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1000 tulosta hakusanalla Konstantin Stanislavsky

Konstantin Stanislavsky

Konstantin Stanislavsky

Bella Merlin

CRC Press Inc
2018
sidottu
As one of the most well-known names in theatre history, Konstantin Stanislavsky’s teachings on actor training have endured throughout the decades, influencing scholars and practitioners even in the present day. This second edition of Konstantin Stanislavsky combines:an overview of Stanislavsky’s life and work, including recent discoveries an assessment of his widely read text, An Actor Prepares (1936) with comparisons to Benedetti’s 2008 translation, An Actor’s Work detailed commentary of the key 1898 production of The Seagull an indispensable set of practical exercises for actors, teachers and directors.As a first step towards critical understanding, and as an initial ex- ploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
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Konstantin Stanislavsky

Konstantin Stanislavsky

Bella Merlin

CRC Press Inc
2018
nidottu
As one of the most well-known names in theatre history, Konstantin Stanislavsky’s teachings on actor training have endured throughout the decades, influencing scholars and practitioners even in the present day. This second edition of Konstantin Stanislavsky combines:an overview of Stanislavsky’s life and work, including recent discoveries an assessment of his widely read text, An Actor Prepares (1936) with comparisons to Benedetti’s 2008 translation, An Actor’s Work detailed commentary of the key 1898 production of The Seagull an indispensable set of practical exercises for actors, teachers and directors.As a first step towards critical understanding, and as an initial ex- ploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
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Konstantin Stanislavsky 1863-1963

Konstantin Stanislavsky 1863-1963

Konstantin Stanislavsky

University Press of the Pacific
2003
pokkari
Originally published in the Soviet Union in 1963, this is a Stanislavsky centennial collection. It contains excerpts from memoirs referring to the great Russian actor and stage director. There are passages by Maxim Gorky, Anatoly Lunacharsky, Vladimir Nemirovich-Danchenko, Yevgeny Vakhtangov, Sergei Eisenstein, Emile Verhaern, Maurice Maeterlinck, Max Reinhardt, Jacques Copeau, etc. Most of the materials presented in this collection, including the brilliant letters by Stanislavsky, are little known abroad, and appear in English for the first time. The collection is lavishly illustrated. "The theatre is the finest medium of intercourse between nations. It reveals their most cherished aspirations. If only these aspirations were revealed more often ... the nations would shake hands, and lift their caps, instead of training guns on each other." - Konstantin Stanislavsky
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Stanislavsky on the Art of the Stage

Stanislavsky on the Art of the Stage

Konstantin Stanislavsky

Faber Faber
2010
pokkari
Konstantin Stanislavsky is one of the colossi not simply of Russian, but American and European theatre. His reputation is based mainly on his famous theory of acting and its application in practice. This volume contains his posthumous work, The System and Methods of Creative Art, together with an introductory essay giving a careful exposition and a critical analysis of his 'system', and two appendices dealing with his views on stage ethics and melodrama. It provides an excellent opportunity for the study of 'the essential Stanislavsky' in a comprehensive and compact form.
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My Life in Art

My Life in Art

Konstantin Stanislavsky

University Press of the Pacific
2004
pokkari
In his outstanding autobiography, Konstantin Stanislavsky reveals his own ideas and experience. "The theatre is the finest medium of intercourse between nations. It reveals their most cherished aspirations. If only these aspirations were revealed more often ... the nations would shake hands, and lift their caps, instead of training guns on each other." -- Konstantin Stanislavsky "This wise and delightful book...is packed with sage practical counsel to actors and actresses." -- The Times Literary Supplement "A great figure upon the world scene, one of the greatest men of the theatre that ever lived." -- New York Herald-Tribune "It was a source of great enlightenment to me." --Sir Laurence Olivier
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Stanislavski Produces Othello;

Stanislavski Produces Othello;

Konstantin 1863-1938 Stanislavsky

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Stanislavski Produces Othello;

Stanislavski Produces Othello;

Konstantin 1863-1938 Stanislavsky

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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An Actor Prepares

An Actor Prepares

Constantin Stanislavsky; Konstantin Stanislavski

Albatross Publishers
2022
pokkari
2022 Facsimile of the 1936 Edition. This work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself. Contents: The first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious.
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Konstantin Stanislavskij. Rabota aktera nad soboj Chasti 1 i 2. Moja zhizn v iskusstve

Konstantin Stanislavskij. Rabota aktera nad soboj Chasti 1 i 2. Moja zhizn v iskusstve

Konstantin Stanislavskij

Eksmo
2025
sidottu
Imja Konstantina Sergeevicha Stanislavskogo izvestno vo vsem mire. On sovershil revoljutsiju v stsenicheskom iskusstve i podaril akteram svoju osobuju sistemu ovladenija remeslom, podgotovivshuju ne odno pokolenie artistov teatra i kino.V nastojaschee izdanie voshli naibolee interesnye dlja kazhdogo chitatelja i naibolee poleznye dlja professionalov glavy iz trudov velichajshego teoretika teatralnogo iskusstva, vydajuschegosja rezhissera i aktera Konstantina Sergeevicha Stanislavskogo. Kak interpretirovat napisannoe dramaturgom, kak gotovit sebja k vykhodu na stsenu, kak rabotat nad rolju, chtoby uslyshat ne sokrushitelnoe "ne verju", a zritelskie ovatsii? Stanislavskij dejstvitelno znal sekrety uspekha - i schedro delilsja imi. Kniga adresovana kak tem, kto probuet sebja na stsene, tak i shirokomu krugu chitatelej, uvlekajuschikhsja teatrom i ego istoriej, a takzhe vsem, komu periodicheski prikhoditsja vystupat na publike. Ved ne zrja zhe Shekspir utverzhdal, chto ves mir - teatr.
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Konstantin Stanislavskij. Rabota aktera nad soboj. Moja zhizn v iskusstve (chernaja oblozhka)

