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1000 tulosta hakusanalla Linda Anderson

Autobiography

Autobiography

Linda Anderson

Routledge
2010
sidottu
If every writer necessarily draws on their own life, is any writing outside the realm of ‘autobiography’? The new edition of this classic guide is fully updated to include:developments in autobiographical criticism, highlighting major theoretical issues and concepts different forms of the genre from confessions and narratives to memoirs and diariesuses of the genre in their historical and cultural contextsmajor autobiographical writers including St Augustine, Bunyan, Boswell, Rousseau and Wordsworth, alongside non-canonical autobiographies by womentwentieth-century autobiography including women's writing, black and postcolonial writing, and personal criticisma new chapter on narrative and new material examining recent trends in autobiography such as blogs, the popularity of literary memoirs and recent developments in theory on testimonial writing. Combining theoretical discussion with thought-provoking readings of major texts, this is the ideal introduction to the study of a fascinating genre.
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Autobiography

Autobiography

Linda Anderson

Routledge
2010
nidottu
If every writer necessarily draws on their own life, is any writing outside the realm of ‘autobiography’? The new edition of this classic guide is fully updated to include:developments in autobiographical criticism, highlighting major theoretical issues and concepts different forms of the genre from confessions and narratives to memoirs and diariesuses of the genre in their historical and cultural contextsmajor autobiographical writers including St Augustine, Bunyan, Boswell, Rousseau and Wordsworth, alongside non-canonical autobiographies by womentwentieth-century autobiography including women's writing, black and postcolonial writing, and personal criticisma new chapter on narrative and new material examining recent trends in autobiography such as blogs, the popularity of literary memoirs and recent developments in theory on testimonial writing. Combining theoretical discussion with thought-provoking readings of major texts, this is the ideal introduction to the study of a fascinating genre.
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Elizabeth Bishop

Elizabeth Bishop

Linda Anderson

Edinburgh University Press
2013
sidottu
A new reading of Elizabeth Bishop's work ranging across archival, historical and theoretical materials Linda Anderson explores Elizabeth Bishop's poetry, from her early days at Vassar College to her last great poems in Geography III and the later uncollected poems. Drawing generously on Bishop's notebooks and letters, the book situates Bishop both in her historical and cultural context and in terms of her own writing process, where the years between beginning a poem and completing it, for which Bishop is legendary, are seen as a necessary part of their composition. The book begins by offering a new reading of Bishop's relationship with Marianne Moore and with modernism. Through her journeys to Europe Bishop, it is also argued, learned a great deal from visual artists and from surrealism. However the book also follows the way Bishop came back to memories of her childhood, developing ideas about narrative, in order to explore time, both the losses it demands and the connections it makes possible. The lines of connections are both those between Bishop and her contemporaries and her context and those she inscribed through her own work, suggesting how her poems incorporate a process of arrival and create new possibilities of meaning. Key Features *Draws on archival and historical material *Provides readings of Bishop's major poetry and prose in context *Draws on psychoanalytic and poststructuralist theory *Connects the poems with their process of composition
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Elizabeth Bishop

Elizabeth Bishop

Linda Anderson

Edinburgh University Press
2015
nidottu
This is a new reading of this intensely private 20th century American poet's work. Linda Anderson explores Elizabeth Bishop's poetry, from her early days at Vassar College to her last great poems in Geography III and the later uncollected poems. Drawing generously on Bishop's notebooks and letters, the book situates Bishop both in her historical and cultural context and in terms of her own writing process, where the years between beginning a poem and completing it, for which Bishop is legendary, are seen as a necessary part of their composition. The book begins by offering a new reading of Bishop's relationship with Marianne Moore and with modernism. The book also follows the way Bishop came back to memories of her childhood, developing ideas about narrative, in order to explore time, both the losses it demands and the connections it makes possible. The lines of connections are both those between Bishop and her contemporaries and her context and those she inscribed through her own work, suggesting how her poems incorporate a process of arrival and create new possibilities of meaning. It draws on archival and historical material. It provides readings of Bishop's major poetry and prose in context. It draws on psychoanalytic and poststructuralist theory. It connects the poems with their process of composition. In the years since her death in 1979 Elizabeth Bishop has become one of the the most beloved poet in the American canon and this insighful book shows us why.
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Sweetie

