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1000 tulosta hakusanalla Laura Fernandez Nebot
Hace a os me sent a avergonzada de mis piernas. Por eso, decid encontrar la manera de tenerlas bonitas y esbeltas. Fueron muchos los sacrificios, las pruebas, los errores... El aprendizaje fue largo y duro, muy duro... Hoy quiero ense arte el fruto de ese trabajo. En este libro encontrar s la forma de lograr tu objetivo. Y lo har s sin esfuerzos, sin dietas, sin gimnasios, sin hambre... Tan solo siguiendo mis instrucciones y con un poco de constancia, lo lograr s. Aprov chate de la experiencia de alguien que pas lo mismo que t est s pasando y que hoy puede presumir de unas bonitas piernas. T tambi n lo conseguir s... Laura Fern ndez.
Un cuaderno en blanco para apuntar tus notas e ideas.
«Hay en los libros de Laura Fern ndez una apelaci n a todas las formas genuinas de placer lector. Y eso lo consigue con una lengua que no exist a antes de ella . - Nadal Suau, El Cultural «Una escritora poderosa y con un futuro envidiable . -Manuel Vilas Matson es un adolescente que vive en Rethrick, el planeta fan de la Tierra, y quiere conocer a su madre, una camarera terr cola a la que su padre am quince a os atr s, cuando trabajaba como esp a intergal ctico. Para cumplir su sue o, Matson cruzar el cosmos en una nave furgoneta llamada Wendy, y en su aventura le acompa ar n su amigo Dandy y dos chicas que adoran a Robbie Stamp, una escritora de ciencia ficci n casi desconocida en la Tierra cuyos libros son aut nticos best sellers en Rethrick. Definido por la autora como «un cruce entre la pel cula Mi novia es una extraterrestre y una versi n alien gena de Los Goonies , El Show de Grossman es un festival narrativo en el que se conjugan innumerables alusiones pop, personajes inolvidables, di logos desopilantes y toda la inteligencia literaria de Laura Fern ndez. ENGLISH DESCRIPTION "There is in Laura Fern ndez's books an appeal to all genuine forms of reading pleasure. And she achieves this with a language that did not exist before her." -Nadal Suau, El Cultural "A powerful writer with an enviable future." -Manuel Vilas Matson is a teenager who lives on Rethrick, a planet who's a great fan of Earth, and wants to meet his mother, an Earthling waitress whom his father loved fifteen years ago when he worked as an intergalactic spy. To fulfill his dream, Matson will cross the cosmos in a ship called Wendy, and on his adventure he'll be accompanied by his friend Dandy and two girls who adore Robbie Stamp, a science fiction writer almost unknown on Earth whose books are genuine best sellers in Rethrick. Defined by the author as "a cross between the movie My Girlfriend Is an Alien and an alien version of The Goonies," The Grossman Show is a genuine narrative festival in which countless pop allusions, unforgettable characters, hilarious dialogues, and the literary genius of Laura Fern ndez come together.
Philip II of Spain and the Architecture of Empire
Laura Fernández-González
Pennsylvania State University Press
2021
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Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions.Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.
During the sixteenth-century, the Monarchia Hispanica ruled by Philip II of Spain was Europe’s most powerful composite monarchy, with an empire that stretched from Europe to the Americas and South-East Asia. This power rested not simply upon wealth and military might, but was bolstered by an array of social, cultural and religious tools that were employed to legitimize, strengthen and build the king’s authority. Developing and exploring an important facet of this 'soft power', this book investigates ideas of empire and imperialism in the architecture, urbanism and culture of the Iberian Peninsula. It explores these ideas of empowerment through a number of case studies that reflect the way the ’centre’ of the empire was affected by the Universal Monarchy in line with scholarly works on Atlantic studies. Adopting a global - rather than a European-centred - perspective the book employs four case studies to reveal how Spain’s imperial expansion during the sixteenth century allowed Philip to project and communicate an image of himself as the monarch of a worldwide empire through art and architecture. Beginning with an introductory chapter outlining Philip II’s appreciation of art and architecture within the context the notion of empire developed at his court, the work is then divided into four sections. Part 1 ’Urban utopia’ looks at Madrid and the wider world, domestic architecture and Spanish imperial authority in the sixteenth century. Part 2. ’Ruling an empire through paper’ addresses the Simancas archive and the Habsburg network of information and archival repositories in Europe and beyond. Part 3 ’The Global Empire’ explores the Iberian Union and Philip II as Dominae Totis Orbis. Part 4 ’The Hall of Battles at El Escorial’ covers visual chronicles of warfare and the fame of the Universal Monarch. In all the book provides a substantial contribution to the field, charting the development of an image of empire and supremacy during Phili
La dama se suelta el chongo: Que le vamo' a hace' pue'
Laura Fernandez Mac Gregor
Createspace Independent Publishing Platform
2013
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Preparaci n, ah nco y coraje para la vida son las cualidades de una mujer valiente que habla sin temor de esas emociones que todos experimentamos, pero casi nadie se atreve a exteriorizar. En La dama se suelta el chongo desfilan, con humor y entra able sentimiento, las memorias de Laura Fern ndez MacGregor Maza: esposa, madre, hermana y amiga que por medio de una narraci n gil, apasionada, franca, espont nea e hilarante, se suelta el chongo y nos cuenta, sin cautela, su historia.
