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1000 tulosta hakusanalla Kimbell David R. B.

Verdi in the Age of Italian Romanticism

Verdi in the Age of Italian Romanticism

Kimbell David R. B.

Cambridge University Press
1985
pokkari
Professor Kimbell's classic study illuminates the first fifteen years of Verdi's composing career, the era that culminated in his trio of masterpieces, Rigoletto, Il Trovatore and La Traviata. Verdi had become an acknowledged master of the peculiar brand of Romanticism that flourished in Italy in the 1830s and 40s; this background is examined in its political, social and literary light, and his consequent transformation of Italian operatic conventions is analysed. The four parts of Professor Kimbell's book range over biographical, documentary, literary and close-analytical ground. Attention is given to individual operas in order to show how Verdi assimilated and developed the Romantic tradition in his work.
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Vincenzo Bellini: Norma

Vincenzo Bellini: Norma

Kimbell David R. B.

Cambridge University Press
1998
sidottu
Norma is by common consent the finest of the ten operas composed during Vincenzo Bellini's short career, representing his genius more comprehensively than is usually the case with any single work by an operatic composer. This 1998 handbook provides the biographical and cultural context of the opera. It gives a full synopsis and an examination of the music and poetry, which is rooted in the aesthetics of early nineteenth-century Italian opera. Professor Kimbell suggests something of the impression Norma has made on our imaginations and sensibilities in the 165 years since it was first produced in Milan in December 1831. He considers the great interpretations of the eponymous leading role. His discussion also embraces Bellini's work more generally by presenting some of the critical reactions to his music.
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Italian Opera

Italian Opera

David R. B. Kimbell

Cambridge University Press
1994
nidottu
Italy was the birthplace of opera. In this authoritative and accessible account of Italian opera, David Kimbell introduces the composers and dramatists, the singers and audiences who, over three hundred years, have created not only a national tradition but the central tradition from which others have drawn their inspiration. He traces the history of Italian opera from its origins in the humanism of the Renaissance to Puccini in the early twentieth century, drawing attention not only to musical issues but also to the social, literary, and philosophical ideas that have shaped modern Italian civilisation. Each part is illustrated by a detailed critical discussion of a key work.
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Vincenzo Bellini: Norma

Vincenzo Bellini: Norma

David R. B. Kimbell

Cambridge University Press
1998
nidottu
Norma is by common consent the finest of the ten operas composed during Vincenzo Bellini’s short career, representing his genius more comprehensively than is usually the case with any single work by an operatic composer. This handbook provides the biographical and cultural context of the opera. It gives a full synopsis and an examination of the music and poetry, which is rooted in the aesthetics of early nineteenth-century Italian opera. Professor Kimbell suggests something of the impression Norma has made on our imaginations and sensibilities in the 165 years since it was first produced in Milan in December 1831. He considers the great interpretations of the eponymous leading role. His discussion also embraces Bellini’s work more generally by presenting some of the critical reactions to his music.
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Lobbying and Policy Change

Lobbying and Policy Change

Frank R. Baumgartner; Jeffrey M. Berry; Marie Hojnacki; David C. Kimball; Beth L. Leech

University of Chicago Press
2009
nidottu
During the 2008 election season, politicians from both sides of the aisle promised to rid government of lobbyists' undue influence. For the authors of Lobbying and Policy Change, the most extensive study ever done on the topic, these promises ring hollow - not because politicians fail to keep them but because lobbies are far less influential than political rhetoric suggests. Based on a comprehensive examination of ninety-eight issues, this volume demonstrates that sixty percent of recent lobbying campaigns failed to change policy despite millions of dollars spent trying. Why? The authors find that resources explain less than five percent of the difference between successful and unsuccessful efforts. Moreover, they show, these attempts must overcome an entrenched Washington system with a tremendous bias in favor of the status quo. Though elected officials and existing policies carry more weight, lobbies have an impact too, and when advocates for a given issue finally succeed, policy tends to change significantly. The authors argue, however, that the lobbying community so strongly reflects elite interests that it will not fundamentally alter the balance of power unless its makeup shifts dramatically in favor of average Americans' concerns.
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Handel on the Stage

Handel on the Stage

Kimbell David

Cambridge University Press
2016
sidottu
Of all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.
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Handel on the Stage

Handel on the Stage

David Kimbell

Cambridge University Press
2019
pokkari
Of all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.
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Cases in Human Resource Management

Cases in Human Resource Management

David Charles Kimball

SAGE Publications Inc
2016
nidottu
Cases in Human Resource Management provides students with insights into common challenges, dilemmas, and issues human resource managers face in the workplace. Using a wide variety of well-known companies and organizations, author David Kimball engages students with original, real-world cases that illustrate HRM topics and functions in action. Each case is designed to encourage students to find new solutions to human resource issues and to stimulate class discussion. Case questions challenge students to think critically, apply concepts, and develop their HRM skills. The contents are organized using the same topical coverage and structure as most HRM textbooks, making Kimball the ideal companion for any introductory HRM course.
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