Sweetie

Linda Anderson

Createspace Independent Publishing Platform
2018
nidottu
My dad was able to go through his final phase of life in his home and on his terms because we had a family plan that allowed us to support each other while we supported our dad. It was all of the little things that made such a big difference.
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Ignited

Ignited

Linda Anderson

Authorhouse
2019
pokkari
Have you ever heard a doctor say, "I will heal ALL of your diseases"? Only God guaranteed a freedom from disease which no one in the medical community has ever dared to duplicate Yet, most people go to a medical doctor before they got o Almighty God. Throughout biblical history, there was never a time when medicine alone was credited as a cure. Only God was known to heal and known as Healer. Medicine and medical procedures may be aids in regaining health, but the supernatural healing of God is the one essential component that cannot be left out. Without God, there is not Healer. "For I am the Lord who heals you" (Exodus 15:26). This book is filled with true stories about miraculous healings - including the story of a man who was born blind and who received his eyesight through prayer Read the instructions and the stories, and become Ignited in your pursuit for personal healing, as well as power to bring healing to others.
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The Station Before

The Station Before

Linda Anderson

Liverpool University Press
2020
nidottu
Shortlisted for the Seamus Heaney First Collection Poetry Prize 2021Linda Anderson's much anticipated first collection travels across time and space, employing a range of voices, including historical ones. At the heart of the collection, though, is always the moment of encounter, the moment when things appear strange, before they settle into a pattern or become known. This is as true of the explorer Charles Kingsley, awed by the Caribbean landscape, as it is of the poet herself, confronted with moments of vision or almost vision, either in her own travels, or in the ordinariness of a domestic life. Nothing is quite secure in this collection: memory destabilizes with its resurrections; seeing has many angles and cannot be taken for granted; borders fluctuate and crossings abound. And although not afraid to draw on ideas from many sources, these poems often explore how thinking masks a fragility, the knowledge of our mortal selves. What are the fragments that make a poem, the book asks? How are they held within a form? And how do we negotiate the multiple memories, ideas, sights, meetings, and losses which constitute us and our complex selves.
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Against Falling

Against Falling

Linda Anderson

LIVERPOOL UNIVERSITY PRESS
2026
nidottu
At the heart of Linda Anderson’s second collection is an exploration of time and of ageing. Time is pressing, urgent, in relation to both the individual and the planet. However, underneath, there is also something unfinished, whether that be in relation to memory’s ability to revise the past and take on different shapes and meanings, or in relation to writing itself which has a materiality which links it to the body of the writer. The collection contains an interrogation of the poet’s notebooks where chance and randomness have an important part to play, forging surprising links, and directing attention to the surrounding bloom of uncertainty, the ‘diaphanous, unwritten poem’ that lurks behind any finished poem. The fragility of the body also undermines certainty, and while much of the collection draws on visual imagery, derived particularly from the natural world, the loss of sight is folded into acts of careful observation, making seeing itself both more problematic and more precious. This collection ranges restlessly across forms and voices connecting the poems to artists, writers, and musicians such as Stanley Spencer, Frédérick Chopin and Elizabeth Bishop. Yet words also repeat across different poems, like musical motifs, forming a fragile net for the collection. There are moments too when silence takes over and we are asked to wait, to discover a different meaning in hesitancy.
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Writing Fiction

Writing Fiction

Linda Anderson; Derek Neale

Routledge
2008
nidottu
Writing Fiction offers the novice writer engaging and creative activities, making use of insightful, relevant readings from well-known authors to illustrate the techniques presented. This volume makes use of new versions of key chapters from the recent Routledge/Open University textbook Creative Writing: A Workbook with Readings for writers who are specializing in fiction. Using their experience and expertise as teachers as well as authors, Linda Anderson and Derek Neale guide aspiring writers through such key aspects of writing as: how to stimulate creativitykeeping a writer’s notebookcharacter creationsettingpoint of viewstructureshowing and telling. The volume is further updated to include never-before published interviews with successful fiction writers Andrew Cowan, Stevie Davies, Maggie Gee, Andrew Greig, and Hanif Kureishi. Concise and practical, Writing Fiction offers an inspirational guide to the methods and techniques of authorship and is a must-read for aspiring writers.
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Writing Fiction

