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Anneliese Landau's Life in Music

Anneliese Landau's Life in Music

Lily Hirsch

University of Rochester Press
2019
sidottu
A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in émigré California, fought against prejudice to do notable work in music. This book introduces readers to a woman who truly persisted. Anneliese Landau pushed past bias to earn a PhD in musicology in 1930. She then lectured on early German radio, breaking new ground in a developing medium. After the Nazis forced the firing of all Jews in broadcasting in early 1933, Landau worked for a time in the Berlin Jewish Culture League (Jüdischer Kulturbund), a closed cultural organization created by and for Jews in negotiation with Hitler's regime. But, in 1939, she would emigrate alone, the fate of her family members tied separately to the Kindertransport and to the Terezín concentration camp. Landau eventually settled in Los Angeles, assuming duties as music director of the Jewish Centers Association in 1944. In this role, she knew and worked with many significant historical figures, among them the composer Arnold Schoenberg, conductor Bruno Walter, and the renowned rabbi andphilosopher Leo Baeck. Anneliese Landau's Life in Music offers fresh perspective on the Nazi period in Germany as well as on music in southern California, impacted as it was by the many notable émigrés from German-speaking lands who settled in the area. But the book, the first to study Landau's life in full, is also a unique story of survival: an account of one woman's confrontation with other people's expectations of her, as a woman anda Jew. Lily E. Hirsch is the author of A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League.
Dislocated Memories

Dislocated Memories

Tina Frühauf; Lily Hirsch

Oxford University Press Inc
2014
sidottu
The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments on about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.
Taking Funny Music Seriously

Taking Funny Music Seriously

Lily E. Hirsch

INDIANA UNIVERSITY PRESS
2024
sidottu
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
Taking Funny Music Seriously

Taking Funny Music Seriously

Lily E. Hirsch

INDIANA UNIVERSITY PRESS
2024
pokkari
Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
A Jewish Orchestra in Nazi Germany

A Jewish Orchestra in Nazi Germany

Lily E. Hirsch

The University of Michigan Press
2011
nidottu
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues."---Michael Meyer, author of The Politics of Music in the Third Reich"Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence."---Philip V. Bohlman, author of Jewish Music and Modernity"An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid."---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration?Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
Music in American Crime Prevention and Punishment

Music in American Crime Prevention and Punishment

Lily E. Hirsch

The University of Michigan Press
2014
nidottu
Although the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention and Punishment, Lily E. Hirsch explores the related terrain at the intersection of music and law, demonstrating the ways in which music has become a tool of law enforcement and justice through: police and community leaders’ use of classical music in crime deterrence and punishment; the use of rap lyrics as prosecutorial evidence; allegations of music as incitement to violence; and the role of music in U.S. prisons and in detention centers in Guantanamo, Iraq, and Afghanistan. In the course of her study, Hirsch asks several questions: How does the law treat music? When and why does music participate in the law? How does music influence the legal process? How does the legal process influence music? And how do these appropriations affect the Romantic ideals underlying our view of music?
Music in American Crime Prevention and Punishment

Music in American Crime Prevention and Punishment

Lily E. Hirsch

The University of Michigan Press
2012
sidottu
Although the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention and Punishment, Lily E. Hirsch explores the related terrain at the intersection of music and law, demonstrating the ways in which music has become a tool of law enforcement and justice through: police and community leaders’ use of classical music in crime deterrence and punishment; the use of rap lyrics as prosecutorial evidence; allegations of music as incitement to violence; and the role of music in U.S. prisons and in detention centers in Guantanamo, Iraq, and Afghanistan. In the course of her study, Hirsch asks several questions: How does the law treat music? When and why does music participate in the law? How does music influence the legal process? How does the legal process influence music? And how do these appropriations affect the Romantic ideals underlying our view of music?
Weird Al

Weird Al

Lily E. Hirsch; Dr. Demento

Rowman Littlefield
2020
sidottu
This book is the first to address in a serious way the impact and meaning of the music of “Weird Al” Yankovic. Though everyone knows his name, Yankovic is often dismissed as a novelty. His music builds on a rich American tradition of parody song, with many levels of signification—humorous, insulting, political, often at the same time. His songs, including his original compositions, make us laugh but also have a point of view, be it on society, popular culture, food, or words themselves. Very few other artists have created music so dense in meaning and for so long, and it’s high time we recognize Yankovic’s cloyingly humorous appeal. Through original interviews with the man himself, Lily Hirsch addresses Yankovic’s relationship to past parody song as well as his unique approach to the art form. Focusing mainly on his fourteen studio albums, the book explores his music based on themes like insult, politics, race, and word abuse. It also discusses his reputation as one of the music industry’s good guys. In today’s age of incivility (political and otherwise), his nice-guy persona stands out and has helped win him fiercely loyal fans who’ve found in his music a certain acceptance and affirmation. This book is for those fans but also invites music enthusiasts of all stripes to consider and reconsider Yankovic’s music.
Weird Al

