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134 tulosta hakusanalla Kamilin Jamilin
Based on the hit TV Series about food, travel, and lost history, hosted by Kailin Gow, comes this guide to Superfoods and recipes that any busy on-the-go person can make to create a healthier, energized, and good-for-you delicious meal.
Aivan kuten Neale Donald Walsch kirjassaan "Keskusteluja Jumalan kanssa," Kamal antaa meille harvinaisen tilaisuuden tavoittaa h iv hdys etsij n kokemuksesta n ill henkil kohtaisilla p iv kirjan sivuillaan k ydess n dialogia Kaikkeuden kanssa runollisella tyylill n. Saamme todistaa h nen syv rakkauttaan ja my t tuntoaan ihmiskuntaa kohtaan sek h nen rehellisyytt n ja omistautumistaan jumalalliselle.Kamal on mestari n kem n pyhyytt aivan pienimmiss kin asioissa. T m muistuttaa meit siit , ett kaikki el m ss on pyh ja kaikella on tarkoituksensa. H n osoittaa meille, ett olemmepa miss hyv ns , olemme aina oikeassa paikassa oikeaan aikaan, ja Kaikkeus antaa meille siunauksensa, mit hyv ns teemmekin ja kuka tahansa luulemmekin olevamme.
Mene Allah Ya ke bukata daga wurin mu? Wannan tambaya ne da dukan mu na gwagwarmaya da shi, mu na tunanin akwai wani abu musamman da yakamata mu yi domin mu samu amincewan Allah. Abram Ya amince da Ubangiji, Ubangiji kuwa ya lasafta wannan adalci ne a gare shi. - Farawa 15:6 Allah a kullum na bukatan bangaskiyan mu. Ya bukaci Adamu da Hauwawu su badagaskiya cewa dokokin Shi na kyau kuma na da amfani bi. Ya bukaci Nuhu ya dogara gare Shi kuma ya gina jirgin ruwa domin ya ceci iyalin shi. Kuma Ya umurce Abram ya bar gidan su da iyalin shi kuma ya je kassan da Allah zai nuna mashi. A yau, Allah Ya na umurce mu mu sa bangaskiyan mu a cikin aikin ceton na Ɗan Shi, Yesu Almasihu, domin ceton mu da bukatun mu. Ya bukace mu mu dogara gare Shi domin rayuwan mu na har abada da na kullum. Idan mun badagaskiya cewa Yesu Ya mutu domin zunuban mu kuma muna biyyaya da dokokin Shi, muna tafiya cikin bangaskiya. Allah bai sa dole mu za da kamili ba, kawai Ya bukaci mu yi tafiya da Shi a cikin bangaskiya da Shi. Idan muna shakkan abin da Allah Ya bukace mu mu yi, muna iya binciken rayuwan mutanen Allah kuma mu duba misalen bangaskiyan su. Bangaskiya bisa Kamili na duban rayuwan Abran (daga baya ya zama Ibrahim) da ɗan Shi Ishaku. Ibrahim da Ishaku ba masu kamili ba ne. Allah Ya basu duk wani babban alkawali, amma akwai lokatai da dama da ayukan su bai nuna bangaskiyan su ba. Allah Ya lisafta wa Ibrahim wannan adalaci a gare tun daɗewa kamin Ya bukaci wani abi daga gare shi ban da bangaskiya. Mu haɗa kai a yanan gizo domin wannan binciken na tsawon mako shida ko kan app namu na Love God Greatly. Can za ki samu abubuwan da ya shafi Bangaskiya bisa Kamili a wannan wurare biyutare da rubuce rubucen mu na Litinin, Laraba da Jumma'a, da karin bayani ta wurin karatu na kullum da jamma'a masu kauna domin karfafa mu yayin da mu ke binciken rayuwan Ibrahim da Ishaku da abin da ake nufi a yi rayuwan bangaskiya.
A desperate Jenna struggles to return to normal life, but the knowledge that she is pregnant by Gabrael, the being known in Kamilon as the Kwidatz; is making that readjustment tricky to say the least! Then, whilst working at her school, she receives a visit from a red haired stranger and his white dog and her fragile grip on normality is hurled to the wind, literally. She and her companions are sent flying back into the cold and hostile world of her nightmares to rescue her daughter, who is now being held hostage by an evil force who is bent on devouring Kamilon and all who dwell there. Will she reach Megan before her Nemesis does? Will the Prophesy come true; that her son will save her life? Will she yet again have to surrender her humanity in order to prevail? Who will survive the final battle?
In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself.
In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself.
