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Lorca

Lorca

Leslie Stainton

Bloomsbury Publishing PLC
1999
nidottu
This biography draws on recently discovered letters that throw revealing light on Lorca's life, work, sexuality and his emergence as the most important Spanish poet and playwright of the 20th century. This is a detailed portrait of a man whose life was deeply entangled with that of his country.
Lorca After Life

Lorca After Life

Noel Valis

YALE UNIVERSITY PRESS
2022
sidottu
A reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously reimagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.
Lorca in English

Lorca in English

Andrew Samuel Walsh

Routledge
2020
sidottu
Lorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.
Lorca in English

Lorca in English

Andrew Samuel Walsh

TAYLOR FRANCIS LTD
2021
nidottu
Lorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.
Lorca’s Legacy

Lorca’s Legacy

Jonathan Mayhew

Routledge
2020
nidottu
In Lorca’s Legacy, Jonathan Mayhew explores multiple aspects of the creative and critical afterlife of Federico García Lorca, the most internationally recognized Spanish poet and playwright of the twentieth century. Lorca is an iconic and charismatic figure who has evoked the admiration and fascination of musicians, poets, painters, and playwrights across the world since his tragic assassination by right-wing forces in 1936, at the onset of the Spanish Civil War. This volume ranges widely, discussing his influence on American theater, his much-debated lecture on the duende, his delayed encounter with queer theory, his influence on contemporary Spanish poetry, and other relevant topics. The critical literature on Lorca is vast, and original contributions are comparatively rare, but Mayhew has found a way to shed fresh light on his legacy by looking with a critical eye at the creative transformations of his life and work, both in Spain and abroad. Lorca’s Legacy celebrates the wealth of material inspired by Lorca, bringing to bear a sophisticated, theoretically informed critical perspective. This book will be of enormous interest to anyone interested in the international projection of Spanish literature, or anyone who has felt the fascination of Lorca’s duende.
Lorca Plays: 1

Lorca Plays: 1

Federico Garcia Lorca

Methuen Drama
1987
nidottu
These three tragedies were written at the height if Lorca's powers and display his innovative mix of Spanish popular tradition and modern dramatic technique. Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Dona Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.
Lorca Plays: 2

Lorca Plays: 2

Federico Garcia Lorca

Methuen Drama
1990
nidottu
"Lorca is one of the few indisputably great dramatists of the twentieth century" Observer The Shoemaker's Wonderful Wife and The Love of Don Perlimplin use an old story of the old man married to the young wife to expose the social attitudes of a traditional Spain bound by rigid concepts of decency, reputation and honour. The Puppet Play deploys the puppets' uninhibited and passionate emotions as a direct attack on the 'tedious triviality' of commercial theatre. The Butterfly's Evil Spell explores the themes of love and frustration, while When Five Years Pass is a surrealist play with references to the film Un Chien Andalou [The Andalusian Dog] by Lorca's friend and collaborator, Luis Bunuel.
Lorca Plays: 3

Lorca Plays: 3

Federico Garcia Lorca

Methuen Drama
1994
nidottu
"Lorca is one of the few indisputably great dramatists of the twentieth century" Observer Mariana Pineda achieved immediate critical success on its first performance in Barcelona in 1927. The Public is a powerful and uncompromising demand for sexual, and specifically homosexual, freedom - as predicted it was never performed in Lorca's time - it was first performed in this country by Theatre Royal Stratford East in the 80s. Play Without a Title, an unfinished Lorca rarity, realises his wish 'to do something different, including modern plays on the age we live in'.
Lorca: Six Major Plays

Lorca: Six Major Plays

Caridad Svich

NoPassport Press
2008
pokkari
LORCA: SIX MAJOR PLAYS gathers Federico Garcia Lorca's most well-known plays in English-language translations by US Latina dramatist Caridad Svich. This new collected edition (previously available only as single set volumes) includes preface by scholars James Leverett and Amy Rogoway. A welcome addition to the translation repertoire of Federico Garcia Lorca's works.
Lorca's Romancero Gitano

Lorca's Romancero Gitano

Herbert Ramsden

Manchester University Press
2008
nidottu
This poem-by-poem guide to Lorca’s Romancero gitano was prompted by the need for some form of guidance to the overwhelming amount of critical material published on the book, the relative neglect or misunderstanding of certain poems and a concern to counter a recent tendency to eccentric interpretation.Herbert Ramsden’s comprehensive collection of commentaries will be useful both for students and teachers and for the Lorca specialist. With each poem the author offers a brief introduction to relevant background material, a comprehensive commentary, a brief indication of interpretations notably different from his own and a select critical bibliography. In a more general bibliography, the author lists a number of translations of Romancero gitano into English and a selection of commentary-based studies. The great diversity and allusive richness of Lorca’s poetic masterpiece demands more space than a compact student edition allows, and all serious students of Romancero gitano will want to use Herbert Ramsden’s Eighteen commentaries alongside his simultaneously-published edition of the text.
Lorca's Experimental Theater

