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1000 tulosta hakusanalla Lars Skarke

Lars Skurke?  Sanningen om mina år med Björn Borg
När Björn Borg och Lars Skarke träffas i mitten av åttiotalet blir de snart goda vänner. De träffas ofta, har mycket kul ihop och lär känna varandras familjer. Vänskapen djupnar. När Björn efter avslutad tenniskarriär vill ägna sig åt affärer presenterar Lars en affärsidé. Båda har de pengar att satsa och Björn Borg Design Group bildas. Tillsammans ska de lansera kläder över hela världen... Det blir tuffa, intensiva, roliga och oroliga år med många och långa resor, middag med president Reagan i Vita huset, racerbåtstävling med kungen, vilda fester, uppvisningsmatcher, hemmakvällar med barnen, kärlek och kärlekstrassel ... Men över alltsammans vilar en skugga - och den djupnar. I februari 1989 förs Björn till sjukhus i Milano för misstänkt självmordsförsök. Det blir början till slutet - för både framtidsplaner och vänskap. En dag möts de båda i en rättegång. Nu - efter nära trettio år vill Lars Skarke slutligen bli kvitt öknamnet "Skurke" … LARS SKURKE - Sanningen om mina år med Björn Borg är en berättelse om framgång och nederlag, om tillit och svek, om ett lysande affärsäventyr och om en förlorad vänskap.
Yrkesskade

Yrkesskade

Lars Olav Skårberg

Cappelen Damm akademisk
2024
sidottu
YRKESSKADE – forsikring og trygd gir en grundig, systematisk og helhetlig framstilling av reglene om yrkesskade. Boken er egnet som oppslagsverk for alle som har befatning med yrkesskadebestemmelsene, som dommere, advokater, saksbehandlere i forsikringsselskaper og trygdeforvaltning, verneombud, tillitsvalgte i fagforeninger, bedriftsleger og personalansvarlige. Det er lagt vekt på å drøfte problemstillinger som praktikere møter i sitt arbeid.
Das Konzept „Starke Sprache“

Das Konzept „Starke Sprache“

Sven Pastoors; Lars Meyer

Springer
2020
nidottu
Wer etwas Interessantes zu sagen hat, dem hören sowohl Kunden als auch Kollegen gerne zu. Die Art und Weise, wie wir kommunizieren, ist somit entscheidend für unseren beruflichen und privaten Weg. Zudem hängt das Maß, wie kompetent und glaubwürdig uns unsere Gesprächspartner einschätzen, maßgeblich vom Gebrauch unserer Sprache ab. In sechs Kapiteln vermitteln die Autoren in diesem essential ihren Lesern die Grundlagen starker, wirksamer Sprache. Der Fokus liegt dabei auf einer klaren und deutlichen Ausdrucksweise. Dies ist eine wichtige Voraussetzung für erfolgreiches Kommunizieren, Verhandeln und Diskutieren.
Modern personlighetspsykologi : vi märkliga människor

Modern personlighetspsykologi : vi märkliga människor

Henrik Høgh-Olesen; Thomas Dalsgaard; Finn Skårderud; Jill Byrnit; Carsten René Jørgensen; Lars Lundmann; Mimi Mehlsen; Martin Hammershøj Olesen; Jan Tønnesvang

Studentlitteratur
2017
nidottu
Vem är jag? Och vem är du? Varför tänker, handlar och känner vi som vi gör? Vilka krafter driver oss? Och hur fria är vi att välja vilka vi vill vara? Vad är det som gör oss unika och ger oss vår personliga karaktär? Hur stort inflytande har våra gener? Och vad betyder ett starkt individualistiskt och konkurrenspräglat samhälle för personlighetsutvecklingen? Personlighetspsykologin är full av frågor och svar.I Modern personlighetspsykologi får du en bred helhetssyn på och förståelse för forskningsfältets många teorier med hjälp av en modell som visar:personlighetens besittande sida (biologi och evolution)personlighetens görande sida (motiv, mål, behov och handling)personlighetens skapande sida (kultur, samhälle, relationer och berättelser).Boken bygger på såväl klassiska som nyare teorier samt på den senaste internationella forskningen inom personlighetspsykologin. Modern personlighetspsykologi är lämplig både som kurslitteratur inom psykologiämnet och som kompetensutveckling för den yrkesverksamma psykologen, socionomen, läkaren, sjuksköterskan eller läraren. Med sin lättillgängliga stil och sina intresseväckande exempel är det är också en bok för en bredare läsekrets - Modern personlighetspsykologi är en bok för alla som är nyfikna på varför vi gör som vi gör.
Lars

Lars

Ann Gimpel

Ann Giimpel Books, LLC
2018
pokkari
Tamara MacBride has a much bigger problem than hiding her shifter side from the world. By the skin of her teeth, and with a smattering of Irish luck, she manages to kill her sister's murderer. Escaping from the scene of the crime is much harder than she anticipated. Just when she thinks she might be safe, her cab driver shrieks and slumps over the wheel.An unknown assailant terminates Lars Kinsvogel's target. Pleased by the outcome--after all dead is dead--he exchanges the glitz of Monte Carlo for a nearby airport, intent on collecting the private plane he left there. He's no sooner arrived when a cab jumps the curb, and he races over to investigate. There's not much he can do for the cabbie, but his passenger is still very much alive.Trying to hustle Tamara out of the cab is tough. She's frozen by fear, but when Lars lays out the rest of his plan to move her out of danger's path, her temper flares. He can't leave her alone in Monte Carlo. Can he convince her to trust him in time to save her life?
Lars

