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1000 tulosta hakusanalla Katherine Mansfield

The Collected Stories of Katherine Mansfield

The Collected Stories of Katherine Mansfield

Katherine Mansfield

Penguin Classics
2007
pokkari
WITH AN INTRODUCTION BY ALI SMITHKatherine Mansfield's clear, sparkling and perceptive short stories revolutionized the genre, and this collection represents the whole range of her writing. Moving, resonant, full of light and colour, they range from short sharp studies to longer, richer tales, encompassing her three major volumes Bliss, The Garden Party and In a German Pension, and fifteen tantalizing fragments of unfinished stories published after her tragic death, including 'Honesty', an intriguing tale of two bachelors, and 'The Doves' Nest', an exquisite story of a widowed mother and her daughter in the Riviera who receive a mysterious gentleman caller. Graceful, delicate and quietly devastating, they observe apparently trivial incidents to create sensitive, often painful revelations of her characters' inner lives.
The Collected Letters of Katherine Mansfield: Volume II: 1918-September 1919
This volume, the second of four, includes her correspondence from early 1918 to the autumn of 1919. Her love for Middleton Murry, her response to the First World War, and her acceptance of the inevitable advance of tuberculosis, are handled with wit and warmth, in a text which has been transcribed afresh from the original letters.
The Collected Letters of Katherine Mansfield: Volume III: 1919-1920
The third volume of the Collected Letters of Katherine Mansfield covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'. For all the grimness of this period of her life, Mansfield's letters still offer the joie de vivre and wit, self-perception and lively frankness that make her correspondence such rewarding reading - an invaluable record of a `modern' woman and her time.
The Collected Letters of Katherine Mansfield: Volume IV: 1920-1921
The letters is this volume cover the eighteen months katherine Mansfield spent in England, France, and Switzerland from May 1920 to the end of 1921. It is the period of her finest stories, and when her life took its most decisive turn. There is a subtle but unmistakable change in her expectations, a new 'spiritual' insistence that is both elusive and resolute. From her Chekovian acceptance that 'they are cutting down the cherry trees' she derives a tough existential directness: 'the little boat enters the dark, fearful gulf...Nobody listens. The shadowy figure rows on. One ought to sit still and uncover one's eyes.' There is a determined push - not always successful - towards a necessary honesty, as much as to artistic achievement; while those qualities of her earlier correspondence remain undiminished - the precision and directness, the intelligence and wit, the dark incisiveness as much as sheer fun. Above all, perhaps, these letters comprise a record of very considerable courage, against increasingly adverse odds, as they approach the final years of her life.
Katherine Mansfield

Katherine Mansfield

Claire Tomalin

Penguin Books Ltd
2012
pokkari
Katherine Mansfield is the celebrated biography be bestselling author Claire Tomalin'One of the best biographies I have ever read: a perfect match of author and subject. It should become a classic' Alison LuriePursuing art and adventure across Europe, Katherine Mansfield lived and wrote with the Furies on her heels; but when she died aged only thirty-four she became one of the most influential writers of the twentieth century. Sexually ambiguous, craving love yet quarrelsome and capricious, she glittered in the brilliant circles of D. H. Lawrence and Virginia Woolf, her beauty and recklessness inspiring admiration, jealousy, rage and devotion. Claire Tomalin's biography brings us nearer than we have ever been to this courageous, greatly gifted, haunted and haunting writer.'Generous, dispassionate, even-handed, setting out probably as plainly as anyone ever will Katherine's high hopes, the odds she faced and the impossible obstacles that ditched her in the end' Hilary Spurling, Daily Telegraph'Provides the finest and most subtly shaded portrait so far' John Gross, New York TimesFrom the acclaimed author of Samuel Pepys: The Unequalled Self, Charles Dickens: A Life and The Invisible Woman, this virtuoso biography is invaluable reading for lovers of Katherine Mansfield everywhere.Claire Tomalin is the award-winning author of eight highly acclaimed biographies, including: The Life and Death of Mary Wollstonecraft; Shelley and His World; Katherine Mansfield: A Secret Life; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens; Mrs Jordan's Profession; Jane Austen: A Life; Samuel Pepys: The Unequalled Self; Thomas Hardy: The Time-Torn Man and, most recently, Charles Dickens: A Life. A former literary editor of the New Statesman and the Sunday Times, she is married to the playwright and novelist Michael Frayn.
Katherine Mansfield