Lorca's Experimental Theater

Andrew A. Anderson

LOUISIANA STATE UNIVERSITY PRESS
2024
sidottu
Critical and historical discussions of the life and work of Federico García Lorca, Spain's foremost poet and playwright of the twentieth century, often obscure the author's more avant-garde dramatic works. In Lorca's Experimental Theater, Andrew A. Anderson focuses on four of Lorca's most challenging plays Amor de Don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título) and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca's plays can be considered conventional, these four works stand out in his corpus for challenging theatrical conventions most forcefully, both thematically and technically.With discussions of stagecraft, artistic modernism, and the historical avant-garde, Lorca's Experimental Theater provides detailed interpretive readings of the four plays, surveys their textual and performative history, and examines the most important contemporary influences on Lorca's creation of these expressive, innovative works.
Lorca Variations

Lorca Variations

Jerome Rothenberg

New Directions Publishing Corporation
1995
nidottu
As poet and experimental translator, pioneer in performance poetry and ethnopoetics, Jerome Rothenberg for over three decades has been a literary radical and prominent influence in the American avant-garde. Among his own earliest sources was the Spanish poet Federico Garcia Lorca, whose “composition through images … opened my mind to the contemporary poetry of Europe & of something possibly older & deeper that would surface for us in America as well.” Having recently returned to translating Lorca, Rothenberg began to appropriate and rearrange items of Lorca’s vocabulary and to compose a series of poems of his own that “both are & aren’t mine, both are & aren’t Lorca.” As an original work, The Lorca Variations are, as he describes them, “a way of coming full circle into a discovery that began with Lorca & for which he has stood with certain others as a guide & constant fellow-traveler.”
Lorca in Vermont

Lorca in Vermont

Patricia A. Billingsley

UNIVERSITY OF NEW MEXICO PRESS
2026
sidottu
A groundbreaking reassessment of the relationship between Federico García Lorca and American poet Philip Cummings and its impact on the poems in Lorca's landmark collection, Poet in New York. Lorca in Vermont tells the story of two young lovers with mismatched goals and expectations: Spanish poet Federico García Lorca, already well established in his career, who sought a sustained romantic relationship with another man, and Philip Cummings, a new college graduate eight years his junior with no interest in long-term commitment or in challenging social conventions. Based on over a decade of research, Lorca in Vermont explores the full course of Lorca’s relationship with Cummings, an affair that spanned three years and two continents. Combining unique access to primary sources, extensive original research, and a fresh analysis of published sources, the book describes not only the pair’s history as a couple but also the suppression of their relationship by Lorca scholars after the poet’s tragic death in 1936. Perhaps most importantly, it reveals previously unrecognized links between the disappointment and loss Lorca experienced in his relationship with Cummings and at least eight of the poems in his landmark collection Poet in New York, a work that has long intrigued and inspired other writers. The book brilliantly blends compelling new findings and an engaging narrative style in a page-turning tale that is a must read for anyone interested in Lorca and his legacy.
Lorca: Mariana Pineda

Lorca: Mariana Pineda

Aris Phillips Ltd
1987
nidottu
Mariana Pineda (1925) was Lorca's first success in the theatre. Based on a popular Andalusian ballad, it tells the story of Mariana Pineda who was garrotted in 1831 under the reactionary regime of Ferdinand VII for embroidering a Liberal flag and refusing to betray her lover. Written during the dictatorship of Primo de Rivera, the political message would not have escaped Lorca's audience. But the play is primarily the work of a poet and its appeal lies in the delicate tension that results from a deft blend of lyricism and drama which culminates in an astonishing level of spirituality in the final scenes when Mariana awaits her execution in a prison-convent. The characteristic themes of Lorca's tragedies - love, frustration, fate, freedom, death and womanhood - flourish within the play's appropriate and exquisite romantic mood. Spanish text with facing-page translation, introduction and commentary.
Lorca: Yerma

Lorca: Yerma

J. Minett; John E. Lyon

Aris Phillips Ltd
1987
nidottu
One of Lorca's best known plays tells the story of a young peasant wife in rural Spain whose sole conscious desire is to embody what she regards as the natural, moral and social laws governing her life as a woman in motherhood. The tragedy of Yerma, which literally means 'barren', in this powerful and emotive drama, is that she remains childless and so is denied the dignity and the emotional fulfilment which traditionally only the role of mother could bring. The frustration of Yerma's maternal instinct, the only acceptable channel for her sexuality in her repressive society, leads her through humiliation and despair to an erosion of her whole personality which culminates at the end of the play in violence and death. It is not only the strong feminist theme that accounts for the play's great popular appeal today. With the highly charged emotion are blended poetic imagery and lyricism which haunt the imagination of modern audiences as much as those of fifty years ago when Lorca was murdered. Spanish text with facing-page translation, introduction and notes.