JOURNEYS is a volume of poetry, both light and dense, centering on people and emotion and emotion's influence in the paths we take. Layers of mortality, joy, hope, and love and appreciation of life are central themes. Illustrated by Kate Gray
Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Kathleen Cain
Cain's poetry is sometimes stately, sometimes playful, and at other times raw and bold, yet each piece evokes a certain darkness with an outline of light, creating musical melodies with beautiful harmonies that sing of the human condition and emotion.
In eleven novels written over four decades, Leon Uris has chronicled the unceasing fight of dedicated individuals against the forces of oppression, in particular fascism, communism, and imperialism. In the tradition of the historical novel, Uris sets his work during times of crisis (World War II, the founding of Israel, the Irish fight for independence), providing his plots with both political and social tensions as well as personal conflicts. Uris's themes include the indomitability of the human spirit, the power of patriotism, and the restorative capacity of romantic love. Through an exploration of these plots, themes, and characters, this study recognizes Leon Uris as a writer whose examination of good and evil in the context of contemporary history raises important issues that have confronted us all. This study is the first full-length examination of the work of Leon Uris. Following a biographical chapter that discusses his work in light of his personal history, the study devotes a chapter to his place in the tradition of the historical and political novel. Each of Uris's novels is discussed in an individual chapter: Battle Cry (1953), The Angry Hills (1955), Exodus (1958), Mila 18 (1961), Armageddon: A Novel of Berlin (1963), Topaz (1967), QB VII (1970), Trinity (1976) and Redemption (1995), The Haj (1984), and Mitla Pass(1988). Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Cain defines and applies an alternative critical perspective from which to read each novel. A complete bibliography of Uris's writing, along with a listing of secondary sources and critical reviews of his work completes the study.
Kathleen Ferrier has a reputation as the greatest lyric contralto of the twentiety century. Her story, from her humble beginnings as a telephone operator in Blackburn to the height of international fame as one of the world's leading concert artists and her untimely death at the age of forty-one, is told told with compelling insight and perception, using a variety of sources, from photographs, diaries, and private letters to the memoirs and recollections of those who knew her best. Despite having no formal musical training, Kathleen worked with all the celebrated conductors of the time, and is remembered for her performances of music by Brahms, Schubert and Mahler, as well as a handful of operatic roles. Enlarging considerably on many alternative biographies, this excellent account captures the warmth, humour and charm of a figure whose astonishing life and career proved to be, sadly, all too brief.
After the deaths of both her husband and her son, Kathleen Larson's only family is her wicked daughter-in-law, Tillie, and her son's much kinder ex-wife, Carol. A widow from Homewood, Alabama and a crossing guard for the past 20 years, she is nearing sixty-eight and has only just begun to dream of her retirement. But after an accident leaves Kathleen temporarily disabled, Tillie has other plans. Several forged documents and one tall-tale later, Kathleen finds herself locked up at Lakeside Nursing Home, a run-down memory care facility run by a fake doctor with a criminal past. It's now up to Carol to find Kathleen before Tillie steals her home and her money.
Dieses klassische Buch wurde urspr nglich vor Jahrzehnten ver ffentlicht als " An Ocean Tramp ". Es wurde jetzt von Writat f r seine deutschsprachigen Leser ins Deutsche bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit sehr am Herzen. Wir haben dieses Buch ins Deutsche bersetzt, damit es heutige und zuk nftige Generationen lesen und bewahren k nnen.
The harrowing true story of a travelling Irish family bonded by love, broken apart by life, and then betrayed by their carers in a cruel convent in Ireland. “For those who we lost along the way, I tell this story. For all the children who suffered in this terrible place. For all those I consider my brothers and sisters; the ones who died, the ones who lost their minds, the ones who drown their memories everyday in a bottle of whisky, I tell this for you. Because in the end we are all brothers and sisters – and if we don’t feel that bond of love between each other, just as human beings, then we are nothing. We are no better than the monsters that ran the convents.” Based in Ireland in the 1960s and 70s, Kathleen’s story is a story of extreme hardship, suffering and abuse. It is the story of 11 siblings, abandoned by their mother and torn from their father, incarcerated in convents and then driven apart in the cruellest ways imaginable; it is the story of their ruined childhoods and their fight for recompense. But more than that, it is a story of courage, survival and the incredible strength of sibling bonds against overwhelming adversities. Out of terrible darkness comes a remarkable story. In the tradition of Irish storytelling, Kathleen offers a mesmerising account of her family’s experience.
Notes from a Black Woman's Diary: Selected Works of Kathleen Collins
Kathleen Collins
Ecco Press
2019
nidottu
A RECOMMENDED BOOK OF 2019 FROMVanity Fair * Vogue * The Huffington PostA stunning collection of fiction, diary entries, screenplays, and scripts by the brilliant African-American artist and filmmakerRelatively unknown during her life, the artist, filmmaker, and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection Whatever Happened to Interracial Love? Said Zadie Smith, "To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us."That rediscovery continues in Notes from a Black Woman's Diary, which spans genres to reveal the breadth and depth of the late author's talent. The compilation is anchored by more of Collins's short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she's agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins's raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.Kathleen Collins's writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman's Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.
This is the story of Christopher Isherwood's parents - their meeting in 1895, marriage in 1903 after his father had returned from the Boer War, and his father's death in an assault on Ypres in 1915, which left his mother a widow until her own death in 1960.