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1000 tulosta hakusanalla Kimberley Mangun

A Force for Change

A Force for Change

Kimberley Mangun

Oregon State University
2010
nidottu
A Force for Change is the first full-length study of the life and work of one of Oregon’s most dynamic civil rights activists, African American journalist Beatrice Morrow Cannady. Between 1912 and 1936, Cannady tirelessly promoted interracial goodwill and fought segregation and discrimination. She gave hundreds of lectures to high school and college students and shared her message with radio listeners across the Pacific Northwest. She was assistant editor, and later publisher, of The Advocate, Oregon’s largest African American newspaper. Cannady was the first black woman to graduate from law school in Oregon, and the first to run for state representative. She held interracial teas in her home in Northeast Portland and protested repeated showings of the racist film The Birth of a Nation. And when the Ku Klux Klan swept into Oregon, she urged the governor to act quickly to protect black Oregonians’ right to live and work without fear. Despite these accomplishments—and many more during her twenty-five-year career—Beatrice Cannady fell into obscurity when she left Oregon in about 1938. A Force for Change illuminates Cannady’s important role in advocating for better race relations in Oregon in the early decades of the twentieth century. It describes her encounters with the period’s leading black artists, editors, politicians, and intellectuals, including W.E.B. Du Bois, Langston Hughes, A. Philip Randolph, Oscar De Priest, Roland Hayes, and James Weldon Johnson. It dispels the myth that African Americans played little part in Oregon’s history and enriches our understanding of the black experience in Oregon. A Force for Change is an invaluable resource for students and scholars of women’s history, gender studies, African American history, journalism history, and Pacific Northwest history. It belongs on the shelf of any reader interested in a richer understanding of the civil rights movement in Oregon and across the country.
Editor Emory O. Jackson, the Birmingham World, and the Fight for Civil Rights in Alabama, 1940-1975
This cultural biography tells the story of Birmingham World editor Emory O. Jackson. During his 35-year career in Alabama, he waged numerous sustained civil-rights campaigns for the franchise, equal educational opportunities, and justice for the victims of police brutality and bombings. The semiweekly newspaper was central to his advocacy. Jackson wrote editorials and columns that documented injustices and urged legislative and legal action in an effort to secure civil rights for Black Alabamians. His body of work, grounded in protest and passion, was part of the long tradition of the Black Press as an instrument to agitate for social and political change. Jackson also was a frequent speaker at NAACP branches, colleges, and churches. He was known as a commanding, even fiery, speaker who stressed first-class citizenship. Issues explored in the book demonstrate an assertion of constitutional rights in post-World War II America and a remarkable resilience. Editor Emory O. Jackson, the Birmingham World, and the Fight for Civil Rights in Alabama, 1940-1975 is the first scholarly analysis of his work and as such contributes to scholarship on the Civil Rights Movement in Alabama and the nation.
Editor Emory O. Jackson, the Birmingham World, and the Fight for Civil Rights in Alabama, 1940-1975
This cultural biography tells the story of Birmingham World editor Emory O. Jackson. During his 35-year career in Alabama, he waged numerous sustained civil-rights campaigns for the franchise, equal educational opportunities, and justice for the victims of police brutality and bombings. The semiweekly newspaper was central to his advocacy. Jackson wrote editorials and columns that documented injustices and urged legislative and legal action in an effort to secure civil rights for Black Alabamians. His body of work, grounded in protest and passion, was part of the long tradition of the Black Press as an instrument to agitate for social and political change. Jackson also was a frequent speaker at NAACP branches, colleges, and churches. He was known as a commanding, even fiery, speaker who stressed first-class citizenship. Issues explored in the book demonstrate an assertion of constitutional rights in post-World War II America and a remarkable resilience. Editor Emory O. Jackson, the Birmingham World, and the Fight for Civil Rights in Alabama, 1940-1975 is the first scholarly analysis of his work and as such contributes to scholarship on the Civil Rights Movement in Alabama and the nation.
Transatlantic Spectacles of Race

Transatlantic Spectacles of Race

Kimberly Snyder Manganelli

Rutgers University Press
2012
sidottu
The tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the “fallen woman.”In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom’s Cabin to Lady Audley’s Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries.
Transatlantic Spectacles of Race

