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1000 tulosta hakusanalla Laura Kastell

VERA

VERA

Laura Kastell

Forlaget Forfatterskabet.dk
2020
nidottu
’En historie er ikke en historie, uden at nogen fortæller den, og selv helt almindelige mennesker som Vera har en historie at fortælle.’VERA er en fortælling om en kvinde, der gav alt, men intet havde. En fortælling, der er skrevet udfra erindringer og baseret på sandheden.VERA handler om en person, der levede et langt liv i et rigtigt halvtredser-ægteskab, hvor glansbilledet skulle opretholdes, og hvor Gud var den eneste som vidste, om hun havde det godt. Bogen er fortalt efter hendes død, hvor alle hemmelighederne i familien kom frem, og den perfekte facade begyndte at krakelere. En historie, der begynder med slutningen.VERA er en lille bog med bid og fortællingen om et menneskes indflydelse på et andet.Om forfatterenLaura Kastell (f. 1995), uddannet BSc, stud.cand.polyt (MSc),debuterer med bogen VERA.
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Laura-razbojnitsa. Siena, Florentsija, Kastelguelfo i Montelupo

Laura-razbojnitsa. Siena, Florentsija, Kastelguelfo i Montelupo

Tereza Radiche

Peshkom V Istoriju
2020
sidottu
Uzhe neskolko mesjatsev Ljuchija tomitsja v plenu u kovarnogo Gote de Brienna, pravitelja Florentsii. Ejo otchajavshijsja otets gotovitsja shturmovat gorod. No ne stoit terjat nadezhdu - vernye druzja junoj gertsogini, Laura i Rinaldo, uzhe pridumali, kak osvobodit podrugu. Im ponadobitsja pomosch zhitelej Florentsii... Ved vmeste my sila, a druzhbe ljubye vojny nipochjom!Novyj komiks ot sozdatelej serii "Prikljuchenija Violetty", Terezy Radiche i Stefano Turkoni, znakomit chitatelej s nravami i obychajami srednevekovoj Italii. V tretem tome serii glavnye geroi - Laura i ejo brat Rinaldo - pytajutsja osvobodit svoju podrugu, junuju gertsoginju Ljuchiju, iz plena i predotvratit vojnu mezhdu Sienoj i Florentsiej.Ob avtorakhTereza Radiche i Stefano Turkoni, sootvetstvenno stsenarist i illjustrator, vpervye obedinili svoi sily v 2003 godu dlja sozdanija komiksa "Neznakomyj legion". Etot proekt polozhil nachalo ikh mnogoletnemu sotrudnichestvu - i v tvorchestve, i v zhizni (vskore Tereza i Stefano pozhenilis). Oni sotrudnichajut s izvestnymi zhurnalami komiksov, takimi kak Topolino, W.I.T.C.H., PK, MM, X-Mickey, Fairies, Wondercity i sozdajut komiksy dlja krupnejshikh italjanskikh izdatelej: Disney Italia, Piemme, EL, DeAgostini, B & CDalai i Terredimezzo. Tereza i Stefano reguljarno vstrechajutsja s molodymi chitateljami, provodjat zanjatija i seminary po risovaniju v nachalnykh i srednikh shkolakh.Dlja mladshego i srednego shkolnogo vozrasta.Perevodchik: Boguslavskaja AnnaRedaktor: Litvina Aleksandra, Lion NinaKhudozhnik: Turkoni Stefan
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Individualstrafen im Kartellrecht

Individualstrafen im Kartellrecht

Maren Laura Rüdesheim

Peter Lang AG
2020
nidottu
Die Frage, wie besonders schwerwiegende Kartellverstoesse bekampft werden sollen, beherrschte in den vergangenen Jahren angesichts spektakularer Kartellfalle die rechtspolitische Diskussion. Bereits bei Einfuhrung des GWB im Jahr 1958 und wieder in den 1970er und 1980er Jahren wurde die Einfuhrung von Kriminalstrafen diskutiert. Bis heute ist der deutsche Gesetzgeber von seiner Entscheidung - Hardcore-Kartelle vornehmlich mit den Mitteln des Kartellordnungswidrigkeitenrechts zu verfolgen - nicht abgeruckt. Dennoch mehren sich die Stimmen, die sich dafur aussprechen, Hardcore-Kartelle von der Ordnungswidrigkeit zur Straftat zu erheben. Die Autorin greift die Diskussion auf und befasst sich vertiefend mit der Frage einer Strafbewehrung von Hardcore-Kartellen. Sie zeigt die Notwendigkeit einer strafrechtlichen Regelung auf und stellt die moegliche Ausgestaltung eines Kartellstraftatbestandes dar.
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Laura

