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826 tulosta hakusanalla Kazuko Sumino

Die Relevanz des Sozialismus von William Morris

Die Relevanz des Sozialismus von William Morris

Kazuko Sumino

Verlag Unser Wissen
2021
pokkari
Auch der bekannte K nstler William Morris war ein berzeugter Sozialist. Die Ernsthaftigkeit seines Sozialismus wird oft untersch tzt. E.P.Thompson begr ndete den Ruf von Morris als Sozialist, vers umte es aber, die Rolle seiner Kunst und Romantik voll zu w rdigen. Dieses Buch argumentiert, dass Morris' Sozialismus gerade wegen seiner Vergangenheit als K nstler relevant ist. Der Schl ssel ist die Betonung der genussvollen Arbeit. Dieses Buch behauptet, dass Morris' Einsicht in die Arbeit bedeutender sein k nnte als Marx' unentfremdete Arbeit. Im Gegensatz zu anderen Sozialisten lag Morris' Fokus auf dem qualitativen Aspekt der Arbeit. Er bestand darauf, dass Arbeit Ausdruck des Vergn gens, d.h. der Kunst, sein sollte, und keine Gesellschaft w re echt, wenn sie nicht jede Arbeit attraktiv machen w rde. Er betonte auch die Macht der Vorstellungskraft und forderte die Arbeiter auf, lebendige Bilder von ihrer eigenen idealen Gesellschaft zu haben, um eine Ver nderung herbeizuf hren. Seine eigene Utopie war ein Ort, an dem alle gleich sind und ein einfaches, aber kreatives Leben genie en. F r jeden, der mit Ungleichheit und Unmenschlichkeit in der modernen Gesellschaft konfrontiert ist, bietet Morris' Sozialismus Schl ssel zum Problem. Sein Sozialismus wirft auch ein Licht auf das Versagen der bestehenden sozialistischen Regime, in denen Arbeit immer Arbeit war/ist.
La pertinence du socialisme de William Morris

La pertinence du socialisme de William Morris

Kazuko Sumino

Editions Notre Savoir
2021
pokkari
Le c l bre artiste William Morris tait galement un socialiste convaincu. Le s rieux de son socialisme est souvent sous-estim . E.P.Thompson a tabli la r putation de Morris en tant que socialiste, mais n'a pas su appr cier pleinement le r le de son art et de son romantisme. Ce livre soutient que le socialisme de Morris est pertinent pr cis ment en raison de son pass d'artiste. La cl est l'accent mis sur un travail agr able. Ce livre affirme que la vision de Morris sur le travail pourrait tre plus significative que le travail sans lien de Marx. Contrairement d'autres socialistes, Morris s'est concentr sur l'aspect qualitatif du travail. Il insistait sur le fait que le travail devait tre l'expression du plaisir, c'est- -dire de l'art, et qu'aucune soci t ne serait authentique sans rendre chaque travail attrayant. Il a galement soulign le pouvoir de l'imagination, en exhortant les travailleurs avoir des images vivantes de leur propre soci t id ale pour apporter un changement. Sa propre utopie est un lieu o tout le monde est gal, jouissant d'une vie simple mais cr ative. Pour tous ceux qui sont confront s l'in galit et l'inhumanit dans la soci t moderne, le socialisme de Morris fournit les cl s du probl me. Son socialisme met galement en lumi re l' chec des r gimes socialistes existants o le travail tait/est toujours p nible.
La rilevanza del socialismo di William Morris

La rilevanza del socialismo di William Morris

Kazuko Sumino

Edizioni Sapienza
2021
pokkari
Il famoso artista William Morris era anche un socialista convinto. La seriet del suo socialismo spesso sottovalutata. E.P.Thompson ha stabilito la reputazione di Morris come socialista, ma non riuscito ad apprezzare pienamente il ruolo della sua arte e del suo romanticismo. Questo libro sostiene che il socialismo di Morris rilevante proprio a causa del suo passato di artista. La chiave l'enfasi sul lavoro piacevole. Questo libro sostiene che l'intuizione di Morris sul lavoro potrebbe essere pi significativa del lavoro non alienato di Marx. A differenza di altri socialisti, Morris si concentrava sull'aspetto qualitativo del lavoro. Insisteva che il lavoro dovrebbe essere l'espressione del piacere, cio l'arte, e che nessuna societ sarebbe autentica senza rendere ogni lavoro attraente. Sottoline anche il potere dell'immaginazione, esortando i lavoratori ad avere immagini vivide della propria societ ideale per portare un cambiamento. La sua utopia era un luogo dove tutti sono uguali, godendo di una vita semplice ma creativa. Per chiunque affronti l'ineguaglianza e la disumanit nella societ moderna, il socialismo di Morris fornisce le chiavi del problema. Il suo socialismo fa anche luce sul fallimento dei regimi socialisti esistenti dove il lavoro era/ sempre fatica.
A Relevância do Socialismo de William Morris

