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1000 tulosta hakusanalla Julia Erhart

The Children’s Hour

The Children’s Hour

Julia Erhart

MCGILL-QUEEN'S UNIVERSITY PRESS
2024
sidottu
Based on a play by Lillian Hellman, The Children’s Hour (1961) was the first mainstream commercial American film to feature a lesbian character in a leading role. It centres on a teacher at a girls’ school (Shirley MacLaine) who is accused of harbouring feelings for her co-worker (Audrey Hepburn) and depicts the intense moral panic that ensues. Produced in the social climate of the Lavender Scare, the film reveals deep insights into the politics of sexuality and censorship in midcentury America, only a few years before more visible struggles for queer liberation.The director, William Wyler, lobbied hard to get the film made after an earlier straight-washed version in 1936. The tense road to production included debates about whether to eliminate mentions of lesbianism from the script and how implicitly queer subject matter might conflict with the Production Code, by then weakened but still in force. Julia Erhart’s reading of the film’s conception, production, and reception advances a nuanced case of censorship as a productive force. While contests between Hellman and Wyler suppressed scenes of overt affection between main characters Karen and Martha, reception was comparatively fixated on the characters’ lesbianism: it threatened middlebrow movie critics in the mainstream press and resonated with queer audiences. Erhart’s attentive interpretation of both the script and the sonic landscape yields a detailed analysis of the soundtrack as an original pro-lesbian element.As issues of queer censorship continue to permeate life and culture more than fifty years later, Erhart demonstrates that The Children’s Hour is as salient to social and political tensions around gender and sexuality today as it was in the 1960s.
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The Children’s Hour

The Children’s Hour

Julia Erhart

MCGILL-QUEEN'S UNIVERSITY PRESS
2024
nidottu
Based on a play by Lillian Hellman, The Children’s Hour (1961) was the first mainstream commercial American film to feature a lesbian character in a leading role. It centres on a teacher at a girls’ school (Shirley MacLaine) who is accused of harbouring feelings for her co-worker (Audrey Hepburn) and depicts the intense moral panic that ensues. Produced in the social climate of the Lavender Scare, the film reveals deep insights into the politics of sexuality and censorship in midcentury America, only a few years before more visible struggles for queer liberation.The director, William Wyler, lobbied hard to get the film made after an earlier straight-washed version in 1936. The tense road to production included debates about whether to eliminate mentions of lesbianism from the script and how implicitly queer subject matter might conflict with the Production Code, by then weakened but still in force. Julia Erhart’s reading of the film’s conception, production, and reception advances a nuanced case of censorship as a productive force. While contests between Hellman and Wyler suppressed scenes of overt affection between main characters Karen and Martha, reception was comparatively fixated on the characters’ lesbianism: it threatened middlebrow movie critics in the mainstream press and resonated with queer audiences. Erhart’s attentive interpretation of both the script and the sonic landscape yields a detailed analysis of the soundtrack as an original pro-lesbian element.As issues of queer censorship continue to permeate life and culture more than fifty years later, Erhart demonstrates that The Children’s Hour is as salient to social and political tensions around gender and sexuality today as it was in the 1960s.
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Gillian Armstrong

Gillian Armstrong

Julia Erhart

Edinburgh University Press
2020
nidottu
Explores how Armstrong's films re-work conventions about literary adaptation, biography and realist storytellingExamines Armstrong's work in light of new media scholarship and philosophies, including feminist cinematic ethicsSituates Armstrong's achievements in the context of Australian film policies and historyProvides an examination of never-before-studied elements, including Armstrong's short filmsIncludes anever-before-utilised oral history project with ArmstrongA commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong's films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director.
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Gillian Armstrong

Gillian Armstrong

Julia Erhart

Edinburgh University Press
2020
sidottu
A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director.
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Gendering History on Screen

Gendering History on Screen

Erhart Julia

I.B. Tauris
2018
sidottu
Movies about significant historical personalities or landmark events like war seem to be governed by a set of unspoken rules for the expression of gender. Films by female directors featuring female protagonists appear to receive particularly harsh treatment and are often criticised for being too 'emotional' and incapable of expressing 'real' history. Through her examination of films from the United States, Europe, Australia and elsewhere, Julia Erhart makes powerful connections between the representational strategies of women directors such as Kathryn Bigelow, Ruth Ozeki and Alexandra von Grote and their concerns with exploring the past through the prism of the present. She also compellingly explores how historiographical concepts like valour, memory, and resistance are uniquely re-envisioned within sub-genres including biopics, historical documentaries, Holocaust movies, and movies about the 'War on Terror'. Gendering History on Screen will make an invaluable contribution to scholarship on historical film and women's cinema.
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Diese Bibliothek Ist Zu Nichts Verpflichtet Ausser Zu Sich Selbst: Erhart Kastner ALS Direktor Der Herzog August Bibliothek 1950-1968

Diese Bibliothek Ist Zu Nichts Verpflichtet Ausser Zu Sich Selbst: Erhart Kastner ALS Direktor Der Herzog August Bibliothek 1950-1968