Tired of cramps, headaches, hormonal acne, pain, and mood swings? As a woman, you have to menstruate once a month, but you DON'T have to suffer. There is no reason for menstruation or womanhood to be miserable."Never PMS Again" is a step-by-step guide for women who menstruate and suffer from PMS, regardless of age or circumstance. This book offers a science-based, research-backed, natural healing approach to eliminating PMS from your life completely. Women who follow the regimen in this book will see results as soon as their next menstrual cycle.These natural methods are the most efficient and effective way to prevent PMS. By following these methods, you will also improve your overall quality of life - you'll have better periods, be amazingly healthy, and feel great Replace suffering and pain with self-care and joy, and never PMS again.
In Happy Plants, Happy You, author Kamili Bell Hill of @PlantBlerd shows you that spending quality time with your plants is spending quality time with yourself.Houseplants are so much more than a living decorative accent for your home or a relaxing hobby, and caring for houseplants should not be a mindless task. Instead, it’s an opportunity to check in with yourself as you check in with your plants. You’ll learn how houseplants can help you avoid burnout and bring a healthy focus to your own self-care. As it turns out, when you tend to your houseplants, you’re also tending to yourself. Houseplants have a lot of lessons to teach about relationships and the importance of a little give and take, including how to focus on the ones who love you back and how—like getting rid of a dead leaf or a mealybug—sometimes you gotta cut bait and bail on relationships that are bringing you down. Author Kamili Bell Hill used houseplants to exit the stress highway that was overtaking her life and she knows they can do the same for you. Easy houseplant-care tips to help build your confidence in growing, combined with wise and witty words on everything from managing “devil-spawn fungus gnats” to making your houseplant leaves shine like the top of the Chrysler Building, Happy Plants, Happy You is part self-exploration, part houseplant handbook. In a nutshell, it’s a plant-based roadmap to a happier you. You’ll get the lowdown on: How to choose the right plants for you as a person, not just for your growing conditionsAdvice on avoiding “vampire relationships” with plants (and people!) that suck you dryA wish list of the best tools for houseplant parents How to date several plants before settling on the best ones for youThe art of letting go of things that aren’t thrivingGiving up on the illusion of control—and being totally okay with itAs your plants grow, you will too. Houseplants are a guilt-free path to peace, and the result of stepping into an intentional plant-care/self-care routine will be happy plants and a happy you.
No Mother, No Future investigates how theatre and performance use pregnancy loss to represent a lost future. Spanning the twentieth and twenty-first centuries, this book analyzes performances that challenge dominant cultural scripts linking motherhood with futurity and nationhood in Canada and the United States. Combining intersectional feminism with theories of reproductive justice and reproductive futurity, this work interrogates how pregnancy loss—especially when experienced by those excluded from white, heteronormative ideals of motherhood—is often portrayed as a societal failure. It examines reproductive loss not only as a dramatic device but also as a political reality shaped by systemic violence, including slavery, forced sterilization, and child welfare policies that disproportionately target Indigenous and Black communities. Through in-depth analyses and original interviews with playwrights, directors, and actors, this volume offers a critical framework for understanding how performance stages reproductive loss as a site of resistance. As the first book-length study of motherhood and reproduction in Canadian theatre, it is essential reading for scholars and students in theatre, performance studies, feminist theory, cultural studies, and reproductive justice.
Shadowlight Academy 1: The Beautiful Boys: A High School Paranormal Bully Romance
Kailin Gow
Independently Published
2019
nidottu
Unlike many high school heroines in fantasy books, I always knew I was not ordinary. Far from it. Since I was two, I have been seeing angels and demons. Given the gift of battle as a warrior, my role as a slayer often interferes with my role as a normal girl. So no, I was never a typical girl who had just found out she was heir to some magical family or something like that. I've been "gifted" practically all my life. So when my ordinary family moved us to San Francisco to a new school where my father teaches, I didn't think much of the school. Shadowlight Academy, the most exclusive and posh prep academy for the super rich. I thought I would be there to slay the evil like an undercover superhero amongst the ordinary. I just didn't think the ordinary would all be extremely unordinary. Especially the three most popular kids in school. Then there's the hot brooding rebel boy who didn't seem to fit in, too. Everyone here has secrets, and I am determined to find out what, before it kills me...the entire Academy and even the world. Okay, I might be dramatizing a bit, but yes, from what I've barely seen...it could be that big. Better get my game gear on and my entire armor on, because this is going to be one epic battle. But who can I trust?The Beautiful Ones, which rule Shadowlight Academy is known to be both beautiful yet wicked. They're fascinated with me as I am of them. But who or what are they really, and why do I feel drawn to them like a fly to a spider? Can I escape their beautiful web before I am trapped forever? Do I want to?*The Beautiful Boys is the first in a high school paranormal academy series for mature teens and up. Expect a tough heroine who can take on anyone and anything, with lots of steam literally and figuratively, and a reverse harem romance.
For a girl who has always been on the outside looking in, the rebel, the loner, the shadow walking amongst the ordinary non-suspecting at all my previous schools; I'd never thought I'd become one of the Beautiful Ones at the most exclusive posh prep academy called Shadowlight Academy. It wasn't easy. And I almost died because of it. Being bullied by them and surviving it, changed everything. Now I'm one of them. The power behind the Beautiful Ones is unlike anything I have ever encounter...so is its beautiful eternal draw. It wants me, wants my power...can I resist?Unlike many high school heroines in fantasy books, I always knew I was not ordinary. Far from it. Since I was two, I have been seeing angels and demons. Given the gift of battle as a warrior, my role as a slayer often interferes with my role as a normal girl. So no, I was never a typical girl who had just found out she was heir to some magical family or something like that. I've been "gifted" practically all my life. So when my ordinary family moved us to San Francisco to a new school where my father teaches, I didn't think much of the school. Shadowlight Academy, the most exclusive and posh prep academy for the super rich. I thought I would be there to slay the evil like an undercover superhero amongst the ordinary. I just didn't think the ordinary would all be extremely unordinary. Especially the three most popular kids in school. Then there's the hot brooding rebel boy who didn't seem to fit in, too. Everyone here has secrets, and I am determined to find out what, before it kills me...the entire Academy and even the world. Okay, I might be dramatizing a bit, but yes, from what I've barely seen...it could be that big. Better get my game gear on and my entire armor on, because this is going to be one epic battle. But who can I trust?The Beautiful Ones, which rule Shadowlight Academy is known to be both beautiful yet wicked. They're fascinated with me as I am of them. But who or what are they really, and why do I feel drawn to them like a fly to a spider? Can I escape their beautiful web before I am trapped forever? Do I want to?*Magic Over Boys is the second in a high school paranormal academy series for mature teens and up. Expect a tough heroine who can take on anyone and anything, will, lots of steam literally and figuratively, and a reverse harem.
The Beautiful Ones at Shadowlight Academy is broken. Shadowlight Academy itself is barely standing. The Beautiful Boys are gone...leaving me to pick up the pieces... To Stand Strong. Me. Against an Army. *****Unlike many high school heroines in fantasy books, I always knew I was not ordinary. Far from it. Since I was two, I have been seeing angels and demons. Given the gift of battle as a warrior, my role as a slayer often interferes with my role as a normal girl. So no, I was never a typical girl who had just found out she was heir to some magical family or something like that. I've been "gifted" practically all my life. So when my ordinary family moved us to San Francisco to a new school where my father teaches, I didn't think much of the school. Shadowlight Academy, the most exclusive and posh prep academy for the super rich. I thought I would be there to slay the evil like an undercover superhero amongst the ordinary. I just didn't think the ordinary would all be extremely unordinary. Especially the three most popular kids in school, known as the Beautiful Ones. Then there's the hot brooding rebel boy who didn't seem to fit in, too. Everyone here has secrets, and I am determined to find out what, before it kills me...the entire Academy and even the world. *Gone Rogue is the third book in a high school paranormal academy series for mature teens and up. Expect a tough heroine who can take on anyone and anything, will, lots of steam literally and figuratively, and a reverse harem.
Integrating Syrian Refugees in Eastern Germany
Kamilia Rostom
Peter Lang Publishing Inc
2020
sidottu
This book covers the integration of Syrian refugees in Germany, especially eastern Germany. In this novel genre of “teddytext” the author visibly reacts with scholarly evidence to explain how eastern and western perspectives converge and differ. The author guides refugee integration by showing Syrians how Germans think, and vice versa. First comes a panoramic overview of the West’s “Diversity Transition,” now changing ethnic to mixed societies. The rescue effort is both corporatized and voluntary process-action, a mass form of government-civil society cooperation modernizing and speeding up conventional integration processes. Main obstacles include the national east-west split, the east’s capital strike, and governmental efforts to manage Germany’s spoiled identity through politicized stigma management imposed via the remembrance policy. These together make easterners second class citizens. Former refugees are ethnic victim groups unable to take full part in Germany’s corporation-colonized lifeworld. This includes former Prussians and returned USSR German settlers whose political awakening seized on refugees in a struggle for power to oppose the remembrance policy. Brandenburgers oppose refugee integration through Know-Nothingism, deception, and ostracism, in part because refugee integration would threaten their “dirty togetherness” social organization. Nonetheless, refugees interviewed and examined in Berlin and Brandenburg are educated, motivated and, despite their traumatized condition, determined to stay and succeed. Their integration is happening more quickly and promises to be more completely successful than ever before. Improved skills recognition and refugee education are keys. Integration would be even better if Germany itself were integrated.