A Relevância do Socialismo de William Morris

Kazuko Sumino

Edicoes Nosso Conhecimento
2021
pokkari
O famoso artista William Morris era tamb m um socialista dedicado. A seriedade do seu socialismo frequentemente subestimada. E.P.Thompson estabeleceu a reputa o de Morris como socialista, mas n o conseguiu apreciar plenamente o papel da sua arte e do seu romantismo. Este livro argumenta que o socialismo de Morris relevante precisamente devido ao seu passado como artista. A chave a nfase no trabalho agrad vel. Este livro afirma que a vis o de Morris sobre o trabalho poderia ser mais significativa do que o trabalho inalien vel de Marx. Ao contr rio de outros socialistas, o foco de Morris era o aspecto qualitativo do trabalho. Ele insistiu que o trabalho deveria ser a express o do prazer, ou seja, da arte, e nenhuma sociedade seria genu na sem tornar cada trabalho atractivo. Ele tamb m enfatizou o poder da imagina o, exortando os trabalhadores a terem imagens v vidas da sua pr pria sociedade ideal para trazer uma mudan a. A sua pr pria utopia era um lugar onde todos eram iguais, desfrutando de uma vida simples mas criativa. Para qualquer pessoa que enfrente a desigualdade e a desumanidade na sociedade mordena, o socialismo de Morris fornece as chaves do problema. O seu socialismo tamb m lan a luz sobre o fracasso dos regimes socialistas existentes, onde o trabalho era/ sempre um trabalho dif cil.
Znaczenie socjalizmu Williama Morrisa

Znaczenie socjalizmu Williama Morrisa

Kazuko Sumino

Wydawnictwo Nasza Wiedza
2021
pokkari
Znany artysta William Morris byl r wnież oddanym socjalistą. Powaga jego socjalizmu jest często niedoceniana. E.P.Thompson stworzyl reputację Morrisa jako socjalisty, ale nie docenil w pelni roli jego sztuki i romantyzmu. Ta książka dowodzi, że socjalizm Morrisa jest istotny wlaśnie z powodu jego przeszlości jako artysty. Kluczem jest nacisk na przyjemną pracę. Książka ta twierdzi, że wgląd Morrisa w pracę może byc bardziej znaczący niż Marksowska praca bez zastawu. W przeciwieństwie do innych socjalist w, Morris skupial się na jakościowym aspekcie pracy. Podkreślal, że praca powinna byc wyrazem przyjemności, czyli sztuki, a żadne spoleczeństwo nie będzie prawdziwe bez uczynienia każdej pracy atrakcyjną. Podkreślal r wnież silę wyobraźni, namawiając robotnik w do posiadania żywych obraz w wlasnego idealnego spoleczeństwa, aby wprowadzic zmiany. Jego wlasną utopią bylo miejsce, gdzie wszyscy są r wni, ciesząc się prostym, ale tw rczym życiem. Dla każdego, kto stoi w obliczu nier wności i nieludzkości we wsp lczesnym spoleczeństwie, socjalizm Morrisa dostarcza kluczy do rozwiązania problemu. Jego socjalizm rzuca r wnież światlo na porażkę istniejących reżim w socjalistycznych, w kt rych praca byla/jest zawsze trudem.
Kazuko and the Gardens of Manzanar

Kazuko and the Gardens of Manzanar

Veda Webb Davis

Gatekeeper Press
2022
sidottu
An historical fiction memoir of a Japanese-American child's experience with her family in the Manzanar internment camp during World War II, as told through her drawings.The Sato family was torn from their pre-war San Jose, California, family life near the beginning of World War II. The Japanese military's attack on the Pearl Harbor Naval Base in 1941 ignites fear of Japanese-American citizens. They are forced to travel to and live in internment camps. Despite the hardships, Kazuko and her family find solace in each other, camp activities, educational opportunities, and even a gardening contest. After the war, the family again must adjust as they return to a changed world.The story highlights the resilience of children in the face of hardship and injustice, and the preservation of human dignity under harsh conditions.
Kazuko and the Gardens of Manzanar

