company's Shakespeare and Chekhov productions and our everyday work and leisure encounters. Drawing upon anthropological and dramatic studies of performance, the book emphasizes that academic research also performs cultural meaning. A central feature of the book is its reflexive consideration of the representations of culture constructed by academic 'experts'.
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Performing Culture

Performing Culture

John Tulloch

SAGE Publications Inc
1999
nidottu
Performing Culture presents a detailed and probing account of cultural studies' changing fixations with theory, method, policy, text, production, audience and the micro-politics of the everyday. John Tulloch encourages academics and students to take seriously the need to break down the separation between high and low cultural studies. Tulloch's case studies show that the performance of cultural meanings occurs in forms as diverse as The Royal Shakespeare Company's Shakespeare and Chekhov productions and our everyday work and leisure encounters. Drawing upon anthropological and dramatic studies of performance, the book emphasizes that academic research also performs cultural meaning. A central feature of the book is its reflexive consideration of the representations of culture constructed by academic 'experts'.
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