Transatlantic Spectacles of Race

Kimberly Snyder Manganelli

Rutgers University Press
2012
nidottu
The tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the “fallen woman.”In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom’s Cabin to Lady Audley’s Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries.
Kimberley South African and International Exhibition. Reunert's Diamond Mines of South Africa.
Title: Kimberley South African and International Exhibition. Reunert's Diamond Mines of South Africa.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Reunert, Theodore; 1892. 64 p.; 8 . 7109.e.19.
Kimberley Sun

Kimberley Sun

Di Morrissey

St. Martins Press-3pl
2002
nidottu
The remote town of Broome, the desert and the Kimberley coast - Australia's last frontier and a land of ancient beauty - are the backdrop for "Kimberley Sun," the sequel to Di Morrissey's international bestseller, "Tears of The Moon.""" Lily Barton, now 53, is beautiful, adventurous and looking for a life change. Sami, her daughter, is driving alone through the outback to finally, reluctantly, confront her family roots. Together they are swept into a world where myths and reality converge, as they find that everyone they meet has a story to tell. From Farouz, the son of an Afghan camel driver, to Bobby, the Chinese-Aboriginal man who is tangled up in the murder of a German tourist, to Biddy, the survivor from Captain Tyndall and Olivia's era . . . And who is the mysterious artist hiding in the desert? All have a secret and a story to share as each finds their place under the Kimberley sun . . .
Kimberley The Koala

Kimberley The Koala

Felicia Law

Kidoo
2020
pokkari
The values in 'Kimberley the Koala'Kimberley is a story about timidity. It shows how difficult it sometimes is to stand on your own two feet, to think and act for yourself. Most young children reach a point where they want to branch out on their own. Many have an initial fear of leaving the safety of home and 'mummy', of starting school or being in the care of other family members, but this soon vanishes as the excitement takes over. But for some, the need to cling safely to the familiar becomes a real obstacle to developing.This story will help such children understand the need to adventure further as they grow up.KIMBERLEY -A tale of independence- For nearly two months Kimberley had ridden on her mother's back while she became used to life in the eucalyptus trees. But now it is time for her to spend more time climbing among the branches on her own. However, Kimberley is reluctant to do so. She was comfortable in her mother's pouch, she is comfortable riding on her mother's back and she enjoys being carried about. Then one day a bush fire starts and it moves slowly towards the eucalyptus patch. Kimberley's mother cannot escape with her heavy daughter on her back. Kimberley must make it on her own. But she is too fat and is soon out of breath. As the smoke starts to billow round them, Kimberley is forced to act.
Kimberley Stories

Kimberley Stories

FREMANTLE PRESS
2012
nidottu
There are a thousand ways to connect to country. Kimberley Stories is one of them. Once known, never forgotten, the Kimberley gets under your skin. Kimberley Stories tunes readers into one of Australia's most intriguing and exotic regions via the work of talented authors and artists. Interweaving fiction, creative non-fiction, poetry, lyrics and artworks, the book is a must-have for anyone travelling north in mind, body or spirit. Contributors include Kate Auty, Jimmy Chi (Bran Nue Dae), Lesley Corbett, Steve Hawke (Jandamarra), Pat Lowe, Kim Mahood, Donna Bing-Ying Mak, Marminjiya Joy Nuggett and Stephen Scourfield along with newcomers Jacqueline Wright (T.A.G. Hungerford award winner for Red Dirt Talking) and 13-year-old Luisa Mitchell who lives and writes in Broome.
Regarding Kimberley

Regarding Kimberley

Vera Berry Burrows

Wings Epress, Inc.
2016
pokkari
Show business executive Kimberley Mason always felt something was missing from her life. She forms an association with a theatrical agency in Australia and uncovers a secret kept by her parents for thirty years. Revelations about her birth shatter her world. Discovering her real father is Australian television celebrity Joel Winston, she cuts herself off from the family she had always thought to be perfect.Leaving behind her past in England, she moves to Australia to be with the man she loves, her business partner, Simon Obertelli. Will running away ensure her future happiness or will the complications of accepting her famous father only lead to heartache?