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1000 tulosta hakusanalla Luigi Luzzatti
Notice sur Gladstone. Institut de France, Académie des sciences morales et politiques
Luigi Luzzatti
Hachette Livre Bnf
2021
pokkari
Le rivelazioni della previdenza all'Esposizione nazionale di Milano
Luigi Luzzatti
Outlook Verlag
2023
pokkari
Ristampa immutata dell'edizione originale del 1882.
Le rivelazioni della previdenza all'Esposizione nazionale di Milano
Luigi Luzzatti
Outlook Verlag
2023
sidottu
Ristampa immutata dell'edizione originale del 1882.
Freiheit Des Gewissens Und Wissens: Studien Zur Trennung Von Staat Und Kirche. Einzig Autorisierte Ubersetzung Von Jakob Bluwstein
Luigi Luzzatti
Duncker Humblot
2013
nidottu
Im Rahmen des Projekts Duncker & Humblot reprints heben wir Schatze aus dem Programm der ersten rund 150 Jahre unserer Verlagsgeschichte, von der Grundung 1798 bis zum Ende des Zweiten Weltkriegs 1945. Lange vergriffene Klassiker und Fundstucke aus den Bereichen Rechts- und Staatswissenschaften, Wirtschafts- und Sozialwissenschaften, Geschichte, Philosophie und Literaturwissenschaft werden nach langer Zeit wieder verfugbar gemacht.
Le rivelazioni della previdenza all'Esposizione nazionale di Milano
Luigi Luzzatti
Antigonos Verlag
2025
nidottu
Ristampa immutata dell'edizione originale del 1882. La casa editrice Antigonos specializzata nella pubblicazione di ristampe di libri storici. Ci assicuriamo che queste opere siano messe a disposizione del pubblico in buone condizioni, al fine di preservare il patrimonio culturale.
Le rivelazioni della previdenza all'Esposizione nazionale di Milano
Luigi Luzzatti
Antigonos Verlag
2025
sidottu
Ristampa immutata dell'edizione originale del 1882. La casa editrice Antigonos specializzata nella pubblicazione di ristampe di libri storici. Ci assicuriamo che queste opere siano messe a disposizione del pubblico in buone condizioni, al fine di preservare il patrimonio culturale.
God in Freedom: Studies in the Relations Between Church and State
Luigi Luzzatti; Alfonso Arbib-Costa
Literary Licensing, LLC
2013
nidottu
Autobiographie S.D. Luzzato's, Biographie Ezechia Luzzatto's und Luigi Pasquali's
Antigonos Verlag
2024
sidottu
In 1943, following the Armistice in Italy, many Prisoners of War were released by their guards but found themselves fugitives in a country over-run by the Germans. One such prisoner was known in Italy as Luigi. Realising that the Allies were not yet in his part of the country, he decided to walk from Padua in the north to reach the front-line in the south. During the course of his arduous journey through the backwaters of Italy he was hidden and given sanctuary by two Italian farming families. In 1949 he took his fiancée to meet them. Sadly, having survived the war he died in 1959 leaving his Italian friends unaware of his tragic death.
Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
Luigi Russolo (1885-1947) - painter, composer, builder of musical instruments, and first-hour member of the Italian Futurist movement - was a crucial figure in the evolution of twentieth-century aesthetics. As creator of the first systematic poetics of noise and inventor of what has been considered the first mechanical sound synthesizer, Russolo looms large in the development of twentieth-century music. In the first English language study of Russolo, Luciano Chessa emphasizes the futurist's interest in the occult, showing it to be a leitmotif for his life and a foundation for his art of noises. Chessa shows that Russolo's aesthetics of noise, and the machines he called the intonarumori, were intended to boost practitioners into higher states of spiritual consciousness. His analysis reveals a multifaceted man in whom the drive to keep up with the latest scientific trends coexisted with an embrace of the irrational, and a critique of materialism and positivism.
Luigi Pirandello, 1867 - 1936, 3rd Edition
Walter Starkie
University of California Press
2022
sidottu
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
Luigi Pirandello, 1867 - 1936, 3rd Edition
Walter Starkie
University of California Press
2022
pokkari
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
Luigi Dallapiccola and Musical Modernism in Fascist Italy
Earle Ben
Cambridge University Press
2013
sidottu
Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo.