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1000 tulosta hakusanalla Karen Franco
Preparing and Sustaining Social Justice Educators
Annamarie Francois; Karen Hunter Quartz
Harvard Educational Publishing Group
2021
nidottu
Preparing and Sustaining Social Justice Educators spotlights the challenging and necessary work of fostering social justice in schools. Integral to this work are the teachers and school leaders who enact the principles of social justice—racial equity, cultural inclusivity, and identity acceptance—daily in their classrooms. This volume makes the case that high-quality public education relies on the recruitment, professional development, and retention of educators ready to navigate complex systemic and structural inequities to best serve vulnerable student populations. Annamarie Francois and Karen Hunter Quartz, along with contributing scholars and practitioners, present an intersectional approach to educational justice that is grounded in research about deeper learning, community development, and school reform. Throughout the book, the contributors detail professional activities proven to sustain social justice educators. They show how effective teacher coaching, for example, encourages educators to confront their explicit and implicit biases, to engage in critical conversations and self-reflection, and to assess teacher performance through a social justice lens. The book illustrates how professional learning collaborations promote diverse, antiracist, and socially responsible learning communities. Case studies at three university-partnered K–12 schools in Los Angeles, demonstrate the benefits of these professional alliances and practices. Francois and Quartz acknowledge the difficulty of the social justice educator’s task, a challenge heightened by a K–12 teacher shortage, an undersupplied teacher pipeline, and school closures. Yet they keep their sights set on a just and equitable future, and in this work they give educators the tools to build such a future.
The Work of Communication: Relational Perspectives on Working and Organizing in Contemporary Capitalism revolves around a two-part question: "What have work and organization become under contemporary capitalism—and how should organization studies approach them?" Changes in the texture of capitalism, heralded by social and organizational theorists alike, increasingly focus attention on communication as both vital to the conduct of work and as imperative to organizational performance. Yet most accounts of communication in organization studies fail to understand an alternate sense of the "work of communication" in the constitution of organizations, work practices, and economies. This book responds to that lack by portraying communicative practices—as opposed to individuals, interests, technologies, structures, organizations, or institutions—as the focal units of analysis in studies of the social and organizational problems occasioned by contemporary capitalism. Rather than suggesting that there exists a canonically "correct" route communicative analyses must follow, The Work of Communication: Relational Perspectives on Working and Organizing in Contemporary Capitalism explores the value of transcending longstanding divides between symbolic and material factors in studies of working and organizing. The recognition of dramatic shifts in technological, economic, and political forces, along with deep interconnections among the myriad of factors shaping working and organizing, sows doubts about whether organization studies is up to the vital task of addressing the social problems capitalism now creates. Kuhn, Ashcraft, and Cooren argue that novel insights into those social problems are possible if we tell different stories about working and organizing. To aid authors of those stories, they develop a set of conceptual resources that they capture under the mantle of communicative relationality. These resources allow analysts to profit from burgeoning interest in notions such as sociomateriality, posthumanism, performativity, and affect. It goes on to illustrate the benefits that investigations of work and organization can realize from communicative relationality by presenting case studies that analyze (a) the becoming of an idea, from its inception to solidification, (b) the emergence of what is taken to be the "the product" in high-tech startup entrepreneurship, and (c) the branding of work (in this case, academic writing and commercial aviation) through affective economies. Taken together, the book portrays "the work of communication" as simultaneously about how work in the "new economy" revolves around communicative practice and about how communication serves as a mode of explanation with the potential to cultivate novel stories about working and organizing. Aimed at academics, researchers, and policy makers, this book’s goal is to make tangible the contributions of communication for thinking about contemporary social and organizational problems.
The Work of Communication: Relational Perspectives on Working and Organizing in Contemporary Capitalism revolves around a two-part question: "What have work and organization become under contemporary capitalism—and how should organization studies approach them?" Changes in the texture of capitalism, heralded by social and organizational theorists alike, increasingly focus attention on communication as both vital to the conduct of work and as imperative to organizational performance. Yet most accounts of communication in organization studies fail to understand an alternate sense of the "work of communication" in the constitution of organizations, work practices, and economies. This book responds to that lack by portraying communicative practices—as opposed to individuals, interests, technologies, structures, organizations, or institutions—as the focal units of analysis in studies of the social and organizational problems occasioned by contemporary capitalism. Rather than suggesting that there exists a canonically "correct" route communicative analyses must follow, The Work of Communication: Relational Perspectives on Working and Organizing in Contemporary Capitalism explores the value of transcending longstanding divides between symbolic and material factors in studies of working and organizing. The recognition of dramatic shifts in technological, economic, and political forces, along with deep interconnections among the myriad of factors shaping working and organizing, sows doubts about whether organization studies is up to the vital task of addressing the social problems capitalism now creates. Kuhn, Ashcraft, and Cooren argue that novel insights into those social problems are possible if we tell different stories about working and organizing. To aid authors of those stories, they develop a set of conceptual resources that they capture under the mantle of communicative relationality. These resources allow analysts to profit from burgeoning interest in notions such as sociomateriality, posthumanism, performativity, and affect. It goes on to illustrate the benefits that investigations of work and organization can realize from communicative relationality by presenting case studies that analyze (a) the becoming of an idea, from its inception to solidification, (b) the emergence of what is taken to be the "the product" in high-tech startup entrepreneurship, and (c) the branding of work (in this case, academic writing and commercial aviation) through affective economies. Taken together, the book portrays "the work of communication" as simultaneously about how work in the "new economy" revolves around communicative practice and about how communication serves as a mode of explanation with the potential to cultivate novel stories about working and organizing. Aimed at academics, researchers, and policy makers, this book’s goal is to make tangible the contributions of communication for thinking about contemporary social and organizational problems.