Julia Hiller Von Gaertringen

Harrassowitz
2009
sidottu
Erhart Kastner leitete von 1950 bis 1968 die Herzog August Bibliothek. Dabei war Gottfried Wilhelm Leibniz sein Vorbild. Als mutiger Bauherr und kuhner Rechner folgte er seinem erfolgreichen Amtsvorganger, so liess er das 1882 bis 1886 im Palazzo-Stil der florentinischen Renaissance erbaute Bibliotheksgebaude vollstandig umbauen und gab der Bibliothek ein ihrem enzyklopadischen Selbstverstandnis entsprechendes raumliches Erscheinungsbild. Das Buch schildert auch die damit verbundenen Misshelligkeiten und Schwierigkeiten. Aber Kastner hatte Erfolg, er hinterliess eine einzigartige, eine "strahlende Bibliothek". Der seit langem als versunkener Schatz geltenden Wolfenbutteler Bibliothek hat er ein unverwechselbares Profil verliehen und sie auf den Weg zu jenem Institut von Weltrang gebracht, das sie heute ist.
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Urkundenlandschaft Reatien

Urkundenlandschaft Reatien

Peter Erhart; Julia Kleindienst

Austrian Academy of Sciences Press
2004
nidottu
In diesem Band werden erstmals 60 Urkunden aus dem fruhmittelalterlichen Ratien in Wort und Bild prasentiert. Sie sind editorisch neu aufbereitet und mit einem Kommentar versehen. Daruber hinaus bietet der Band eine ausfuhrliche Einleitung, die auf Aspekte der Uberlieferung und Aufbewahrung, Diplomatik und Palaographie, Sozial- und Kulturgeschichte eingeht. Der Bestand ist fast ausschliesslich in der Form von Originalurkunden im Stiftsarchiv St. Gallen uberliefert und umfasst den Zeitraum zwischen 745 und 975. Er erlaubt nicht nur einen Uberblick uber die Entwicklung der Form und Schrift der Urkunden, sondern bietet auch reiches orts- und namengeschichtliches Material. Die aus dem Grenzgebiet zwischen Osterreich, Liechtenstein und der Schweiz erhaltenen fruhmittelalterlichen Urkunden spiegeln eine Praxis wider, deren Wurzeln bis in die Romerzeit zuruckreichen. Der Inhalt dieser fruhen schriftlichen Zeugnisse veranschaulicht das Leben in einer Landschaft, die noch von einer vorwiegend romanischen Bevolkerung bewohnt ist. Im Mittelpunkt dieser Urkunden steht die Sorge um Grundbesitz, der verkauft, verschenkt oder testamentarisch verschrieben werden konnte. Der verbreitete Schriftgebrauch formt das Bild einer abgrenzbaren Urkunden- und Schriftlandschaft. Nur im Kloster St. Gallen sind im ganzen Raum nordlich der Alpen so viele fruhmittelalterliche Originalurkunden erhalten. Diese einzigartige Uberlieferungssituation erlaubt aussergewohnliche Einblicke in die fruhmittelalterliche Gesellschaft dieser Region, ihre sozialen, politischen und religiosen Strukturen.
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The Reincarnation of Amelia Earhart: Amelias Earhart Spirit Journey