Imag nese que un d a recibe una notificaci n Policial, en la cu l le instan a que preste declaraci n. Cuando acude a esa citaci n su sorpresa es que termina detenido, internado en un calabozo y despu s llevado al Juzgado para realizarle una vista r pida en la cual no le dejan declarar porque directamente asumen que es culpable de los hechos que se le imputan. Esto es lo que le ha ocurrido a Aar n. Ser n ciertas las acusaciones? Tendr n pruebas suficientes contra l para tomar semejante decisi n?. Esto est basado en una historia real que comienza en 2021 y que continua hasta la actualidad.
Human and Automatic Speaker Recognition over Telecommunication Channels
Laura Fernández Gallardo
Springer Verlag, Singapore
2016
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This work addresses the evaluation of the human and the automatic speaker recognition performances under different channel distortions caused by bandwidth limitation, codecs, and electro-acoustic user interfaces, among other impairments. Its main contribution is the demonstration of the benefits of communication channels of extended bandwidth, together with an insight into how speaker-specific characteristics of speech are preserved through different transmissions. It provides sufficient motivation for considering speaker recognition as a criterion for the migration from narrowband to enhanced bandwidths, such as wideband and super-wideband.
Human and Automatic Speaker Recognition over Telecommunication Channels
Laura Fernández Gallardo
Springer Verlag, Singapore
2015
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This work addresses the evaluation of the human and the automatic speaker recognition performances under different channel distortions caused by bandwidth limitation, codecs, and electro-acoustic user interfaces, among other impairments. Its main contribution is the demonstration of the benefits of communication channels of extended bandwidth, together with an insight into how speaker-specific characteristics of speech are preserved through different transmissions. It provides sufficient motivation for considering speaker recognition as a criterion for the migration from narrowband to enhanced bandwidths, such as wideband and super-wideband.
El Complejo Oleaginoso de la Región Rosario
Virginia Laura Fernández
Editorial Académica Española
2017
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Restauracion Forestal En Paisajes Periurbanos
Laura Fern Ndez P Rez; Laura Fernandez Perez
Eae Editorial Academia Espanola
2012
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Festival Culture in the World of the Spanish Habsburgs
Fernando Checa Cremades; Laura Fernández-González
TAYLOR FRANCIS LTD
2024
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In recent years, there has been an increasing interest in Early Modern Festivals. These spectacles articulated the self-image of ruling elites and played out the tensions of the diverse social strata. Responding to the growing academic interest in festivals this volume focuses on the early modern Iberian world, in particular the spectacles staged by and for the Spanish Habsburgs. The study of early modern Iberian festival culture in Europe and the wider world is surprisingly limited compared to the published works devoted to other kingdoms at the time. There is a clear need for scholarly publications to examine festivals as a vehicle for the presence of Spanish culture beyond territorial boundaries. The present books responds to this shortcoming. Festivals and ceremonials played a major role in the Spanish world; through them local identities as well as a common Spanish culture made their presence manifest within and beyond the peninsula through ephemeral displays, music and print. Local communities often conflated their symbols of identity with religious images and representations of the Spanish monarchy. The festivals (fiestas in Spanish) materialized the presence of the Spanish diaspora in other European realms. Royal funerals and proclamations served to establish kingly presence in distant and not so distant lands. The socio-political, religious and cultural nuances that were an intrinsic part of the territories of the empire were magnified and celebrated in the Spanish festivals in Europe, Iberia and overseas viceroyalties. Following a foreword and an introduction the remaining 12 chapters are divided up into four sections. The first explores Habsburg Visual culture at court and its relationship with the creation of a language of triumph and the use of tapestries in festivals. The second part examines triumphal entries in Madrid, Lisbon, Cremona, Milan, Pavia and the New World; the third deals with the relationship between religion and the empire through the examination of royal funerals, hagiography and calendric celebrations. The fourth part of the book explores cultural, artistic and musical exchange in Naples and Rome. Taken together these essays contribute further to our growing appreciation of the importance of early-modern festival culture in general, and their significance in the world of the Spanish Habsburgs in particular.
