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1000 tulosta hakusanalla Laura Friedman Williams

Available

Available

Laura Friedman Williams

HARPERCOLLINS PUBLISHERS
2021
sidottu
‘Gripping’ Vogue‘Empowering’ Cosmopolitan‘Joyful’ Financial Times‘Eye-popping’ Daily Mail When her 22-year-marriage suddenly ended, 47-year-old mother of three Laura expected life as she knew it to be over. What she hadn’t expected: · An incredible one-night stand· A new-found sexual appetite· Ten men in eight months· That there is plenty of fun to be had after 40From G-spots to bald spots, dirty talk to dating fiascos, Available is the unflinchingly honest, empowering, and humorous true story of one woman’s love life after divorce. ‘A real page-turner […] Unexpected, original, funny and sometimes deeply infuriating, Laura Friedman Williams has so much to say about what we expect of women’s sexuality. I loved it’ Viv Groskop author of How to Own the Room
Available

Available

Laura Friedman Williams

HARPERCOLLINS PUBLISHERS
2021
nidottu
'Gripping' Vogue'Empowering' Cosmopolitan'Joyful' Financial Times'Eye-popping' Daily MailWhen her 22-year-marriage suddenly ended, 47-year-old mother of three Laura expected life as she knew it to be over. What she hadn't expected:
Available

Available

Laura Friedman Williams

HARPERCOLLINS PUBLISHERS
2022
nidottu
‘Gripping’ Vogue‘Empowering’ Cosmopolitan‘Joyful’ Financial Times‘Eye-popping’ Daily Mail When her 22-year-marriage suddenly ended, 47-year-old mother of three Laura expected life as she knew it to be over. What she hadn’t expected: · An incredible one-night stand· A new-found sexual appetite· Ten men in eight months· That there is plenty of fun to be had after 40From G-spots to bald spots, dirty talk to dating fiascos, Available is the unflinchingly honest, empowering, and humorous true story of one woman’s love life after divorce. ‘A real page-turner […] Unexpected, original, funny and sometimes deeply infuriating, Laura Friedman Williams has so much to say about what we expect of women’s sexuality. I loved it’ Viv Groskop author of How to Own the Room
A Mannered Grace: The Life of Laura (Riding) Jackson
A decade in the making and eagerly anticipated, here is the authorized biography, written by the woman Laura (Riding) Jackson took into her confidence. Elizabeth Friedmann met Laura (Riding) Jackson in 1985, after five years of correspondence, and worked with her until her death in 1991. From the vantage point of a close friend and with access to all of (Riding) Jackson's papers, Friedmann now sheds new light on the life and work of one of the most important yet perplexing figures in American and British literary history. With fascinating detail, Friedmann recreates the writer and her world. We share a young Laura's excitement when, in the early 1920s, her poems attract the attention of John Crowe Ransom and Allen Tate. We recognize her sense of destiny when she goes to England and begins her productive collaboration with Robert Graves. Friedmann shows the life and world circumstances that led to such historic works as A Survey of Modernist Poetry (written with Graves) and the Collected Poems of 1938. She takes us into Laura's diverse circle of associates that included Hart Crane, Gertrude Stein, and Virginia Woolf. So intimate is this portrait that the "scandals" of (Riding) Jackson's personal and professional lifeher "three-life" with Graves and Nancy Nicholson, her attempted suicide, her role in the breakup of Schuyler Jackson's first marriage, and her renunciation of poetryare demystified, put into perspective, made understandable. Friedmann shows that (Riding) Jackson was not a divided woman, as some have said. Rather, she maintained a "mannered grace" and possessed an inner consistency of thought and purpose. Beautifully written, fair-minded, and compassionate, A Mannered Grace humanizes a complex and often demonized figure, and allows for a reassessment of her remarkable achievement.
Att lära in ute för hållbar utveckling

Att lära in ute för hållbar utveckling

Lisa Behrenfeldt; Elisabet Brömster; Gordon Eadie; Annette Fredman; Helene Grantz; Josefine Gustafsson; Birgitta Jansson; Stina Lindblad; Lotta Lundberg; Annika Manni; Ann-Sofie Tedenljung; Ammi Wohlin; Ingemar Nyman

