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1000 tulosta hakusanalla Leila Fielding

Leila

Leila

Prayaag Akbar

Faber Faber
2018
sidottu
Leila does for the barbarity of contemporary Indian nationalism what The Handmaid's Tale did for the yoke of patriarchy. It is urgent, gripping, topical, disturbing, and announces a talent we'll be talking about for years to come. - Neel Mukherjee Soon to be adapted for the screen as a Netflix Original Every year on Leila's birthday Shalini kneels by the wall with a little yellow spade and scoops dry earth to make a pit for two candles. One each for herself and for Riz, the husband at her side. But as Shalini walks from the patch of grass where she held her vigil the man beside her melts away. It is sixteen years since they took her, her daughter's third birthday party, the last time she saw the three people she loves most dearly: her mother, her husband, her child.
Leila

Leila

Prayaag Akbar

Faber Faber
2019
nidottu
Shalini will never forget her daughter Leila's third birthday party: it was the last time she saw her alive. Sixteen years have passed and Shalini's life is unrecognizable. Her husband gone: beaten and dragged from their home the night Leila disappeared. Shalini, once privileged, is now disgraced. She trawls the streets desperate to discover where Leila now lives - if she lives at all. In this repressive state, where tradition and purity are valued above all, those outside the city walls - forced to live in filth and oppressive heat - are less than nothing. But can Shalini find a way back in? Will she see Leila again?
Leila

Leila

Antonio Fogazzaro; Mary Prichard Agnetti

Palala Press
2018
pokkari
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Leila

Leila

Antonio Fogazzaro

Createspace Independent Publishing Platform
2017
nidottu
And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. "Old man," said he, "let me not find you tarrying about our ships, nor yet coming hereafter. Your sceptre of the god and your wreath shall profit you nothing. I will not free her. She shall grow old in my house at Argos far from her own home, busying herself with her loom and visiting my couch; so go, and do not provoke me or it shall be the worse for you.
Leila

Leila

Antonio Fogazzaro

Createspace Independent Publishing Platform
2018
nidottu
Leila rappresenta il tentativo dello scrittore vicentino di affrontare le sue convinzioni cristiane in polemica con la Chiesa istituzionale. I personaggi di Leila partecipano vivamente alla vita dello spirito. Vi sono i rappresentanti dell'estrema destra, l'arciprete don Tita, il canonico don Emanuele, gente di costumi immacolati, ma di cuore gretto e di mente chiusa, ma anche la gente di "mal costume", il losco sior Momi, padre di Leila, la madre galante, i furbi e gli imbroglioni.
Leila

Leila

Dawn Bates

Dawn Publishing
2020
pokkari
Looking at her younger brother and sister, she knew something bad had happened. The silence in the house was no longer a welcome relief; it was deafening, all encompassing.Then the police came, and then a nice lady, then something about a new family.Everything a blur, until she became lost in her own silent world of colour and canvas.Being the unwanted child of a prostitute, life was never going to be easy. Becoming a sister gave her life meaning, then they were taken away from her. Who was she now? Where were they taking her? And would the sounds of her mother's screams haunt her forever more?