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1000 tulosta hakusanalla Ludwig Stieda
Untersuchungen Uber Die Entwickelung Der Glandula Thymus, Glandula Thyreoidea Und Glandula Carotica
Ludwig Stieda
Nabu Press
2010
pokkari
Geschichte Der Entwickelung Der Lehre Von Den Nervenzellen Und Nervenfasern Wahrend Des XIX. Jahrhunderts.
Ludwig Stieda
Nabu Press
2012
pokkari
Ludwig: Gedichte Ludwigs Des Ersten, Konigs Von Bayern, Part
Ludwig
KESSINGER PUBLISHING, LLC
2010
nidottu
Ludwig
Sagwan Press
2018
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Nelle acque ferraresi giovani donne vengono ritrovate brutalmente assassinate, tutti gli indizi conducono il Commissario Fosco sulle tracce di un serial killer. Possibile che si tratti proprio di Ludwig, che segn la cronaca nera italiana con i suoi efferati delitti tra il 1977 e il 1984? Ma chi - o cosa - davvero Ludwig?
Ludwig
BoD - Books on Demand
2019
nidottu
Ludwig un uomo schivo e burbero, preda di un inverosimile tormento. Non l'immaginazione a svegliarlo di soprassalto nel cuore della notte, non la sordit che condiziona la vita del grande musicista ad avere la meglio sui suoi nervi gi scossi, c' qualcosa di misterioso che alberga nella dimora di Beethoven. Una nota di pianoforte suonata da qualcuno, risuona senza motivo nel silenzio della notte. Spariscono inspiegabilmente le partiture musicali di una sinfonia scritta di suo pugno e in mezzo a una girandola di sospetti, emerge prepotente e assurda la verit , una verit che ha dell'incredibile e che travalica i confini della razionalit . Intanto i personaggi, tutti assolutamente verosimili, vengono consultati dal grande compositore in preda a una frenesia quasi isterica nella ricerca disperata del ladro di pentagrammi, ma senza esiti. Holz, Schindler, il violinista Schuppanzigh e altri personaggi di spicco del mondo musicale di Ludwig, entrano nella trama quando la vicenda oramai si tinge inesorabilmente di giallo, un giallo dal retrogusto gotico. Ma ecco che un'inquietante figura irrompe sulla scena diventando, forse, la chiave di tutto... La penna di Alice Cesarini disegna, per la seconda volta, un piccolo capolavoro dal sapore ottocentesco che sottende a un'inclinazione del tutto moderna: fondere elementi classici con la letteratura del fantastico. Scorri verso l'alto, fai clic su "Acquista ora" e immergiti subito nel mistero della scomparsa delle partiture di Beethoven.
In this biography of Wittgenstein, the author interleaves the philosophical and emotional aspects of his subject's life.
"Great philosophical biographies can be counted on one hand. Monk's life of Wittgenstein is such a one."--The Christian Science Monitor.
Proposes a new way of listening to Beethoven by understanding his music as an expression of his entire self, not just the iconic scowl Despite the ups and downs of his personal life and professional career - even in the face of deafness - Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.
After his intellectual biography of Saint Augustine of Hippo, Miles Hollingworth now turns his attention to one of Augustine's greatest modern admirers: The Austrian philosopher Ludwig Wittgenstein. Wittgenstein's influence on post-war philosophical investigation has been pervasive, while his eccentric personal life has entered folklore. Yet his religious mysticism has remained elusive and undisturbed. In Ludwig Wittgenstein, Hollingworth continues to pioneer a new kind of biographical writing. It stands at the intersection of philosophy, theology, and literary criticism, and is as much concerned with the secret agendas of life writing as it is with its subjects. Here, Wittgenstein is allowed to become the ultimate test case. From first to last, his philosophy sought to demonstrate that intellectual certainty is a function of the method it employs, rather than a knowledge of the existence or non-existence of its objectsa devastating insight that appears to make the natural and the supernatural into equally useless examples of each other. Scattered in every direction by this challenge to meaning, this biography attempts to retrieve itself around the spirit of the man who could say such things. This act of recovery thus performs what could not otherwise be explained, which is something like Wittgenstein's private conversation with God.
Ludwig Tieck (1773-1853) was a major figure in German Romanticism, a poet, playwright and novelist who was also an influential art and theatre critic, the editor of Kleist and Novalis, and responsible for bringing out the famous Schegel-Tieck translation of Shakespeare. This book has condensed a mass of material to make a readable but accurate and comprehensive literary biography, the first complete study of Tieck since 1935. Its aim is to convey, through the study of one man's works, the climate of Romanticism, and to trace its progress from being a movement of aesthetic protest and experiment to one of national awareness. The present book is an attempt to present the material in a form which makes it accessible to all Germanists, and to present Tieck's life and times in such as way as to illuminate a central phase in German and European literary history. English translations are provided of the German quotations.
Combines interpretations of individual works which go into issues of composition and musical history, instead of merely duplicating in words what can already be read in the scores, with excursions into the musical aesthetics of the period around 1800, a "classical" period in art history.
The book presents the life and personality, the scientific and philosophical work of Ludwig Boltzmann, one of the great scientists who marked the passage from 19th to 20th century physics. His rich and tragic life, ending by suicide at the age of 62, is described in detail. A substantial part of the book is devoted to discussing his scientific and philosophical ideas and placing them in the context of the second half of the 19th century. The fact that Boltzmann was the man who did most to establish that there is a microscopic, atomic structure underlying macroscopic bodies is documented, as is Boltzmann's influence on modern physics, especially through the work of Planck on light quanta and of Einstein on Brownian motion. Boltzmann was the centre of a scientific revolution, and he has been proved right on many crucial issues. He anticipated Kuhn's theory of scientific revolutions and proposed a theory of knowledge based on Darwin. His basic results, when properly understood, can also be stated as mathematical theorems. Some of these have been proved; others are still at the level of likely but unproven conjectures. The main text of this biography is written almost entirely without equations. Mathematical appendices deepen knowledge of some technical aspects of the subject.
This book presents the life and personality, the scientific and philosophical work of Ludwig Boltzmann, one of the great scientists who marked the passage from 19th- to 20th-Century physics. His rich and tragic life, ending by suicide at the age of 62, is described in detail. A substantial part of the book is devoted to discussing his scientific and philosophical ideas and placing them in the context of the second half of the 19th century. The fact that Boltzmann was the man who did most to establish that there is a microscopic, atomic structure underlying macroscopic bodies is documented, as is Boltzmann's influence on modern physics, especially through the work of Planck on light quanta and of Einstein on Brownian motion. Boltzmann was the centre of a scientific upheaval, and he has been proved right on many crucial issues. He anticipated Kuhn's theory of scientific revolutions and proposed a theory of knowledge based on Darwin. His basic results, when properly understood, can also be stated as mathematical theorems. Some of these have been proved: others are still at the level of likely but unproven conjectures. The main text of this biography is written almost entirely without equations. Mathematical appendices deepen knowledge of some technical aspects of the subject.