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1000 tulosta hakusanalla Karin Gottshall
Haunting and haunted, "The River Won t Hold You" interrogates loneliness and loss with quiet insistence. In poems fashioned at the difficult intersection of imagination and experience, Karin Gottshall seeks an uneasy solace in the mysterious gaps between them: I tell myself I can be content with the pleasures / permitted ghosts, she writes in Afterlife, but my body wakes up / leaking saltwater, and won t let my ghost-self be. Poetic structure and the music of language offer a seductive repository for memory, philosophy, and pain. These poems are generous in both their formal approaches and their palettes of sound and silences. But Gottshall never settles for an easy or artificial solution to the questions her poems ask; the beauty of her work comes, instead, from the directness of her gaze and the images that gaze fixes itself upon: Wide-open, staring eyes of the tiger / I drew and had to destroy because it wouldn t sleep. "
Whether Aligned with the mechanism whereby the spirit is borne aloft through song comes again the question: whether. And not soothed so much as opened by the boy soprano's Sanctus, what moves in the mind as the throat constricts in sympathy, one note peeled from the last, fine as paper slipped from a garlic bulb, veined, translucent, is whether—as if wound through the spiraling amplitude, purpled, fretted, one voice suspended in concentration of prayer or terror wills itself above faltering, more perfect since time must soon break it. And made it. Whether and by whatever impossible arrangement of stars, harmonies, correspondences through which the music finds the spirit and like a blade slits and releases, circulates the question through the phrase, the delicate engine—as if it matters: the song rises, everything goes with it. The poems in Crocus take as their starting points the interior universes created by myth, art, and memory, and through the exploration of these terrains create new ways of understanding the ordinary.
Whether Aligned with the mechanism whereby the spirit is borne aloft through song comes again the question: whether. And not soothed so much as opened by the boy soprano's Sanctus, what moves in the mind as the throat constricts in sympathy, one note peeled from the last, fine as paper slipped from a garlic bulb, veined, translucent, is whether—as if wound through the spiraling amplitude, purpled, fretted, one voice suspended in concentration of prayer or terror wills itself above faltering, more perfect since time must soon break it. And made it. Whether and by whatever impossible arrangement of stars, harmonies, correspondences through which the music finds the spirit and like a blade slits and releases, circulates the question through the phrase, the delicate engine—as if it matters: the song rises, everything goes with it. The poems in Crocus take as their starting points the interior universes created by myth, art, and memory, and through the exploration of these terrains create new ways of understanding the ordinary.
Public Sector Employment Regimes
Karin Gottschall; Bernhard Kittel; Kendra Briken; Jan-Ocko Heuer; Sylvia Hils; Sebastian Streb; Markus Tepe
Palgrave Macmillan
2015
sidottu
This book explores the extent to which a transformation of public employment regimes has taken place in four Western countries, and the factors influencing the pathways of reform. It demonstrates how public employment regimes have unravelled in different domains of public service, contesting the idea that the state remains a 'model' employer.
Soziale Ungleichheit und Geschlecht
Karin Gottschall
Vs Verlag Fur Sozialwissenschaften
2000
nidottu
Gesellschaftliche Veränderungen in Struktur, Dynamik und Definition sozialer Ungleichheit haben seit Mitte der achtziger Jahre Herausforderung für das traditionell erwerbszentrierte, an die Kategorien "Klasse" und "Schicht" gebundene Verständnis sozialer Ungleichheit gewirkt. Aber auch die Frauenforschung kann angesichts einer zunehmenden sozialen Differenzierung unter Frauen nicht bei der Behauptung einer durchgängigen sozialen Platzanweiserfunktion von "Geschlecht" stehen bleiben. Die Arbeit untersucht einschlägige Neuorientierungen in der Ungleichheitssoziologie und der Frauenforschung unter dem Gesichtspunkt, inwieweit sie zu einem erweiterten Verständnis sozialer Ungleichheit beitragen, das verschiedene Formen sozialer Hierarchisierung berücksichtigt, das gesellschaftsdiagnostisch aussagefähig ist und das last but not least auch die Definitionsmacht sozialwissenschaftlicher Aussagen kritisch reflektiert.
Gender Equality in Context
Birgit Sauer; Karin Gottschall; Brigitte Liebig
Saint Philip Street Press
2020
pokkari
Gender Equality in Context
Birgit Sauer; Karin Gottschall; Brigitte Liebig
Saint Philip Street Press
2020
sidottu
Die beharrliche Mitte – Wenn investive Statusarbeit funktioniert
Nils C. Kumkar; Stefan Holubek-Schaum; Karin Gottschall; Betina Hollstein; Uwe Schimank
Springer Fachmedien Wiesbaden
2022
nidottu
Dieses Open-Access-Buch untersucht vor dem Hintergrund der kulturell hegemonialen Rolle der Mittelschichten in westlichen Gesellschaften sowie angesichts zeitdiagnostischer Behauptungen, dass „die Mitte" zunehmenden Verunsicherungen und Gefährdungen ausgesetzt sei, die biographischen Orientierungen und Praktiken, die die Lebensführung der Mittelschichten in Deutschland ausmachen.
Journal of International Doctoral Research (JIDR) Volume 2, Issue 1
Gillian Warner-Soderholm; Pat Joynt; Aleksandra Wasowska; Krzysztof Obloj; Jane Li; Petter Gottschalk; Lars Glaso; Karn Lamon; Chelsea Harstad; James Ondracek; Andy Bertsch; Blair Tande
Lulu.com
2013
nidottu
This issue of the Journal of Doctoral Research is devoted to a wide range of research topics which are all linked, implicitly or explicitly to Internationalization issues. The discussions in these articles - and indeed in current leadership literature in general - highlight number of recurring and yet unresolved issues in these research fields. The most critical of these is whether culture and ethics matter in international business and leadership.
We have a meeting with Karin B. .. a Beekmans.. in hart.. and stead
Karin Nordin Book 5
HARPERCOLLINS PUBLISHERS
2026
nidottu
Karin Bergoo Larsson and the Emergence of Swedish Design
Marge Thorell
McFarland Co Inc
2018
pokkari
Identified as "the first designer of what would become known as Swedish Modern" by the National Museum of Women in the Arts in Washington, D.C., Karin Bergoo Larsson (1859-1928) was a mother of eight and wife to Sweden's beloved painter, Carl Larsson. Herself a well-regarded artist, she gave up painting when she married, at the request of her husband. Taking up needles and cloth, she then turned a somewhat ugly cottage--Lilla Hyttnas in the tiny village of Sundborn, Sweden--into a designer showcase. Inspired by the Swedish countryside, she filled the home with handcrafted wall hangings, bed coverings, tablecloths, pillow covers and even furniture of her own design, while greatly influencing her husband's work by encouraging him to move away from dark oils to more illuminating and light-filled watercolors. His paintings of their home made her interior designs famous, and her influence continues to inform the concepts of retail giant IKEA.