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1000 tulosta hakusanalla Kathrin Koslicki

Form, Matter, Substance

Form, Matter, Substance

Kathrin Koslicki

Oxford University Press
2018
sidottu
In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defense of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete with alternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which hold between a matter-form compound, its matter and its form. Koslicki offers detailed answers these questions surrounding a hylomorphic approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances due to their high degree of unity.
Form, Matter, Substance

Form, Matter, Substance

Kathrin Koslicki

Oxford University Press
2023
nidottu
In Form, Matter, Substance, Kathrin Koslicki develops a contemporary defence of the Aristotelian doctrine of hylomorphism. According to this approach, objects are compounds of matter (hule) and form (morphe or eidos) and a living organism is not exhausted by the body, cells, organs, tissue, and the like that compose it. Koslicki argues that a hylomorphic analysis of concrete particular objects is well equipped to compete with alternative approaches when measured against a wide range of criteria of success. However, a plausible application of the doctrine of hylomorphism to the special case of concrete particular objects hinges on how hylomorphists conceive of the matter composing a concrete particular object, its form, and the hylomorphic relations which hold between a matter-form compound, its matter and its form. Koslicki offers detailed answers to the questions surrounding this approach to the metaphysics of concrete particular objects. As a result, matter-form compounds emerge as occupying the privileged ontological status traditionally associated with substances, despite their metaphysical complexity, due to their high degree of unity.
The Structure of Objects

The Structure of Objects

Kathrin Koslicki

Oxford University Press
2008
sidottu
Kathrin Koslicki offers an analysis of ordinary materials objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose. Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causl interaction amongst each other. This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this book is to persuade the reader that systematic principles can be found by means of which composition can be restricted, and hence that we need not embrace this deflationary approach to the question of what it means to be an object. To this end, a more full-blooded neo-Aristotelian account of parthood and composition is developed according to which objects are structured wholes: it is integral to the existence and identity of an object, on this conception, that its parts exhibit a certain manner of arrangement. This structure-based conception of parthood and composition is explored in detail, along with some of its historical precursors as well as some of its contemporary competitors.
The Structure of Objects

The Structure of Objects

Kathrin Koslicki

Oxford University Press
2010
nidottu
The objects we encounter in ordinary life and scientific practice -- cars, trees, people, houses, molecules, galaxies, and the like -- have long been a fruitful source of perplexity for metaphysicians. The Structure of Objects gives an original analysis of those material objects to which we take ourselves to be committed in our ordinary, scientifically informed discourse. Koslicki focuses on material objects in particular, or, as metaphysicians like to call them "concrete particulars", i.e., objects which occupy a single region of space-time at each time at which they exist and which have a certain range of properties that go along with space-occupancy, such as weight, shape, color, texture, and temperature. The Structure of Objects focuses in particular on the question of how the parts of such objects, assuming that they have parts, are related to the wholes which they compose.
Kathrin

Kathrin

Georg Julius Leopold Engel

K a Nitz
2019
pokkari
A ship sinks with only two survivors, a young bachelor and a little toddler. The bachelor becomes the little girl's reluctant guardian. What sort of woman will he raise her to be?
Kathrin Rögglas Szeno-Graphien Der Gegenwart: Formen Und Methoden Einer Performativen Prosa (1995-2016)
Kathrin R gglas Prosa z hlt innerhalb der deutschsprachigen Gegenwartsliteratur zu den weitreichendsten Versuchen, den Realismus neu zu denken. Im Rahmen einer qualitativen Analyse der Stilentwicklung von R gglas Prosa setzt sich diese Studie mit ihrer Poetik auseinander, um festzustellen, inwieweit R gglas Schreiben einer 'Szeno-Graphie' der Gegenwart entspricht.
Kathrin Landa

Kathrin Landa

Christoph Kolk; Michael C. Maurer

Kerber Verlag
2024
sidottu
This comprehensive monograph about highly acclaimed Kathrin Landa is also a work about the very essence of portraiture. Text in English and German.
Kathrin Böhm

