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1000 tulosta hakusanalla Judith Kaye Oosdyke
When Dan Brown's novel, The Da Vinci Code, was published, it did something that many biblical scholars were not able to do. It posed difficult questions about the role of women in Jesus' life and in the early church, and brought these questions to the forefront of biblical conversations. Many grew up with only a sketchy acquaintance with the many women whose stories march through the pages of the Old and New Testaments. Their stories were not told, and their heroism was unsung. Today, however, more and more scholars are turning their attention to the stories of those women of valor. Nowhere are they as prominent and as central as in the Gospel of John. Judith Kaye Jones contends that the Gospel of John does not just include stories about women, it is structured around stories of women. In this unique testament, women and their encounters with Jesus provide the framework for the central message of Jesus.
A memoir and selected writings by the former Chief Judge of New York's highest court, the Court of Appeals.In 1983, Judith S. Kaye (1938–2016) became the first woman appointed to the Court of Appeals, New York's highest court. Ten years later, she became the first woman to be appointed chief judge of the xourt, and by the time she retired, in 2008, she was the longest-serving chief judge in the court's history. During her long career, she distinguished herself as a lawyer, jurist, reformer, mentor, and colleague, as well as a wife and mother. Bringing together Kaye's own autobiography, completed shortly before her death, as well as selected judicial opinions, articles, and speeches, Judith S. Kaye in Her Own Words makes clear why she left such an enduring mark upon the court, the nation, and all who knew her.The first section of the book, Kaye's memoir, focuses primarily on her years on the Court of Appeals, the inner workings of the court, and the challenges she faced, as chief judge, in managing a court system populated by hundreds of judges and thousands of employees.The second section, a carefully chosen selection of her written opinions (and occasional dissents), reveals how she guided the law in New York State for almost a quarter century with uncommon vision and humanity. Her decisions cover every facet of New York and federal law and have often been quoted and followed nationally.The final section of the book includes selections from her numerous articles and speeches, which cover the field, from common law jurisprudence to commercial law to constitutional analysis, all with an eye to the future and, above all, how the law can best affect the everyday lives of people who come to court-willingly or unwillingly-including, not least, those most in need of the law."An extraordinary woman, jurist, and leader who had a striking impact on the law and the administration of justice in New York State and beyond. This collection is more than a simple record of a remarkable life. It is a treasure-not only for those of us who knew and admired Judith but for all who may seek to understand and appreciate the profound impact she had on the law, the legal profession, and the administration of justice." - from the Foreword by Honorable Janet DiFiore
New York's Court of Appeals is the highest court in the state, created in 1847 to articulate statewide principles of law in the context of deciding particular lawsuits. Focusing on broad issues of law rather than individual disputes, the Court now consists of seven judges—one chief judge and six associate judges—appointed by the governor to terms of fourteen years. Since its creation, the Court of Appeals has often been at the forefront of shaping American law; its judges have been among the nation's most influential jurists. And now, this important reference work finally provides a comprehensive, authoritative guide to one hundred and sixty years of this important legal legacy. Featuring original biographies of 106 chief and associate judges, this unique resource takes the real measure of the Court's history. The entries range in length from concise portraits to extended discussions of such leading figures at Benjamin Cardozo and Irving Lehman, from its first term under Chief Judge Freeborn G. Jewitt to the current term under Chief Judge Judith S. Kaye. Designed for lawyers, judges, scholars, and students of the courts and history, these valuable biographies are filled with essential facts, expert analysis, and illuminating interpretation. Each entry features a full personal and professional biography, and concise coverage of landmark cases, key opinions, and a detailed context for understanding the legacy of each jurist. In addition, the book features biographies of other important Court figures, hundreds of illustrations, full case citations, bibliographies, and listings of judges' progeny. This first book of its kind fills a major gap in the literature and will be an essential resource not only for the New York legal community but also for scholars, students, and practitioners of the law around the country.