Canadian television comedy Slings & Arrows shows the backstage lives of a Shakespearean theatre company. Finding wild success in Canada and abroad, the series won twenty-two television awards, received rave reviews in the United States, and the Brazilian version, Som e Fúria, earned audiences of eighteen million viewers. This book not only asks but also answers the question, why Shakespeare today? Offering a diverse collection of essays as well as original interviews with the actors (Rothaford Gray) and creators (Susan Coyne, Bob Martin, and Mark McKinney) of the show, this text is a pivotal resource for any fan, critic, or scholar of Slings & Arrows and Shakespeare adaptation. With the backdrop of debates over Shakespeare’s cultural value today, this book fittingly articulates and fosters its own scholarly debate about the relevance of Slings & Arrows in Shakespeare adaptation studies and Canadian theatre. A common theme linking the different perspectives of the book’s contributors is the idea that the adaptation of colonial figures like Shakespeare continues to be contentious, and, in fact, is symbolic of colonialism deeply embedded in Canadian cultural identity. Slings & Arrows, the book proposes, does not merely explore Shakespeare and Canada, but rather the more provocative relationship of Shakespeare as Canada. Tying together themes of art, theatre, film, culture, and colonialism, this collection investigates the longstanding relevance of Shakespeare through the lens of adaptation.
In Centering Epistemic Injustice: Epistemic Labor, Willful Ignorance, and Knowing Across Hermeneutical Divides, Kamili Posey asks what it means for accounts of epistemic injustice to take seriously the lives and perspectives of socially marginalized knowers. The first part of this book takes up the predominant account of testimonial injustice offered by Miranda Fricker, arguing that testimonial injustice is not merely about the epistemic harms perpetrated by dominant knowers against marginalized knowers, but also about the strategies that marginalized knowers use to circumvent those harms. Such strategies expand current conceptions of epistemic injustice by centering how marginalized knowers engage and resist in hostile epistemic environments. The second part of the book examines Fricker’s concept of hermeneutical injustice, rooted in hermeneutical marginalization. Thinking alongside critics of hermeneutical injustice, this book explores the relationship between dominant knowing and marginalized knowing and asks if social power—including the power to shape collective resources and ways of meaning-making—makes it impossible for dominant knowers to know and “hear well” across hermeneutical divides. Finally, the book asks whether hermeneutical divides are real divides in understanding and how dominant knowers might come to be better knowers in the pursuit of a more thoroughgoing epistemic justice.
In Centering Epistemic Injustice: Epistemic Labor, Willful Ignorance, and Knowing Across Hermeneutical Divides, Kamili Posey asks what it means for accounts of epistemic injustice to take seriously the lives and perspectives of socially marginalized knowers. The first part of this book takes up the predominant account of testimonial injustice offered by Miranda Fricker, arguing that testimonial injustice is not merely about the epistemic harms perpetrated by dominant knowers against marginalized knowers, but also about the strategies that marginalized knowers use to circumvent those harms. Such strategies expand current conceptions of epistemic injustice by centering how marginalized knowers engage and resist in hostile epistemic environments. The second part of the book examines Fricker’s concept of hermeneutical injustice, rooted in hermeneutical marginalization. Thinking alongside critics of hermeneutical injustice, Centering Epistemic Injustice explores the relationship between dominant knowing and marginalized knowing and asks if social power—including the power to shape collective resources and ways of meaning-making—makes it impossible for dominant knowers to know and “hear well” across hermeneutical divides. Finally, the book asks whether hermeneutical divides are real divides in understanding and how dominant knowers might come to be better knowers in the pursuit of a more thoroughgoing epistemic justice.
**Winner of the Benjamin Franklin Silver Honor Award from the IBPA** "Kailin Gow does her readers justice with this thrilling and mind-boggling series. Fade introduces readers to a concept that is out of this world." - Woven Myst Young Adult Magazine DESCRIPTION A love that can never be forgotten...The truth about Celestra Caine comes back in the most shocking way. Everyone knew Celestra Caine was dangerous, but they didn't know she was THAT dangerous... As Celestra's memories begin returning to her after being Faded, and her identity is revealed, she learns the fate of the world really is in her hands, and that she, the mysterious and sexy fader Jack, and her handsome ex-boyfriend Gray are more connected to each other than she ever imagined.In this dystopian ya thriller, where nothing is what it seems, sometimes love can be strong enough to withstand time and space and never be forgotten. Kailin Gow's FADE Series(TM) FADE Falling (FADE #2) Forgotten (FADE #3) Fever (FADE #4)