Katherine Mansfield

Angela Smith

Palgrave Macmillan
2000
sidottu
In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.
Katherine Mansfield

Katherine Mansfield

Angela Smith

Palgrave Macmillan
2000
nidottu
In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.
Katherine Mansfield's Selected Stories

Katherine Mansfield's Selected Stories

Katherine Mansfield

WW Norton Co
2005
nidottu
With the exception of the first four stories, all were written within a period of ten years. These stories, and the letters following, reflect the urgency of a writer who knew her time was limited. All but four of the texts of the stories reprinted here are versions that Mansfield herself revised or selected. Twenty excerpts from Mansfield’s correspondence address the craft of writing and her own views on her work, subjects rarely broached in her many letters. "Criticism" includes eighteen essays that collectively suggest the changing emphases in how Mansfield has been read by critics. Contributors include fellow writers Rebecca West, T. S. Eliot, Katherine Anne Porter, V. S. Pritchett, Elizabeth Bowen, and Frank O’ Connor, as well as biographers Claire Tomalin and Vincent O’Sullivan, among others. A Selected Bibliography is also included.
Katherine Mansfield

Katherine Mansfield

Andrew Bennett

Liverpool University Press
2002
nidottu
This book offers a new introduction to Katherine Mansfield's short stories focusing on the question of the connection between life and writing in her work. This book offers a new introduction to Katherine Mansfield's short stories informed by recent biographical, critical and editorial work on her life and on her stories, letters and notebooks. The study focuses on the question of the connection between life and writing in Mansfield's work: it explores her engagements with issues of personal identity and elaborates her theory and practice of a poetics of impersonation whereby the identity of the author is merged with those of her characters. Bennett argues that Mansfield's multiple and unstable identities and identifications are bound up with issues of colonialism, nationality, gender, and sexuality, and that they may be said to be embedded within the very texture of her prose. Mansfield's impersonations, in their engagement with a 'queer' aesthetics, with strangeness and surprise, with hatred, with an unsettling of personal identity and with the uncertainties of national and sexual identification, constitute the risk and the achievement of Katherine Mansfield's writing.
Katherine Mansfield

Katherine Mansfield

Andrew Bennett

Liverpool University Press
2004
sidottu
This book offers a new introduction to Katherine Mansfield's short stories focusing on the question of the connection between life and writing in her work. This book offers a new introduction to Katherine Mansfield's short stories informed by recent biographical, critical and editorial work on her life and on her stories, letters and notebooks. The study focuses on the question of the connection between life and writing in Mansfield's work: it explores her engagements with issues of personal identity and elaborates her theory and practice of a poetics of impersonation whereby the identity of the author is merged with those of her characters. Bennett argues that Mansfield's multiple and unstable identities and identifications are bound up with issues of colonialism, nationality, gender, and sexuality, and that they may be said to be embedded within the very texture of her prose. Mansfield's impersonations, in their engagement with a 'queer' aesthetics, with strangeness and surprise, with hatred, with an unsettling of personal identity and with the uncertainties of national and sexual identification, constitute the risk and the achievement of Katherine Mansfield's writing.
The Collected Fiction of Katherine Mansfield, 1898-1915