Laura

Vera Caspary

Vintage
2012
pokkari
In the doorway of an elegant New York apartment, blood seeps over silk negligee, over polished wood floors and plush carpet: a beautiful young woman lies dead, her face disfigured by a single gun shot. But who was Laura?
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Laura

Laura

Larry Watson

Washington Square Press Inc.,N.Y.
2001
pokkari
In a captivating departure, Larry Watson, "a writer whose work is worthy of prizes" ("Los Angeles Times Book Review"), unveils a portrait of faith, obsession, and enduring love -- and a work of greater tenderness than anything he has yet written. "Laura" Love captures Paul Finley, in, of all places, his own bedroom -- literally waking him from his dreams. The night he discovers Laura Pettit standing at his windowsill, Paul is eleven years old, a boy naturally inclined toward seriousness, precociously adept at the art of watching the world without being watched. Laura is twenty-two, a fiercely passionate and independent poet already experiencing the first flickers of fame, a beautiful woman on the brink of seducing Paul's father. No matter; Paul is smitten. When she leaves him to rejoin the grown-ups' party downstairs, Laura issues Paul a wholly impossible command, one that will haunt and consume both of them for the rest of their lives: "Forget me." Laying bare the inner life of one man during the course of nearly four decades, Larry Watson delivers a riveting treatise on the excruciating power of love -- and two of the most remarkable characters in recent American literature. Infused with breathtaking pathos and delicate grace, "Laura" is an extraordinary triumph of the novelist's art.
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Laura

Laura

Barbara L. Estrin

Duke University Press
1994
pokkari
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
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Laura

Laura

Barbara L. Estrin

Duke University Press
1994
sidottu
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
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Laura!

Laura!

Tracey Richardson

Createspace Independent Publishing Platform
2013
nidottu
Laura is a fictionalized story of Laura Boult of St. Maurice, Louisiana. She left her small town and went to the big city in 1900 after having four boys with two different common-law husbands. In 1905, after being fired by the famous Schubert Brothers of Broadway fame, she left New York in disgrace with an all-black dance troupe headed to Paris, France. It was in Paris that she met the handsome Fran oise Goldman who taught her how to drop her strap and step out of her tap pants to fame and fortune, the likes of which she had never imagined. In 1940, just days before the Germans invaded Paris, Laura, Fran oise, and their daughter fled for their lives, arriving in New York with little more than the clothes they carried in their suitcases. While in New York, they worked at whatever jobs that were offered them. Laura returned to a liberated Paris in 1948 where, with the help of her former stage manger Jules Eitenne, she regained both her fame and her fortune.
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Laura

Laura

Vera Caspary

Feminist Press at The City University of New York
2005
nidottu
Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms-not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman-or has he? "Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters-including a woman who stands as the ultimate femme fatale.
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Laura

Laura

Personliches Namensbuch

Independently Published
2019
nidottu
Sind Sie auf der Suche nach einem g nstigen Geschenk f r ihre Tochter, Freundin oder eine Sch lerin, die gerne Notizen schreibt? Dieses linierte Blanko Notebook ist perfekt Es ist ein perfektes Geschenk f r den Schuljahresbeginn, besondere Anl sse oder Geburtstage Das Schreibheft hat ein 120 linierte A5 Seiten, so dass Sie nicht nur schreiben, sondern auch malen und zeichnen k nnen. Abgerundet wird das ganze durch einen sch nen farbigen Umschlag mit matten und cremefarbenen Seiten. Lass deiner Kreativit t freien Lauf. Schauen Sie sich auch unsere anderen B cher an, Sie werden sicher ein weiteres finden, welches Ihnen auch gefallen wird
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