The Reincarnation of Amelia Earhart: Amelias Earhart Spirit Journey

Julia Svadi Hatra

Createspace Independent Publishing Platform
2017
nidottu
"Julia look exactly like Amelia - especially her eyes. It is said the eyes are the "window to the soul" and she definitely have Amelia's eyes and soul. " Kevin Williams, [email protected], USA **** "I found many little details in the book that made me able to say: yes, Julia was once Amelia Earhart: the soul in Julia's body now, was in Amelia's body the last time. " Marianne Notschaele-den Boer, www.vorigelevens.nl, Holland **** In new book " Reincarnation of Amelia Earhart? ", Amelia is talking to us. Astonishing secrets are revealed. Was Amelia meant to die according to some "secret plan"? Through the author's past life experience, Amelia is able to describe the last minutes before her death, how she enters Heaven, Angels, meeting with God, Egyptian Goddesses. A unique Egypt's ancient initiation ceremony of a Goddess, meeting with GIANT and Pharaohs. Travel in Time? Teleportation? Why was she lost? Why is it impossibly difficult to find her? Is it a curse by ancient Spirits on those who are "playing games" around Amelia's disappearance? **** "Nostradamus wrote 3 quatrains about Amelia Earhart and predicted that there would be lots of debates about her trip and what happened with her airplane...."The long journey will not be without debates", Quatrain 10.84. Amelia can do what nobody else can do..., right? And she DID IT AGAIN It is amazing With her own discovery, Julia can help in solving this mystery and find her plane. In Quatrain 2.45 Nostradamus told that that Amelia will re-born "Through death too late a great people renewed."Numerous hypnosis specialists from Canada, USA, and the Netherlands proved that Julia is Amelia re-born Re-born Amelia is a pioneer again."For the first time in human history, it has been scientifically proven that people have many lives." People need to know Julia's rare knowledge; it can support each and everyone on the planet. Time is of the essence now. Her powerful book which is published should be distributed world -wide.Nostradamus was right again when he wrote Quatrain 2.45 "Late and soon comes the awaited assistance."Fascinating As I read "The Reincarnation Amelia Earhart ?," I found myself totally fascinated with Julia Svadi Hatra's life journey. Julia writes about her awakening into knowing who she really is. Her path has been an intriguing one.She has experienced memories and dreams of who she was in her former lives: Amelia Earhart, a Mayan Priest and an Atlantean Queen. She also discusses dream states that she has been in where she recollects some incredible events, including many of which involve ancient initiations. I found myself getting goose bumps over and over. I had two initial impressions upon reading this book. Just as this is not a book to be read in one sitting, it was also not a story that could be told in one lifetime. Julia Svadi Hatra strikes me as a phenomenal woman. She has not allowed a mundane fa ade to cover up her real beauty and essence. She radiates beauty and strength from the inside out. By reading about her experiences, and the incredible dreams that followed me in my life, she made me want to get up and shake off my fears and apprehensions about really allowing who I am to emerge.I highly recommend "The Reincarnation Amelia Earhart ?" by Julia Svadi Hatra to people who are feeling compelled to explore their pasts and use that knowledge to take the next step in their evolution. Ready, get set, go..." Reviewed by Paige Lovitt for Reader Views (11/16) www.readerviews.com" "In the text of the book there is an amazing property that occurs while reading. People begin to remember past lives, suddenly opening there own unusual abilities...It's amazing and delicious This book - a real key for access to the enlightenment of consciousness everyone on this planet.Julia is a true Magician, who visits our planet with high mission for humanity." David Cser, Canad
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Romeo und Julia im Fehntjerland

Romeo und Julia im Fehntjerland

Erhard Brüchert

Books on Demand
2022
pokkari
Erhard Br chert Erhard Br chert - bekannter, niederdeutscher Autor von historischen Freilichtst cken in Ostfriesland und Oldenburg erz hlt hier vier seiner Werke auf Hochdeutsch nach. Der zweisprachige Autor und fr here Geschichtslehrer l sst dabei wichtige, regionalgeschichtliche Ereignisse im Nordwesten in dramatischer und literarischer Sprache, novellenartig lebendig werden.
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Gesetz Zum Erhalt Von Unternehmen Vom 26. Juli 2005

Gesetz Zum Erhalt Von Unternehmen Vom 26. Juli 2005

Pascal Schütze

Peter Lang AG
2010
nidottu
Das Interesse an auslandischen Insolvenzrechten hat in letzter Zeit - forciert durch die europaische Insolvenzverordnung - erheblich zugenommen. So bestatigt die Beobachtung aus der Praxis, dass sich einige Firmen dem Ausland mit sanierungsfreundlicheren Gesetzen zugewandt und Deutschland den Rucken gekehrt haben. Man kann durchaus von einem Wettbewerb um besonders reorganisationsfreundliche Gesetze innerhalb Europas sprechen. Dabei nimmt das franzoesische Insolvenzrecht in Gestalt der Reformgesetze vom 26. Juli 2005 und 18. Dezember 2008 / 12. Februar 2009 eine Fuhrungsrolle ein. Das franzoesische sogenannte Recht der Unternehmen in Schwierigkeiten sieht das ordentliche Insolvenzverfahren nicht als Koenigsweg fur hilfesuchende Unternehmen, sondern will durch eine ganze Palette verschiedenster insolvenzvorbeugender Instrumente eine sich anbahnende Krise fruhzeitig im Keim ersticken. In dieser Arbeit werden in einem ersten Schritt die Instrumentarien der franzoesischen Insolvenzprophylaxe dargestellt. Im Rahmen eines funktionellen Vergleichs werden dann in einem zweiten Schritt aquivalente Instrumente im deutschen Recht gesucht. Das franzoesische Modell wird schliesslich sowohl in seiner theoretischen Konzeption als auch in seiner Praxisrelevanz gewurdigt und es wird der Frage nachgegangen, welche dieser Mechanismen als Anregung an den deutschen Gesetzgeber oder sogar fur eine (Teil-)UEbernahme in die deutsche Insolvenzordnung in Betracht kommen.
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Julia

Julia

Sandra Newman

Mariner Books
2023
sidottu
A PEOPLE Magazine Must-Read Book for Fall 2023 An Esquire Best Book of Fall 2023 A Guardian Biggest New Book of 2023 A LitHub Most Anticipated Book of 2023An imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman.Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984.All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else. She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia.Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.
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JULIA

JULIA

HARPERCOLLINS PUBLISHERS INC
2024
nidottu
A PEOPLE Magazine Must-Read Book for Fall 2023 An Esquire Best Book of Fall 2023 A Guardian Biggest New Book of 2023 A LitHub Most Anticipated Book of 2023An imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman.Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984.All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else. She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia.Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.
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