Writing Fiction

Linda Anderson; Derek Neale

Routledge
2015
sidottu
Writing Fiction offers the novice writer engaging and creative activities, making use of insightful, relevant readings from well-known authors to illustrate the techniques presented. This volume makes use of new versions of key chapters from the recent Routledge/Open University textbook Creative Writing: A Workbook with Readings for writers who are specializing in fiction. Using their experience and expertise as teachers as well as authors, Linda Anderson and Derek Neale guide aspiring writers through such key aspects of writing as: how to stimulate creativitykeeping a writer’s notebookcharacter creationsettingpoint of viewstructureshowing and telling. The volume is further updated to include never-before published interviews with successful fiction writers Andrew Cowan, Stevie Davies, Maggie Gee, Andrew Greig, and Hanif Kureishi. Concise and practical, Writing Fiction offers an inspirational guide to the methods and techniques of authorship and is a must-read for aspiring writers.
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Pojmi menja, esli smozhesh. Pochemu nas ne slyshat blizkie i kak eto prekratit

Pojmi menja, esli smozhesh. Pochemu nas ne slyshat blizkie i kak eto prekratit

Linda Anderson; Ouen Mishel

Piter
2020
nidottu
Chasto chto-to sovershenno ochevidnoe, ne nuzhdajuscheesja v objasnenii, i estestvennoe dlja nas okazyvaetsja neponjatnym nashim blizkim. Esli eto proiskhodit, verojatnee vsego, v silu vstupili "molchalivye soglashenija". Imenno tak izvestnye klinicheskie psikhologi Linda Anderson, Sonja Benks i Mishel Ouen nazyvajut nevyskazannye ozhidanija, ubezhdenija, pravila otnoshenij, kotorye my ne ozvuchivaem, schitaja, chto oni ochevidny i ponjatny vsem bez slov. Eta kniga pomozhet razobratsja s tem, chto dejstvitelno ponjatno bolshinstvu, a chto neobkhodimo progovorit, chtoby izbezhat nedoponimanija, kakie slova podobrat i kak sdelat razgovor o molchalivykh soglashenijakh odnovremenno produktivnym i komfortnym. Ona nauchit osvobozhdat ljubye otnoshenija ot gruza nedoskazannosti i stanet nezamenimoj dlja vsekh, kto khochet slyshat i byt uslyshannym, ponimat i najti ponimanie.
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Nøglen til ledelse af forandring

Nøglen til ledelse af forandring

Dean Anderson og Linda Anderson

Gyldendal Trade 150
2012
nidottu
Forandring er et nøgleord i det 21. århundrede, og langt de fleste virksomheder og organisationer gennemgår jævnligt store transformationer. Alligevel er det et fåtal, der reelt har succes med deres forandringstiltag. Nøglen til ledelse af forandring handler om, hvordan man mestrer forandringer, og beskriver den dybere sammenhæng mellem ledelse, personlig udvikling og organisatorisk transformation. For at kunne forandre sin virksomhed succesfuldt må man nemlig ændre sig selv og den måde, man tænker på – sit mindset. Ligeledes må man ændre organisationens kultur, hvilket kun kan ske, hvis man selv går foran som rollemodel. Bogen byder på en revolutionerende tilgang til organisatorisk forandring, kaldet bevidst forandringslederskab, og henvender sig til såvel ledere som konsulenter samt alle andre, der arbejder med transformation. Den indeholder både teoretisk indsigt og praktiske værktøjer, eksistentielle overvejelser og konkrete cases, så læseren klædes solidt på til at lede og arbejde med forandring i nutidens omskiftelige forretningsverden.
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