Outdoor Teaching Förlag
2015
sidottu
Målgrupp: F-9 Författare: Lisa Behrenfeldt, Elisabet Brömster, Gordon Eadie, Annette Fredman, Helene Grantz, Josefine Gustafsson, Birgitta Jansson, Stina Lindblad, Lotta Lundberg, Annika Manni, Ann-Sofie Tedenljung, Ammi Wohlin Om boken Hållbar utveckling ska genomsyra undervisningen i alla skolformer, men hur ska det gå till? Att lära in ute för hållbar utveckling vänder sig till lärare i årskurs F-9 som vill skapa förståelse och sammanhang kring begreppet hållbar utveckling. Bokens 340 sidor innehåller övningar som bäst genomförs utomhus på skolgården, i naturen nära skolan eller i samhället, men också konkreta tips på för- och efterarbete inomhus. Här finns både korta och lite längre övningar och teman som bidrar till att ge eleverna handlingskompetens, insikt och möjlighet att påverka sin egen situation. Hållbar utveckling brukar sägas ha tre perspektiv, det ekologiska, det ekonomiska och det sociala. Boken är indelad efter dessa och den ekologiska ingången behandlar biologisk mångfald och ekosystemtjänster. Den ekonomiska ingången behandlar resurshushållning, livsstil och förädling av mat och andra produkter. Den sociala ingången innehåller övningar som handlar om global rättvisa och demokrati. Alla övningar är ämnesintegrerade och kopieringsunderlag finns sist i boken tillsammans med förklarande ordlistor och tabell över hur övningarna kopplar till Lgr 11. Under 30 år har naturskolorna i Sverige arbetat för att ställa om till ett hållbart samhälle. Ett åttiotal ämnesövergripande, praktiska och väl beprövade övningar som ger kunskap om och konkretiserar hur eleverna kan bidra till en hållbar utveckling finns nu samlade i Att lära in ute för hållbar utveckling.
Esitutkinta ja pakkokeinot

Esitutkinta ja pakkokeinot

Markku Fredman; Lauri Rautio; Matti Tolvanen; Marko Viitanen

Alma Insights
2025
sidottu
Kirja on perusteellinen esitys esitutkinnasta ja pakkokeinoista. Se käsittelee esitutkintaa, pakkokeinoja ja poliisin toimivaltuuksia sääntelevät normit huomioiden myös rikostutkinnan tarpeet. Kirjassa esitetään tarkasti viranomaisten toimivaltuudet, joiden sääntely on entistä täsmällisempää ja kattavampaa.Uudistetussa painoksessa on otettu huomioon viime vuosina lakeihin tehdyt lukuisat muutokset, puolustuksen rooli esitutkinnassa ja haavoittuvassa asemassa olevien oikeudet. Lisäksi painotetaan esitutkinnan viestinnällistä näkökulmaa ja otetaan huomioon rikostutkinnan tarpeet. Käsiteltävänä ovat myös asetustasoiset säädökset ja poliisin esitutkintaa ja pakkokeinoja käsittelevä ohjeistus.Kirjassa on aiempaa laajemmin huomioitu kansallisten ja ylikansallisten tuomioistuinten tuore oikeuskäytäntö ja laillisuusvalvojien ratkaisut. Oikeus- ja ratkaisukäytäntöä on seurattu kirjan julkaisemiseen saakka.Tämä teos on perusteellinen ja välttämätön työkalu kaikille esitutkinta- ja pakkokeinolainsäädäntöä työssään soveltaville. Teos soveltuu myös opiskelijoille ja muille aihepiiristä kiinnostuneille.
Laura

Laura

Vera Caspary

Vintage
2012
pokkari
In the doorway of an elegant New York apartment, blood seeps over silk negligee, over polished wood floors and plush carpet: a beautiful young woman lies dead, her face disfigured by a single gun shot. But who was Laura?
Laura

Laura

Larry Watson

Washington Square Press Inc.,N.Y.
2001
pokkari
In a captivating departure, Larry Watson, "a writer whose work is worthy of prizes" ("Los Angeles Times Book Review"), unveils a portrait of faith, obsession, and enduring love -- and a work of greater tenderness than anything he has yet written. "Laura" Love captures Paul Finley, in, of all places, his own bedroom -- literally waking him from his dreams. The night he discovers Laura Pettit standing at his windowsill, Paul is eleven years old, a boy naturally inclined toward seriousness, precociously adept at the art of watching the world without being watched. Laura is twenty-two, a fiercely passionate and independent poet already experiencing the first flickers of fame, a beautiful woman on the brink of seducing Paul's father. No matter; Paul is smitten. When she leaves him to rejoin the grown-ups' party downstairs, Laura issues Paul a wholly impossible command, one that will haunt and consume both of them for the rest of their lives: "Forget me." Laying bare the inner life of one man during the course of nearly four decades, Larry Watson delivers a riveting treatise on the excruciating power of love -- and two of the most remarkable characters in recent American literature. Infused with breathtaking pathos and delicate grace, "Laura" is an extraordinary triumph of the novelist's art.
Laura

Laura

Barbara L. Estrin

Duke University Press
1994
pokkari
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
Laura

Laura

Barbara L. Estrin

Duke University Press
1994
sidottu
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.