Kathrin Böhm

STERNBERG PRESS
2023
pokkari
A comprehensive overview of artist Kathrin B hm's multifaceted, deeply collaborative, and durational practice and networks. This volume critically profiles, contextualizes, and theoretically elaborates the unique practice of the UK-based German artist Kathrin B hm. Combining visual and textual material, it offers an overview of B hm's exceptional modus operandi that is rooted in a highly original artistic synthesis of a range of practices. Over the last three decades, B hm has expanded the terms of socially engaged ways of working to an unprecedented scale and breadth by producing complex organizational, spatial, visual, and economic forms. These often entail the production of complex infrastructures, manifested via projects such as Culture is a Verb (2018-21), The Centre for Plausible Economies (2018-ongoing), Company: Movements, Deals and Drinks (2014-ongoing) and the Eco-Nomadic School (2010-ongoing). The book follows a major mid-career exhibition at The Showroom, London, in 2021. Offering a significant addition to debates on contemporary art and architecture, social action, and public culture, Kathrin B hm: Art on the Scale of Life brings together critical reflections by internationally acclaimed contributors. Spanning a wide range of critical positions and disciplines, these include Dave Beech, C line Condorelli, Elvira Dyangani Ose, Wapke Feenstra, Katherine Gibson, Joon-Lynn Goh, Lily Hall, Yolande Zola Zoli van der Heide, Grace Ndiritu, Gerrie van Noord, Paul O'Neill, Doina Petrescu, Gregory Sholette and THEMM , Kuba Szreder, Gavin Wade, Mick Wilson, Stephen Wright, and Franciska Z lyom. In addition, material derived from B hm's international networks and projects provides an in-depth impression of the deeply ingrained collaborative and durational nature of her way of working. Photographic, diagrammatic, and typographical imagery runs through the book, demonstrating the rich visual and spatial languages embedded in B hm's work. This visual register of the book is therefore much more than a series of illustrations and acts as a counterpoint to, and extension of, the ideas elaborated in the texts. Copublished by HDK-Valand; PUBLICS; The Showroom
Von der Entfremdung der Arbeit in Kathrin Rögglas Roman "Wir schlafen nicht"
Studienarbeit aus dem Jahr 2010 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,0, Universit t Mannheim (Philosophische Fakult t), Veranstaltung: Neue Arbeit und alte Arbeit in der Gegenwartsliteratur, Sprache: Deutsch, Abstract: 1. Einleitung " ...] bleib in Bewegung, geh keine Bindungen ein und bring keine Opfer." So res miert Richard Sennett, englischer Soziologe, die Prinzipien der "flexiblen Gesellschaft." Die ersten beiden Anforderungen die sich der Mensch des sp ten 20. und 21. Jahrhunderts stellt, treffen nach Betrachtung des neuen Arbeitsbegriffs augenscheinlich zu. Liest man die aktuellen Berichte aus den Zeitungen bringen die meisten Menschen Opfer im physischen als auch psychischen Sinne: "Eines Tages konnten sie es nicht mehr l nger mit ansehen. Die Arbeitskollegen schickten Bernd Tillmann nach Hause. Monatelang hatte der damals 33-j hrige Bankangestellte gegen den drohenden Zusammenbruch angek mpft; hat ignoniert, dass ihm die Arbeit immer weniger Freude bereitet. Dann ...] verlie en ihn die Kr fte." Der suggerierte profitorientierte Wesenszug, der "Zwang zum Verkauf immer fragw rdigerer Produkte," durch die Bank bei welcher genannter Bernd Tillmann arbeitete, trieb diesen psychisch so weit bis die Arbeit zur Belastung wurde und Tillmann in ihrer ganzen Wucht berrollte und ihn einfach ausschaltete. Die Folge: "Anpassungsst rungen" so sein Arzt nach der Diagnose - "Burn-out" so Tillmann es mittlerweile r ckblickend erkennt. "Burn-out" - ausgebrannt von der Arbeit. Wie tiefgreifend ist das Ph nomen Arbeit geworden? Welche Gestalt hat diese angenommen, das nichts mehr im Sinne einer "Frei-zeit" als Freiraum, sichtbar getrennt von der Arbeit bestehen kann? Lebt der Mensch nur noch von der Arbeit? Oder lebt die Gesellschaft vielmehr vom Ergebnis vieler Opferbringungen nach Erwirtschaftung des Kapitals? So schreibt Gilles Deleuze in einem Aufsatz: "Der Mensch ist nicht mehr der eingeschlossene, sondern der verschuldete Men