Judith is Volume 40 in the acclaimed anchor Bible series of new book-by-book translations of the Old and New Testaments and Apocrypha. In the Apocrypha, Judith is the saint who murdered for her people. She offered herself to Holofernes, the Assyrian general sent by Nebuchadnezzar to destroy the Israelites. After she had charmed Holofernes with flattery and drink, Judith chopped of his head while he lay in a drunken stupor, thereby leaving his troops “headless” and in a state of total panic and confusion. Her victory was celebrated in song and brought peace to her land for years to come. In his illuminating new translation and commentary, Carey A. Moore considers the historicity of the story and explores the author’s true intent: Was it to describe actual events or to compose a fictitious story of other purposes? Was his concern more historical or theological? The story of Judith abounds in ironies. There is Judith, the beautiful woman who lived a stark, celibate existence after her husband’s death had left her a wealthy widow. Born into a sexist society with rigidly defined roles, Judith better “played the man” than did any of her male compatriots. There is Holofernes, the Assyrian conqueror, unable to defeat a small Israelite village after dozens of countries had fallen under his sword. Intent on seducing Judith, Holofernes instead lost his head to her. Perhaps the ultimate irony of all is the story of Judith itself: the timeless tale of a deeply religious woman who became revered not for her poverty but for an act of murder. Dr. Moore’s study of the canonicity of Judith brings perspective to the story’s varied acceptance among both Jews and Christians. It also notes the similarity between this work and the equally popular story of Esther; each woman, through different means, served her people through acts of bravery. The photographs and maps illustrating Judith include depictions of the story of Judith by such masters as Machiavelli, Botticelli, Caravaggio, and Donatello.
The 1960s was a time when Australia was changing and the old ways were being left behind. At 21 Judith is ready to conquer the world, she has a new job working for the government, and a new life ahead of her that will test her resolve. Moving to the city will take her from naive romantic notions and the protection of small town living to discovering that around the corner life's twists and turns carry you along paths you never anticipated. The communist movement is looking for converts to infiltrate the government. Will they draw her in? Women are living and loving more freely. Will she ignore the promises she made and allow the lure of this new life to change her? Will she find romance or tragedy? What will her family think if she tells them? She will need wisdom, courage and faith for the journey as the road to independence always comes at a price.
Judith tells the story of a beautiful Jewish woman who enters the tent of an invading general, gets him drunk, and then slices off his head, thus saving her village and Jerusalem. This short novella was somewhat surprisingly included in the early Christian versions of the Old Testament and has played an important role in the Western tradition ever since. This commentary provides a detailed analysis of the text's composition and its meaning in its original historical context, and thoroughly surveys the history of Judith scholarship. Lawrence M. Wills not only considers Judith's relation to earlier biblical texts--how the author played upon previous biblical motifs and interpreted important biblical passages--but also addresses the rise of Judith and other Jewish novellas in the context of ancient Near Eastern and Greek literature, as well as their relation to cross-cultural folk motifs. Because of the popularity of Judith in art and culture, this volume also addresses the book's history of interpretation in paintings, sculpture, music, drama, and literature. A number of images of artistic depictions of Judith are included and discussed in detail.
2023 Catholic Media Association First Place Award, Scripture – Academic Studies The striking scene of Judith cutting off Holofernes’s head with his own sword in his own bed has inspired the imaginations of readers for millennia. But there is more to her story than just this climactic act and more to her character than just beauty and violence. This volume offers a comprehensive examination of gender ideologies in the book of Judith, from the hyper-masculine machinations of war and empire to the dynamics of class in Judith’s relationship with her enslaved handmaid. Overall, this commentary investigates the book of Judith through a feminist lens, informed by critical masculinity studies, queer theory, and reception criticism.
Judith
University of Exeter Press
1997
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Undergraduates frequently find the fine Old English poem JUDITH the most stimulating of the surviving texts from the Anglo-Saxon period. In the past thirty years it has attracted a wide range of literary criticism both in the UK and the US. Feminist critics of English literature have been particularly interested by the ways in which the poet has adapted the traditional masculine heroic ethos of Old English poetry to a story figuring a violently active female protagonist.Yet there is no available edition of Judith which is either comprehensive or up to date, or which at all explains how and why the poem is worthy of our attention. This new edition aims to fill this gap. It includes a full Introduction and commentary by the editor, plus a comprehensive glossary, bibliography and appendices.
Judith is an aspiring young actress and the mistress of a writer on a popular satirical magazine. We learn of her involvement with drugs and increasing self-delusion. After a crack-up, she seeks healing in an Indian ashram run by an eccentric and possibly mad guru. But what is at the back of appearances; how calculated is the self-destructiveness from which a new order might emerge?
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT109299W- H- = William Huggins. Libretto only, in verse.London: printed in the year, 1733. 29, 1]p., plate; 8
At a great assemblage of the Israelites for the worship of Moloch the priests demand the children of Manasseh for sacrifice. The king, overborne by the frenzy of the crowd, acquiesces. The priests go to the king's palace and take the children from their mother, and bring them down into the Valley of Hinnom to sacrifice them. Judith endeavours to save the children and is near being sacrificed herself by the furious worshippers, but is saved by the coming of the Assyrian host, who lay Jerusalem in ruins, and take Manasseh prisoner to Babylon.
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT109299W- H- = William Huggins. Libretto only, in verse.London: printed in the year, 1733. 29, 1]p., plate; 8