Weird Al

Lily E. Hirsch; Dr. Demento

BLOOMSBURY PUBLISHING PLC
2022
pokkari
Featuring even more insights on “Weird Al” Yankovic including his activities during a tumultuous 2020 and 2021, this expanded edition dives deeper into the world of the iconic man who has made a career out of making us laugh.Funny music is often dismissed as light and irrelevant, but Yankovic’s fourteen successful studio albums prove there is more going on than comedic music's reputation suggests. Lily Hirsch weaves together original interviews with the prince of parody himself, creating a fresh take on comedy and music’s complicated romance. She reveals that Yankovic’s jests have always had a deeper meaning, addressing such topics as bullying, celebrity, and racial and gender stereotypes, and that his music served as a much-needed bright spot for many fans. From his love of accordions and Hawaiian print shirts to his popular puns and trademark dance moves, Weird Al is undeterred by those who say funny music is nothing but a low-brow pastime. And thank goodness. With his good-guy grace still intact, Yankovic remains unapologetically and unmistakably himself. Reveling in the mischief and wisdom of Yankovic’s over forty-year career, this book is an Al-expense-paid tour of a true comedic and musical genius.
Can't Stop the Grrrls

Can't Stop the Grrrls

Lily E. Hirsch; Meshell Ndegeocello; Amy Ray

BLOOMSBURY PUBLISHING PLC
2023
sidottu
From stars like Britney Spears and Mariah Carey to classic icons like Yoko Ono, female musicians have long been the target of double standards and toxic labels in the media and pop culture: liar, crazy, snake, diva, slut, b*tch.These words can hurt all of us. The popular expression “sticks and stones” is wildly wrong. And the wounds are everywhere. Lily Hirsch confronts the full range of this sexist labeling as well as the repercussions, concentrating on the experiences of Yoko Ono, Courtney Love, Britney Spears, FKA twigs, Taylor Swift, Kesha, Mariah Carey, and Ariana Grande, among many others. While men can make outrageous backstage demands, women like Carey are punished as “divas.” A sign of supposed genius for men, “crazy” is a word of condemnation for many women—with legal ramifications in Spears’ case.Hirsch dives into the world of these women, looking at their personal lives, relationships and breakups, music, media coverage, public reception, as well as the origins of these toxic labels and how they have caused serious damage. With this focus, the book reveals the inner workings of misogyny and invites us to think about these remarkable women on their own terms—showing us how women have fought back too, sometimes reclaiming these words and their own story through music.
Insulting Music

Insulting Music

Lily E. Hirsch

Springer International Publishing AG
2022
sidottu
Insulting Music explores insult in and around music and demonstrates that insult is a key dimension of Western musical experience and practice. There is insult in the music we hear, how we express our musical preferences, as well as our reactions to settings and sites of music and music making. More than that, when music and insult overlap, the effects can both promote social justice or undermine it, foster connection or break it apart. The coming together of music and insult shapes our sense of self and view of other people, underlining and constructing difference, often in terms of race and gender. In the last decade, music’s power dynamics have become an increasingly important concern for music scholars, critics, and fans. Studying musicians such as Frank Zappa, Nickleback, Taylor Swift, and the Insane Clown Posse, and musical phenomena such as musician jokes, the use of music to torture people, and the playing of music in restaurants, this book shows the various and contradictory ways insults are used to negotiate those existing dynamics in and around music.
Insulting Music

Insulting Music

Lily E. Hirsch

Springer International Publishing AG
2023
nidottu
Insulting Music explores insult in and around music and demonstrates that insult is a key dimension of Western musical experience and practice. There is insult in the music we hear, how we express our musical preferences, as well as our reactions to settings and sites of music and music making. More than that, when music and insult overlap, the effects can both promote social justice or undermine it, foster connection or break it apart. The coming together of music and insult shapes our sense of self and view of other people, underlining and constructing difference, often in terms of race and gender. In the last decade, music’s power dynamics have become an increasingly important concern for music scholars, critics, and fans. Studying musicians such as Frank Zappa, Nickleback, Taylor Swift, and the Insane Clown Posse, and musical phenomena such as musician jokes, the use of music to torture people, and the playing of music in restaurants, this book shows the various and contradictory ways insults are used to negotiate those existing dynamics in and around music.
Lily

Lily

Betty Lowrey

IngramSpark
2022
pokkari
Zedekiah Engleton is on the run, betrayed, accused of wrong doing, only his best friend who sits in the highest of places can clear him, but that takes time. A man of exemplary skills, he has found a place to stay with a reclusive woman living in a community named Perge, where the citizens turn their head at the sins of their neighbors. Past experience have not taught him to deal with a head strong woman nor the innocent workings of a child. Now his heart will soften, all because of the love of a child. When Lily is taken he and the woman must end their differences and find her before it is too late.
Lily

Lily

Rosi Morgan-Barry

Austin Macauley Publishers
2023
pokkari
His elder daughter was all he-and a number of other men-found they wanted in a woman, and Lily soon learned to use her good looks and lively personality to the best advantage. But she was also hard-working and practical and, in her lifetime, held down a number of jobs which, in those times, women were not expected to be able to do. Was it a good life? Depends on what is meant by 'good.' Looking back, Lily would probably say there were plenty of good times, and more than a few regrets. But at least she lived it to the full. In every way. Here is her story.