Konstantin Stanislavskij. Rabota aktera nad soboj. Moja zhizn v iskusstve (chernaja oblozhka)

Konstantin Stanislavskij

Eksmo
2025
sidottu
Konstantin Stanislavskij - russkij i sovetskij rezhisser, pedagog, teoretik. Sozdatel znamenitoj akterskoj sistemy, kotoraja populjarna vo vsem mire do sikh por. V dannuju knigu voshli naibolee interesnye dlja kazhdogo chitatelja i naibolee poleznye dlja professionalov glavy iz trudov velichajshego teoretika teatralnogo iskusstva, vydajuschegosja rezhissera i aktera. Kak interpretirovat napisannoe dramaturgom, kak gotovit sebja k vykhodu na stsenu, kak rabotat nad rolju, chtoby uslyshat ne rezhisserskoe "ne verju", a zritelskie ovatsii? Stanislavskij dejstvitelno znal sekrety uspekha - i schedro delilsja imi.
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An Actor's Work

An Actor's Work

Konstantin Stanislavski

Routledge
2008
sidottu
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.
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My Life in Art

My Life in Art

Konstantin Stanislavski

Routledge
2008
sidottu
Konstantin Stanislavski was a Russian director who transformed theatre in the West with his contributions to the birth of Realist theatre and his unprecedented approach to teaching acting. He lived through extraordinary times and his unique contribution to the arts still endures in the twenty-first century. He established the Moscow Art Theatre in 1898 with, among other plays, the premiere of Chekhov's The Seagull. He also survived revolutions, lost his fortune, found wide fame in America, and lived in internal exile under Stalin's Soviet Union.Before writing his classic manual on acting, Stanislavski began writing an autobiography that he hoped would both chronicle his rich and tumultuous life and serve as a justification of his aesthetic philosophy. But when the project grew to 'impossible' lengths, his publisher (Little, Brown) insisted on many cuts and changes to keep it to its deadline and to a manageable length. The result was a version published in English in 1924, which Stanislavski hated and completely revised for a Soviet edition that came out in 1926.Now, for the first time, translator Jean Benedetti brings us Stanislavski's complete unabridged autobiography as the author himself wanted it – from the re-edited 1926 version. The text, in clear and lively English, is supplemented by a wealth of photos and illustrations, many previously unpublished.
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An Actor's Work on a Role

An Actor's Work on a Role

Konstantin Stanislavski

Routledge
2009
sidottu
An Actor’s Work on a Role is Konstantin Stanislavsky’s classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to one’s role. Originally published over half a century ago as Creating a Role, this book became the third in a trilogy – after An Actor Prepares and Building a Character, which are now combined in a newly translated volume called An Actor’s Work. In these books, now foundational texts for actors, Stanislavsky sets out his psychological, physical and practical vision of actor training.This new translation from renowned writer and critic Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming The System as the cornerstone of actor training.
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An Actor's Work

An Actor's Work

Konstantin Stanislavski

Routledge
2016
nidottu
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
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An Actor's Work on a Role

An Actor's Work on a Role

Konstantin Stanislavski

Routledge
2015
nidottu
An Actor’s Work on a Role is Konstantin Stanislavsky’s classic exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing life and truth to one’s role. Originally published over half a century ago as Creating a Role, this book became the third in a trilogy – after An Actor Prepares and Building a Character, which are now combined in a newly translated volume called An Actor’s Work. In these books, now foundational texts for actors, Stanislavsky sets out his psychological, physical and practical vision of actor training.This new translation from renowned writer and critic Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming The System as the cornerstone of actor training.
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Moja zhizn v iskusstve

Moja zhizn v iskusstve

Konstantin Stanislavskij

Ast
2019
nidottu
Etu knigu, perevedennuju na vse veduschie mirovye jazyki i javljajuschujusja memuarami cheloveka, che vlijanie na teatralnoe iskusstvo XX veka edva li mozhno pereotsenit, mnogie gody chitajut i perechityvajut vse nastojaschie ljubiteli teatra. Vot uzhe mnogo let kak ushel iz zhizni Uchitel, no uchenikov u nego stanovitsja vse bolshe.
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Rabota aktera nad soboj v tvorcheskom protsesse voploschenija

Rabota aktera nad soboj v tvorcheskom protsesse voploschenija

Konstantin Stanislavskij

Ast
2020
nidottu
Eta kniga, javljajuschajasja vtoroj chastju osnovopolagajuschej dilogii Stanislavskogo "Rabota aktera nad soboj", posvjaschena rabote aktera nad emotsijami svoego personazha i tomu, kak imenno sleduet dobivatsja ikh podlinnosti i glubiny. Ved rol, soglasno sisteme Stanislavskogo, sleduet ne igrat, a iskrenne "prozhivat", - ili, kak pisal on sam: "Kazhdyj moment vashego prebyvanija na stsene dolzhen byt sanktsionirovan veroj v pravdu perezhivaemogo chuvstva i v pravdu proizvodimykh dejstvij".
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