The Collected Fiction of Katherine Mansfield, 1898-1915

Katherine Mansfield

Edinburgh University Press
2012
sidottu
This is the first complete edition of Katherine Mansfield's fiction. The resurgence of interest in Katherine Mansfield (1888-1923) in recent years has grown to the extent that she is now perceived as 'the most emblematic woman writer of her time'. Mansfield researchers have been frequently frustrated by the lack of a complete edition of her fiction. There are several editions of her stories in print, but these omit many pieces not already collected and published in the volumes edited by Mansfield's husband John Middleton Murry after her death, from which present 'collected' editions derive. This Edinburgh edition of her stories, published to coincide with the ninetieth anniversary of her death in 1923, is a truly complete collection of the author's fiction writing. The editors have sought to include hitherto uncollected or rarely seen stories and prose fragments as well as the instantly recognisable stories. Placed in chronological order and fully annotated with clear, concise notes, this edition undertakes a complete remapping of the author's fiction output, from her earliest childhood pieces to the pitch-perfect quality of the mature writer at the height of her craft, thereby redefining Katherine Mansfield as a writer for the twenty-first century. Key features: brings together all of Mansfield's extant fiction; refocuses critical attention on one of the most influential exponents of modernist fiction; the essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writer; and, redefines Mansfield as a writer for the next generation.
The Collected Fiction of Katherine Mansfield, 19161922

The Collected Fiction of Katherine Mansfield, 19161922

Katherine Mansfield

Edinburgh University Press
2012
sidottu
This is the first complete edition of Katherine Mansfield's fiction. The resurgence of interest in Katherine Mansfield (1888-1923) in recent years has grown to the extent that she is now perceived as 'the most emblematic woman writer of her time'. Mansfield researchers have been frequently frustrated by the lack of a complete edition of her fiction. There are several editions of her stories in print, but these omit many pieces not already collected and published in the volumes edited by Mansfield's husband John Middleton Murry after her death, from which present 'collected' editions derive. This Edinburgh edition of her stories, published to coincide with the ninetieth anniversary of her death in 1923, is a truly complete collection of the author's fiction writing. The editors have sought to include hitherto uncollected or rarely seen stories and prose fragments as well as the instantly recognisable stories. Placed in chronological order and fully annotated with clear, concise notes, this edition undertakes a complete remapping of the author's fiction output, from her earliest childhood pieces to the pitch-perfect quality of the mature writer at the height of her craft, thereby redefining Katherine Mansfield as a writer for the twenty-first century. Key features: brings together all of Mansfield's extant fiction; refocuses critical attention on one of the most influential exponents of modernist fiction; the essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writer; and, redefines Mansfield as a writer for the next generation.
Katherine Mansfield

Katherine Mansfield

Kathleen Jones

Edinburgh University Press
2010
sidottu
Weaving together intimate details from Katherine Mansfield's letters and journals with the writings of her friends and acquaintances, Kathleen Jones creates a captivating drama of this fragile yet feisty author: her life, loves and passion for writing. The story takes us beyond Mansfield's death in 1923 to explore the life of her husband, John Middleton Murry - and his relationship with three further wives - as he manipulated the posthumous publication of Mansfield's unpublished work. In this vivid portrayal of one of the world's foremost short story writers, the first new biography for a quarter of a century, Kathleen Jones crafts an intriguing narrative of Katherine Mansfield's relationships, illnesses and creativity.
Katherine Mansfield

Katherine Mansfield

Kathleen Jones

Edinburgh University Press
2010
nidottu
The compelling and intimate story of one of the world's foremost short story writers Weaving together intimate details from Katherine Mansfield's letters and journals with the writings of her friends and acquaintances, Kathleen Jones creates a captivating drama of this fragile yet feisty author: her life, loves and passion for writing. The story takes us beyond Mansfield's death in 1923 to explore the life of her husband, John Middleton Murry - and his relationship with three further wives - as he manipulated the posthumous publication of Mansfield's unpublished work. In this vivid portrayal of one of the world's foremost short story writers, the first new biography for a quarter of a century, Kathleen Jones crafts an intriguing narrative of Katherine Mansfield's relationships, illnesses and creativity.
Katherine Mansfield

Katherine Mansfield

Jeffey Meyers

Cooper Square Publishers Inc.,U.S.
2002
pokkari
The works of Katherine Mansfield (1888-1923), one of England's most gifted short story writers, have influenced over eight decades of writers. A friend to Virginia Woolf, D. H. Lawrence, and Bertrand Russell, Mansfield left a literary legacy collected in The Garden Party, In a German Pension, and numerous anthologies. Biographies appearing after her death idealized her, but Meyers sets the record straight in his assessment of the author's life and career, revealing a woman with a self-destructive disdain for convention and respectability. Born and raised in New Zealand, Mansfield threw herself into several love affairs with men and women before living with literary critic John Middleton Murray. Meyers chronicles their tempestuous relationship (one that mixed abuse with devotion) and the years she fought a losing battle with tuberculosis.
Katherine Mansfield Notebooks

