Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Livia Tavares Cosentino
Caracterização e Simulação do Potencial da Separação Magnética
Ligia Mara Gonzaga; Luís M. M. Tavares; Reiner Neumann
Novas Edições Acadêmicas
2019
nidottu
Livia—wife of the first Roman emperor, Caesar Augustus, and mother of the second, Tiberius— wielded extraordinary power at the center of Roman politics. In this biography of Livia, the first in English, Anthony Barrett sets aside the portrait of a cunning and sinister schemer to reveal Livia as a complex figure whose enduring political influence helped shape Roman government long after her death."An excellent biography of Livia-as appealing to the general reader as it is satisfying to the scholar."—Colin M. Wells, Trinity University, San Antonio"In reading Anthony Barrett’s biography of Livia, I not only learned about this remarkable woman, but also gained a meaningful appreciation of life and society in her time."—Howard Alper, President, The Royal Society of Canada "First-rate."—Mary Beard, Times Literary Supplement
A bold new portrait of Livia, ancient Rome’s first First Lady, who shaped the empire from behind the throne Livia was no ordinary Roman woman. As wife of Augustus and mother of Tiberius—the first and second Roman emperors—she stood at the heart of the first imperial dynasty, wielding extraordinary influence in a world that denied women formal power. In this vivid biography, Caitlin C. Gillespie reclaims Livia (58 BCE–29 CE) from centuries of scandal and rumored villainy, tracing her journey from elite birth and early traumatic exile through her rise to wealth and influence as the matriarch of the imperial household, the Domus Augusta. Drawing on literary and archaeological sources, Gillespie explores Livia’s inner life through her personal losses, including the death of her son Drusus; her political savvy; and her later life as Julia Augusta, high priestess of Augustus’s divine cult. Though she never held an official political position, Livia emerges as a complex figure whose story of ambition, resilience, and maternal power resonates over millennia, captivating audiences from antiquity through today.
Det har visst blivit lite fel här, sa fröken och pekade på det röda farsdagskortet på Livias bänk. Med stora svarta bokstäver hade Livia skrivit ”Till FARAN”. Inget mer. Inte en enda blomma och aldrig i livet några hjärtan. Det ska stå så där, sa Livia bestämt. På väg ut ur klassrummet knölade hon ner kortet i papperskorgen. LIVIA är en berättelse om hemligheter och utsatthet lika mycket som kärlek och integritet där Livia och Lilla Mamma gör allt för att dölja faderns missbruk. Även om romanen handlar om svåra upplevelser finns en ton av hopp och mänsklig styrka som en röd tråd. Är det Lilla Mamma som bär Livia, eller är det kanske tvärtom? Detta är första delen i en planerad trilogi.Detta är en fiktiv berättelse med verklighetsförankring. Boken är en blandning av verkliga händelser och fantasi.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Meet Livia. Livia is a powerful young lady who lives in Ancient Rome, and she is on a mission-to teach you about her world, and to inspire little leaders like herself. Follow Livia through her day, and let her show you what she is capable of. Latin learners, welcome to daily life in Rome; and young readers, prepare to meet your role model.
Livia the Mermaid is a story of a girl who wished to discover her mother's secret door and venture into the outside world to play. She discovered the door, but later on she learnt that her mother was right, that the door should be kept a secret. The book is written by Nehema K. Ratanya. The original manuscript was in Norwegian language but translated into English by her father Andrew Ratanya. Nehema is aged seven years and in second class at Furuset Skole in Norway.
Livia's Advice to Augustus, Persuading Clemency in the Case of Cinna, Who, Was Taken in Actual Rebellion Against the Government. Collected from the Roman Historians
Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++William Andrews Clark Memorial Library (UCLA)N011168A political satire. Livia = Caroline Whilhelmina; Augustus = George II.London: printed for T. Payne, 1722. vii, 1],32p.; 8
