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1000 tulosta hakusanalla L C Aaron

Rev. Samuel Aaron

Rev. Samuel Aaron

L C Aaron

Hansebooks
2017
pokkari
Rev. Samuel Aaron - His Life, Sermons, Correspondence, etc. is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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Swords in the Shadows

Swords in the Shadows

Mike Oliveri; L.C. Mortimer; Stephen Graham Jones; Justin C. Key; Mary SanGiovanni; Wile E. Young; Jonathan Janz; Glenn Parris; Heath Amodio; Allison Pang; Josh Roberts; Aaron Conaway; Hailey Piper; Brian Keene; Charles R. Rutledge; Steven L. Shrewsbury; JimmyZ Johnston; Scott Schmidt; James A. Moore; Joe R. Lansdale; Rena Mason; Jonathan Maberry

Outland Entertainment
2023
pokkari
It was an age of adventure. An age of sorcery. An age of unrelenting horror. Sword and sorcery and pulp horror go hand-in-hand. Sinister enchanters working foul magic. Hideous beasts lurking in shadowy dungeons. Blasphemous elder gods uncoiling from forgotten and forbidden temples.Swords in the Shadows features twenty-one stories with a bloody stake driven into the heart of both the horror and fantasy camps. Herein, you will find fantasy worlds, brave warriors, fabulous creatures, wondrous magic. But you will also uncover bloodcurdling chills, spine-tingling horror, and an examination of those things that truly terrify.
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The Sociology of Cardi B

The Sociology of Cardi B

Aaryn L. Green; Maretta Darnell McDonald; Veronica A. Newton; Candice C. Robinson; Shantee Rosado

TAYLOR FRANCIS LTD
2024
nidottu
This powerfully written and co-authored book creatively engages with the topics of Black and Latinx femininity, motherhood, sexuality, racial and ethnic identity, and political engagement through the life and artistic work of hip hop artist Cardi B. The authors highlight examples from Cardi's lived experiences and artistry using a trap feminist framework as a starting point for sociological conversations about Black women and the trap.The authors weave foundational histories of Black Sociology, Black feminism, and institutional inequalities along the lines of race, class, and gender. Drawing from moments in Cardi B’s public life—her rap lyrics, her behavior at New York Fashion Week, questions about her racial and ethnic identity, the unveiling of her pregnancy, her engagement with politicians, and her responses to social media comments and critics—this book argues for the merits of addressing Black feminist theory from the bottom up—that is, to take seriously the knowledge production of Black women by attending to and creating space for hood chicks, ghetto girls, and ratchet women.By centering the lived experiences and social positions of the Black women Cardi represents, the authors expand Black feminist discourse and entrust Black women to define themselves for themselves. This book is an important contribution to scholarship for students, scholars, and readers interested in sociology, hip hop, pop culture, and women's studies.
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The Sociology of Cardi B

The Sociology of Cardi B

Aaryn L. Green; Maretta Darnell McDonald; Veronica A. Newton; Candice C. Robinson; Shantee Rosado

TAYLOR FRANCIS LTD
2024
sidottu
This powerfully written and co-authored book creatively engages with the topics of Black and Latinx femininity, motherhood, sexuality, racial and ethnic identity, and political engagement through the life and artistic work of hip hop artist Cardi B. The authors highlight examples from Cardi's lived experiences and artistry using a trap feminist framework as a starting point for sociological conversations about Black women and the trap.The authors weave foundational histories of Black Sociology, Black feminism, and institutional inequalities along the lines of race, class, and gender. Drawing from moments in Cardi B’s public life—her rap lyrics, her behavior at New York Fashion Week, questions about her racial and ethnic identity, the unveiling of her pregnancy, her engagement with politicians, and her responses to social media comments and critics—this book argues for the merits of addressing Black feminist theory from the bottom up—that is, to take seriously the knowledge production of Black women by attending to and creating space for hood chicks, ghetto girls, and ratchet women.By centering the lived experiences and social positions of the Black women Cardi represents, the authors expand Black feminist discourse and entrust Black women to define themselves for themselves. This book is an important contribution to scholarship for students, scholars, and readers interested in sociology, hip hop, pop culture, and women's studies.
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Notizie Di Odessa (Scritte Dal Sig. L. C.). [With a Map.]

Notizie Di Odessa (Scritte Dal Sig. L. C.). [With a Map.]

L C

British Library, Historical Print Editions
2011
pokkari
Title: Notizie di Odessa (scritte dal Sig. L. C.). With a map.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF EUROPE collection includes books from the British Library digitised by Microsoft. This collection includes works chronicling the development of Western civilisation to the modern age. Highlights include the development of language, political and educational systems, philosophy, science, and the arts. The selection documents periods of civil war, migration, shifts in power, Muslim expansion into Central Europe, complex feudal loyalties, the aristocracy of new nations, and European expansion into the New World. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library C., L; 1817. 35 p.; 8 . 10291.e.32.
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L.C.