Katherine Mansfield Notebooks

Katherine Mansfield

University of Minnesota Press
2002
nidottu
The only unexpurgated collection of Katherine Mansfield’s private writings-now available for the first time!Edited by Margaret ScottKatherine Mansfield (1888-1923) published three collections of short stories-In a German Pension, Bliss, and The Garden Party-during her tragically short life, and was acclaimed as one of modernism’s most daring and original writers. After her death from tuberculosis in France, Mansfield’s private writings and letters were edited by her husband, John Middleton Murry, and published in four volumes between 1927 and 1954. Murry, however, took liberties in recasting his wife’s journals and notes. He excluded most of the vast mass of material and revised much of what he included, resulting in a distorted image of Mansfield as a passive, ethereal spirit.More than four decades later, the real Mansfield finally emerges in The Katherine Mansfield Notebooks, the first unexpurgated edition of her private writings. Fully and accurately transcribed by editor Margaret Scott, these infrequent diary entries, drafts of letters, introspective notes jotted on scraps of paper, unfinished stories, half-plotted novels, poems, recipes, and shopping lists offer a complete and compelling portrait of a complex woman who was ambitious and at times ruthless, neurotic and sexually voracious, witty and acerbic, fascinated with the minutiae of daily life and obsessed with death."It is only now, with the publication of Margaret Scott’s complete and unselective transcription of the material bequeathed to Murry, that we can really see Mansfield, off her guard and unexpurgated, for the first time. . . . Mansfield's notebooks are remarkable, touched by a sense of the underlying pathos of things, two parts tragedy and two parts comedy." Times Literary Supplement (London)"Mansfield’s work speaks about what is irretrievably lost, material, mortal, unless it is turned to artifice-and nowhere more than in these notebooks, where she is so reluctantly introspective." London Review of Books
Katherine Mansfield

Katherine Mansfield

Joanna Fitzpatrick

La Drome Press
2020
nidottu
Like Colm T ib n in THE MASTER, Joanna FitzPatrick captures the extraordinary mind and heart of a great writer. A woman who leaves her country, New Zealand, in the early 20th century to live in London alongside the Bloomsbury Group, driven to make her own mark amongst these literary giants.She was succeeding with her ambitious plan, until on October 14th, her thirtieth birthday, when her doctors advised her to move to an open-air sanatorium, and quietly die in six months from tuberculosis; a degenerating disease that eventually blocked her writing, derailed her marriage, and fostered a growing dependency on her devoted caregiver, LM.Beautiful and profoundly moving, KATHERINE MANSFIELD takes us on an inspirational, literary journey that explores the fear, loneliness and hope of a master storyteller compelled to risk anything in her urgent pursuit to write daringly innovative stories; cure her tuberculosis; and heal her withered soul. The emotional intensity of this journey is riveting.
Katherine Mansfield

Katherine Mansfield

TAYLOR FRANCIS LTD
2021
sidottu
Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield’s influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield’s life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.
Katherine Mansfield

Katherine Mansfield

TAYLOR FRANCIS LTD
2023
nidottu
Katherine Mansfield has been widely recognised as one of the key authors of her generation, continuing to influence literary modernism and the short story genre through her nomadic existence, colonial perspective, eclectic interests and impressive range of literary acquaintances. This volume utilises these seemingly endless avenues for critical exploration, analysing Mansfield’s influences, including the familial, historical and geographical as well as literary and artistic approaches. Some connections are well established and acknowledged, some controversial, many still undiscovered. This volume brings a fresh collection of original viewpoints on Katherine Mansfield’s life and work, both of which, in her own case, are frequently indistinguishable. It investigates her fascinating connection with Poland which is explored in a complex and detailed way for the first time; suggests new or revised views on her connections to other English and American writers; and finally examines some of the aspects of her writing process, her engagement with the arts, imagination, memories and her constructions of different kinds of space.