Kazuko and the Gardens of Manzanar

Veda Webb Davis

Gatekeeper Press
2022
pokkari
An historical fiction memoir of a Japanese-American child's experience with her family in the Manzanar internment camp during World War II, as told through her drawings.The Sato family was torn from their pre-war San Jose, California, family life near the beginning of World War II. The Japanese military's attack on the Pearl Harbor Naval Base in 1941 ignites fear of Japanese-American citizens. They are forced to travel to and live in internment camps. Despite the hardships, Kazuko and her family find solace in each other, camp activities, educational opportunities, and even a gardening contest. After the war, the family again must adjust as they return to a changed world.The story highlights the resilience of children in the face of hardship and injustice, and the preservation of human dignity under harsh conditions.
Kazuko Miyamoto
Edited by Luca Cerizza, Zasha Colah and Eva Fabbris, this monograph is the most comprehensive published so far on the Japanese artist Kazuko Miyamoto (b. 1942) who has lived in New York City for many years. From her initial Post-Minimalist phase to her rediscovery of natural materials and craft practices, from her interest in performance also in public contexts, to the revival of traditional Japanese stylistic features in her later years, this volume investigates the eclectic and free nature of Miyamoto’s work and life and her relations with the New York City artistic and cultural scene from the late 1960s to the present. The volume complements two monographic exhibitions at the Madre museum in Naples (2023) and Belvedere 21 in Vienna (2024), both curated by Eva Fabbris, contributing to the rediscovery and study of a unique voice on the contemporary art scene. Text in English and Italian.
Frank Okada

Frank Okada

Kazuko Nakane

University of Washington Press
2005
pokkari
Artist Frank Okada played a significant role in the modern art history of the Pacific Northwest. Born a Nisei in 1931, he was raised in Seattle's International District and throughout his life retained its influences and his vivid memories in his art. From his first painting award -- received at the Washington State fair -- until his death in 2000, he worked at the confluence of regional art, Asian culture, and national art movements.At the beginning of his career, Okada received a series of prominent fellowships -- John Hay Whitney in 1957, Fulbright in 1959, and Guggenheim in 1966–67. He was greatly influenced by the artists he met and was a close observer of the art scenes in New York, Paris, and Kyoto in an effort to find his own style of painting. He began teaching painting at the University of Oregon in 1969, a tenure that lasted almost thirty years. His work from the seventies, eighties, and nineties balanced forms and colors in intensely worked surfaces. The color blocks gradually became more intellectually structured and his compositions more expressive as he made his colors more powerful. As Nakane notes, "without recognizable reference to nature or his own personality, he created a texture that brought light to a field of color. . . . In order to appreciate his paintings, one needs to spend time observing how the colors respond to the changes of light throughout the day."
Social Change and the Individual

Social Change and the Individual

Kazuko Tsurumi

Princeton University Press
2015
pokkari
A distinguished Japanese scholar counterbalances the current preoccupation among sociologists with childhood socialization by exploring the changes in values and attitudes among adults in Japan before and after World War II. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Social Change and the Individual

Social Change and the Individual

Kazuko Tsurumi

Princeton University Press
2016
sidottu
A distinguished Japanese scholar counterbalances the current preoccupation among sociologists with childhood socialization by exploring the changes in values and attitudes among adults in Japan before and after World War II. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Divided Fates

Divided Fates

Kazuko Suzuki

Lexington Books
2016
sidottu
This book compares the Korean diasporic groups in Japan and the United States. It highlights the contrasting adaptation of Koreans in Japan and the United States, and illuminates how the destinies of immigrants who originally belonged to the same ethnic/national collectivity diverge depending upon destinations and how they are received in a certain state and society within particular historical contexts. The author finds that the mode of incorporation (a specific combination of contextual factors), rather than ethnic ‘culture’ and ‘race,’ plays a decisive role in determining the fates of these Korean immigrant groups. In other words, what matters most for immigrants’ integration is not their particular cultural background or racial similarity to the dominant group, but the way they are received by the host state and other institutions. Thus, this book is not just about Korean immigrants; it is also about how contexts of reception including different conceptualizations of ‘race’ in relation to nationhood affect the adaptation of immigrants from the same ethnic/national origin.