I Promise to Always Be with You gives children (and all who read it) the assurance that God is always present in their lives and has a purpose for them in the world. Through simple words and colorful illustrations, children are sure to feel confident that they are never alone. I Promise to Always Be with You can be read as a bedtime prayer or anytime a child needs a comforting word. It is proof that God walks with them throughout their lives and teaches of God's special promise to them.
I Promise to Always Be with You gives children, and all who read it, the assurance that God is always present in their lives and has a purpose for them in the world.
Free Your Mind: Change Your Life
Karen Frances Maya Bromley
Createspace Independent Publishing Platform
2017
nidottu
Former political and war correspondent, Karen Frances McCarthy, was on assignment when she received the news that her partner had suddenly died in New York. Skeptical by nature and numbed by the tragedy, she spiraled into a deep state of grief about never communicating with him again ... until he actually did."Till Death Don't Us Part is a true, down-to-earth, but transformational story of one woman's extraordinary journey through tragedy to awakening to the knowledge that love and life never dies.
The Re-Enchanted Ghost in Contemporary American Spectral Fiction
Karen Frances McCarthy
TAYLOR FRANCIS LTD
2026
sidottu
The Re-Enchanted Ghost in Contemporary American Spectral Fiction examines an emerging trend in spectrality and liminality within contemporary American fiction. Traditionally, the ghost story has reflected the culture from which it emerges, thereby providing insights into human challenges, purpose, and values in a given period. In this context, the ghost is often metaphorized, serving as a plot device or as a figure that haunts the living in stories that unfold in physical space. Through a post-secular reading of four 21st-century American novels, Alice Sebold's The Lovely Bones, Mitch Albom's The Five People You Meet in Heaven, Kevin Brockmeier's The Brief History of the Dead, and George Saunders's Lincoln in the Bardo, the book offers a critical approach in language, form, and landscapes to explore different aspects of haunting and re-enchantment. This analysis reveals how contemporary American spectral fiction moves beyond traditional ghost narratives to address the spiritual and existential concerns that are particularly relevant in today's cultural landscape.
Masterpieces of piano transcription vol. 29. Karen Kornienko. Concert transcriptions of P.I. Tchaikovsky - Franceska da Rimini, Voevoda +CD
Karen Kornienko; Petr Tchaikovski
Deka-BC
2018
muu
Karel Appel, A Gesture of Colour
Jean-François Lyotard; Christine Buci-Glucksmann
Leuven University Press
2009
sidottu
Epilogue by Christine Buci-GlucksmannKarel Appel. A Gesture of Colour is the first of a series of six volumes, bringing together the most important writings of Jean-François Lyotard (1924 - 1998) on contemporary art and artists. The book he devoted to the art of Karel Appel (1921 - 2006) is doubtlessly one of the most complete and inspired texts of all the writings included in the series. Neither the original French manuscript nor the English translation have ever been published, and their presentation face to face should constitute a considerable plus.In this book, Lyotard presents Karel Appel's "matterism" as an offer of presence, presence deferred - it is the visual where every predicate is suspended, the visual touched, "gesture" of colour more than property of colour, appearance at the edge of the abyss. Christine Buci-Glucksmann's epilogue indicates the position of Karel Appel. A Gesture of Colour within the whole of Lyotard's writings on art, considering equally the philosopher's subsequent work.Winner of the Plantin Moretus Prize 2010 for the best designed book in the category textbooks and academic publications Photo Credits: Van Looveren & Princen
This is a revolutionary reinterpretation of the French past from the early fifteenth century to the establishment of the Third Republic, focused on public challenges and defenses of masculine hierarchy in relations between women and men. Karen Offen surveys heated exchanges around women's 'influence'; their exclusion from 'authority'; the increasing prominence of biomedical thinking and population issues; concerns about education, intellect, and the sexual politics of knowledge; and the politics of women's work. Initially, the majority of commentators were literate and influential men. However, as more and more women attained literacy, they too began to analyze their situation in print and to contest men's claims about who women were and should be, and what they should be restrained from doing, and why. As urban print culture exploded and revolutionary ideas of 'equality' fuelled women's claims for emancipation, this question resonated throughout francophone Europe and, ultimately, across the seas.
This is a revolutionary reinterpretation of the French past from the early fifteenth century to the establishment of the Third Republic, focused on public challenges and defenses of masculine hierarchy in relations between women and men. Karen Offen surveys heated exchanges around women's 'influence'; their exclusion from 'authority'; the increasing prominence of biomedical thinking and population issues; concerns about education, intellect, and the sexual politics of knowledge; and the politics of women's work. Initially, the majority of commentators were literate and influential men. However, as more and more women attained literacy, they too began to analyze their situation in print and to contest men's claims about who women were and should be, and what they should be restrained from doing, and why. As urban print culture exploded and revolutionary ideas of 'equality' fuelled women's claims for emancipation, this question resonated throughout francophone Europe and, ultimately, across the seas.
Real/Ideal - Photography in Mid-Nineteenth-Century France
Karen Hellman
Getty Publications
2016
sidottu
In the years following the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more-standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures E douard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Ne gre, Real/Ideal explores photography's status as either (or both) fine art or industrial product, its repertoire of subject matter, its ideological functions, and even the ever- experimental photographic process itself. This book is published in conjunction with an exhibition of the same name on view at the J. Paul Getty Museum at the Getty Center from August 30 through November 27, 2016.