L.C.

Daitch Susan

Dalkey Archive Press
2002
nidottu
Blending historical fiction with feminist and revolutionary politics, Susan Daitch's first novel is a complex and unique look at the controversial nature of historical representations. This story within a story within a story opens in 1968, with a preface to Dr. Willa Rehnfield's translation of Lucienne Crozier's diary. Although the authenticity of Lucienne's account is uncertain, her diary attests to her involvement in the 1848 revolution in Paris, an illicit love affair, and her eventual exile from France. Midway through Rehnfield's translation, a distinctly modern voice emerges from the footnotes. These notes belong to Dr. Rehnfield's literary executor, Jane Amme - a Berkeley radical on the run for her actions during the student riots of the 1960s - who uncovered the translated diary and became intrigued with the parallels between Lucienne's depictions of revolution and her own experiences. Dissatisfied with Dr. Rehnfield's translation, Jane defiantly rewrites the final outcome of Lucienne's story, reclaiming this forgotten Frenchwoman as a prototype of the modern feminist.
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S M P L C T Y

S M P L C T Y

Samuel Alexander

Simplicity Institute
2023
pokkari
This collection of essays presents an aesthetics of existence called the 'Will to Art'. Readers will be invited to consider the possibility that the universe is fundamentally an aesthetic phenomenon, understood as a process of creative evolution that is moving, albeit agonistically, towards ever-increasing opportunities for artistic expression and aesthetic experience. Art is defined broadly and openly as the meaningful and pleasurable expression of creative labour, and human experience can be considered 'aesthetic' if it flows from the sensuous engagement with art or nature. To speak of the Will to Art is to interpret the world as having an underlying tendency toward artistic and aesthetic flourishing, even though the outcome of this evolutionary process, due to its indeterminate nature, is unknowable in advance.Two premises guide the development of this vision: first, that material sufficiency is all that is needed for human beings to live rich, meaningful, and artful lives; and second, that material sufficiency is all that is possible, over the long term, on a finite planet in an age of environmental limits. Based on those premises, Samuel Alexander proposes and defends a conception of ecological civilisation which he calls SMPLCTY. This is not a utopian prediction about what is a likely future for our species. Rather, it is an orienting vision, one in which individuals and communities thrive in humble conditions of material sufficiency but cultural richness, meaningfully engaged in pleasurable and creative labour in collaboration with others. According to this vision, life itself would become an aesthetic project, a never-ending process of creative activity, sensuous experience, aesthetic engagement, and spiritual exploration. Such a society would be structured with the aim of sustainably providing opportunities for all people to find meaning and pleasure through creative labour and aesthetic experience.
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S M P L C T Y

S M P L C T Y

Samuel Alexander

Simplicity Institute
2023
sidottu
This collection of essays presents an aesthetics of existence called the 'Will to Art'. Readers will be invited to consider the possibility that the universe is fundamentally an aesthetic phenomenon, understood as a process of creative evolution that is moving, albeit agonistically, towards ever-increasing opportunities for artistic expression and aesthetic experience. Art is defined broadly and openly as the meaningful and pleasurable expression of creative labour, and human experience can be considered 'aesthetic' if it flows from the sensuous engagement with art or nature. To speak of the Will to Art is to interpret the world as having an underlying tendency toward artistic and aesthetic flourishing, even though the outcome of this evolutionary process, due to its indeterminate nature, is unknowable in advance.Two premises guide the development of this vision: first, that material sufficiency is all that is needed for human beings to live rich, meaningful, and artful lives; and second, that material sufficiency is all that is possible, over the long term, on a finite planet in an age of environmental limits. Based on those premises, Samuel Alexander proposes and defends a conception of ecological civilisation which he calls SMPLCTY. This is not a utopian prediction about what is a likely future for our species. Rather, it is an orienting vision, one in which individuals and communities thrive in humble conditions of material sufficiency but cultural richness, meaningfully engaged in pleasurable and creative labour in collaboration with others. According to this vision, life itself would become an aesthetic project, a never-ending process of creative activity, sensuous experience, aesthetic engagement, and spiritual exploration. Such a society would be structured with the aim of sustainably providing opportunities for all people to find meaning and pleasure through creative labour and aesthetic experience.
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Fifty Years of the L.C.C.

Fifty Years of the L.C.C.

S. P. B. Mais

Cambridge University Press
2014
pokkari
First published in 1935, this book was created to mark the fiftieth anniversary of the London City Council (LCC). The text describes various aspects of life in London and the LCC's role in maintaining an effective infrastructure, including areas such as health care, education, poor relief and finance. The condition of London's green spaces and housing is also described. Numerous photographs, original drawings and a bibliography are also included. This book will be of value to anyone with an interest in British history and the development of the LCC.
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