Lars

Ulrica Martinsdotter

Lava Förlag
2023
nidottu
Mitt i morgonpromenaden, steg 1834 för att vara mer exakt, bestämmer sig Lars för att han ska ta livet av sig. Han bestämmer också att han ska göra det en regnig dag – han vill nämligen inte påverka någons soliga dag med sitt avslut.Den soligaste sommaren på 103 år får vi sedan följa Lars och hans tankar när han planerar allt in i minsta detalj, i väntan på regnet.I ett bibliotek står Lisa och tar emot för sent tillbakalämnade böcker med dåliga ursäkter som obligatoriskt komplement.Hon drömmer sig tillbaka till när barnen var så små att hon kunde högläsa deckare för dem, eftersom de ändå inte förstod vad hon sa. Nu är allt hon hinner läsa baksidestexter på böckerna hon packar upp på jobbet, och samma barnböcker om och om igen.
Lars von Trier Beyond Depression

Lars von Trier Beyond Depression

Linda Badley

Columbia University Press
2022
sidottu
Lars von Trier built a reputation as a provocateur from the start—but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to “extreme” cinema. Following von Trier’s experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director’s controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier’s preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier’s artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier’s work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, “dark ecology,” and the postcinematic.
Lars von Trier Beyond Depression

Lars von Trier Beyond Depression

Linda Badley

Columbia University Press
2022
pokkari
Lars von Trier built a reputation as a provocateur from the start—but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to “extreme” cinema. Following von Trier’s experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director’s controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier’s preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier’s artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier’s work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, “dark ecology,” and the postcinematic.
Lars von Trier

Lars von Trier

Linda Badley

University of Illinois Press
2011
sidottu
Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde to American genre films. This volume provides a stimulating overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy (Breaking the Waves, The Idiots, and Dancer in the Dark), the as-yet unfinished USA Trilogy (Dogville and Manderlay), and individual projects such as the comedy The Boss of It All and the incendiary horror psychodrama Antichrist. Closely analyzing the films and their contexts, Linda Badley draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture. Two revealing interviews that Trier granted during crucial stages of Antichrist's development are also included.
Lars Von Trier

Lars Von Trier

Linda Badley

University of Illinois Press
2011
nidottu
Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde to American genre films. This volume provides a stimulating overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy (Breaking the Waves, The Idiots, and Dancer in the Dark), the as-yet unfinished USA Trilogy (Dogville and Manderlay), and individual projects such as the comedy The Boss of It All and the incendiary horror psychodrama Antichrist. Closely analyzing the films and their contexts, Linda Badley draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture. Two revealing interviews that Trier granted during crucial stages of Antichrist's development are also included.
Lars von Trier's Cinema

Lars von Trier's Cinema

Rebecca Ver Straten-McSparran

Routledge
2021
sidottu
This book offers a bold and dynamic examination of Lars von Trier’s cinema by interweaving philosophy and theology with close attention to aesthetics through style and narrative. It explores the prophetic voice of von Trier's films, juxtaposing them with Ezekiel's prophecy and Ricoeur’s symbols of evil, myth, and hermeneutics of revelation. The films of Lars von Trier are categorized as extreme cinema, inducing trauma and emotional rupture rarely paralleled, while challenging audiences to respond in new ways. This volume argues that the spiritual, biblical content of the films holds a key to understanding von Trier’s oeuvre of excess. Spiritual conflict is the mechanism that unpacks the films’ notorious excess with explosive, centrifugal force. By confronting the spectator with spiritual conflict through evil, von Trier's films truthfully and prophetically expose the spectator’s complicity in personal and structural evil, forcing self-examination through theological themes, analogous to the prophetic voice of the transgressive Hebrew prophet Ezekiel, his prophecy, and its form of delivery. Placed in context with the prophetic voices of Dante, Milton, Dostoyevsky, O’Connor, and Tarkovsky, this volume offers a theoretical framework beyond von Trier. It will be of great interest to scholars in film studies, film and philosophy, film and theology.
Lars von Trier's Cinema

Lars von Trier's Cinema

Rebecca Ver Straten-McSparran

TAYLOR FRANCIS LTD
2023
nidottu
This book offers a bold and dynamic examination of Lars von Trier’s cinema by interweaving philosophy and theology with close attention to aesthetics through style and narrative. It explores the prophetic voice of von Trier's films, juxtaposing them with Ezekiel's prophecy and Ricoeur’s symbols of evil, myth, and hermeneutics of revelation. The films of Lars von Trier are categorized as extreme cinema, inducing trauma and emotional rupture rarely paralleled, while challenging audiences to respond in new ways. This volume argues that the spiritual, biblical content of the films holds a key to understanding von Trier’s oeuvre of excess. Spiritual conflict is the mechanism that unpacks the films’ notorious excess with explosive, centrifugal force. By confronting the spectator with spiritual conflict through evil, von Trier's films truthfully and prophetically expose the spectator’s complicity in personal and structural evil, forcing self-examination through theological themes, analogous to the prophetic voice of the transgressive Hebrew prophet Ezekiel, his prophecy, and its form of delivery. Placed in context with the prophetic voices of Dante, Milton, Dostoyevsky, O’Connor, and Tarkovsky, this volume offers a theoretical framework beyond von Trier. It will be of great interest to scholars in film studies, film and philosophy, film and theology.