Festival Culture in the World of the Spanish Habsburgs
Fernando Checa Cremades; Laura Fernández-González
Ashgate Publishing Limited
2015
sidottu
In recent years, there has been an increasing interest in Early Modern Festivals. These spectacles articulated the self-image of ruling elites and played out the tensions of the diverse social strata. Responding to the growing academic interest in festivals this volume focuses on the early modern Iberian world, in particular the spectacles staged by and for the Spanish Habsburgs. The study of early modern Iberian festival culture in Europe and the wider world is surprisingly limited compared to the published works devoted to other kingdoms at the time. There is a clear need for scholarly publications to examine festivals as a vehicle for the presence of Spanish culture beyond territorial boundaries. The present books responds to this shortcoming. Festivals and ceremonials played a major role in the Spanish world; through them local identities as well as a common Spanish culture made their presence manifest within and beyond the peninsula through ephemeral displays, music and print. Local communities often conflated their symbols of identity with religious images and representations of the Spanish monarchy. The festivals (fiestas in Spanish) materialized the presence of the Spanish diaspora in other European realms. Royal funerals and proclamations served to establish kingly presence in distant and not so distant lands. The socio-political, religious and cultural nuances that were an intrinsic part of the territories of the empire were magnified and celebrated in the Spanish festivals in Europe, Iberia and overseas viceroyalties. Following a foreword and an introduction the remaining 12 chapters are divided up into four sections. The first explores Habsburg Visual culture at court and its relationship with the creation of a language of triumph and the use of tapestries in festivals. The second part examines triumphal entries in Madrid, Lisbon, Cremona, Milan, Pavia and the New World; the third deals with the relationship between religion and the empire through the examination of royal funerals, hagiography and calendric celebrations. The fourth part of the book explores cultural, artistic and musical exchange in Naples and Rome. Taken together these essays contribute further to our growing appreciation of the importance of early-modern festival culture in general, and their significance in the world of the Spanish Habsburgs in particular.
El Mundo Mágico de Pepe (Pepe's Magic World)
Laura Nuñez Fernandez; Lucia Marin Fabian
Heyspanish Publishing
2021
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Transgresiones en las letras iberoamericanas
Laura López Fernández; Luis Mora-Ballesteros Mora-Ballesteros
Argus-a Artes y Humanidades/Arts Humanities
2021
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Bajo el t tulo Transgresiones en las letras iberoamericanas: visiones del lenguaje po tico, diez investigadores de distintas latitudes reflexionan sobre asuntos dis miles y analizan temas que son consustanciales con sus b squedas y sensibilidades. Gracias a estas contribuciones, el exilio, la memoria, el pa s, la despolitizaci n, la resistencia, la internalizaci n, la afroidentidad, el empoderamiento corporal, el posthumanismo, la re-escritura transnacional, la transgresi n, el testimonio; el ciberfeminismo, la bivocalidad, y la heteroglosia, se constituyen en las categor as de an lisis de un corpus po tico transcontinental y pluriling e. Uno que agrupa tanto a voces can nicas como a emergentes, e incluye -como sello distintivo-, a autores afrocaribe os e ind genas, as como tambi n considera a escritores de diferentes generaciones y territorialidades que suman importantes reconocimientos en sus palmareses a escalas local, nacional y global. Todo lo cual permite perfilar la conjunci n de los mundos materno, cultural, social y pol tico de varios continentes en voz de poetas y poetisas de or genes varios (Puerto Rico, M xico, Estados Unidos, Espa a, Cuba y Venezuela), al tiempo que facilita ilustrar algunos signos del estado de la cuesti n po tica en Am rica y Europa en t rminos de los materiales y las subjetividades que conforman los campos art stico y literario a inicios de la segunda d cada del Siglo XXI.
Iphigenie auf Tauris - Ein "verteufelt humanes" Drama?
Laura Cuenca Fernandez
Grin Publishing
2008
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Medea, Penthesilea, Elektra - Frauenfiguren der griechischen Mythologie in der deutschsprachigen Literatur
Laura Cuenca Fernandez
Grin Publishing
2011
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